1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:02,502 --> 00:00:05,305 >> Announcer: LIVE FROM THE BARKER HANGAR IN SANTA MONICA, 3 00:00:05,372 --> 00:00:11,544 CALIFORNIA, IT'S THE 28th ANNUAL "SCREEN ACTORS GUILD AWARDS." 4 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 5 00:00:11,611 --> 00:00:14,948 JOIN US AS THE ACTING COMMUNITY HONORS THE YEAR'S GREATEST 6 00:00:15,015 --> 00:00:18,818 PERFORMANCES IN FILM AND TELEVISION. 7 00:00:18,885 --> 00:00:33,033 GETTING THE PARTY STARTED WITH TAITTINGER CHAMPAGNE IS 8 00:00:33,099 --> 00:00:36,970 DESEAN K. TERRY. 9 00:00:37,037 --> 00:00:40,073 >> Announcer: AWARDS SEASON IS BACK! 10 00:00:40,140 --> 00:00:45,545 AND WE'RE TOGETHER AGAIN. 11 00:00:45,612 --> 00:00:47,680 >> WE'RE GOING TO NEED YOU TO GET ON DOWN HERE. 12 00:00:47,747 --> 00:00:52,385 HEY THERE. 13 00:00:52,452 --> 00:00:57,724 LET'S GO! 14 00:00:57,791 --> 00:01:03,696 SO, UMM, I GOT MY SAG CARD WHEN I WAS 11, MAKING MY FIRST FILM. 15 00:01:03,763 --> 00:01:06,666 AND I WAS SO EXCITED TO BE ON A FILM SET AND FOR ALL THE FREE 16 00:01:06,733 --> 00:01:08,868 SODA. 17 00:01:08,935 --> 00:01:12,472 YOU KNOW, AS MUCH SODA AS I WANTED, I WOULD DO A SCENE, 18 00:01:12,539 --> 00:01:14,641 DRINK A SODA, DO A SCENE, DRINK A SODA. 19 00:01:14,707 --> 00:01:18,111 I WAS HITTING IT HARD. 20 00:01:18,178 --> 00:01:21,948 AND, UMM PLEASE PAY ATTENTION TO ME. 21 00:01:22,015 --> 00:01:24,184 THIS IS IMPORTANT, MAN. 22 00:01:24,250 --> 00:01:29,155 SO THE DIRECTOR COMES UP TO ME AND HE SITS ME DOWN, AND HE 23 00:01:29,222 --> 00:01:32,859 SAYS, NICK, YOUR FACE IS GETTING ROUNDER. 24 00:01:32,926 --> 00:01:36,763 OKAY, YOUR FACE IS CHANGING FROM THE BEGINNING OF THE SHOOT. 25 00:01:36,830 --> 00:01:41,835 WE'RE GOING TO NEED YOU TO STOP DRINKING SO MUCH SODA. 26 00:01:41,901 --> 00:01:46,840 IT WAS THE BEST N I EVER GOT. 27 00:01:46,906 --> 00:01:49,242 I'M NICHOLAS BRAUN, AND I AM AN ACTOR. 28 00:01:49,309 --> 00:02:01,855 [ APPLAUSE ] LET'S GO! 29 00:02:01,921 --> 00:02:06,860 >> MY LOVING MOTHER WAS ONE OF THE MOST BELOVED WOMEN ACTRESSES 30 00:02:06,926 --> 00:02:10,697 OF HER GENERATION, AND SHE PASSED HER LOVE AND RESPECT FOR 31 00:02:10,763 --> 00:02:11,931 HER CRAFT TO HER CHILDREN. 32 00:02:11,998 --> 00:02:15,935 MY BROTHER AND SISTER ARE WORKING ACTORS TODAY. 33 00:02:16,002 --> 00:02:20,206 I AM VERY PROUD TO SAY I AM AN ACTOR. 34 00:02:20,273 --> 00:02:30,183 [ APPLAUSE ] >> OH, ME. 35 00:02:30,250 --> 00:02:32,652 MY FIRST KISS IN A FILM WAS ALSO MY FIRST KISS IN REAL LIFE. 36 00:02:32,719 --> 00:02:37,991 I WAS 13 AND THE BOY I KISSED ONLY WORKED FOR THAT ONE DAY. 37 00:02:38,057 --> 00:02:41,661 IT WAS ALSO HIS FIRST ACTING JOB. 38 00:02:41,728 --> 00:02:47,767 I WONDER IF THAT GOT HIM HIS SAG CARD? 39 00:02:47,834 --> 00:02:51,971 YEARS LATER, THE DIRECTOR TOLD ME THAT HE PUT THE VERY FIRST 40 00:02:52,038 --> 00:02:53,406 TAKE OF THE KISS IN THE FILM. 41 00:02:53,473 --> 00:02:55,842 SO I GUESS I WAS A NATURAL. 42 00:02:55,909 --> 00:02:56,809 I'M ELLE FANNING. 43 00:02:56,876 --> 00:02:58,311 AND I'M AN ACTOR. 44 00:02:58,378 --> 00:03:12,425 [ APPLAUSE ] [ OVERLAPPING SPEAKERS ] 45 00:03:12,492 --> 00:03:13,760 >> SORRY. 46 00:03:13,826 --> 00:03:22,735 [ OVERLAPPING SPEAKERS ] >> LOOK, IN A TIME LIKE THIS, 47 00:03:22,802 --> 00:03:25,605 THE STAR OF THE SHOW SHOULD GO FIRST. 48 00:03:25,672 --> 00:03:27,640 >> GOOD IDEA. 49 00:03:27,707 --> 00:03:31,010 [ OVERLAPPING SPEAKERS ] >> ONE OF YOU SHOULD GO FIRST. 50 00:03:31,077 --> 00:03:34,113 YOU'RE BOTH FORMER NOMINEES. 51 00:03:34,180 --> 00:03:36,449 >> YOU HAD LIKE FOUR MOVIES COME OUT THIS YEAR, TAKE IT. 52 00:03:36,516 --> 00:03:41,554 >> BUT DAVEED, YOU'VE BEEN KILLING IT, TOO. 53 00:03:41,621 --> 00:03:44,257 "SNOW PIERCER." 54 00:03:44,324 --> 00:03:50,396 >> I AM OBSESSED WITH IT. 55 00:03:50,463 --> 00:03:52,498 >> MY ALL MEANS YOU SHOULD GO FIRST. 56 00:03:52,565 --> 00:03:54,867 >> SERIOUSLY, IT SHOULD BE ONE OF YOU GUYS. 57 00:03:54,934 --> 00:04:00,506 ♪ >> ARE THEY PLAYING US OFF? 58 00:04:00,573 --> 00:04:04,510 >> WOW! 59 00:04:04,577 --> 00:04:08,047 >> CAN I JUST TAKE TIME TO THANK MY PUBLIC? 60 00:04:08,114 --> 00:04:09,282 >> NO. 61 00:04:09,349 --> 00:04:10,650 I'M DAVEED DIGGS AND I'M AN ACTOR. 62 00:04:10,717 --> 00:04:12,485 >> LET'S START THE SHOW! 63 00:04:12,552 --> 00:04:15,388 >> Announcer: LADIES AND GENTLEMEN, DAVEED DIGGS, 64 00:04:15,455 --> 00:04:17,724 LIN-MANUEL MIRANDA AND LESLIE ODOM JR. 65 00:04:17,790 --> 00:04:29,302 [ APPLAUSE ] >> THERE'S NO CHANCE WITHOUT ME. 66 00:04:29,369 --> 00:04:34,240 >> WELCOME TO THE 28th ANNUAL "SCREEN ACTORS GUILD AWARDS." 67 00:04:34,307 --> 00:04:36,309 IT IS SO GOOD TO SEE YOU IN PERSON. 68 00:04:36,376 --> 00:04:38,578 THANK YOU FOR BEING HERE. 69 00:04:38,645 --> 00:04:42,315 APPROPRIATELY ENOUGH THE THEME TONIGHT IS "TOGETHER AGAIN." 70 00:04:42,382 --> 00:04:45,718 >> RIGHT, FINALLY WE RETURN TO A WORLD WHERE ALL WE HAVE TO DO TO 71 00:04:45,785 --> 00:04:50,423 HANG OUT LIKE THIS IS GET DRESSED UP, SHOW UP, GET 72 00:04:50,490 --> 00:04:57,263 SWABBED, SANITIZED, SCREEN, BOOSTED, AND PCR CLEARED WITHIN 73 00:04:57,330 --> 00:04:58,064 48 HOURS. 74 00:04:58,131 --> 00:04:59,932 NOW WHO IS READY TO PARTY? 75 00:04:59,999 --> 00:05:03,803 >> SERIOUSLY, WE'RE FOLLOWING THE MOST UP-TO-DATE SAFETY 76 00:05:03,870 --> 00:05:05,672 GUIDELINES TONIGHT. 77 00:05:05,738 --> 00:05:11,344 IF ANYONE BREAKS THE RULES, OUR COVID COMPLIANCE OFFICERS ARE 78 00:05:11,411 --> 00:05:13,246 FROM "SQUID GAME." 79 00:05:13,313 --> 00:05:23,523 >> ALMOST ALL OF OUR NOMINEES ARE HERE TONIGHT. 80 00:05:23,589 --> 00:05:28,027 >> ANDREW GARFIELD IS NOMINATED TONIGHT FOR HUS OUTSTANDING 81 00:05:28,094 --> 00:05:33,299 PERFORMANCE IN "TICK, TICK BOOM." 82 00:05:33,366 --> 00:05:36,336 SIT A MUSICAL ABOUT WRITING A MUSICAL. 83 00:05:36,402 --> 00:05:39,639 >> NOW THAT YOU'VE DONE A MUSICAL ABOUT WRITING A MUSICAL, 84 00:05:39,706 --> 00:05:42,475 EVER THOUGHT ABOUT DOING A MUSICAL ABOUT DOING A MUSICAL 85 00:05:42,542 --> 00:05:44,410 ABOUT WRITING A MUSICAL? 86 00:05:44,477 --> 00:05:45,311 >> JUST NOW. 87 00:05:45,378 --> 00:05:47,380 AND NETFLIX JUST BOUGHT IT. 88 00:05:47,447 --> 00:05:48,715 THANK YOU. 89 00:05:48,781 --> 00:05:52,652 >> LADY GAGA IS UP FOR FEMALE ACTRESS AND LEADING ROLE 90 00:05:52,719 --> 00:05:54,020 TONIGHT. 91 00:05:54,087 --> 00:05:56,856 TO ADD TO HER COLLECTION OF ACCOLADES, WHICH INCLUDE AN 92 00:05:56,923 --> 00:06:01,928 OSCAR, 12 GRAMMYS, AND I DID NOT KNOW, THIS AN ULTIMATE FIGHTING 93 00:06:01,994 --> 00:06:02,528 CHAMPIONSHIP BELT. 94 00:06:02,595 --> 00:06:04,831 THAT'S AMAZING. 95 00:06:04,897 --> 00:06:08,501 >> ALSO TOM NATED, JAVIER BARDEM. 96 00:06:08,568 --> 00:06:13,639 A PREVIOUS SAG AWARD WINNER FOR "NO COUNTRY FOR OLD MEN." 97 00:06:13,706 --> 00:06:16,442 HIS WIG FROM THAT FILM MAKES AN APPEARANCE THIS YEAR IN 98 00:06:16,509 --> 00:06:17,643 "BELFAST." 99 00:06:17,710 --> 00:06:22,682 [ LAUGHTER ] >> SO GOOD LUCK TO ALL THE 100 00:06:22,749 --> 00:06:24,884 NOMINEES TONIGHT AND AGAIN, THANK YOU FOR BEING HERE. 101 00:06:24,951 --> 00:06:27,653 WITHOUT FURTHER ADO, LET'S ENJOY SOME OF THE PAST YEAR'S 102 00:06:27,720 --> 00:06:29,122 INCREDIBLE PERFORMANCES. 103 00:06:29,188 --> 00:06:39,165 [ APPLAUSE ] ♪ 104 00:06:39,232 --> 00:06:46,773 [ APPLAUSE ] ♪ 105 00:06:46,839 --> 00:06:47,473 >> ALL RIGHT. 106 00:06:47,540 --> 00:06:49,075 LET'S GET TO WORK. 107 00:06:49,142 --> 00:06:55,181 ♪ ♪ I CAME, I SAW, I CONQUERED 108 00:06:55,248 --> 00:06:59,786 ♪ NEVER GOT NO PRIZE >> I'M GOING TO SHAKE UP THIS 109 00:06:59,852 --> 00:07:01,320 WORLD. 110 00:07:01,387 --> 00:07:07,994 ♪ I WAS REPLACED BY MONSTERS ♪ NOW LOOK AROUND, AS FAR AS WE 111 00:07:08,060 --> 00:07:15,568 CAN SEE ♪ ♪ 112 00:07:15,635 --> 00:07:18,404 >> YOU HAVE TO DISTURB THE PEACE OR YOU CAN GET NO PEACE. 113 00:07:18,471 --> 00:07:28,448 >> OH, THAT IS A VERY GOOD LINE. 114 00:07:28,514 --> 00:07:36,322 >> OH, THAT IS A VERY GOOD LINE. 115 00:07:36,389 --> 00:07:38,624 >> EACH THOUGH YOU'RE BRIGHT, YOU STILL HAVE TO WORK REALLY 116 00:07:38,691 --> 00:07:42,862 HARD. 117 00:07:42,929 --> 00:07:47,934 [ CHEERS AND APPLAUSE ] >> WHILE TONIGHT IS A 118 00:07:48,000 --> 00:07:50,903 CELEBRATION, WE ARE ALL AT THE SAME TIME HOLDING A PLACE IN OUR 119 00:07:50,970 --> 00:07:54,574 HEARTS FOR THE PEOPLE OF UKRAINE AND SENDING OUR THOUGHTS, 120 00:07:54,640 --> 00:07:59,912 PRAYERS, AND HOPES FOR IMPENDING PEACE. 121 00:07:59,979 --> 00:08:07,119 [ APPLAUSE ] ♪ 122 00:08:07,186 --> 00:08:08,087 >> Announcer: PLEASE WELCOME, JESSICA CHASTAIN AND 123 00:08:08,154 --> 00:08:09,188 OSCAR ISAAC. 124 00:08:09,255 --> 00:08:17,096 [ APPLAUSE ] >> HELLO. 125 00:08:17,163 --> 00:08:20,766 THOSE HIGHLIGHTS WE SAW, THEY WERE MAKING ME REALIZE HOW MANY 126 00:08:20,833 --> 00:08:23,169 INCREDIBLE PERFORMANCES ARE OUT THERE. 127 00:08:23,236 --> 00:08:26,038 I'VE BEEN PUTTING IN A LOT OF HEAVY SCREEN TIME. 128 00:08:26,105 --> 00:08:28,674 >> IT'S NOT JUST YOU, OSCAR. 129 00:08:28,741 --> 00:08:32,278 THAT IS EVERY EVENING OF MY LIFE THIS PAST YEAR, MINUS THE 130 00:08:32,345 --> 00:08:33,212 OCCASIONAL BOX OF WINE. 131 00:08:33,279 --> 00:08:34,780 >> INDEED, INDEED. 132 00:08:34,847 --> 00:08:38,951 OUR FIRST AWARD TONIGHT GOES TO ONE OF FIVE ACTORS WE HAVE LOVED 133 00:08:39,018 --> 00:08:40,386 WATCHING. 134 00:08:40,453 --> 00:08:49,061 >> HERE ARE THE NOMINEES FOR MALE ACTORS IN A SUPPORTING 135 00:08:49,128 --> 00:08:56,102 ROLE. 136 00:08:56,168 --> 00:09:03,242 S IS SO I'M GOING TO FIGHT LIKE HELL TO STAY OUT ON THE WATER. 137 00:09:03,309 --> 00:09:06,712 >> JARED LETO, "HOUSE OF GUCCI." 138 00:09:06,779 --> 00:09:11,551 >> WHY DID YOU NOT TALK TO ME? 139 00:09:11,617 --> 00:09:13,152 GUCCI IS MY NAME, TOO! 140 00:09:13,219 --> 00:09:20,393 [ APPLAUSE ] BRADLEY COOPER, "LICORICE 141 00:09:20,459 --> 00:09:21,027 PIZZA." 142 00:09:21,093 --> 00:09:21,861 >> SHE CALL? 143 00:09:21,928 --> 00:09:23,596 >> NO. 144 00:09:23,663 --> 00:09:35,007 >> DAMN IT, STEVE! 145 00:09:35,074 --> 00:09:41,247 THERE'S NO GAS IN THE CAR, STEVE-O! 146 00:09:41,314 --> 00:09:44,617 >> CODY McFEE "THE POWER OF THE DOG." 147 00:09:44,684 --> 00:09:48,154 >> HOW LONG DO YOU THINK IT WILL TAKE TO FINISH THAT ROOM? 148 00:09:48,220 --> 00:09:54,627 >> I'LL HAVE IT FINISHED BEFORE YOU GO BACK TO SCHOOL. 149 00:09:54,694 --> 00:09:56,996 >> WELL, CONTINUE BE VERY LONG, PHIL. 150 00:09:57,063 --> 00:10:07,406 [ APPLAUSE ] >> BEN AFFLECK "THE TENDER BAR." 151 00:10:07,473 --> 00:10:13,346 >> YOU'VE GOT TO HAVE IT. 152 00:10:13,412 --> 00:10:18,384 I DON'T KNOW WHAT IT IS. 153 00:10:18,451 --> 00:10:31,330 >> AND THE ACTOR GOES TO -- TROY KOTSUR! 154 00:10:31,397 --> 00:10:41,374 [ CHEERS AND APPLAUSE ] ♪ 155 00:10:41,440 --> 00:10:51,417 [ CHEERS AND APPLAUSE ] ♪ 156 00:10:51,484 --> 00:11:05,631 [ CHEERS AND APPLAUSE ] ♪ 157 00:11:05,698 --> 00:11:10,302 >> WOW! 158 00:11:10,369 --> 00:11:14,607 WOW! 159 00:11:14,674 --> 00:11:18,544 THANK YOU SO MUCH TO ALL THE MEMBERS OF SAG. 160 00:11:18,611 --> 00:11:20,312 I AM SO PROUD TO BE A MEMBER. 161 00:11:20,379 --> 00:11:23,916 I'VE BEEN A MEMBER SINCE 2001, AND SO NOW I FEEL LIKE I'M 162 00:11:23,983 --> 00:11:25,551 FINALLY PART OF THE FAMILY. 163 00:11:25,618 --> 00:11:29,488 AND I KNOW YOU ALL ARE ARTISTS, AND I KNOW WHAT YOU ALL KNOW 164 00:11:29,555 --> 00:11:32,625 WHAT IT'S LIKE TO BE A STARVING ACTOR. 165 00:11:32,692 --> 00:11:34,593 BACK THEN I USED TO SLEEP IN MY CAR. 166 00:11:34,660 --> 00:11:37,129 I SLEPT IN MY DRESSING ROOM BACKSTAGE. 167 00:11:37,196 --> 00:11:43,402 I COUCH SURFED, AND ALL OF THAT, YOU FEEL ME, RIGHT? 168 00:11:43,469 --> 00:11:45,137 AND SO THANK YOU SO MUCH. 169 00:11:45,204 --> 00:11:50,042 I'M SO GRATEFUL TO SAG TO PROTECT US ACTORS. 170 00:11:50,109 --> 00:11:55,581 AND NOW, THE PRODUCERS, THANK YOU SO MUCH FOR HAVING FAITH IN 171 00:11:55,648 --> 00:11:57,016 OUR PROJECT. 172 00:11:57,083 --> 00:12:01,087 THEY REALLY BELIEVED IN US, AND THEY BELIEVED IN OUR AMAZING 173 00:12:01,153 --> 00:12:05,191 DIRECTOR, SHAWN HADER, WHO IS A FINE DIRECTOR. 174 00:12:05,257 --> 00:12:12,298 I LOVE OUR CAST, MARLEY, DANIEL. 175 00:12:12,364 --> 00:12:14,700 AMELIA, DANIEL AND AMY, THANK YOU SO MUCH. 176 00:12:14,767 --> 00:12:17,803 WHAT A TALENTED CAST. 177 00:12:17,870 --> 00:12:22,441 AND I'M SO GRATEFUL TO APPLE TV PLUS FOR ALL OF THEIR SUPPORT 178 00:12:22,508 --> 00:12:27,213 AND ACCESS, LIKE BURNED IN CLOSED CAPTIONING, PROVIDING ASL 179 00:12:27,279 --> 00:12:30,850 INTERPRETING SERVICES AND BELIEVING IN US DEAF ACTORS AND 180 00:12:30,916 --> 00:12:34,754 CASTING US AUTHENTICALLY AS ACTORS WHO ARE DEAF. 181 00:12:34,820 --> 00:12:38,424 SO HATS OFF TO APPLE TV PLUS. 182 00:12:38,491 --> 00:12:42,962 AND FINALLY, MY WIFE. 183 00:12:43,028 --> 00:12:45,264 SHE IS STILL HERE WITH ME TODAY. 184 00:12:45,331 --> 00:12:48,434 SHE'S BEEN WITH ME THROUGH ALL THESE YEARS OF STRUGGLE. 185 00:12:48,501 --> 00:12:51,570 THANK YOU SO MUCH FOR BEING MY BACKBONE, AND THANK YOU FOR 186 00:12:51,637 --> 00:12:52,371 SUPPORTING ME. 187 00:12:52,438 --> 00:12:53,506 I LOVE YOU. 188 00:12:53,572 --> 00:12:58,043 [ APPLAUSE ] AND MY DAUGHTER, MY DAUGHTER, 189 00:12:58,110 --> 00:12:59,512 KEIRA, TOO. 190 00:12:59,578 --> 00:13:02,148 YOU KNOW, KEIRA, THIS AWARD IS NOT FOR YOU TO HANG YOUR JEWELRY 191 00:13:02,214 --> 00:13:03,816 ON, ALL RIGHT? 192 00:13:03,883 --> 00:13:07,787 KEEP THAT IN MIND. 193 00:13:07,853 --> 00:13:12,625 AND FINALLY, THANK YOU TO MY WIFE FOR REMINDING ME TO CHECK 194 00:13:12,691 --> 00:13:15,194 MY FLY BEFORE WALKING ON THE RED CARPET. 195 00:13:15,261 --> 00:13:16,662 THANK YOU. 196 00:13:16,729 --> 00:13:18,397 LOVE YOU ALL. 197 00:13:18,464 --> 00:13:23,502 [ APPLAUSE ] >> Announcer: AND NOW, 198 00:13:23,569 --> 00:13:33,946 CATE BLANCHETT, TYLER TERRY AND MERYL STREEP. 199 00:13:34,013 --> 00:13:48,327 [ APPLAUSE ] >> TONIGHT'S FIRST NOMINEE FOR 200 00:13:48,394 --> 00:13:53,599 CAST IN A MOTION, TWO ASTROM HERS DISCOVER A COMET ON A 201 00:13:53,666 --> 00:13:57,069 COLLISION COURSE TO EARTH AND SCRAMBLE TO WARN THE PUBLIC. 202 00:13:57,136 --> 00:14:02,107 >> UNFORTUNATELY, ARMAGEDDON ISN'T SEXY. 203 00:14:02,174 --> 00:14:04,743 >> WELL, YOU THOUGHT IT WAS. 204 00:14:04,810 --> 00:14:10,149 AND WHILE THE THREAT OF HUMANITY'S IMMINENT EXTINCTION 205 00:14:10,216 --> 00:14:14,420 MIGHT BE INTERESTING, IT'S NOTHING TO GET WORKED UP FOR. 206 00:14:14,486 --> 00:14:20,726 >> A METAPHOR OF THE CLIMATE CRISIS WE ALL FACE. 207 00:14:20,793 --> 00:14:30,102 AND A CATASTROPHIC -- >> I HEAR THERE'S SOMETHING YOU 208 00:14:30,169 --> 00:14:31,570 DON'T LIKE THE LOOKS OF. 209 00:14:31,637 --> 00:14:33,739 >> WE DISCOVERED A LARGE COMET. 210 00:14:33,806 --> 00:14:36,308 >> IT'S HEADED DIRECTLY TOWARDS US. 211 00:14:36,375 --> 00:14:39,411 >> THIS COMET IS WHAT WE CALL A PLANET KILLER. 212 00:14:39,478 --> 00:14:40,679 >> HOW BIG IS THIS? 213 00:14:40,746 --> 00:14:43,015 CAN IT DESTROY MY EX-WIFE'S HOUSE, IS THAT POSSIBLE? 214 00:14:43,082 --> 00:14:46,852 >> THERE IT IS, A GIANT COMET. 215 00:14:46,919 --> 00:14:47,586 >> COMES TOWARDS EARTH! 216 00:14:47,653 --> 00:14:49,622 >> CAN YOU SEE IT? 217 00:14:49,688 --> 00:14:55,494 [ APPLAUSE ] >> Announcer: PLEASE WELCOME 218 00:14:55,561 --> 00:15:04,703 SELENA GOMEZ AND MARTIN SHORT. 219 00:15:04,770 --> 00:15:06,605 >> THANK YOU SO MUCH. 220 00:15:06,672 --> 00:15:07,740 YOU'RE VERY KIND AND RIGHT. 221 00:15:07,806 --> 00:15:13,612 [ LAUGHTER ] WELL, HERE WE ARE, AT THE SHAG 222 00:15:13,679 --> 00:15:15,981 AWARDS, HONORING THIS YEAR'S BEST PERFORMANCE IN ADULT FILMS. 223 00:15:16,048 --> 00:15:19,551 >> ALL RIGHT. 224 00:15:19,618 --> 00:15:20,786 IT'S THE SAG AWARDS. 225 00:15:20,853 --> 00:15:23,555 >> OH, WELL, THAT MAKES SO MUCH MORE SENSE. 226 00:15:23,622 --> 00:15:24,990 I WAS SURPRISED TO SEE MERYL STREEP. 227 00:15:25,057 --> 00:15:31,730 [ LAUGHTER ] WHAT A SHAME THE GREAT STEVE 228 00:15:31,797 --> 00:15:33,632 MARTIN COULDN'T JOIN US TONIGHT. 229 00:15:33,699 --> 00:15:37,569 FOR THE THREE OF US ARE REALLY A FAMILY. 230 00:15:37,636 --> 00:15:40,606 >> WE OFTEN EAT MEALS TOGETHER IN TOTAL SILENCE. 231 00:15:40,673 --> 00:15:42,207 >> IT'S TRUE. 232 00:15:42,274 --> 00:15:46,412 ALL RIGHT, THEN, LET'S GET ON WITH DOING GOD'S WORK AND GIVE 233 00:15:46,478 --> 00:15:47,179 ANOTHER ACTOR AN AWARD. 234 00:15:47,246 --> 00:15:56,455 [ LAUGHTER ] >> YES. 235 00:15:56,522 --> 00:15:59,491 LEAVE THE AUDIENCE WANTING LESS. 236 00:15:59,558 --> 00:16:07,499 HERE ARE THE NOMINEES FOR FEMALE ACTOR IN A SUPPORTING ROLE. 237 00:16:07,566 --> 00:16:08,367 CATE BLANCHETT, "NIGHTMARE ALLEY." 238 00:16:08,434 --> 00:16:13,572 >> YOU'RE A SMALL, SMALL MAN. 239 00:16:13,639 --> 00:16:24,249 [ APPLAUSE ] RUTH NEGGA, "PASSING." 240 00:16:24,316 --> 00:16:28,988 >> YOU HAVE A TRUE, GOOD LIFE, AND YOU'RE FREE. 241 00:16:29,054 --> 00:16:34,626 FREE AND SAFE. 242 00:16:34,693 --> 00:16:43,135 >> CAITRIONA BALFE, "BELFAST." 243 00:16:43,202 --> 00:16:47,706 >> I ASKED MYSELF, WHAT THE HELL AM I DOING? 244 00:16:47,773 --> 00:16:55,681 [ APPLAUSE ] KIRSTEN DUNST, "THE POWER OF THE 245 00:16:55,748 --> 00:17:01,553 DOG." 246 00:17:01,620 --> 00:17:05,924 >> I PLAYED IN THE CINEMA FOR HOURS AND HOURS. 247 00:17:05,991 --> 00:17:07,292 I'M SO SORRY. 248 00:17:07,359 --> 00:17:12,364 [ APPLAUSE ] ARIANA DEBOSE, "WEST SIDE 249 00:17:12,431 --> 00:17:16,335 STORY." 250 00:17:16,402 --> 00:17:22,074 >> YOU THINK THAT I'M GOING BACK HOME TO PUERTO RICO WITH SIX 251 00:17:22,141 --> 00:17:22,741 KIDS? 252 00:17:22,808 --> 00:17:24,610 YOU ARE DREAMING. 253 00:17:24,676 --> 00:17:35,120 [ APPLAUSE ] >> ALL RIGHT. 254 00:17:35,187 --> 00:17:37,256 WHO'S EXCITED? 255 00:17:37,322 --> 00:17:38,757 >> I'M EXCITED. 256 00:17:38,824 --> 00:17:42,161 >> ALTHOUGH IT'S HARD TO EXPRESS BY EXCITEMENT, BECAUSE THE BOTOX 257 00:17:42,227 --> 00:17:43,695 IS FRESH. 258 00:17:43,762 --> 00:17:49,668 [ LAUGHTER ] >> ALL RIGHT. 259 00:17:49,735 --> 00:17:51,036 MINE, TOO. 260 00:17:51,103 --> 00:17:57,376 AND THE ACTOR GOES TO -- OH, WAIT, WHY WON'T IT COME OUT? 261 00:17:57,443 --> 00:17:58,410 >> THERE IT IS. 262 00:17:58,477 --> 00:18:00,379 >> ARIANA DEBOSE, "WEST SIDE STORY"! 263 00:18:00,446 --> 00:18:06,552 [ APPLAUSE ] >> ARIANA DEBOSE CELEBRATES HER 264 00:18:06,618 --> 00:18:09,388 FIRST WIN AND FIRST NOMINATION. 265 00:18:09,455 --> 00:18:18,597 THIS IS HER FIRST WIN WITH THE SCREEN ACTORS GLD AWARDS. 266 00:18:18,664 --> 00:18:28,640 ♪ >> OH, MY GOSH. 267 00:18:28,707 --> 00:18:36,782 ♪ >> OH, MY GOSH. 268 00:18:36,849 --> 00:18:40,786 THANK YOU. 269 00:18:40,853 --> 00:18:44,857 MY HEART IS BEATING IN MY CHEST RIGHT NOW. 270 00:18:44,923 --> 00:18:49,995 IT'S TAKEN A LONG TIME FOR ME TO FEEL COMFORTABLE CALLING MYSELF 271 00:18:50,062 --> 00:18:51,396 AN ACTOR. 272 00:18:51,463 --> 00:18:56,935 MY ROOTS COME FROM THE DANCE WORLD, AND THE BROADWAY STAGE, 273 00:18:57,002 --> 00:19:02,007 AND THE PERSON WE SEE ON THE SCREEN TOOK EVERY BIT OF ME, BUT 274 00:19:02,074 --> 00:19:06,145 SHE TOOK TEN YEARS TO MAKE, AND I'M EXTREMELY PROUD OF HER AND 275 00:19:06,211 --> 00:19:07,513 OF OUR FILM. 276 00:19:07,579 --> 00:19:10,616 AND I REALLY DO BELIEVE WHEN YOU RECOGNIZE ONE OF US, YOU 277 00:19:10,682 --> 00:19:12,217 RECOGNIZE ALL OF US IN A WAY. 278 00:19:12,284 --> 00:19:18,323 SO THANK YOU, SAG, FOR THIS RECOGNITION. 279 00:19:18,390 --> 00:19:23,629 A FEW PEOPLE, STEVEN SPIELBERG, MY GOD, THANK YOU FOR BELIEVING 280 00:19:23,695 --> 00:19:28,000 IN THE POSSIBILITY OF NOT ONLY MY TALENT, BUT OF THAT OF MY 281 00:19:28,066 --> 00:19:29,401 COLLEAGUES. 282 00:19:29,468 --> 00:19:32,571 THANK YOU TO THE ENTIRE CAST AND CREW OF "WEST SIDE STORY," 283 00:19:32,638 --> 00:19:34,106 BECAUSE WHAT A LABOR OF LOVE. 284 00:19:34,173 --> 00:19:36,775 AND IT'S A BEAUTIFUL CINEMATIC EXPERIENCE. 285 00:19:36,842 --> 00:19:40,512 AND I'M THRILLED THAT PEOPLE GET TO SEE IT. 286 00:19:40,579 --> 00:19:50,322 OUR PRODUCERS, DISNEY, AND EVERYONE AT THE STUDIOS, AND 287 00:19:50,389 --> 00:19:52,991 CHRISTY, THANK YOU FOR BEING HERE TONIGHT TO SUPPORT ME. 288 00:19:53,058 --> 00:19:55,961 I LOVE YOU TO MUCH. 289 00:19:56,028 --> 00:19:57,496 KEVIN McCULLOM. 290 00:19:57,563 --> 00:20:00,032 THANK YOU FOR BEING HERE. 291 00:20:00,098 --> 00:20:05,604 AND JUST THANK ALL OF YOU, ALL OF YOU STARING AT ME, SO MANY OF 292 00:20:05,671 --> 00:20:06,405 YOU. 293 00:20:06,471 --> 00:20:10,642 LADY GAGA, YOU'RE AMAZING. 294 00:20:10,709 --> 00:20:13,445 I'VE WATCHED SO MANY OF YOU FOR A VERY LONG TIME. 295 00:20:13,512 --> 00:20:15,814 YOU HAVE INSPIRED ME AND CONTINUE TO DO SO. 296 00:20:15,881 --> 00:20:16,982 I'M THRILLED TO BE AMONG YOU, SO THANK YOU. 297 00:20:17,049 --> 00:20:30,462 [ APPLAUSE ] >>> COMING UP, LADY GAGA, JARED 298 00:20:30,529 --> 00:20:34,800 LETO, VANESSA HUTCHENS. 299 00:20:34,866 --> 00:20:38,470 PLUS, LISA KUDROW ARE TOGETHER AGAIN, WHEN "SCREEN ACTORS GUILD 300 00:20:51,550 --> 00:20:54,886 S>>> LADIES AND GENTLEMEN, JUNG HO-YEON AND HALEY SEINFELD. 301 00:20:54,953 --> 00:21:03,495 [ APPLAUSE ] >> THE CHARACTERS IN THIS 302 00:21:03,562 --> 00:21:06,732 CATEGORY ARE ALL FOCUSSED ON LONG SHOTS. 303 00:21:06,798 --> 00:21:13,438 >> SOLVING A MURDER, WINNING ENGLISH SOCCER MATCHES WITH AN 304 00:21:13,505 --> 00:21:18,243 AMERICAN FOOTBALL COACH, AND SENDING ACTORS OUT TO FIND WORK. 305 00:21:18,310 --> 00:21:24,483 >> HERE ARE THE NOMINEES FOR MALE ACTOR IN A COMEDY SERIES. 306 00:21:24,549 --> 00:21:29,554 >> MARTIN SHORT, "ONLY MURDERS IN THE BUILDING." 307 00:21:29,621 --> 00:21:30,389 >> IS THAT DILLEN? 308 00:21:30,455 --> 00:21:37,262 >> I'M OVER HERE. 309 00:21:37,329 --> 00:21:45,070 "FACE-OFF?" >> JASON SUDEIKIS "TED LASSO." 310 00:21:45,137 --> 00:21:47,973 >> I DON'T WANT TO SEE YOU WALKING AROUND WITH YOUR TIRED 311 00:21:48,040 --> 00:21:51,576 FACES. 312 00:21:51,643 --> 00:21:52,878 NO, THANK YOU. 313 00:21:52,944 --> 00:21:57,349 THE ONLY FACE I WANT TO SEE FROM YOU IS WHAT, COACH? 314 00:21:57,416 --> 00:21:58,350 >> GAME FACE. 315 00:21:58,417 --> 00:22:01,253 >> DARN TOOTING. 316 00:22:01,320 --> 00:22:04,256 >> STEVE MARTIN, "ONLY MURDERS IN THE BUILDING." 317 00:22:04,323 --> 00:22:12,597 >> I CAN SEE YOU'RE GOING TO BE A SEXY BASSOONIST, BASED ON YOUR 318 00:22:12,664 --> 00:22:16,501 SHIRT ONLY -- >> I'M GOING TO STOP YOU BEFORE 319 00:22:16,568 --> 00:22:17,369 YOU SAY I'M NOT SEXY. 320 00:22:17,436 --> 00:22:23,275 >> PLEASE, STOP ME. 321 00:22:23,342 --> 00:22:30,082 >> MICHAEL DOUGLAS, "THE KOMINSKY METHOD." 322 00:22:30,148 --> 00:22:36,855 >> I COULDN'T GET A PERMIT FOR A VIKING FUNERAL. 323 00:22:36,922 --> 00:22:39,891 >> MAYBE IN VENTURA COUNTY, BUT NOT HERE. 324 00:22:39,958 --> 00:22:51,103 [ APPLAUSE ] >> NICE DRESS. 325 00:22:51,169 --> 00:22:54,439 IT'S STUPID THEY'RE ALL WEARING THE SAME THING. 326 00:22:54,506 --> 00:22:58,577 >> YOU KNOW WHAT? 327 00:22:58,643 --> 00:23:02,914 ENJOY THIS FOR WINNING NOTHING. 328 00:23:02,981 --> 00:23:13,158 >> AND THE ACTOR GOES TO -- >> THE ACTOR GOES TO JASON 329 00:23:13,225 --> 00:23:14,359 SUDEIKIS FOR "TED LASSO." 330 00:23:14,426 --> 00:23:24,403 [ APPLAUSE ] >> WE'VE GOT TO SAVE THESE HUGS 331 00:23:24,469 --> 00:23:32,277 [ APPLAUSE ] >> WE'VE GOT TO SAVE THESE HUGS 332 00:23:32,344 --> 00:23:33,512 UNTIL I'M DONE. 333 00:23:33,578 --> 00:23:34,079 JUST FREEZE, HOLD IT. 334 00:23:34,146 --> 00:23:37,149 NO HUGGING. 335 00:23:37,215 --> 00:23:41,586 THANK YOU VERY MUCH TO ALL YOU GUYS FIRST AND FOREMOST. 336 00:23:41,653 --> 00:23:45,390 MY ENSEMBLE CAST ON "TED LASSO." 337 00:23:45,457 --> 00:23:50,829 THANK YOU TO ALL THE WRITERS, EVERYBODY POST PRODUCTION, IN 338 00:23:50,896 --> 00:23:54,166 PRODUCTION, OUR COVID CREW THAT KEPT EVERYBODY SAFE ALL THAT 339 00:23:54,232 --> 00:23:54,833 SEASON. 340 00:23:54,900 --> 00:23:56,268 THANKS TO MY KIDS. 341 00:23:56,334 --> 00:24:05,811 THANKS TO EVERYBODY I GOT TO TAKE IMPROV CLASSES WITH, MY -- 342 00:24:05,877 --> 00:24:07,779 YEAH, MY FAMILY, AND THIS CHOSEN FAMILY HERE. 343 00:24:07,846 --> 00:24:08,880 SO THANK YOU VERY MUCH. 344 00:24:08,947 --> 00:24:10,549 REALLY APPRECIATE IT. 345 00:24:10,615 --> 00:24:21,460 [ APPLAUSE ] >> Announcer: PLEASE WELCOME 346 00:24:21,526 --> 00:24:34,906 LADY GAGA AND JARED LETTO. 347 00:24:34,973 --> 00:24:38,844 >> WELL, TONIGHT'S NEXT NOMINEE FORECAST IN A MOTION PICTURE 348 00:24:38,910 --> 00:24:42,414 TELLS A STORY OF INTRIGUE, EXCESS, AND BETRAYAL. 349 00:24:42,481 --> 00:24:45,684 THE COLLAPSE OF THE GUCCI FAMILY'S CONTROL OVER THEIR 350 00:24:45,750 --> 00:24:49,688 WORLD RENOWNED FASHION HOUSE. 351 00:24:49,754 --> 00:24:54,292 THE OUTSIDER MARRIES INTO THE FAMILY AND HER AMBITION BEGINS 352 00:24:54,359 --> 00:24:56,361 TO UNRAVEL THE FAMILY LEGACY. 353 00:24:56,428 --> 00:25:01,967 >> AND THEN THE FINANCIAL STAKES GROW, THE HUMAN COSTS DO, AS 354 00:25:02,033 --> 00:25:03,568 WELL. 355 00:25:03,635 --> 00:25:09,908 UNTIL LIVES ARE RUINED AND EVEN LOST, AND AS PALO WOULD SAY -- 356 00:25:09,975 --> 00:25:11,109 BOOF. 357 00:25:11,176 --> 00:25:13,912 >> AN ODYSSEY OF AMBITION, GREED, AN VENGEANCE. 358 00:25:13,979 --> 00:25:15,080 THIS IS "HOUSE OF GUCCI." 359 00:25:15,146 --> 00:25:25,557 [ APPLAUSE ] >> IT WAS THE NAME THAT SOUNDED 360 00:25:25,624 --> 00:25:26,758 SO SWEET. 361 00:25:26,825 --> 00:25:35,166 >> CAN YOU KEEP A SECRET? 362 00:25:35,233 --> 00:25:38,870 >> I HAD NO IDEA I MARRIED A MONSTER. 363 00:25:38,937 --> 00:25:39,604 >> YOU CAN'T. 364 00:25:39,671 --> 00:25:40,739 YOU MARRIED A GUCCI. 365 00:25:40,805 --> 00:25:47,479 [ APPLAUSE ] >> AND NOW, ROSARIO DAWSON AND 366 00:25:47,546 --> 00:25:49,080 HAVE NECESSARIA HUTCHINS. 367 00:25:49,147 --> 00:25:59,457 [ APPLAUSE ] >> EVERY ACTOR HOPES TO BECOME 368 00:25:59,524 --> 00:26:02,894 ONE WITH THEIR CHARACTER IN A WAY THAT YOU CAN'T IMAGINE 369 00:26:02,961 --> 00:26:04,429 ANYONE ELSE PLAYING THE PART. 370 00:26:04,496 --> 00:26:07,732 >> THE FIVE ACTORS IN THIS CATEGORY HAVE ACHIEVED THAT, 371 00:26:07,799 --> 00:26:13,004 OWNING THESE ROLES AND GIVING US PERFORMANCES THAT ARE SLY, 372 00:26:13,071 --> 00:26:14,573 SMART, AND FLAT OUT HILARIOUS. 373 00:26:14,639 --> 00:26:21,846 >> HERE ARE THE NOMINEES FOR FEMALE ACTOR IN A COMEDY SERIES. 374 00:26:21,913 --> 00:26:25,150 HANNA WADDINGHAM "TED LASSO." 375 00:26:25,216 --> 00:26:30,822 >> I THOUGHT BEING INVULNERABLE WOULD PROTECT ME, SO I PUSHED 376 00:26:30,889 --> 00:26:38,630 PEOPLE AWAY FOR YEARS. 377 00:26:38,697 --> 00:26:41,967 ELLE FANNING, "THE GREAT." 378 00:26:42,033 --> 00:26:46,037 >> LET US PUT IT BEHIND US, AGREE TO ACCOMMODATIONS AS 379 00:26:46,104 --> 00:26:54,312 APPEASING FOR ALL, AND FINISH ME OFF. 380 00:26:54,379 --> 00:26:58,984 >> JEAN SMART, "HACKS." 381 00:26:59,050 --> 00:27:01,186 >> ALL RIGHT, COME ON. 382 00:27:01,252 --> 00:27:08,493 LET'S GO. 383 00:27:08,560 --> 00:27:17,869 >> SHE DIDN'T KNOW. 384 00:27:17,936 --> 00:27:24,242 >> JUNO TEMPLE, "TED LASSO." 385 00:27:24,309 --> 00:27:34,252 [ APPLAUSE ] >> SANDRA OH, "THE CHAIR. 386 00:27:34,319 --> 00:27:36,154 " >> CLIMATE CHANGE, RACISM, THE 387 00:27:36,221 --> 00:27:39,591 PRISON INDUSTRIAL COMPLEX, HOMOPHOBIA. 388 00:27:39,658 --> 00:27:41,126 THESE -- OH, I'M SORRY. 389 00:27:41,192 --> 00:27:42,260 IT'S MY DAD. 390 00:27:42,327 --> 00:27:43,395 I'LL CALL HIM BACK. 391 00:27:43,461 --> 00:27:52,937 [ APPLAUSE ] >> AND THE ACTOR GOES TO -- 392 00:27:53,004 --> 00:27:53,972 JEAN SMART FOR "HACKS." 393 00:27:54,039 --> 00:28:05,583 [ APPLAUSE ] >> Announcer: JEAN SMART 394 00:28:05,650 --> 00:28:09,254 CELEBRATES HER FIRST WIN AND FOURTH NOMINATION. 395 00:28:09,320 --> 00:28:16,528 SHE'S ALSO NOMINATED FOR FEMALE ACTOR FOR A TELEVISION MOVIE AND 396 00:28:16,594 --> 00:28:22,767 FOR HER ROLE IN "MARE OF EASTOWN." 397 00:28:22,834 --> 00:28:32,811 ♪ >> OH, YOU GUYS! 398 00:28:32,877 --> 00:28:40,151 ♪ >> OH, YOU GUYS! 399 00:28:40,218 --> 00:28:44,155 THANK YOU. 400 00:28:44,222 --> 00:28:50,228 THANK YOU SO MUCH. 401 00:28:50,295 --> 00:28:51,629 I LOVE ACTORS. 402 00:28:51,696 --> 00:28:56,768 NOBODY GETS US, YOU KNOW? 403 00:28:56,835 --> 00:28:59,070 SERIOUSLY, WHAT WE DO IS VALUABLE. 404 00:28:59,137 --> 00:29:08,279 I MEAN, WE ARE THE TRIBE'S STORYTELLERS, SINCE MAN CRAWLED 405 00:29:08,346 --> 00:29:11,149 OUT OF THE CAVE AND SET A FIRE TOGETHER. 406 00:29:11,216 --> 00:29:12,217 IT'S IMPORTANT. 407 00:29:12,283 --> 00:29:15,186 WE ARE THE WORLD'S OLDEST PROFESSION. 408 00:29:15,253 --> 00:29:18,923 SOMETIMES IT FEELS LIKE WE'RE THE OTHER WORLD'S OLDEST 409 00:29:18,990 --> 00:29:22,026 PROFESSION. 410 00:29:22,093 --> 00:29:28,066 BUT THANK YOU TO HBO MAX AND UNIVERSAL, CASEY AND EVERYBODY 411 00:29:28,133 --> 00:29:31,369 FOR THEIR UNBELIEVABLE SUPPORT OF THE SHOW. 412 00:29:31,436 --> 00:29:45,116 AND MY GOD, OUR SHOW RUNNERS, I -- I TELL PEOPLE I WORK FOR 413 00:29:45,183 --> 00:29:47,085 JPL AND THEY GO HUH? 414 00:29:47,152 --> 00:29:48,052 OKAY. 415 00:29:48,119 --> 00:29:53,558 AND MY CAST WAS CAST IN HEAVEN. 416 00:29:53,625 --> 00:29:59,297 AND MY PARTNER IN CRIME, HANNA, AND MARK AND CAITLIN AND ROSE 417 00:29:59,364 --> 00:30:03,101 AND PAUL AND MEGAN AND POPPY. 418 00:30:03,168 --> 00:30:06,471 I JUST CAN'T TELL YOU, YOU MAKE IT A JOY TO COME TO WORK EVERY 419 00:30:06,538 --> 00:30:13,711 DAY, WITH OUR AMAZING CREW AND OUR INCREDIBLE DP, ADAM BRICKER. 420 00:30:13,778 --> 00:30:17,048 I ALMOST SAID ADAM DRIVER, THAT WASN'T RIGHT. 421 00:30:17,115 --> 00:30:21,252 AND OUR PRODUCTION DESIGNER, JOHN CARLOS. 422 00:30:21,319 --> 00:30:25,023 BUT THIS HAS BEEN SUCH A JOY AT THIS STAGE OF THE GAME. 423 00:30:25,089 --> 00:30:26,424 UNBELIEVABLE TREAT. 424 00:30:26,491 --> 00:30:30,195 AND MY REPRESENTATIVES WHO ADORE SCOTT HENDERSON AND DANIEL 425 00:30:30,261 --> 00:30:31,996 THOMAS AND AMY. 426 00:30:32,063 --> 00:30:33,398 I LOVE YOU ALL. 427 00:30:33,464 --> 00:30:37,402 AND TO MY TWO CHILDREN, FOREST AND CONNOR, YOU ARE MY LIFE. 428 00:30:37,468 --> 00:30:41,206 THANK YOU AND PLEASE, EVERYBODY, PRAY FOR PEACE AND THANK YOU, 429 00:30:41,272 --> 00:30:43,842 THANK YOU, THANK YOU, THANK YOU. 430 00:30:43,908 --> 00:30:49,380 [ APPLAUSE ] ♪ 431 00:30:49,447 --> 00:31:03,261 >> Announcer: TOGETHER AGAIN, PLEASE WELCOME LISA KUDROW AND 432 00:31:03,328 --> 00:31:04,329 MERA SAVINO. 433 00:31:04,395 --> 00:31:12,804 [ APPLAUSE ] >> WOW, "TIME AFTER TIME." 434 00:31:12,871 --> 00:31:13,638 >> YOU LOOK CUTE. 435 00:31:13,705 --> 00:31:16,741 >> I KNOW. 436 00:31:16,808 --> 00:31:17,342 THANKS. 437 00:31:17,408 --> 00:31:18,509 >> SO DO YOU. 438 00:31:18,576 --> 00:31:19,277 >> THANKS. 439 00:31:19,344 --> 00:31:20,745 >> OF COURSE. 440 00:31:20,812 --> 00:31:25,383 >> DO YOU THINK THAT THIS IS THE CUTEST ANYONE'S EVER LOOKED AT 441 00:31:25,450 --> 00:31:26,551 AN AWARDS SHOW? 442 00:31:26,618 --> 00:31:27,986 >> TOTALLY. 443 00:31:28,052 --> 00:31:32,590 >> I JUST REALIZED THIS, WE'RE WEARING GREAT ENSEMBLES, WHILE 444 00:31:32,657 --> 00:31:37,095 AT THE SAME TIME PRESENTING TWO GREAT ENSEMBLES. 445 00:31:37,161 --> 00:31:41,766 >> YOU ARE SO RIGHT. 446 00:31:41,833 --> 00:31:46,237 YOU ARE SO RIGHT, AND THESE CAST ENSEMBLES ARE SO HILARIOUS. 447 00:31:46,304 --> 00:31:48,573 AND YOU KNEW THAT ENSEMBLE HAD TWO MEANINGS. 448 00:31:48,640 --> 00:31:52,410 YOU'RE A GENIUS. 449 00:31:52,477 --> 00:31:54,279 >> AHH, THANK YOU. 450 00:31:54,345 --> 00:32:05,356 >> ALL RIGHT, WELL, HERE ARE THE NOM ENSEMBLE IN A COME 451 00:32:05,423 --> 00:32:07,091 SI SERIES. 452 00:32:07,158 --> 00:32:10,495 >> "THE ENSEMBLE OF "HACKS." 453 00:32:10,561 --> 00:32:14,565 >> I DO WANT TO DRIVE OFF A CLIFF. 454 00:32:14,632 --> 00:32:17,168 >> I CAN'T BELIEVE THIS IS WHAT SHE'S DOING TODAY. 455 00:32:17,235 --> 00:32:18,002 IS IT WORTH IT? 456 00:32:18,069 --> 00:32:20,338 >> ABOUT $100,000. 457 00:32:20,405 --> 00:32:21,005 >> 100 GRAND? 458 00:32:21,072 --> 00:32:22,807 >> AND SOME STOCK. 459 00:32:22,874 --> 00:32:30,949 [ APPLAUSE ] >> THE ENSEMBLE OF "THE KOMINSKY 460 00:32:31,015 --> 00:32:31,549 METHOD." 461 00:32:31,616 --> 00:32:32,150 >> THE HOUSE? 462 00:32:32,216 --> 00:32:33,151 >> YES. 463 00:32:33,217 --> 00:32:35,386 >> COME ON, THAT DUMP IS WORTHLESS. 464 00:32:35,453 --> 00:32:36,721 IT'S A KNOCKDOWN. 465 00:32:36,788 --> 00:32:40,024 >> YOU TOLD ME THE HOUSE WAS LOVELY AND HAD GOOD BONES. 466 00:32:40,091 --> 00:32:40,825 >> THAT'S JUST WHAT YOU SAY. 467 00:32:40,892 --> 00:32:41,960 >> SHAME ON YOU! 468 00:32:42,026 --> 00:32:48,533 [ APPLAUSE ] >> THE ENSEMBLE OF "TED LASSO." 469 00:32:48,599 --> 00:32:55,673 ♪ >> HE'S SAYING THERE'S SOMETHING 470 00:32:55,740 --> 00:32:58,810 WRONG WITH US. 471 00:32:58,876 --> 00:33:00,345 I BELIEVE IN COMMUNISM. 472 00:33:00,411 --> 00:33:05,216 IF TOM HANKS AND MEG RYAN CAN GO THROUGH STRUGGLES AND END UP 473 00:33:05,283 --> 00:33:10,054 HAPPY, SO CAN WE. 474 00:33:10,121 --> 00:33:16,627 >> THE ENSEMBLE OF "THE GREATS." 475 00:33:16,694 --> 00:33:17,695 >> I'M WINNING. 476 00:33:17,762 --> 00:33:19,464 >> I LOVE THAT YOU THINK THAT. 477 00:33:19,530 --> 00:33:22,133 >> I REALLY WANT TO KILL HIM. 478 00:33:22,200 --> 00:33:25,636 >> REASON AND COMPASSION IS BETTER THAN VIOLENCE. 479 00:33:25,703 --> 00:33:33,745 >> LET'S JUST BEARD HIM, LIKE CIVIL IZED MEN. 480 00:33:33,811 --> 00:33:38,383 >> THE ENSEMBLE OF "ONLY MURDERS IN THE BUILDING." 481 00:33:38,449 --> 00:33:42,220 >> IT'S THE BOONDOCKS YOU NEED TO WORRY ABOUT. 482 00:33:42,286 --> 00:33:48,259 >> I DON'T KNOW, IT'S SO PBS-Y. 483 00:33:48,326 --> 00:33:51,596 MAYBE MABEL SHOULD GIVE IT A TRY. 484 00:33:51,662 --> 00:33:56,267 >> I WOULD RATHER DIE. 485 00:33:56,334 --> 00:34:10,782 >> AND THE ACTOR GOES TO -- >> "TED LASSO." 486 00:34:10,848 --> 00:34:22,794 ♪ >> OH, MY GOSH! 487 00:34:22,860 --> 00:34:26,931 EVEN THOUGH WE'RE A COMPLETE GAGGLE OF IDIOTS, WE'RE SO 488 00:34:26,998 --> 00:34:27,665 APPRECIATIVE. 489 00:34:27,732 --> 00:34:28,966 THANK YOU SO, SO MUCH. 490 00:34:29,033 --> 00:34:32,670 WE WISH WE WERE THERE WITH YOU. 491 00:34:32,737 --> 00:34:36,107 THANK YOU SO APPLE, TO WARNER BROTHERS FOR JUST MAKING 492 00:34:36,174 --> 00:34:45,583 EVERYTHING SO PERFECT! 493 00:34:45,650 --> 00:34:46,384 THANK YOU SO MUCH. 494 00:34:46,451 --> 00:34:58,696 WE WISH WE WERE THERE! 495 00:34:58,763 --> 00:35:02,533 >>> WHEN WE COME BACK, WILL SMITH, FAITH HILL AND TIM 496 00:35:02,600 --> 00:35:05,036 McGRAW. 497 00:35:05,103 --> 00:35:07,638 PLUS, ALEXANDRA DADDARIO AND ROSS BUTLER ON THE "SCREEN 498 00:35:07,705 --> 00:35:08,406 ACTORS GUILD AWARDS." 499 00:35:20,118 --> 00:35:20,985 HILL AND TIM McGRAW. 500 00:35:21,052 --> 00:35:34,532 [ APPLAUSE ] >> HEY. 501 00:35:34,599 --> 00:35:41,205 >> THE ACTORS IN THIS CATEGORY DEPICT GAME PLAYING MANIPULATORS 502 00:35:41,272 --> 00:35:45,009 OFTEN MIS-SEEING THEMSELVES AS MUCH AS ANYONE ELSE. 503 00:35:45,076 --> 00:35:50,882 >> HURRY, HURRY, RUSH TO YOUR TABLE. 504 00:35:50,948 --> 00:35:52,283 POWER TO LIFE ITSELF. 505 00:35:52,350 --> 00:35:55,586 THESE CHARACTERS AREN'T WORRIED ABOUT SELLING THEIR SOULS, 506 00:35:55,653 --> 00:35:57,955 THEY'RE WORRIED ABOUT GETTING THE BEST PRICE. 507 00:35:58,022 --> 00:36:03,494 >> HERE ARE THE NOMINEES FOR MALE ACTOR IN A DRAMA SERIES. 508 00:36:03,561 --> 00:36:07,532 >> JEREMY STRONG "SUCCESSION." 509 00:36:07,598 --> 00:36:10,101 >> LET ME OFF, OKAY? 510 00:36:10,168 --> 00:36:13,004 PAY UP AND LET ME OUT. 511 00:36:13,070 --> 00:36:14,505 I DON'T WANT TO BE YOU. 512 00:36:14,572 --> 00:36:16,240 I'M A GOOD GUY. 513 00:36:16,307 --> 00:36:27,318 [ APPLAUSE ] "BILLY CRUDUP," THE MORNING 514 00:36:27,385 --> 00:36:28,753 SHOW. 515 00:36:28,819 --> 00:36:33,524 >> YOU'RE JUST SO CAUGHT UP IN RULING OVER YOUR ROTTEN LITTLE 516 00:36:33,591 --> 00:36:39,197 THIEFDOM, THAT YOU DON'T SEE THE WORLD SPREADING OUT AROUND YOU. 517 00:36:39,263 --> 00:36:44,669 >> KIERAN CULKIN "SUCCESSION." 518 00:36:44,735 --> 00:36:49,740 >> THE THREE OF US TO ASK AND TO SAY, DO NOT DO THIS, PLEASE. 519 00:36:49,807 --> 00:37:02,720 [ APPLAUSE ] >> LEE JUNG-JAE, "SQUID GAME." 520 00:37:02,787 --> 00:37:12,096 [ SPEAKING FOREIGN LANGUAGE ] [ APPLAUSE ] 521 00:37:12,163 --> 00:37:17,101 >> BRIAN COX, SUCCESS. 522 00:37:17,168 --> 00:37:21,572 >> YOU BUST IN HERE, GUNS IN HANDS. 523 00:37:21,639 --> 00:37:24,709 YOU TALK. 524 00:37:24,775 --> 00:37:31,849 [ APPLAUSE ] >> WOW. 525 00:37:31,916 --> 00:37:32,917 THAT WAS IMPRESSIVE. 526 00:37:32,984 --> 00:37:43,394 AND THE ACTOR GOES TO -- >> LEE JUNG-JAE! 527 00:37:43,461 --> 00:37:54,438 [ CHEERS AND APPLAUSE ] >> Announcer: LEE JUNG-JAE 528 00:37:54,505 --> 00:37:56,607 CELEBRATES HIS FIRST WIN AND SECOND NOMINATION. 529 00:37:56,674 --> 00:38:10,588 HE'S ALSO NOMINATED TONIGHT WITH THE ENSEMBLE OF "SQUID GAME." 530 00:38:10,655 --> 00:38:25,536 ♪ >> Translator: OH, MY. 531 00:38:25,603 --> 00:38:33,678 THANK YOU SO MUCH. 532 00:38:33,744 --> 00:38:42,753 THIS IS TRULY HUGE THIS HAPPENED TO ME. 533 00:38:42,820 --> 00:38:44,288 I DID WRITE SOMETHING, BUT I DON'T THINK I'M GOING TO GET TO 534 00:38:44,355 --> 00:38:48,225 READING IT. 535 00:38:48,292 --> 00:38:55,633 THANK YOU SO, SO MUCH, SAG AFTER AWARDS. 536 00:38:55,700 --> 00:38:58,002 AND THANK YOU TO THE GLOBAL AUDIENCE FOR ALL OF YOUR LOVE 537 00:38:58,069 --> 00:39:01,505 FOR "SQUID GAME." 538 00:39:01,572 --> 00:39:03,908 THANK YOU. 539 00:39:03,974 --> 00:39:15,252 [ CHEERS AND APPLAUSE ] >> Announcer: AND NOW, PLEASE 540 00:39:15,319 --> 00:39:25,296 WELCOME THE PRESIDENT OF SAG, FRAN DRESCHER. 541 00:39:25,363 --> 00:39:36,340 WELCOME THE PRESIDENT OF SAG, FRAN DRESCHER. 542 00:39:36,407 --> 00:39:41,679 >> HI, EVERYONE. 543 00:39:41,746 --> 00:39:46,384 FIRST, I WOULD LIKE TO EXTEND PRAYERS TO THE PEOPLE OF 544 00:39:46,450 --> 00:39:47,551 UKRAINE. 545 00:39:47,618 --> 00:39:55,359 [ APPLAUSE ] AND TO SAY WE ARE VERY GRATEFUL 546 00:39:55,426 --> 00:40:00,164 TO THE DGA, THE WGA, AFM AND TEAMSTERS. 547 00:40:00,231 --> 00:40:08,005 [ APPLAUSE ] I WANT TO THANK YOU FOR ELECTING 548 00:40:08,072 --> 00:40:12,176 ME AS YOUR SAG-AFTA NATIONAL PRESIDENT. 549 00:40:12,243 --> 00:40:19,884 AND I THOUGHT IT WAS A BIG DEAL BEING LEFT-HANDER OF THE YEAR. 550 00:40:19,950 --> 00:40:25,990 WE PERFORMERS ARE THE CENTER OF THE SHOW BUSINESS WHEEL. 551 00:40:26,056 --> 00:40:36,267 BECAUSE OF US, YOU TUNE INTO THE TV, THE THEATERS, TO LAUGH, CRY, 552 00:40:36,333 --> 00:40:38,302 BE INSPIRED AND DREAM. 553 00:40:38,369 --> 00:40:44,141 WE ARE THE LARGEST ENTERTAINMENT UNION IN THE WORLD, AND WE HAVE 554 00:40:44,208 --> 00:40:46,844 A RESPONSIBILITY TO THAT WORLD. 555 00:40:46,911 --> 00:40:52,249 TO THAT END, I HAVE FORMED THE FIRST GREEN COUNCIL, WHICH 556 00:40:52,316 --> 00:40:57,922 INCLUDES SISTER UNIONS, ASSOCIATIONS, NGOs, AND 557 00:40:57,988 --> 00:40:58,656 ENVIRONMENTALISTS. 558 00:40:58,722 --> 00:41:01,292 SOME ARE HERE TONIGHT. 559 00:41:01,358 --> 00:41:05,296 MERYL, CATE, AND SOME I WOULD LIKE TO RECRUIT, ROSARIO, 560 00:41:05,362 --> 00:41:08,299 DENZEL. 561 00:41:08,365 --> 00:41:14,738 TOGETHER, WE WILL BUILD THE GREEN COUNCIL LEGACY, WITH AN 562 00:41:14,805 --> 00:41:28,018 INDUSTRY WIDE BAN ON, YES, SINGLE USE PLASTIC. 563 00:41:28,085 --> 00:41:32,356 AND A NATIONAL SEXUAL HARASSMENT COMMITTEE WE FORMED. 564 00:41:32,423 --> 00:41:38,863 IN D.C., WE FIGHT FOR TAX PARITY, MUSIC FAIRNESS, VIOLENCE 565 00:41:38,929 --> 00:41:41,198 AGAINST WOMEN AND CROWN ACTS. 566 00:41:41,265 --> 00:41:48,973 LET UNITY AND INCLUSION BE OUR CREDO, AND ALWAYS CELEBRATE THE 567 00:41:49,039 --> 00:41:52,343 MANY DIVERSE THREADS THAT MAKE UP THE FABRIC OF THE HUMAN 568 00:41:52,409 --> 00:41:56,447 EXPERIENCE. 569 00:41:56,514 --> 00:42:03,153 THIS INDUSTRY IS THE GREATEST INFLUENCER ON THE PLANET. 570 00:42:03,220 --> 00:42:11,228 WE MUST ALWAYS LEVERAGE THAT FOR THE GREATER GOOD. 571 00:42:11,295 --> 00:42:14,231 PLEASE, ENJOY YOURSELVES AND GOOD LUCK. 572 00:42:14,298 --> 00:42:21,639 AS A FORMER MS. NEW YORK TEENAGER FIRST RUNNER-UP, MY 573 00:42:21,705 --> 00:42:26,677 MOTHER SAID, YOU'RE ALL WINNERS. 574 00:42:26,744 --> 00:42:33,951 [ APPLAUSE ] >> Announcer: PLEASE WELCOME, 575 00:42:34,018 --> 00:42:47,665 AUNJANUE ELLIS, SANIYYA SIDNEY, DEMI SINGLETON, AND WILL SMITH. 576 00:42:47,731 --> 00:42:57,274 ♪ >> HELLO, EVERYBODY. 577 00:42:57,341 --> 00:43:02,613 >> TONIGHT'S NEXT NOMINEE FOR CAST IN A MOTION PICTURE PROVES 578 00:43:02,680 --> 00:43:09,086 JUST HOW POWERFUL A MAN AND A WOMAN WITH A PLAN CAN BE. 579 00:43:09,153 --> 00:43:14,191 >> A 78 PAGE PLAN, A FATHER'S BLUEPRINT FOR RAISING HIS 580 00:43:14,258 --> 00:43:18,562 DAUGHTERS TO BECOME CHAMPIONS ON AND OFF THE COURT, WRITTEN 581 00:43:18,629 --> 00:43:20,130 BEFORE THEY WERE BORN. 582 00:43:20,197 --> 00:43:22,933 >> THIS TRUE STORY FOLLOWS A FAMILY AS THEY FACE SEEMINGLY 583 00:43:23,000 --> 00:43:26,070 INSURMOUNTABLE ODDS WITH INCREDIBLE DETERMINATION, AND 584 00:43:26,136 --> 00:43:28,973 ALWAYS WITH UNCONDITIONAL LOVE. 585 00:43:29,039 --> 00:43:31,375 >> YOU'LL JUST HAVE TO WATCH THE MOVIE TO FIND OUT HOW THINGS 586 00:43:31,442 --> 00:43:36,513 TURN OUT FOR HIS DAUGHTERS, VENUS AND SERENA. 587 00:43:36,580 --> 00:43:40,584 >> THIS IS "KING RICHARD." 588 00:43:40,651 --> 00:43:45,889 [ APPLAUSE ] >> WE'RE A TEAM, WE'RE A FAMILY. 589 00:43:45,956 --> 00:43:50,928 ♪ AT YOUR AGE, I HAD TO FIGHT 590 00:43:50,995 --> 00:43:54,164 EVERY DAY. 591 00:43:54,231 --> 00:43:59,503 AND I AIN'T HAD NO DADDY TO STAND IN THEIR WAY. 592 00:43:59,570 --> 00:44:03,173 I JUST DON'T WANT YOU TO LOOK UP AND SEE YOUR DADDY RUNNING AWAY. 593 00:44:03,240 --> 00:44:04,875 >> YOU DONE YOUR JOB. 594 00:44:04,942 --> 00:44:08,078 >> YOU ARE A CHAMPION, VENUS WILLIAMS. 595 00:44:08,145 --> 00:44:15,419 [ APPLAUSE ] >> Announcer: AND NOW, PLEASE 596 00:44:15,486 --> 00:44:26,130 WELCOME, ROSS BUTLER AND ALEXANDRA DADDARIO. 597 00:44:26,196 --> 00:44:30,701 >> ALTHOUGH THE NOMINEES IN THIS CATEGORY PLAY CHARACTERS FACING 598 00:44:30,768 --> 00:44:31,635 WILDLY DIFFERENT CHALLENGES, THEY DO SHARE TWO THINGS IN 599 00:44:31,702 --> 00:44:32,970 COMMON. 600 00:44:33,037 --> 00:44:34,338 >> LIFE HASN'T TURNED OUT THE WAY THEY EXPECTED IT TO. 601 00:44:34,405 --> 00:44:36,507 AND THEY'RE GOING TO DO EVERYTHING THEY CAN TO COME OUT 602 00:44:36,573 --> 00:44:38,342 ON TOP. 603 00:44:38,409 --> 00:44:48,986 >> HERE ARE THE FIVE UNTOPPABLE >> JUNG HO-YEON, "SQUID GAME." 604 00:44:49,053 --> 00:44:59,029 [ SPEAKING FOREIGN LANGUAGE ] JENNIFER ANISTON, "THE MORNING 605 00:44:59,096 --> 00:45:08,806 [ SPEAKING FOREIGN LANGUAGE ] JENNIFER ANISTON, "THE MORNING 606 00:45:08,872 --> 00:45:10,207 SHOW." 607 00:45:10,274 --> 00:45:16,146 >> DOES YOUR LIFE HAVE ANY MEANING OR PURPOSE LEFT AT ALL? 608 00:45:16,213 --> 00:45:21,118 NOBODY WILL RESPECT ME IF THEY THINK I SLEPT WITH YOU. 609 00:45:21,185 --> 00:45:24,855 >> ELIZABETH MOSS, "THE HANDMAID'S TALE." 610 00:45:24,922 --> 00:45:28,659 >> I ASKED THE INTERNATIONAL CRIMINAL COURT TO CONFIRM THE 611 00:45:28,726 --> 00:45:34,331 CHARGES AGAINST THIS MAN AND PUT HIM ON TRIAL. 612 00:45:34,398 --> 00:45:38,268 I ASK FOR JUSTICE. 613 00:45:38,335 --> 00:45:48,679 >> TEN OR FIVE YEARS, REMAKE ATM, AND DESTROY IT, RAZE IT TO 614 00:45:48,746 --> 00:45:49,780 THE GROUND. 615 00:45:49,847 --> 00:45:52,850 >> REESE WITHERSPOON "THE MORNING SHOW." 616 00:45:52,916 --> 00:45:56,120 >> LIFE JUST TURNS OUT TO BE A SERIES OF DISAPPOINTMENTS WITH 617 00:45:56,186 --> 00:46:00,557 JUST ENOUGH TIME IN BETWEEN THEM FOR THE NEXT ONE TO CATCH YOU BY 618 00:46:00,624 --> 00:46:01,892 SURPRISE. 619 00:46:01,959 --> 00:46:05,796 >> I'M YOUR BOSS, I'M GOING TO MAKE SURE IT WORKS OUT. 620 00:46:05,863 --> 00:46:06,663 >> YOU'RE MY BOSS? 621 00:46:06,730 --> 00:46:12,102 I THOUGHT YOU WERE MY FRIEND. 622 00:46:12,169 --> 00:46:22,146 >> AND THE ACTOR GOES TO -- >> Announcer: JUNG HO-YEON 623 00:46:22,212 --> 00:46:28,051 >> AND THE ACTOR GOES TO -- >> Announcer: JUNG HO-YEON 624 00:46:28,118 --> 00:46:30,854 CELEBRATES HER FIRST WIN AND SECOND NOMINATION. 625 00:46:30,921 --> 00:46:32,856 SHE'S ALSO NOMINATED TONIGHT WITH THE ENSEMBLE OF "SQUID 626 00:46:32,923 --> 00:46:38,462 GAME." 627 00:46:38,529 --> 00:46:48,505 [ APPLAUSE ] [ SPEAKING FOREIGN LANGUAGE ] 628 00:46:48,572 --> 00:46:58,549 [ APPLAUSE ] [ SPEAKING FOREIGN LANGUAGE ] 629 00:46:58,615 --> 00:47:08,525 [ APPLAUSE ] [ SPEAKING FOREIGN LANGUAGE ] 630 00:47:08,592 --> 00:47:18,569 [ APPLAUSE ] [ SPEAKING FOREIGN LANGUAGE ] 631 00:47:18,635 --> 00:47:28,612 [ APPLAUSE ] [ SPEAKING FOREIGN LANGUAGE ] 632 00:47:28,679 --> 00:47:41,725 [ APPLAUSE ] [ SPEAKING FOREIGN LANGUAGE ] 633 00:47:41,792 --> 00:47:44,127 >> Translator: FIRST AND FOREMOST, THANK YOU SO MUCH. 634 00:47:44,194 --> 00:47:48,732 I HAVE SAT MANY A TIMES WATCHING YOU ON THE BIG SCREEN, DREAMING 635 00:47:48,799 --> 00:47:50,400 OF ONE DAY BECOMING AN ACTOR. 636 00:47:50,467 --> 00:47:52,903 I JUST WANT TO SAY THANK YOU SO MUCH. 637 00:47:52,970 --> 00:48:02,946 [ APPLAUSE ] >> THANK YOU. 638 00:48:03,013 --> 00:48:08,785 [ APPLAUSE ] >> THANK YOU. 639 00:48:08,852 --> 00:48:17,461 MAKE ME DREAM AND OPEN THE DOOR FOR ME. 640 00:48:17,527 --> 00:48:21,164 [ SPEAKING FOREIGN LANGUAGE ] I LOVE YOU! 641 00:48:21,231 --> 00:48:23,533 THANK YOU! 642 00:48:23,600 --> 00:48:34,578 [ APPLAUSE ] >> Announcer: COMING UP, THE 643 00:48:34,645 --> 00:48:38,448 CAST OF "CODA." 644 00:48:52,763 --> 00:48:58,502 >>> PLEASE WELCOME -- DANIEL DURANT, EMILIA JONES, 645 00:48:58,568 --> 00:49:01,939 TROY KOTSUR, AND MARLEE MATLIN. 646 00:49:02,005 --> 00:49:13,383 [ APPLAUSE ] >>> SET IN A NEW ENGLAND FISHING 647 00:49:13,450 --> 00:49:16,920 COMMUNITY, THE NEXT NOMINEE FORECAST IN A MOTION PICTURE IS 648 00:49:16,987 --> 00:49:24,261 A STORY OF A CHILD OF DEAF ADULTS OR "CODA." 649 00:49:24,328 --> 00:49:29,800 THE TEENAGER IS TORN BETWEEN PURSUING HER OWN STREAMS AND 650 00:49:29,866 --> 00:49:31,001 CARRYING OUT THE RESPONSIBILITIES AS THE ONLY 651 00:49:31,068 --> 00:49:35,072 HEARING PERSON IN HER HOME. 652 00:49:35,138 --> 00:49:39,009 >> HER BUDDING TALENT AND GROWING INDEPENDENCE UPSETS NOT 653 00:49:39,076 --> 00:49:45,349 ONLY THE FAMILY'S EQUALLIBRIUM BUT LIVELIHOOD AS WELL. 654 00:49:45,415 --> 00:49:56,493 >> IT'S THE STORY OF A COMING OF AGE NOR A SON AND DAUGHTER AND A 655 00:49:56,560 --> 00:49:58,395 TURNING POINT FOR THEIR PARENTS. 656 00:49:58,462 --> 00:50:07,571 IN OUR CASE, VERY SEXY PARENTS. 657 00:50:07,637 --> 00:50:10,974 [ APPLAUSE ] >> THIS IS "CODA." 658 00:50:11,041 --> 00:50:21,918 [ APPLAUSE ] ♪ 659 00:50:21,985 --> 00:50:31,061 >> INTERESTING. 660 00:50:31,128 --> 00:50:34,031 >> I WANT TO DO THIS. 661 00:50:34,097 --> 00:50:41,805 I'VE NEVER DONE ANYTHING WITHOUT MY FAMILY BEFORE. 662 00:50:41,872 --> 00:50:50,547 ♪ [ APPLAUSE ] 663 00:50:50,614 --> 00:50:54,584 >> LADIES AND GENTLEMEN, FROM HER HOME IN ENGLAND, PLEASE 664 00:50:54,651 --> 00:50:56,353 WELCOME KATE WINS LET. 665 00:50:56,420 --> 00:50:58,388 >> GOOD EVENING, EVERYONE. 666 00:50:58,455 --> 00:51:01,458 I WAS MEANT TO BE THERE WITH YOU IN PERSON AND I'M HEART BROKEN 667 00:51:01,525 --> 00:51:02,926 NOT TO BE. 668 00:51:02,993 --> 00:51:07,831 BUT I COULDN'T PASS UP ON THE OPPORTUNITY TO GUSH ON AN ARTIST 669 00:51:07,898 --> 00:51:13,904 WHO IS ACTING ROYALTY, HELEN MIRREN. 670 00:51:13,970 --> 00:51:16,139 SHE'S THE OPPOSITE OF GRAND. 671 00:51:16,206 --> 00:51:19,076 INSTEAD, SHE'S AN ACTRESS WHO WANTS TO ROLL UP HER CLEAVES 672 00:51:19,142 --> 00:51:21,645 WITH THE REST OF US AND JUST GET ON WITH THE JOB. 673 00:51:21,711 --> 00:51:29,486 SHE LOVES COLLABORATION, SHE LOVES TO ACT, SHE LOVES TO PLAY, 674 00:51:29,553 --> 00:51:33,523 WE ALL ASSUME SHE WAS CLASSICALLY TRAINED IN HER 675 00:51:33,590 --> 00:51:35,292 CRAFT, BUT SHE WASN'T. 676 00:51:35,358 --> 00:51:38,361 HER PARENTS WERE AGAINST HER BECOMING AN ACTRESS AT ALL. 677 00:51:38,428 --> 00:51:43,800 SO IT'S SAFE TO SAY HELEN COMMITS HEART AND SOUL TO GIVING 678 00:51:43,867 --> 00:51:46,870 TRUTHFUL PERFORMANCES, AS WELL AS SO MANY ACTRESSES TO ASPIRE 679 00:51:46,937 --> 00:51:48,305 TO BE JUST LIKE YOU. 680 00:51:48,371 --> 00:51:51,608 I CAN SAY, HELEN, THAT YOUR COMMITMENT AND INTEGRITY INSPIRE 681 00:51:51,675 --> 00:51:53,110 US ALL. 682 00:51:53,176 --> 00:51:59,382 HER ACTING POWER IS IMMEASURABLE AND MAGNETIC, FROM ATTORNEYS AND 683 00:51:59,449 --> 00:52:06,089 ASSASSINS, HER PERFORMANCES GIVE US REAL HUMAN BEINGS, 684 00:52:06,156 --> 00:52:08,725 UNVARNISHED AND UNUNTETHERED. 685 00:52:08,792 --> 00:52:16,166 BUT THE PRIVILEGE OF WATCHING HER IS ONLY RIVALED BY WORKING 686 00:52:16,233 --> 00:52:17,367 WITH HER. 687 00:52:17,434 --> 00:52:19,069 SHE RAISES THE BAR, BRINGING US ALL TOGETHER. 688 00:52:19,136 --> 00:52:20,737 SHE'S A CHAMPION OF OTHERS. 689 00:52:20,804 --> 00:52:24,774 SHE'S STAGGERINGLY BEAUTIFUL AND FLIES THE FLAG FOR WOMEN ABOVE 690 00:52:24,841 --> 00:52:29,613 THE ABLE OF 45 AND CONFIRMS WHAT WE HAD HOPED ONE DAY MIGHT BE 691 00:52:29,679 --> 00:52:36,219 RECOGNIZED IN THIS INDUSTRY, THE WOMEN JUST GET BETTER WITH AGE. 692 00:52:36,286 --> 00:52:39,356 [ APPLAUSE ] WE TREMBLE IN ANTICIPATION OF 693 00:52:39,422 --> 00:52:40,924 WHAT SHE WILL DO NEXT. 694 00:52:40,991 --> 00:52:47,164 NOW LET ME PASS THE BATON TO ANOTHER ADMIRER OF HELEN'S, THE 695 00:52:47,230 --> 00:52:48,231 SPECTACULAR CATE BLANCHETT. 696 00:52:48,298 --> 00:52:52,202 [ APPLAUSE ] >> THANK YOU, KATE. 697 00:52:52,269 --> 00:52:57,974 AND WE'RE ALL VERY SAD YOU CAN'T BE HERE THIS EVENING. 698 00:52:58,041 --> 00:53:00,076 SO WE GOT ANOTHER KATE. 699 00:53:00,143 --> 00:53:04,114 WHEN IT COMES TO CHARACTERIZING HELEN'S PROFESSIONAL AND 700 00:53:04,181 --> 00:53:09,986 CREATIVE GENIUS, AS WITH ANY GREAT ARTIST, WORDS ALONE NEVER 701 00:53:10,053 --> 00:53:10,820 SUFFICE. 702 00:53:10,887 --> 00:53:13,790 HER WORK SPEAKS FOR ITSELF. 703 00:53:13,857 --> 00:53:18,328 ♪ >> NOW, REMEMBER, CHARM AT ALL 704 00:53:18,395 --> 00:53:20,497 TIMES. 705 00:53:20,564 --> 00:53:26,369 ♪ OH, THIS IS GOING TO BE FUN. 706 00:53:26,436 --> 00:53:33,677 ♪ >> I'VE LEARNED A FEW NEW 707 00:53:33,743 --> 00:53:34,844 TRICKS. 708 00:53:34,911 --> 00:53:39,316 DON'T CALL ME MUM, I'M NOT THE BLOODY QUEEN. 709 00:53:39,382 --> 00:53:50,994 ♪ >> IF HE'S NOT HERE IN ONE 710 00:53:51,061 --> 00:53:52,862 MINUTE, I'LL BITE YOUR OTHER EAR OFF. 711 00:53:52,929 --> 00:54:06,543 ♪ >> WHO DID YOU WRITE THE LETTER 712 00:54:06,610 --> 00:54:07,410 TO? 713 00:54:07,477 --> 00:54:08,878 >> I WROTE THE LETTER TO DAD. 714 00:54:08,945 --> 00:54:11,081 >> NICE TO MEET YOU. 715 00:54:11,147 --> 00:54:13,950 I KNOW EXACTLY WHAT YOU'RE DOING. 716 00:54:14,017 --> 00:54:19,422 IT WOULD BE A TERRIBLE MISTAKE TO GO AGAINST ME. 717 00:54:19,489 --> 00:54:20,890 >> COME HERE. 718 00:54:20,957 --> 00:54:22,626 I'M TALKING TO YOU. 719 00:54:22,692 --> 00:54:25,395 >> DON'T TREAT ME LIKE ONE OF YOURS. 720 00:54:25,462 --> 00:54:26,896 IT'S JUST ME, ME. 721 00:54:26,963 --> 00:54:28,531 NO ONE ELSE EXISTS. 722 00:54:28,598 --> 00:54:33,837 GET ON WITH THE JOB AT HAND, WHICH IS FINDING A COPY CAT 723 00:54:33,903 --> 00:54:34,971 KILLER. 724 00:54:35,038 --> 00:54:41,811 LIE AT MY MERCY OR MY ENEMIES. 725 00:54:41,878 --> 00:54:44,114 PEOPLE WANT GLAMOUR AND TEARS. 726 00:54:44,180 --> 00:54:45,548 I'M NOT VERY GOOD AT THAT. 727 00:54:45,615 --> 00:54:46,616 I NEVER HAVE BEEN. 728 00:54:46,683 --> 00:54:49,386 I PREFER TO KEEP MY FEELINGS TO MYSELF. 729 00:54:49,452 --> 00:54:52,756 WHAT GIFT DO YOU THINK A GOOD SERVANT HAS? 730 00:54:52,822 --> 00:54:54,958 IT'S THE GIFT OF ANTICIPATION. 731 00:54:55,025 --> 00:55:00,230 WE MAY BE OLDER. 732 00:55:00,297 --> 00:55:03,700 >> SEXY AS EVER. 733 00:55:03,767 --> 00:55:04,701 >> THANK YOU. 734 00:55:04,768 --> 00:55:07,637 I TAKE THAT AS A GREAT COMPLIMENT. 735 00:55:07,704 --> 00:55:15,178 >> I HAVE TO DO IT AGAIN TO KEEP THESE MEMORIES ALIVE. 736 00:55:15,245 --> 00:55:15,979 THIS IS THE WORK. 737 00:55:16,046 --> 00:55:20,350 THIS IS ACTING. 738 00:55:20,417 --> 00:55:24,220 WHAT DO YOU DO WHEN YOU LOVE SOMETHING BUT IT STOPS LOVING 739 00:55:24,287 --> 00:55:25,322 YOU BACK? 740 00:55:25,388 --> 00:55:28,858 >> YOU LOVE IT MORE TILL IT SURRENDERS. 741 00:55:28,925 --> 00:55:36,066 >> THE WORK I'M DOING GIVES ME PLEASURE AND PURPOSE. 742 00:55:36,132 --> 00:55:48,211 >> I HAVE GIVEN THIS EVERYTHING I HAVE. 743 00:55:48,278 --> 00:55:55,652 [ APPLAUSE ] >> OH, MY GIDDY AUNT. 744 00:55:55,719 --> 00:56:01,391 IT IS MY GREAT, GREAT HONOR TO PRESENT THE SCREEN ACTORS GUILD 745 00:56:01,458 --> 00:56:07,430 LIFETIME ACHIEVEMENT AWARD TO THE ONE, THE ONLY DAME HELEN 746 00:56:07,497 --> 00:56:08,765 MIRREN. 747 00:56:08,832 --> 00:56:18,575 [ CHEERS AND APPLAUSE ] >> WELL, LIFETIME ACHIEVEMENT, 748 00:56:18,641 --> 00:56:28,618 [ CHEERS AND APPLAUSE ] >> WELL, LIFETIME ACHIEVEMENT, 749 00:56:28,685 --> 00:56:38,661 [ CHEERS AND APPLAUSE ] >> WELL, LIFETIME ACHIEVEMENT, 750 00:56:38,728 --> 00:56:45,735 [ CHEERS AND APPLAUSE ] >> WELL, LIFETIME ACHIEVEMENT, 751 00:56:45,802 --> 00:56:47,704 LIFETIME ACHIEVEMENT. 752 00:56:47,771 --> 00:56:49,472 SOUNDS SO GRAND. 753 00:56:49,539 --> 00:56:53,877 I SUPPOSE I'M STILL ALIVE, SO BY THAT MEASURE, I'M ELIGIBLE. 754 00:56:53,943 --> 00:57:00,417 BUT HONESTLY, ANY ACHIEVEMENT THAT I'VE SUCCEEDED IN IS THE 755 00:57:00,483 --> 00:57:03,119 RESULT OF MY MANTRA, WHICH IS BASICALLY, WITH ON TIME AND 756 00:57:03,186 --> 00:57:11,227 DON'T BE AN ASS. 757 00:57:11,294 --> 00:57:12,228 THANK YOU. 758 00:57:12,295 --> 00:57:14,898 THANK YOU, SAG, SO MUCH FOR THIS. 759 00:57:14,964 --> 00:57:20,837 I HATE TO SAY THE WORD "SAG" AT MY AGE. 760 00:57:20,904 --> 00:57:22,906 SO IT'S S.A.G. FOR ME. 761 00:57:22,972 --> 00:57:26,976 I'M SIMULTANEOUSLY AND ENORMOUSLY PROUD, AND DRIVEN 762 00:57:27,043 --> 00:57:30,413 WITH THE UNDERSTANDING THAT I ABSOLUTELY DO NOT DESERVE THIS. 763 00:57:30,480 --> 00:57:36,686 AND THERE, THERE IS THE CONFLICT THAT I BELIEVE YOU ALL 764 00:57:36,753 --> 00:57:37,520 UNDERSTAND. 765 00:57:37,587 --> 00:57:40,356 INSECURITY VERSUS EGO, HUH? 766 00:57:40,423 --> 00:57:45,061 THAT COCKTAIL THAT I BELIEVE MOST ACTORS SIP IN THE EVENING 767 00:57:45,128 --> 00:57:48,398 AS THEY CONTEMPLATE THE WONDERFUL GIFT THEY RECEIVED THE 768 00:57:48,465 --> 00:57:50,700 MOMENT THEY DECIDED TO BECOME AN ACTOR. 769 00:57:50,767 --> 00:57:55,104 SO, ANY WAY, I'VE BEEN THINKING ABOUT WHAT TO SAY TONIGHT AND I 770 00:57:55,171 --> 00:57:56,105 WAITED FOR INSPIRATION. 771 00:57:56,172 --> 00:57:57,507 AND THEN IT GAME. 772 00:57:57,574 --> 00:58:01,811 IT GAME TO ME, TO ALL THOSE PEOPLE WITH WHOM I HAVE SHARED 773 00:58:01,878 --> 00:58:05,315 MY PROFESSIONAL LIFE, THE ACTORS. 774 00:58:05,381 --> 00:58:07,484 I WILL TALK ABOUT ACTORS. 775 00:58:07,550 --> 00:58:11,221 OH, MY GOD, WHAT A BRILLIANT IDEA. 776 00:58:11,287 --> 00:58:14,958 I LIKE TO THINK INSIDE THE BOX. 777 00:58:15,024 --> 00:58:17,494 [ LAUGHTER ] SO OF COURSE, WE KNOW IT TAKES A 778 00:58:17,560 --> 00:58:20,363 MYRIAD OF TALENTED PEOPLE TO MAKE A DRAMA. 779 00:58:20,430 --> 00:58:23,166 IN FACT, FOUR OF THEM ARE SITTING AT MY TABLE. 780 00:58:23,233 --> 00:58:26,369 A WRITER, TWO DIRECTORS, AND AN AGENT. 781 00:58:26,436 --> 00:58:29,138 AND I THANK THEM FOR THEIR PARTICIPATION IN MY LIFE. 782 00:58:29,205 --> 00:58:32,809 BUT NOW PORTION IT IS THE ACTORS I ADDRESS. 783 00:58:32,876 --> 00:58:38,314 FROM FOLLOWING MY DREAM OF FOLLOWING IN THE FOOTSTEPS OF 784 00:58:38,381 --> 00:58:46,823 ELLENOR DUSA THROUGH THE INSPIRATION OF OTHERS, RILEY, B. 785 00:58:46,890 --> 00:58:52,862 CARTER, COLEMAN, COLE, AND KIRBY. 786 00:58:52,929 --> 00:59:01,170 I JOINED A TRIBE OF ROADS AND VAGABONDS A LONG TIME AGO. 787 00:59:01,237 --> 00:59:06,376 AND IT IS YOU ACTORS I WANT TO THANK FOR ALL YOUR WIT AND 788 00:59:06,442 --> 00:59:07,443 HUMOR. 789 00:59:07,510 --> 00:59:11,648 I'VE LAUGHED MY WHOLE LIFE, HONESTLY. 790 00:59:11,714 --> 00:59:15,618 YOUR GREAT INTELLIGENCE AND YOUR INCREDIBLE ENERGY, AND YOUR 791 00:59:15,685 --> 00:59:21,658 HELPLESS DEDICATION TO OUR CHOSEN PROFESSION. 792 00:59:21,724 --> 00:59:28,631 I GET REALLY PEED OFF WHEN I HEAR ABOUT ACTORS BEING MALIGNED 793 00:59:28,698 --> 00:59:30,066 AS A GROUP. 794 00:59:30,133 --> 00:59:31,434 IT'S EASY, ISN'T IT? 795 00:59:31,501 --> 00:59:35,572 WHEN IN MY EXPERIENCE, WHICH BY NOW IS CONSIDERABLE, THE 796 00:59:35,638 --> 00:59:36,706 OPPOSITE IS TRUE. 797 00:59:36,773 --> 00:59:40,343 WE LOVE AND ADMIRE EACH OTHER'S WORK. 798 00:59:40,410 --> 00:59:44,814 TOGETHER, WE LAUGH, WE WEEP, WE WORRY, WE CHANGE CLOTHES, WE 799 00:59:44,881 --> 00:59:48,184 THROW UP AND WE SUFFER DIARRHEA. 800 00:59:48,251 --> 00:59:49,586 DON'T YOU? 801 00:59:49,652 --> 00:59:54,057 I MEAN, I DO. 802 00:59:54,123 --> 00:59:57,527 A FEW YEARS AGO, I HAD THE FEARSOME AND WONDERFUL CHALLENGE 803 00:59:57,594 --> 01:00:03,199 OF PERFORMING AT THE ANCIENT GREEK THEATER. 804 01:00:03,266 --> 01:00:05,068 IT SEATS LIKE 4,000 OR SOMETHING. 805 01:00:05,134 --> 01:00:09,772 AND STANDING IN THAT 2,000-YEAR-OLD SPACE, I FELT THE 806 01:00:09,839 --> 01:00:14,544 GHOSTS OF ALL THOSE ANCIENT GREEKS AND VAGABONDS. 807 01:00:14,611 --> 01:00:17,947 I FELT THEIR FEAR, THEIR SWEAT, THEIR EMOTION. 808 01:00:18,014 --> 01:00:19,816 AND I FELT AT ONE WITH THEM. 809 01:00:19,882 --> 01:00:22,852 ACTORS. 810 01:00:22,919 --> 01:00:26,189 I'M SORRY, YOU'RE A MAGNIFICENT TRIBE. 811 01:00:26,255 --> 01:00:30,159 STRETCHING ACROSS CULTURE, HISTORY, AND TIME. 812 01:00:30,226 --> 01:00:33,730 THIS IS FOR THE ACTORS. 813 01:00:33,796 --> 01:00:35,632 THANK YOU. 814 01:00:35,698 --> 01:00:47,176 [ APPLAUSE ] >>> WHEN WE RETURN, BENEDICT 815 01:00:47,243 --> 01:00:51,414 CUMBERBATCH, JESSIE PLEMONS, AND MAGGIE GYLLENHAAL. 816 01:00:51,481 --> 01:00:52,548 AND LATER, THE SCREEN ACTORS GUILD AWARDS. 817 01:01:04,027 --> 01:01:08,464 >>> TOGETHER AGAIN, PLEASE WELCOME KERRY WASHINGTON AND 818 01:01:08,531 --> 01:01:18,508 TONY GOLDWYN. 819 01:01:18,574 --> 01:01:24,881 TONY GOLDWYN. 820 01:01:24,947 --> 01:01:28,151 >> IN SERIES TELEVISION, IT'S NO SECRET THAT THE SUCCESS OR 821 01:01:28,217 --> 01:01:32,021 FAILURE OF A SHOW IS A RESULT OF THE ENTIRE TEAM'S COLLABORATION 822 01:01:32,088 --> 01:01:35,324 AND CHEMISTRY. 823 01:01:35,391 --> 01:01:39,562 EACH ACTOR SHINING INDIVIDUALLY, WHILE COLLECTIVELY GIVING OFF A 824 01:01:39,629 --> 01:01:42,598 DAZZLING LIGHT. 825 01:01:42,665 --> 01:01:44,267 >> THE INCREDIBLE ENSEMBLES IN THIS CATEGORY ILLUSTRATE JUST 826 01:01:44,333 --> 01:01:46,369 THAT. 827 01:01:46,436 --> 01:01:49,639 RADIATING THEIR SHARED BRILLIANCE FROM MANHATTAN TO 828 01:01:49,706 --> 01:01:52,975 MONTANA, FROM SOUTH KOREA TO A NEAR-FUTURE NEW ENGLAND. 829 01:01:53,042 --> 01:01:55,278 SHOULD I READ THE NOMINEES FOR ENSEMBLE IN A DRAMA SERIES? 830 01:01:55,344 --> 01:01:59,782 >> NOPE. 831 01:01:59,849 --> 01:02:04,387 IT'S HANDLED. 832 01:02:04,454 --> 01:02:07,557 >> Announcer: THE ENSEMBLE OF "YELLOWSTONE" -- 833 01:02:07,623 --> 01:02:10,093 >> YOU'RE JOHN DUTTON, AREN'T YOU? 834 01:02:10,159 --> 01:02:10,927 >> YEP. 835 01:02:10,993 --> 01:02:15,932 >> DON'T YOU DIE ON ME NOW. 836 01:02:15,998 --> 01:02:16,766 >> RIGHT A WRONG? 837 01:02:16,833 --> 01:02:18,801 THERE'S NO SUCH THING. 838 01:02:18,868 --> 01:02:28,845 [ APPLAUSE ] >> Announcer: THE ENSEMBLE OF 839 01:02:28,911 --> 01:02:38,888 [ APPLAUSE ] >> Announcer: THE ENSEMBLE OF 840 01:02:38,955 --> 01:02:51,267 [ APPLAUSE ] >> Announcer: THE ENSEMBLE OF 841 01:02:51,334 --> 01:02:53,169 >> SOMEONE SHOULD COVER IT. 842 01:02:53,236 --> 01:02:54,270 >> HE CAN DO IT. 843 01:02:54,337 --> 01:02:55,404 >> THIS IS YOUR SHOW. 844 01:02:55,471 --> 01:02:56,506 >> AND WE'RE BACK. 845 01:02:56,572 --> 01:02:57,807 >> TWO. 846 01:02:57,874 --> 01:02:58,941 >> I KNOW I COME WITH A HISTORY NOT ALL OF YOU LOVE. 847 01:02:59,008 --> 01:03:00,877 >> ONE. 848 01:03:00,943 --> 01:03:08,851 [ APPLAUSE ] >> Announcer: THE ENSEMBLE OF 849 01:03:08,918 --> 01:03:10,019 "SUCCESSION." 850 01:03:10,086 --> 01:03:11,521 >> I NEED TO KNOW WHAT EVERYONE IS THINKING. 851 01:03:11,587 --> 01:03:16,793 >> THERE ARE CAMERAS OUTSIDE, AND THEY DON'T NEED TO SEE THE 852 01:03:16,859 --> 01:03:18,661 FBI MEETING RESISTANCE. 853 01:03:18,728 --> 01:03:19,796 >> YOU SOUND DERANGED. 854 01:03:19,862 --> 01:03:27,670 [ APPLAUSE ] >> Announcer: THE ENSEMBLE OF 855 01:03:27,737 --> 01:03:31,040 "THE HANDMAIDS TALE." 856 01:03:31,107 --> 01:03:32,441 >> WE CAME HERE TO FIGHT. 857 01:03:32,508 --> 01:03:35,478 >> NO, YOU CAME HERE TO FIGHT. 858 01:03:35,545 --> 01:03:38,848 >> WE CAN'T SAVE HER. 859 01:03:38,915 --> 01:03:40,550 SOME WOMEN DON'T WANT TO BE SAVED. 860 01:03:40,616 --> 01:03:44,821 >> WE'RE THE ONES WE'VE BEEN WAITING FOR. 861 01:03:44,887 --> 01:03:56,732 [ APPLAUSE ] >> AND THE ACTOR GOES TO -- 862 01:03:56,799 --> 01:03:58,100 >> "SUCCESSION." 863 01:03:58,167 --> 01:04:05,441 [ APPLAUSE ] >> Announcer: THE 19 ACTOR 864 01:04:05,508 --> 01:04:07,877 ENSEMBLE OF "SUCCESSION" CELEBRATES ITS FIRST WIN AND 865 01:04:07,944 --> 01:04:18,654 FIRST NOMINATION. 866 01:04:18,721 --> 01:04:28,698 ♪ >> OKAY. 867 01:04:28,764 --> 01:04:38,741 ♪ >> OKAY. 868 01:04:38,808 --> 01:04:49,118 ♪ >> OKAY. 869 01:04:49,185 --> 01:04:54,924 I DON'T KNOW IF YOU CAN READ THIS. 870 01:04:54,991 --> 01:05:00,930 ANY WAY, NEVER MIND. 871 01:05:00,997 --> 01:05:03,666 LISTEN, OH, HERE WE GO. 872 01:05:03,733 --> 01:05:04,300 THANK YOU, EVERYBODY. 873 01:05:04,367 --> 01:05:08,771 FOR EVERYTHING. 874 01:05:08,838 --> 01:05:15,177 AND, YOU KNOW, WE JUST WANT TO -- WE THANK HBO WHO HAVE 875 01:05:15,244 --> 01:05:16,379 REALLY TAKEN CARE OF US. 876 01:05:16,445 --> 01:05:19,148 WE WANT TO THANK OUR FANTASTIC WRITERS. 877 01:05:19,215 --> 01:05:23,819 JESSIE IS A GENIUS, NO QUESTION ABOUT IT. 878 01:05:23,886 --> 01:05:30,326 AND THESE GUYS, YOU KNOW, YOU CAN'T WORK -- OH, SARAH. 879 01:05:30,393 --> 01:05:31,294 SHE'S NOT HERE. 880 01:05:31,360 --> 01:05:32,528 AND MATTHEW. 881 01:05:32,595 --> 01:05:34,597 THERE'S SO MANY NOT HERE. 882 01:05:34,664 --> 01:05:38,701 BUT WE LOVE THEM AND WE WISH THEY WERE HERE. 883 01:05:38,768 --> 01:05:44,407 BUT, NO, THE OTHER THING I WANT TO SAY IS ABOUT THE CASTING 884 01:05:44,473 --> 01:05:46,242 PEOPLE, THE PEOPLE WHO CAST US. 885 01:05:46,309 --> 01:05:48,711 WE'VE DONE A GREAT JOB, ESPECIALLY ON THIS SHOW. 886 01:05:48,778 --> 01:05:52,949 AND I THINK THEY NEED A SPECIAL HAND. 887 01:05:53,015 --> 01:05:57,153 WE KIND OF UNDERESTIMATE THE CASTERS. 888 01:05:57,219 --> 01:05:58,788 COULD YOU HOLD THAT? 889 01:05:58,854 --> 01:06:02,124 ONE OTHER THING I WOULD LIKE TO ADD, WHICH I THINK IS IMPORTANT 890 01:06:02,191 --> 01:06:05,328 TO ME AND I HOPE IMPORTANT TO YOU, AND AS ACTORS AND 891 01:06:05,394 --> 01:06:08,264 PERFORMERS AND WRITERS AND DIRECTORS. 892 01:06:08,331 --> 01:06:15,504 THIS IS A THING THAT'S COME TO ME ABOUT WHAT'S GOING ON IN 893 01:06:15,571 --> 01:06:18,174 UKRAINE. 894 01:06:18,240 --> 01:06:21,711 IT'S TRULY, TRULY AWFUL. 895 01:06:21,777 --> 01:06:23,479 REALLY AWFUL WHAT'S HAPPENING. 896 01:06:23,546 --> 01:06:28,050 IT'S PARTICULARLY AWFUL IN TERMS OF THE -- WHAT IT'S AFFECTING 897 01:06:28,117 --> 01:06:30,519 THE OTHER PEOPLE, PARTICULARLY IN OUR PROFESSION. 898 01:06:30,586 --> 01:06:33,923 THE PRESIDENT OF UKRAINE WAS A COMIC, YOU KNOW, HE WAS A 899 01:06:33,990 --> 01:06:36,192 WONDERFUL COMIC PERFORMER. 900 01:06:36,258 --> 01:06:38,494 AND WE SHOULD RESPECT THAT FOR HIM AND TO COME TO THE 901 01:06:38,561 --> 01:06:40,796 PRESIDENCY WAS AMAZING. 902 01:06:40,863 --> 01:06:45,001 BUT THE THING THAT IS REALLY DISTRESSED ME IS WHAT'S 903 01:06:45,067 --> 01:06:49,338 HAPPENING IN RUSSIA, TO MY FELLOW ACTORS AND ACTRESSES AND 904 01:06:49,405 --> 01:06:55,311 PERFORMERS AND WRITERS AND CRITICS, THEY ARE TOLD UNDER 905 01:06:55,378 --> 01:06:59,448 PAIN OF HIGH TREASON THEY CANNOT SAY A WORD ABOUT UKRAINE. 906 01:06:59,515 --> 01:07:00,850 I THINK THAT IS AWFUL. 907 01:07:00,916 --> 01:07:03,819 I THINK WE SHOULD ALL STAND TOGETHER, AND ALSO, FOR THOSE 908 01:07:03,886 --> 01:07:07,156 PEOPLE, THE PEOPLE IN RUSSIA WHO DON'T LIKE WHAT'S GOING ON, AND 909 01:07:07,223 --> 01:07:11,861 PARTICULARLY THE ARTISTS, I THINK WE SHOULD JOIN AND 910 01:07:11,927 --> 01:07:16,065 CELEBRATE THEM AND HOPE THAT THEY CAN MAKE A SHIFT. 911 01:07:16,132 --> 01:07:19,301 BECAUSE I BELIEVE THEY CAN. 912 01:07:19,368 --> 01:07:20,202 THANK YOU. 913 01:07:20,269 --> 01:07:21,103 THANK YOU! 914 01:07:21,170 --> 01:07:24,940 [ APPLAUSE ] THANK YOU SO MUCH. 915 01:07:25,007 --> 01:07:25,474 I KNEW YOU WOULD COME TO IT. 916 01:07:25,541 --> 01:07:30,413 THANK YOU. 917 01:07:30,479 --> 01:07:38,020 ♪ >> Announcer: AND NOW, 918 01:07:38,087 --> 01:07:52,868 CAITRIONA BALFE, JAMIE DORNAN, JUDE HILL, AND CIARAN HINDS. 919 01:07:52,935 --> 01:08:03,846 ♪ >> WHETHER A STORY BEGINS IN A 920 01:08:03,913 --> 01:08:07,983 TOWN, A CITY, OR THE CLOSE KNIT WORLD OF 1969 NORTHERN IRELAND, 921 01:08:08,050 --> 01:08:10,286 THE NEXT NOMINEE REMINDS US OF THE LASTING IMPACT OF WHERE WE 922 01:08:10,352 --> 01:08:12,721 COME FROM. 923 01:08:12,788 --> 01:08:17,326 >> WHEN THE WORLD SEEMED TO BE COMING APART AROUND THEM, A 924 01:08:17,393 --> 01:08:21,330 WORKING-CLASS FAMILY EXPLORES THE TRUE MEANING OF HOME AS THEY 925 01:08:21,397 --> 01:08:22,298 WRESTLE WITH WHETHER TO LEAVE THE ONLY PLACE THEY'VE EVER 926 01:08:22,364 --> 01:08:25,935 KNOWN. 927 01:08:26,001 --> 01:08:30,072 >> INSPIRED BY DEEPLY PERSONAL CHILDHOOD EVENTS IN HIS OWN 928 01:08:30,139 --> 01:08:34,176 LIFE, WRITER/DIRECTOR KENNETH BRANAGH TELLS A STORY OF 929 01:08:34,243 --> 01:08:37,713 LOVE, LOSS, AND FAMILY. 930 01:08:37,780 --> 01:08:40,015 >> A HEARTFELT TRIBUTE TO CHILDHOOD BROUGHT TO LIFE ON THE 931 01:08:40,082 --> 01:08:42,685 SCREEN. 932 01:08:42,751 --> 01:08:45,588 THIS IS "BELFAST." 933 01:08:45,654 --> 01:08:56,165 [ APPLAUSE ] >> TOUCH MY FAMILY AND I'LL KILL 934 01:08:56,232 --> 01:08:59,935 YOU. 935 01:09:00,002 --> 01:09:01,971 >> ARE WE GOING TO HAVE TO LEAVE BELFAST? 936 01:09:02,037 --> 01:09:04,106 >> WE'RE IN THIS TOGETHER. 937 01:09:04,173 --> 01:09:04,740 >> THIS IS WHAT? 938 01:09:04,807 --> 01:09:08,410 >> THIS IS WAR. 939 01:09:08,477 --> 01:09:12,915 >> DON'T LOOK BACK. 940 01:09:12,982 --> 01:09:13,983 >> WHAT DO YOU WANT? 941 01:09:14,049 --> 01:09:16,485 >> I WANT MY FAMILY WITH ME. 942 01:09:16,552 --> 01:09:18,087 I WANT YOU HERE. 943 01:09:18,154 --> 01:09:22,525 [ APPLAUSE ] >> Announcer: LADIES AND 944 01:09:22,591 --> 01:09:33,969 GENTLEMEN, BENEDICT CUMBERBATCH AND JESSE PLEMONS. 945 01:09:34,036 --> 01:09:38,674 >> IT'S SUCH GREAT PERFORMANCES APART IS NOT ONLY HOW AN ACTOR 946 01:09:38,741 --> 01:09:41,010 INTERPRETS WHAT IS WRITTEN IN THE SCRIPT BUT HOW THEY FILL IN 947 01:09:41,076 --> 01:09:42,244 THE BLANKS IN BETWEEN. 948 01:09:42,311 --> 01:09:45,514 >> THE FIVE WOMEN IN THIS CATEGORY ARE MASTER 949 01:09:45,581 --> 01:09:48,417 PRACTITIONERS OF THIS ALCHEMY, EACH CONTRIBUTING TO THE 950 01:09:48,484 --> 01:09:52,721 INSPIRED ELEMENTS THAT BRING THEIR CHARACTER INTO EXISTENCE. 951 01:09:52,788 --> 01:09:57,560 >> HERE ARE THE NOMINEES FOR FEMALE ACTOR IN A TELEVISION 952 01:09:57,626 --> 01:10:01,931 MOVIE OR LIMITED SERIES. 953 01:10:01,997 --> 01:10:13,108 >> KATE WINCE LET, JENNIFER COOLIDGE, CYNTHIA ARIVO, JEAN 954 01:10:13,175 --> 01:10:19,782 SMART, MARGARET QUALLEY. 955 01:10:19,848 --> 01:10:29,825 >> AND THE ACTOR GOES TO -- >> KATE WINSLET "THE MARE OF 956 01:10:29,892 --> 01:10:34,897 >> AND THE ACTOR GOES TO -- >> KATE WINSLET "THE MARE OF 957 01:10:34,964 --> 01:10:36,298 EASTTOWN." 958 01:10:36,365 --> 01:10:38,667 >> KATE COULD NOT BE WITH US THIS EVENING, SO WE ACCEPT THE 959 01:10:38,734 --> 01:10:39,935 ACTOR ON HER BEHALF. 960 01:10:40,002 --> 01:10:47,576 >> AND WE'RE VERY HAPPY FOR HER TO ACCEPT AS HER. 961 01:10:47,643 --> 01:11:01,991 >> Announcer: PLEASE WELCOME, MAGGIE GYLLENHAAL. 962 01:11:02,057 --> 01:11:07,930 >> AS GERTRUDE SAYS IN "HAMLET," "ALL THAT LIVES MUST DIE, 963 01:11:07,997 --> 01:11:13,302 PASSING THROUGH NATURE TO ETERNITY." 964 01:11:13,369 --> 01:11:18,540 I WATCHED MY MOST CHERISHED TEACHER SAY THOSE WORDS ON STAGE 965 01:11:18,607 --> 01:11:21,477 SHORTLY BEFORE SHE HERSELF PASSED AWAY. 966 01:11:21,543 --> 01:11:23,412 AND THEY LEFT A LASTING MARK ON ME. 967 01:11:23,479 --> 01:11:25,481 THERE HAS BEEN A LOT OF PAINFUL LOSS THIS YEAR. 968 01:11:25,547 --> 01:11:28,517 AND TONIGHT, WE HONOR OUR BELOVED PEERS WHO HAVE GONE 969 01:11:28,584 --> 01:11:35,424 BEFORE US. 970 01:11:35,491 --> 01:11:39,061 TO THEM WE SAY, THANK YOU FOR YOUR WORK AND INSPIRATION. 971 01:11:39,128 --> 01:11:49,571 AND IN SOME CASES EVEN, THANK YOU FOR BEING A FRIEND. 972 01:11:49,638 --> 01:11:55,110 >> IN CASE I DON'T SEE YOU AGAIN, I WOULD JUST LIKE TO SAY, 973 01:11:55,177 --> 01:11:58,447 SO LONG. 974 01:11:58,514 --> 01:12:03,152 >> WHEN A MAN'S DONE ALL HE CAN, ALL THAT IS LEFT IS TO HOPE THAT 975 01:12:03,218 --> 01:12:04,653 GOD WILL SEE HIM THROUGH IT. 976 01:12:04,720 --> 01:12:07,923 >> YOU CAN'T LIVE FOR THE FUTURE, JUST LIKE YOU CAN'T LIVE 977 01:12:07,990 --> 01:12:09,892 IN THE PAST. 978 01:12:09,958 --> 01:12:13,962 ♪ I FEEL JUST LIKE A SAILBOAT >> LIKE THE MAN SAID, JUST A 979 01:12:14,029 --> 01:12:15,364 LITTLE BIT OF SOUL. 980 01:12:15,431 --> 01:12:26,141 ♪ DON'T KNOW WHERE I'M HEADED >> GIVE IT TO ME STRAIGHT, 981 01:12:26,208 --> 01:12:26,742 DOCTOR. 982 01:12:26,809 --> 01:12:28,510 I CAN TAKE IT! 983 01:12:28,577 --> 01:12:37,886 ♪ I'VE SEEN THE SUN ♪ FELT THE RAIN ON MY SKIN 984 01:12:37,953 --> 01:12:44,360 ♪ I'VE BEEN LOST AND FOUND >> WE'VE GOT NO TIME TO WASTE. 985 01:12:44,426 --> 01:12:46,595 >> WHY CAN'T GOD BE A WOMAN? 986 01:12:46,662 --> 01:12:47,996 >> THAT WOULD BE SILLY. 987 01:12:48,063 --> 01:12:57,673 >> THIS FROM A MAN WHO HAS A COLLECTION OF WHOOPEE CUSHIONS. 988 01:12:57,740 --> 01:13:00,409 >> I'LL TRY TO LIVE EVERY DAY FOR ITSELF. 989 01:13:00,476 --> 01:13:02,444 EACH ONE IS LIKE A GIFT. 990 01:13:02,511 --> 01:13:03,912 >> THE GAME IS OUT THERE. 991 01:13:03,979 --> 01:13:07,850 IT'S EITHER PLAY OR GET PLAYED. 992 01:13:07,916 --> 01:13:10,419 >> I SUPPOSE A MAN HAS TO DECIDE WHEN HE WANTS TO STAND UP AND BE 993 01:13:10,486 --> 01:13:14,990 A MAN. 994 01:13:15,057 --> 01:13:17,726 >> I CAN'T DO THAT HOLLYWOOD STUFF, MAN. 995 01:13:17,793 --> 01:13:25,834 I CAN'T SAY THAT STUFF THEY WANT ME TO SAY. 996 01:13:25,901 --> 01:13:30,139 >> I WANT TO HAVE FUN AND BE ROMANCED, BE LOVED. 997 01:13:30,205 --> 01:13:37,179 I'VE GOT A RIGHT TO LIVE MY LIFE THE WAY I WANT TO LIVE IT. 998 01:13:37,246 --> 01:13:38,914 >> DO YOU HAVE ANY ASPIRIN? 999 01:13:38,981 --> 01:13:42,117 >> I'M SORRY, I JUST TOOK MY LAST MYDOL. 1000 01:13:42,184 --> 01:13:45,888 >> NEW SUPER COMET. 1001 01:13:45,954 --> 01:13:52,861 >> I WILL DRINK TO THAT. 1002 01:13:52,928 --> 01:13:58,100 >> SEE YOU IN THE NEXT LIFE. 1003 01:13:58,167 --> 01:14:08,143 ♪ >> YOU HAVE MEDDLED WITH THE 1004 01:14:08,210 --> 01:14:18,854 ♪ >> YOU HAVE MEDDLED WITH THE 1005 01:14:18,921 --> 01:14:21,223 FORCES OF NATURE! 1006 01:14:21,290 --> 01:14:22,424 >> THAT'S THE WAY IT IS, FOLKS. 1007 01:14:22,491 --> 01:14:24,660 GOOD NIGHT. 1008 01:14:24,726 --> 01:14:27,896 >> YOU KNOW WHAT WILL HELP ALL THIS? 1009 01:14:27,963 --> 01:14:30,232 >> LET'S GET HIM DESSERT. 1010 01:14:30,299 --> 01:14:33,969 >> MY FRIEND, THE FILM NEEDS AN ENDING. 1011 01:14:34,036 --> 01:14:36,371 >> LIFE IS GOING TO GIVE YOU ONE SHOT. 1012 01:14:36,438 --> 01:14:44,379 >> SOMETIMES LIFE JUST ISN'T FAIR, KIDDO. 1013 01:14:44,446 --> 01:14:47,049 >> I WILL LEAVE YOU WITH A SIMPLE OBSERVATION. 1014 01:14:47,115 --> 01:14:53,121 THE REWARDS WERE IN THE JOURNEY. 1015 01:15:05,901 --> 01:15:20,816 [ APPLAUSE ] >> Announcer: LADIES AND 1016 01:15:20,883 --> 01:15:22,751 GENTLEMEN, SELMA HI YAK. 1017 01:15:22,818 --> 01:15:30,158 >> THE ACTORS NOMINATED IN THIS CATEGORY DELIVER PERFORMANCES 1018 01:15:30,225 --> 01:15:33,295 THAT DON'T JUST CAPTURE YOUR ATTENTION, THEY SLAP THE PHONE 1019 01:15:33,362 --> 01:15:37,799 OUT OF YOUR HOUSE AND SUPER GLUE YOUR ASS TO YOUR COUCH OR 1020 01:15:37,866 --> 01:15:41,803 WHATEVER YOU'RE WATCHING ON. 1021 01:15:41,870 --> 01:15:44,740 OKAY. 1022 01:15:44,806 --> 01:15:49,945 AND HERE ARE THE NOMINEES MALE ACTOR IN A TELEVISION MOVIE OR 1023 01:15:50,012 --> 01:15:56,385 LIMITED SERIES. 1024 01:15:56,451 --> 01:16:00,756 >> YOUEN McGREGOR. 1025 01:16:00,822 --> 01:16:02,658 MICHAEL KEATON. 1026 01:16:02,724 --> 01:16:03,258 OSCAR ISAAC. 1027 01:16:03,325 --> 01:16:07,996 EVAN PETERS. 1028 01:16:08,063 --> 01:16:16,638 MURRAY BARTLETT. 1029 01:16:16,705 --> 01:16:25,581 >> AND THE ACTOR GOES TO -- MICHAEL KEATON, "DOPESICK." 1030 01:16:25,647 --> 01:16:35,624 ♪ >> ARE YOU KIDDING ME? 1031 01:16:35,691 --> 01:16:45,667 ♪ >> ARE YOU KIDDING ME? 1032 01:16:45,734 --> 01:16:51,073 ♪ >> ARE YOU KIDDING ME? 1033 01:16:51,139 --> 01:16:52,274 I HAVE STAGE FRIGHT. 1034 01:16:52,341 --> 01:16:55,877 COME ON, MICHAEL! 1035 01:16:55,944 --> 01:17:10,158 COME ON, MICHAEL! 1036 01:17:10,225 --> 01:17:12,327 >> THANK YOU VERY MUCH. 1037 01:17:12,394 --> 01:17:13,195 SORRY. 1038 01:17:13,261 --> 01:17:15,097 QUICK TRIP TO THE MEN'S ROOM. 1039 01:17:15,163 --> 01:17:17,599 IT IS PACKED, BY THE WAY. 1040 01:17:17,666 --> 01:17:19,267 THIS IS SO NICE. 1041 01:17:19,334 --> 01:17:20,202 THANK YOU VERY MUCH. 1042 01:17:20,268 --> 01:17:21,069 REALLY. 1043 01:17:21,136 --> 01:17:23,872 I'M TRULY -- I'M SO GRATEFUL. 1044 01:17:23,939 --> 01:17:25,374 UMM, YOU KNOW WHAT? 1045 01:17:25,440 --> 01:17:29,244 THERE'S AN ARGUMENT TO BE MADE, IT'S A LEGITIMATE ARGUMENT. 1046 01:17:29,311 --> 01:17:34,616 LOOK HOW NICE EVERYONE LOOKS. 1047 01:17:34,683 --> 01:17:40,555 A NIGHT LIKE TONIGHT IS SELF-SERVING, NARCISSISTIC, YEP. 1048 01:17:40,622 --> 01:17:44,026 IT'S A LEGITIMATE ARGUMENT TO BE MADE. 1049 01:17:44,092 --> 01:17:50,365 THAT SAID, I WILL TELL YOU, AND I'LL SPEAK FOR MYSELF, I AM SO 1050 01:17:50,432 --> 01:17:51,833 FORTUNATE. 1051 01:17:51,900 --> 01:17:54,469 I MEAN, WE COULD SPEND A WEEK HERE TALKING ABOUT HOW FORTUNATE 1052 01:17:54,536 --> 01:17:57,973 I AM, AND I KNOW YOU WOULD ALL LOVE THAT. 1053 01:17:58,040 --> 01:18:01,309 YEAH, EVERYONE WANTS TO HEAR MIKE RAMBLE ON FOR A COUPLE OF 1054 01:18:01,376 --> 01:18:02,577 HOURS. 1055 01:18:02,644 --> 01:18:06,014 I'M SO BLESSED TO DO WHAT I DO, AND SO FORTUNATE. 1056 01:18:06,081 --> 01:18:08,684 AND I'M ONLY GOING TO SPEAK FOR MYSELF. 1057 01:18:08,750 --> 01:18:15,390 I HAVE A JOB WHERE I CAN BE PART OF A PRODUCTION, LIKE 1058 01:18:15,457 --> 01:18:18,060 "DOPESICK," OR -- THANK YOU, OR WHATEVER. 1059 01:18:18,126 --> 01:18:28,970 THAT ACTUALLY CAN SPAWN THOUGHT, CONVERSATION, ACTUAL CHANGE. 1060 01:18:29,037 --> 01:18:33,208 WHO GETS TO HAVE THAT JOB? 1061 01:18:33,275 --> 01:18:34,676 SERIOUSLY? 1062 01:18:34,743 --> 01:18:38,280 HOW FORTUNATE AM I THAT GOOD CAN COME FROM SOMETHING I DO JUST 1063 01:18:38,346 --> 01:18:41,917 BECAUSE I LEARN TO BECOME AN ACTOR? 1064 01:18:41,983 --> 01:18:46,121 THERE'S MASSIVE INEQUITY IN THE WORLD. 1065 01:18:46,188 --> 01:18:49,825 IN "DOPESICK," WHEN YOU TALK ABOUT ADDICTION, THE WAY TO HEAL 1066 01:18:49,891 --> 01:18:53,228 THE PROBLEM IS TO ACCEPT THAT YOU HAVE A PROBLEM. 1067 01:18:53,295 --> 01:18:58,633 NOT OUR COUNTRY. 1068 01:18:58,700 --> 01:19:01,336 THE ENTIRE WORLD. 1069 01:19:01,403 --> 01:19:06,174 ECONOMICALLY, RACIALLY, SOCIALLY, FINANCIALLY. 1070 01:19:06,241 --> 01:19:08,043 THERE'S MASSIVE INEQUITY IN THE WORLD. 1071 01:19:08,110 --> 01:19:09,978 THERE JUST IS. 1072 01:19:10,045 --> 01:19:11,713 THERE'S FAIR, AND THERE'S UNFAIR. 1073 01:19:11,780 --> 01:19:16,418 THERE'S NOT A LOT OF ROOM IN BETWEEN. 1074 01:19:16,485 --> 01:19:23,125 I CAN FEEL RIGHT NOW THE ROLLING THUNDER OF EYE ROLLING ACROSS 1075 01:19:23,191 --> 01:19:26,561 PEOPLE SAYING THINGS TO ME LIKE, SHUT UP AND DRIBBLE. 1076 01:19:26,628 --> 01:19:29,731 SHUT UP AND ACT. 1077 01:19:29,798 --> 01:19:33,769 THE ACTING, I'LL QUIT. 1078 01:19:33,835 --> 01:19:38,840 THE SHUTTING UP, NOT SO MUCH. 1079 01:19:38,907 --> 01:19:43,245 I AM BLESSED TO BE ABLE TO DO SOMETHING THAT MIGHT IMPROVE 1080 01:19:43,311 --> 01:19:44,112 SOMEONE'S LIFE. 1081 01:19:44,179 --> 01:19:46,848 I'M THE MOST FORTUNATE PERSON. 1082 01:19:46,915 --> 01:19:53,555 I SWEAR TO GOD, I'M SO GRATEFUL FOR THINS LIKE. 1083 01:19:53,622 --> 01:19:54,923 THIS IS NICE. 1084 01:19:54,990 --> 01:19:59,327 I WILL TELL YOU, WE HAVE A FELLOW ACTOR IN ZELENSKYY, WHO 1085 01:19:59,394 --> 01:20:06,568 DESERVES SOME CREDIT TONIGHT FOR FIGHTING THE FIGHT. 1086 01:20:06,635 --> 01:20:10,772 I SPENT OUT MY PREEMPTIVE THANKS TO EVERYONE INVOLVED IN THIS, 1087 01:20:10,839 --> 01:20:14,509 ESPECIALLY MARNY. 1088 01:20:14,576 --> 01:20:24,553 BUT MOSTLY, -- GIVEN THE SUBJECT MATTER -- 1089 01:20:24,619 --> 01:20:32,060 BUT MOSTLY, -- GIVEN THE SUBJECT MATTER -- 1090 01:20:32,127 --> 01:20:38,600 THIS IS FOR MY NEPHEW, MICHAEL, AND MY SISTER, PAM. 1091 01:20:38,667 --> 01:20:47,976 I LOST MICHAEL -- IT HURTS. 1092 01:20:48,043 --> 01:20:48,743 TO MY SISTER PAM, THANKS. 1093 01:20:48,810 --> 01:21:03,124 [ APPLAUSE ] ♪ 1094 01:21:03,191 --> 01:21:13,935 >> Announcer: AND NOW, PLEASE WELCOME JEFF GOLDBLOOM. 1095 01:21:14,002 --> 01:21:17,372 >> THANK YOU. 1096 01:21:17,439 --> 01:21:25,847 THANK YOU, WILL. 1097 01:21:25,914 --> 01:21:30,719 GREAT SCREEN ARTISTS OF OUR TIME OR ANY TIME, HAVE DELIVERED A 1098 01:21:30,785 --> 01:21:35,724 QUINTET OF TRIUMPHANT SHAPE SHIFTINGS FOR THE AGES, 1099 01:21:35,790 --> 01:21:38,326 ENTERTAINING AND RENDERED IN SUCH A WAY THAT HAVING SEEN 1100 01:21:38,393 --> 01:21:41,830 THEM, EVERY ONE OF US KNOWS SOMETHING DEEPER AND TRUER ABOUT 1101 01:21:41,897 --> 01:21:44,866 WHAT IT MEANS FOR A HUMAN BEING. 1102 01:21:44,933 --> 01:21:51,239 HERE ARE THE NOMINEES FOR FEMALE ACTOR IN A LEADING ROLE. 1103 01:21:51,306 --> 01:22:00,982 >> Announcer: LADY GAGA, "HOUSE OF GUCCI." 1104 01:22:01,049 --> 01:22:08,757 >> WHEN -- TO LET YOU THINK, I WOULD EVER LET ANYONE RUIN MY 1105 01:22:08,823 --> 01:22:10,158 DAUGHTER'S LIFE. 1106 01:22:10,225 --> 01:22:13,662 >> Announcer: JESSICA CHASTAIN, "THE EYES OF TAMMY FAYE." 1107 01:22:13,728 --> 01:22:17,699 >> THIS IS AN EMOTIONAL INTERVIEW FOR ME. 1108 01:22:17,766 --> 01:22:19,868 I WANT TO PUT MY ARM AROUND YOU. 1109 01:22:19,935 --> 01:22:26,942 >> AND I WANT TO PUT MY ARMS AROUND YOU, TAMMY FAYE. 1110 01:22:27,008 --> 01:22:32,781 >> Announcer: OLIVIA COLMAN, "THE LOST DAUGHTER." 1111 01:22:32,847 --> 01:22:37,852 >> I'M GOING TO CUT YOUR TONGUE. 1112 01:22:37,919 --> 01:22:39,587 THIS IS UNACCEPTABLE! 1113 01:22:39,654 --> 01:22:42,624 I'M CALLING THE POLICE. 1114 01:22:42,691 --> 01:22:50,432 >> Announcer: NICOLE KIDMAN "BEING THE RICARDOS." 1115 01:22:50,498 --> 01:22:51,433 >> THERE IT IS. 1116 01:22:51,499 --> 01:22:52,067 >> WHAT ARE YOU TALKING ABOUT? 1117 01:22:52,133 --> 01:23:05,880 >> IN THE GRAPES. 1118 01:23:05,947 --> 01:23:06,848 "RESPECT." 1119 01:23:06,915 --> 01:23:07,716 >> DON'T TALK TO HER LIKE THAT. 1120 01:23:07,782 --> 01:23:11,953 >> HAVE YOU LOST YOUR MIND? 1121 01:23:12,020 --> 01:23:12,687 >> MAYBE. 1122 01:23:12,754 --> 01:23:20,028 MAYBE I FOUND IT. 1123 01:23:20,095 --> 01:23:30,071 >> AND THE ACTOR GOES TO -- >> Announcer: JESSICA CHASTAIN 1124 01:23:30,138 --> 01:23:37,879 >> AND THE ACTOR GOES TO -- >> Announcer: JESSICA CHASTAIN 1125 01:23:37,946 --> 01:23:39,981 CELEBRATES HER SECOND WIN AND FOURTH NOMINATION. 1126 01:23:40,048 --> 01:23:49,691 SHE PREVIOUSLY WON AN ACTOR WITH THE CAST OF "THE HELP." 1127 01:23:49,758 --> 01:23:50,725 >> WHOA! 1128 01:23:50,792 --> 01:23:51,226 WOW. 1129 01:23:51,292 --> 01:23:51,926 OKAY. 1130 01:23:51,993 --> 01:23:55,130 I'M REAL SURPRISED. 1131 01:23:55,196 --> 01:23:58,033 THANK YOU, SAG-AFTA FOR THIS. 1132 01:23:58,099 --> 01:24:05,206 I'M COMPLETELY STUNNED. 1133 01:24:05,273 --> 01:24:07,709 THANK YOU. 1134 01:24:07,776 --> 01:24:09,244 I WANT TO THANK MY TEAM. 1135 01:24:09,310 --> 01:24:12,380 I HAVE THE BEST TEAM EVER. 1136 01:24:12,447 --> 01:24:14,616 PAUL, HILDA, STEVE, NICOLE. 1137 01:24:14,682 --> 01:24:18,820 MY PRODUCER PARTNERS, KELLY AND RACHEL AND GIGI. 1138 01:24:18,887 --> 01:24:21,790 AND EVERYONE IN THIS ROOM KNOWS THAT A PERFORMANCE IS ONLY AS 1139 01:24:21,856 --> 01:24:23,191 GOOD AS THE PEOPLE AROUND YOU. 1140 01:24:23,258 --> 01:24:32,467 SO I HAVE THE BEST ACTING TROUPE ONE COULD HAVE WITH ANDREW 1141 01:24:32,534 --> 01:24:35,370 GARFIELD, I MEAN, I'M SO LUCKY. 1142 01:24:35,437 --> 01:24:40,608 THIS IS A DREAM OF MINE TO PLAY TAMMY FAYE. 1143 01:24:40,675 --> 01:24:43,411 SHE WAS A TRAILBLAZER. 1144 01:24:43,478 --> 01:24:49,084 AND SHE WRAPPED HER ARMS AROUND THOSE WHO WERE REPEATEDLY CAST 1145 01:24:49,150 --> 01:24:55,390 ASIDE AND SHE LAUNCHED HERSELF INTO DECADES OF LBGTQ LOVE, AND 1146 01:24:55,457 --> 01:24:59,994 I WORKED ON THE PROJECT FOR TEN YEARS, AND I HOPE THAT I MADE 1147 01:25:00,061 --> 01:25:03,665 HER STORY -- WE MADE HER STORY THE WAY THAT SHE WOULD BE PROUD 1148 01:25:03,731 --> 01:25:04,732 OF. 1149 01:25:04,799 --> 01:25:06,534 I WANTED TO BE AN ACTOR MY WHOLE LIFE. 1150 01:25:06,601 --> 01:25:10,405 SINCE I WAS A KID, IT'S THE ONLY THING I EVER THOUGHT ABOUT. 1151 01:25:10,472 --> 01:25:13,341 THERE WERE YEARS OF STUDYING AND AUDITIONING, AND NOT GETTING 1152 01:25:13,408 --> 01:25:15,210 JOBS. 1153 01:25:15,276 --> 01:25:21,015 AND I KNOW WHAT THAT FEELS LIKE AND THE LONEINESS OF WHAT THAT 1154 01:25:21,082 --> 01:25:22,383 FEELS LIKE. 1155 01:25:22,450 --> 01:25:25,220 FOR THOSE OF YOU WHO ARE STRUGGLING, AND FEELING UNSEEN, 1156 01:25:25,286 --> 01:25:30,758 I JUST WANT YOU TO KNOW TO KEEP GOING, BECAUSE YOU'RE ONE JOB 1157 01:25:30,825 --> 01:25:31,292 AWAY. 1158 01:25:31,359 --> 01:25:32,393 I PROMISE. 1159 01:25:32,460 --> 01:25:35,230 AND THE THING THAT KEPT ME GOING WAS YOU. 1160 01:25:35,296 --> 01:25:37,365 IT WAS EVERYONE IN THIS ROOM. 1161 01:25:37,432 --> 01:25:39,033 AND IT WAS THIS COMMUNITY. 1162 01:25:39,100 --> 01:25:42,070 AND I LOVE MY ARTISTIC FAMILY. 1163 01:25:42,137 --> 01:25:46,107 AND MY HEART IS WITH OUR INTERNATIONAL FAMILY ALL OVER 1164 01:25:46,174 --> 01:25:51,813 THE WORLD RIGHT NOW WHO IS FIGHTING FOR THEIR SAFETY AND 1165 01:25:51,880 --> 01:25:52,647 THEIR FREEDOM. 1166 01:25:52,714 --> 01:25:55,984 AND I LOVE YOU ALL SO MUCH. 1167 01:25:56,050 --> 01:25:59,320 THANK YOU VERY, VERY MUCH. 1168 01:25:59,387 --> 01:26:09,564 ♪ >> Announcer: COMING UP, REESE 1169 01:26:09,631 --> 01:26:12,467 WITHERSPOON. 1170 01:26:12,534 --> 01:26:13,468 AND THE AWARD FOR OUTSTANDING CAST IN A MOTION PICTURE, WHEN 1171 01:26:27,849 --> 01:26:30,485 >> Announcer: LADIES AND GENTLEMEN, REESE WITHERSPOON. 1172 01:26:30,552 --> 01:26:33,288 >> HI. 1173 01:26:33,354 --> 01:26:34,355 HI, EVERYBODY. 1174 01:26:34,422 --> 01:26:36,558 SO NICE TO SEE SO MANY OF YOU IN PERP. 1175 01:26:36,624 --> 01:26:37,926 IT'S BEEN SO LONG. 1176 01:26:37,992 --> 01:26:42,564 ALL FIVE NOMINEES IN THIS CATEGORY PLAY MAVERICKS, A 1177 01:26:42,630 --> 01:26:45,733 BRASH, BULLYING CATTLE RANCHER, TENNIS COACH, RICHARD WILLIAMS, 1178 01:26:45,800 --> 01:26:50,939 BROADWAY'S JONATHAN LARSON; TELEVISION'S DESI ARNAZ; AND 1179 01:26:51,005 --> 01:26:54,108 LEGENDARY TROUBLEMAKER, MACBETH. 1180 01:26:54,175 --> 01:26:57,979 EACH PERFORMANCE IS SO WHOLLY REALIZED THAT WE'RE ABLE TO MAKE 1181 01:26:58,046 --> 01:27:01,516 SENSE OF THEIR CHARACTERS' PATHS TO EVEN THEIR MOST UNEXPECTED 1182 01:27:01,583 --> 01:27:03,818 DECISIONS. 1183 01:27:03,885 --> 01:27:07,822 HERE ARE THE NOMINEES FOR MALE ACTOR IN A LEADING ROLE. 1184 01:27:07,889 --> 01:27:10,191 >> Announcer: BENEDICT CUMBERBATCH, "THE POWER 1185 01:27:10,258 --> 01:27:15,463 OF THE DOG." 1186 01:27:15,530 --> 01:27:18,233 >> IS IT THAT YOU LIKE OR MONEY? 1187 01:27:18,299 --> 01:27:19,367 WAKE THE HELL UP! 1188 01:27:19,434 --> 01:27:28,409 [ APPLAUSE ] >> Announcer: ANDREW GARFIELD, 1189 01:27:28,476 --> 01:27:29,944 "TICK, TICK...BOOM." 1190 01:27:30,011 --> 01:27:40,989 ♪ [ APPLAUSE ] 1191 01:27:41,055 --> 01:27:48,029 WILL SMITH, "KING RICHARD." 1192 01:27:48,096 --> 01:27:50,064 >> IT'S GOING TO BE HARD FOR ANYBODY. 1193 01:27:50,131 --> 01:27:53,701 BUT FOR YOU, YOU'RE NOT JUST GOING TO BE REPRESENTING YOU, 1194 01:27:53,768 --> 01:27:55,803 YOU'RE GOING TO BE REPRESENTING EVERY LITTLE BLACK GIRL ON 1195 01:27:55,870 --> 01:27:56,904 EARTH. 1196 01:27:56,971 --> 01:28:04,412 [ APPLAUSE ] >> Announcer: JAVIER BARDEM, 1197 01:28:04,479 --> 01:28:06,314 "BEING THE RICARDOS." 1198 01:28:06,381 --> 01:28:14,922 >> YES, HE DIDN'T TELL YOU -- FOR THE CRIME OF BEING THE MAYOR 1199 01:28:14,989 --> 01:28:15,957 OF A CITY. 1200 01:28:16,024 --> 01:28:24,666 I WAS CHASED TO THIS COUNTRY, LUCY! 1201 01:28:24,732 --> 01:28:32,573 >> Announcer: DENZEL WASHINGTON, "THE TRAGEDY OF MACBETH." 1202 01:28:32,640 --> 01:28:40,315 >> THEY DESERVE NO MORE. 1203 01:28:40,381 --> 01:28:41,949 THE SOUND AND FURY, SIGNIFYING NOTHING. 1204 01:28:42,016 --> 01:28:55,730 [ APPLAUSE ] >> AND THE ACTOR GOES TO -- 1205 01:28:55,797 --> 01:28:56,798 WILL SMITH FOR "KING RICHARD." 1206 01:28:56,864 --> 01:29:04,339 [ APPLAUSE ] >> WILL SMITH CELEBRATES HIS 1207 01:29:04,405 --> 01:29:06,274 FIRST ONE AND THIRD NOMINATION. 1208 01:29:06,341 --> 01:29:09,210 HE WAS PREVIOUSLY NOMINATED IN THIS CATEGORY FOR "THE PURSUIT 1209 01:29:09,277 --> 01:29:13,414 OF HAPPINESS." 1210 01:29:13,481 --> 01:29:23,458 ♪ >> WOW! 1211 01:29:23,524 --> 01:29:28,796 ♪ >> WOW! 1212 01:29:28,863 --> 01:29:30,565 YES. 1213 01:29:30,631 --> 01:29:36,070 YES. 1214 01:29:36,137 --> 01:29:42,110 THANK YOU ALL. 1215 01:29:42,176 --> 01:29:44,512 THAT MAY HAVE BEEN ONE OF THE GREATEST MOMENTS OF MY CAREER 1216 01:29:44,579 --> 01:29:49,117 JUST NOW. 1217 01:29:49,183 --> 01:29:53,454 BECAUSE MY NAME WAS CALLED FOR "KING RICHARD" SITTING NEXT TO 1218 01:29:53,521 --> 01:30:00,661 VENUS WILLIAMS. 1219 01:30:00,728 --> 01:30:07,735 AND HER SISTER. 1220 01:30:07,802 --> 01:30:15,276 RICHARD WILLIAMS IS A DREAMER LIKE NO ONE YOU'VE EVER KNOWN. 1221 01:30:15,343 --> 01:30:23,351 HE HAS A POWER OF BELIEF THAT BORDERS ON INSANITY. 1222 01:30:23,418 --> 01:30:29,490 AND SOMETIMES TIPS OVER THE BORDER, WHICH IS ABSOLUTELY 1223 01:30:29,557 --> 01:30:39,534 NECESSARY TO TAKE SOMETHING FROM [ APPLAUSE ] 1224 01:30:39,600 --> 01:30:48,810 NECESSARY TO TAKE SOMETHING FROM [ APPLAUSE ] 1225 01:30:48,876 --> 01:30:51,512 YOU PUSHED EVERY SINGLE DAY. 1226 01:30:51,579 --> 01:30:58,319 YOU DEMANDED AUTHENTICITY, AND YOU DID IT IN SUCH A BEAUTIFUL 1227 01:30:58,386 --> 01:31:03,357 AND QUIET AND POWERFUL WAY. 1228 01:31:03,424 --> 01:31:12,233 AND YOU DID IT WONDERFUL JUSTICE. 1229 01:31:12,300 --> 01:31:16,904 SANAYA AND DEMI, THESE TWO LADIES, IT WAS SUCH A GREAT 1230 01:31:16,971 --> 01:31:22,343 HONOR FOR ME TO -- I'M SORRY, I'M SUPPOSED TO WRAP UP. 1231 01:31:22,410 --> 01:31:24,178 I'M GOING TO DO THIS REAL FAST. 1232 01:31:24,245 --> 01:31:32,954 YOU GUYS ARE ACTORS, SO YOU KNOW HOW SOMETIMS YOUR ON-SCREEN 1233 01:31:33,020 --> 01:31:34,422 REAL LIFE. 1234 01:31:34,489 --> 01:31:39,360 AND TO WALK YOU AROUND THIS ROOM TONIGHT TO PARENT YOU ON THIS 1235 01:31:39,427 --> 01:31:43,264 FILM, TO DELIVER YOU INTO THIS BUSINESS HAS BEEN ONE OF THE 1236 01:31:43,331 --> 01:31:44,365 GREATEST PLEASURES OF MY LIFE. 1237 01:31:44,432 --> 01:31:54,175 [ APPLAUSE ] VENUS, SERENA, THE WILLIAMS 1238 01:31:54,242 --> 01:31:59,514 [ APPLAUSE ] VENUS, SERENA, THE WILLIAMS 1239 01:31:59,580 --> 01:32:02,583 FAMILY, YOU ENTRUSTED ME AND OUR GROUP WITH YOUR STORY. 1240 01:32:02,650 --> 01:32:06,287 YOU DIDN'T AGREE TO PUT YOUR NAME ON IT UNTIL YOU SAW THE 1241 01:32:06,354 --> 01:32:07,522 FINAL PROJECT. 1242 01:32:07,588 --> 01:32:08,556 I GET THAT. 1243 01:32:08,623 --> 01:32:10,625 I GET THAT. 1244 01:32:10,691 --> 01:32:11,993 IT'S COOL. 1245 01:32:12,059 --> 01:32:14,462 THAT'S REAL, THAT'S REAL, BECAUSE WE BE MESSING STUFF UP 1246 01:32:14,529 --> 01:32:17,398 SOMETIMES. 1247 01:32:17,465 --> 01:32:20,401 BUT WHEN I GOT THE CALL AND YOU WATCHED THE MOVIE AND YOU SAID 1248 01:32:20,468 --> 01:32:24,438 YOU LOVED IT, I JUST WANT TO SAY THANK YOU VERY MUCH. 1249 01:32:24,505 --> 01:32:28,042 IT WAS MY DEEPEST PLEASURE TO HONOR YOUR FAMILY AND TO TELL 1250 01:32:28,109 --> 01:32:29,644 YOUR STORY TO THE WORLD. 1251 01:32:29,710 --> 01:32:30,378 THANK YOU ALL. 1252 01:32:30,444 --> 01:32:32,380 I'M THANKING TO MUCH. 1253 01:32:32,446 --> 01:32:33,948 THANK YOU ALL. 1254 01:32:34,015 --> 01:32:37,985 THANK YOU. 1255 01:32:38,052 --> 01:32:42,924 >> Announcer: TOGETHER AGAIN, PLEASE WELCOME DAVEED DIGGS, 1256 01:32:42,990 --> 01:32:44,959 LIN-MANUEL MIRANDA AND LESLIE ODOM JR. 1257 01:32:45,026 --> 01:32:51,532 [ APPLAUSE ] >> WELL, WE'RE DOWN TO OUR FINAL 1258 01:32:51,599 --> 01:32:52,900 AWARD. 1259 01:32:52,967 --> 01:32:54,969 GENTLEMEN, LET'S DO THE HONORS! 1260 01:32:55,036 --> 01:33:05,646 >> THE NOMINEES FOR CAST IN A MOTION PICTURE ARE -- 1261 01:33:05,713 --> 01:33:08,349 "DON'T LOOK UP." 1262 01:33:08,416 --> 01:33:16,424 "HOUSE OF GUCCI." 1263 01:33:16,490 --> 01:33:18,593 "KING RICHARD." 1264 01:33:18,659 --> 01:33:23,097 "CODA." 1265 01:33:23,164 --> 01:33:25,533 "BELFAST." 1266 01:33:25,600 --> 01:33:35,142 [ APPLAUSE ] >> AND THE ACTOR GOES TO -- 1267 01:33:35,209 --> 01:33:44,085 "CODA"! 1268 01:33:44,151 --> 01:33:47,154 >> Announcer: THE CAST OF "CODA" CELEBRATES THE COLLABORATION OF 1269 01:33:47,221 --> 01:33:57,198 SIX ACTORS IN ITS CAST. 1270 01:33:57,264 --> 01:34:03,304 SIX ACTORS IN ITS CAST. 1271 01:34:03,371 --> 01:34:13,414 ♪ >> I DON'T NEED THIS FOR SURE. 1272 01:34:13,481 --> 01:34:23,457 ♪ >> I DON'T NEED THIS FOR SURE. 1273 01:34:23,524 --> 01:34:33,434 ♪ >> I DON'T NEED THIS FOR SURE. 1274 01:34:33,501 --> 01:34:40,274 ♪ >> I DON'T NEED THIS FOR SURE. 1275 01:34:40,341 --> 01:34:44,345 THAT'S WHAT I PAY THE INTERPRETER FOR. 1276 01:34:44,412 --> 01:34:45,346 ANY WAY, GOSH, I'M STUNNED. 1277 01:34:45,413 --> 01:34:48,282 I'M STUNNED. 1278 01:34:48,349 --> 01:34:48,916 OKAY. 1279 01:34:48,983 --> 01:34:49,717 GET IT TOGETHER. 1280 01:34:49,784 --> 01:34:53,387 WE NEED TO THANK SAG-AFTA. 1281 01:34:53,454 --> 01:34:55,890 YOU GUYS, YOU VOTED FOR US. 1282 01:34:55,956 --> 01:34:57,692 WE WANT TO THANK APPLE TV PLUS. 1283 01:34:57,758 --> 01:35:01,362 YOU GUYS OVER THERE. 1284 01:35:01,429 --> 01:35:04,565 FOR TRUSTING US, FOR BELIEVING IN US. 1285 01:35:04,632 --> 01:35:05,700 OUR MOVIE. 1286 01:35:05,766 --> 01:35:10,604 YOU BOUGHT IT FOR $25 MILLION AT SUNDANCE. 1287 01:35:10,671 --> 01:35:15,676 ONLY $25 MILLION! 1288 01:35:15,743 --> 01:35:19,146 OH, MY GOD. 1289 01:35:19,213 --> 01:35:29,223 THE PRODUCERS, SHAWN, OUR DIRECTOR, AND WRITER. 1290 01:35:29,290 --> 01:35:31,158 WE TIP OUR HAT TO YOU. 1291 01:35:31,225 --> 01:35:32,660 THANK YOU. 1292 01:35:32,727 --> 01:35:36,430 THANK YOU FOR WRITING THE WORDS, INCLUDING "DEAF CULTURE, WE LOVE 1293 01:35:36,497 --> 01:35:41,235 YOU." 1294 01:35:41,302 --> 01:35:44,472 THANK YOU FOR DIRECTING US. 1295 01:35:44,538 --> 01:35:46,607 OH, MY GOD, OH, MY GOD. 1296 01:35:46,674 --> 01:35:55,049 THE INTERPRETERS, THANK YOU ALL THE "CODA" INTERPRETERS. 1297 01:35:55,116 --> 01:35:58,519 AND ALL CODAS EVERYWHERE, ALL OVER THE WORLD. 1298 01:35:58,586 --> 01:36:04,225 MY KIDS, FOUR OF THEM, ARE CODAS. 1299 01:36:04,291 --> 01:36:05,059 OKAY. 1300 01:36:05,126 --> 01:36:09,497 LOOK, YOU ARE ALL OUR PEERS. 1301 01:36:09,563 --> 01:36:16,237 WE, DEAF ACTORS, HAVE COME A LONG WAY. 1302 01:36:16,303 --> 01:36:19,673 35 YEARS I HAVE BEEN SEEING SO MUCH WORK OUT THERE, AND ALL 1303 01:36:19,740 --> 01:36:25,579 THIS TIME, I'VE WATCHED ALL OF YOUR FILMS. 1304 01:36:25,646 --> 01:36:29,750 AND I PAY THE DEEPEST RESPECT TO ALL OF YOU. 1305 01:36:29,817 --> 01:36:30,317 IS MERYL STREEP HERE? 1306 01:36:30,384 --> 01:36:32,386 SHE IS, YES? 1307 01:36:32,453 --> 01:36:33,954 OH, MY GOD. 1308 01:36:34,021 --> 01:36:35,122 OKAY, I LOVE YOU. 1309 01:36:35,189 --> 01:36:36,123 I LOVE YOU, LOVE YOU. 1310 01:36:36,190 --> 01:36:40,161 OKAY. 1311 01:36:40,227 --> 01:36:45,466 THIS VALIDATES THE FACT THAT WE DEAF ACTORS CAN WORK JUST LIKE 1312 01:36:45,533 --> 01:36:47,067 ANYBODY ELSE. 1313 01:36:47,134 --> 01:36:50,671 WE LOOK FORWARD TO MORE OPPORTUNITIES FOR DEAF ACTORS, 1314 01:36:50,738 --> 01:36:52,173 DEAF CULTURE. 1315 01:36:52,239 --> 01:36:53,207 THANK YOU. 1316 01:36:53,274 --> 01:36:54,909 AND I'M GOING TO KEEP YOU ONE THING. 1317 01:36:54,975 --> 01:36:55,976 DO THIS. 1318 01:36:56,043 --> 01:36:58,612 THIS IS I LOVE YOU. 1319 01:36:58,679 --> 01:37:00,247 THANK YOU. 1320 01:37:00,314 --> 01:37:03,984 WE LOVE YOU. 1321 01:37:04,051 --> 01:37:16,163 [ APPLAUSE ] ♪♪ 1322 01:37:16,230 --> 01:37:17,097 >> SEE YOU NEXT YEAR. 1323 01:37:17,164 --> 01:37:23,304 GOOD NIGHT. 1324 01:37:23,370 --> 01:37:29,844 >> UNITED IS PROUD TO BE THE EXCLUSIVE AIRLINE OF THE 28th 1325 01:37:29,910 --> 01:37:29,944 ANNUAL SCREEN ACTORS GUILD AWARDS.