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Downloaded from
YTS.MX

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‪NETFLIX 喜劇特輯

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Official YIFY movies site:
YTS.MX

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‪嗨，和你不同，我是羅伯洛

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‪我熱愛電影

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‪事實上
‪我現在寧可看電影也不想拍這影片

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‪但就假裝我沒這麼說
‪享受彼此的陪伴吧

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‪每年都有上千部電影發行

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‪數量龐大

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‪不過根據編劇理論

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‪只有七種基本劇情

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‪征服怪獸

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‪和其他六種

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‪有點神奇的定型角色

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‪類似的劇情節奏
‪和恰巧出現的劇情裝置

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‪隨著時間演進偷偷出現

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‪今晚，我們要對
‪塑造了今日電影的老梗致敬

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‪想辦法在疫情後取得一席之地

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‪在接下來的一小時
‪我們將看到好萊塢

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‪使用這些好用的電影橋段的習慣

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‪就在《好萊塢老梗大集合》

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{\an8}‪（《侏羅紀世界》）

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{\an8}‪我們將提出一些問題，像是…

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{\an8}‪“為什麼女人要穿著高跟鞋

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‪被巨大恐怖的恐龍追？”

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{\an8}‪我們將介紹一些我最愛的老梗橋段

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{\an8}‪並觀看一些電影中
‪極其戲劇化的時刻

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{\an8}‪有些則是非常有爭議性

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{\an8}‪修女正在教媽媽如何幫孩子洗澡

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{\an8}‪還有一些老梗
‪被提升到了高雅藝術的層次

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{\an8}‪（《玩命再劫》）

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{\an8}‪當然，還有好萊塢如何處理性

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{\an8}‪（《鐵達尼號》）

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{\an8}‪和暴力

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{\an8}‪（《神鬼認證：最後通諜》）

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{\an8}‪最適合開啟這個話題的
‪就是浪漫愛情喜劇熟悉的開場

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‪心動邂逅

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‪在電影中，愛情開始萌芽的神奇時刻

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‪大家看浪漫喜劇就是為了要嗨

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{\an8}‪他們想體會那種愛的初體驗

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{\an8}‪（《大藝術家》）

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{\an8}‪所以當他們看到這兩個人邂逅時

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‪在那一刻，那種火花

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‪那種化學作用

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{\an8}‪對他們來說非常真實

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{\an8}‪讓他們也能親身體驗

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{\an8}‪在電影中兩個將陷入愛河的人

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‪他們的相遇總是怪怪的、有點牽強

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‪因為一定要有趣

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{\an8}‪他們不能像一般人那樣相遇

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{\an8}‪（《萬花嬉春》）

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{\an8}‪-小姐，繼續開
‪-下車！

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{\an8}‪某種有點尷尬、滑稽
‪不太可能發生的情境

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{\an8}‪（《新娘百分百》）

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‪將兩人拉在一起

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‪我就住在這條路上，我有水和肥皂

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‪妳可以清理乾淨

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‪若在真實生活中發生

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{\an8}‪你可能會把剩下的果汁丟在對方臉上

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{\an8}‪你會心想“不，別靠近我”

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‪只要五分鐘，就能幫妳清理乾淨

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‪妳就能回到街上了

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‪當然，我不是說妳在街上拉客

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‪每當電影中兩個人相愛

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{\an8}‪不管是什麼類型的電影
‪都會出現浪漫電影的老梗

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{\an8}‪（《魔宮傳奇》）

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‪我討厭水，我討厭弄濕，我討厭你

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‪很好

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{\an8}‪他們不喜歡對方
‪已經和別人訂婚或結婚了

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{\an8}‪傑克，我已經訂婚了

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{\an8}‪（《鐵達尼號》）

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‪我要跟卡爾結婚了

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‪一定得經過某種掙扎
‪不然就太無聊了

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‪當然，這是電影

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{\an8}‪男性的策略從煩人的堅持
‪到直接了當的騷擾都有

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{\an8}‪（《畢業生》）

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{\an8}‪是不是很巧？

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‪許多電影都是以男性視角呈現的

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‪主角其實可以算是跟蹤狂了

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{\an8}‪要跟我跳舞嗎？

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{\an8}‪不要

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{\an8}‪為什麼？

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‪因為我不想

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‪-妳要跟我約會嗎？
‪-什麼？

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‪-不要！
‪-不要？

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‪-不要！
‪-不要？

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‪-老兄，她剛剛說了
‪-為什麼不要？

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{\an8}‪像是在《暮光之城》
‪男主角從女主角房間窗戶爬上去

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‪說“我喜歡看妳睡覺”

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{\an8}‪你常這麼做嗎？

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{\an8}‪（《暮光之城》）

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{\an8}‪這幾個月才開始

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{\an8}‪跟蹤很性感只適用於男人跟蹤女人

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‪當女人執著或跟蹤男性角色時

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{\an8}‪她們就成了壞人

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{\an8}‪我只想成為你生活中的一部分

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{\an8}‪這就是妳的作法？跑到我的公寓來？

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‪不然我該怎麼做？
‪你不回我電話，還換了電話號碼

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‪你別想無視我，丹

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‪（特立獨行的警察）

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‪每個故事都要有吸引目光的主角

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‪某個獨一無二的角色

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‪正如其他電影中的主角

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‪由於主角的各方面都必須很出色

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‪所以他們只有一份工作是不夠的

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‪不管是什麼工作
‪他們絕對都會很努力地去做

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‪特別是他們的工作是警察時

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{\an8}‪-你以為我瘋了？
‪-對

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{\an8}‪在好萊塢，若你想破案
‪讓壞人受法律制裁

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‪特立獨行的警察絕對是你的第一人選

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‪那是真的警徽，我是真的警察

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‪這是該死的真槍

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{\an8}‪特立獨行的警察是個狠角色

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‪他不聽局長的

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{\an8}‪你想當那種鬼扯的牛仔警察

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{\an8}‪去別人的分局當吧

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‪他們完全失能

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{\an8}‪八成是酒鬼、糟糕的父親

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{\an8}‪妳是我女兒
‪妳住在我家就要尊敬我，懂嗎？

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‪-不准叫我魯蛇
‪-為什麼不行？

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‪媽常說你就是

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‪他們只在乎工作

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{\an8}‪別扯了，你想害死自己嗎？

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‪你知道我為什麼不這麼做嗎？

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‪因為這份工作

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{\an8}‪摧毀妨礙他們的一切

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{\an8}‪（《緊急追捕令》）

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‪特立獨行的警察一直出現

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‪但執法界
‪不受控人體自走砲的看板人物

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‪依然是克林伊斯威特
‪演出的《緊急追捕令》

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{\an8}‪你得自問“我運氣好嗎？”

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{\an8}‪（《緊急追捕令》）

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‪你運氣好嗎，混蛋？

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‪《緊急追捕令》
‪是這種老梗很糟糕的例子

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{\an8}‪那部電影非常努力
‪要我們認同這個身心俱疲

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‪只想放手射殺一堆人的警察

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‪他只遵守自己的規則

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{\an8}‪他為了逮捕罪犯不擇手段

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{\an8}‪把司法系統描繪成蠢到不可思議

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{\an8}‪或是由鄉愿的自由主義派所主導

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{\an8}‪我要說的是，那個人有權利

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‪我很同情那個人的權利

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{\an8}‪特立獨行的執法人員表現出

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{\an8}‪這些警察在乎的只有兩樣東西

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{\an8}‪兩者都閃閃發光

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‪交出你的警徽和槍，警官

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‪特立獨行的警察
‪交出他們的槍和警徽的情節

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‪在電影中是個關鍵時刻

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‪就好像在說
‪“你不該繼續擔任這職務了”

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{\an8}‪我們知道，觀眾也知道
‪他是唯一的人選

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{\an8}‪是你逼我的，把警徽給我

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{\an8}‪（《機械公敵》）

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‪先休息…

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‪（警察電影之死）

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‪近期，好萊塢
‪不再製作特立獨行警察的電影了

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{\an8}‪因應反對警察濫用職權

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{\an8}‪凌駕於法律之上的聲浪

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{\an8}‪我們被引導去認為
‪他們最終都會做對的事

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{\an8}‪有道德、有職業倫理的事

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‪但事實上，許多警察似乎都不是這樣

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{\an8}‪這是製片、電視節目製作人

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‪應該重新思考的事情
‪他們也確實重新思考了

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{\an8}‪但特立獨行的警察並未提早退休

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{\an8}‪在電視上，這種老梗還能夠

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‪被融入更立體的角色中

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‪凱特溫絲蕾在《東城奇案》中的角色

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‪就有複雜的私生活，但別擔心

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‪她依然是酒喝得很凶

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‪違反規定、被停職的警察

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‪把槍和警徽交出來

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‪但依然能找到凶手

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‪好萊塢熱愛贏家

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‪但不是故事中的每個人都能當英雄

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‪除非是漫威宇宙
‪但這僅佔96%的電影而已

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‪有些角色在電影中一出場就註定失敗

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‪他們乾脆直接帶著棺材出場

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‪接受事實算了

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{\an8}‪（死期將近）

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{\an8}‪你是電影中的配角

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{\an8}‪謝了，約翰

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{\an8}‪你有一份危險的工作

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‪你打算要退休了

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‪明天，我要你…

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‪-我明天要辭職了，法蘭克
‪-什麼？

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‪天大的錯誤

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00:08:06,791 --> 00:08:07,708
‪艾爾！

187
00:08:09,208 --> 00:08:10,291
‪死期將近

188
00:08:10,375 --> 00:08:13,291
{\an8}‪美國電影非常喜歡透過…

189
00:08:13,375 --> 00:08:14,708
{\an8}‪（《臥虎藏龍》編劇
‪詹姆斯夏慕）

190
00:08:14,791 --> 00:08:16,916
{\an8}‪告訴我們這是某人的最後一份工作

191
00:08:17,000 --> 00:08:18,500
‪來提示他們要死了

192
00:08:18,583 --> 00:08:20,583
{\an8}‪他們就要退休了，對吧？

193
00:08:20,666 --> 00:08:23,208
{\an8}‪我三天後就要退休了
‪我要好好利用這段時間

194
00:08:23,291 --> 00:08:26,000
‪或許還為你舉辦了一場退休派對

195
00:08:26,083 --> 00:08:27,416
‪說一下感言吧？

196
00:08:27,500 --> 00:08:30,583
‪而你還得再值一班

197
00:08:32,708 --> 00:08:34,625
‪還有其他經典的方式

198
00:08:34,708 --> 00:08:37,333
‪能確保死期將近

199
00:08:37,416 --> 00:08:40,750
‪其中一種就是
‪你會聽到角色談到他的家人

200
00:08:40,833 --> 00:08:42,500
{\an8}‪談到他的抱負

201
00:08:42,583 --> 00:08:45,625
{\an8}‪我要娶一個豐滿的美國女人、養兔子

202
00:08:45,708 --> 00:08:47,083
{\an8}‪（《獵殺紅色十月》）

203
00:08:47,166 --> 00:08:49,291
‪如果他們開始思考接下來要做什麼

204
00:08:49,375 --> 00:08:50,208
‪就死定了

205
00:08:50,291 --> 00:08:53,958
{\an8}‪在戰爭電影中通常也會是
‪大兵或什麼的

206
00:08:54,041 --> 00:08:56,250
{\an8}‪拿出他女友的照片

207
00:08:57,583 --> 00:08:59,791
‪可能放在他的口袋很長一段時間了

208
00:09:00,666 --> 00:09:01,500
‪天大的錯誤

209
00:09:01,583 --> 00:09:04,208
‪拜託…

210
00:09:05,583 --> 00:09:06,583
{\an8}‪（遠處的葬禮）

211
00:09:06,666 --> 00:09:08,250
{\an8}‪所以當你在電影中死掉後

212
00:09:08,333 --> 00:09:11,041
{\an8}‪你的葬禮會有你愛的人參加

213
00:09:11,125 --> 00:09:12,500
{\an8}‪還會有某個孤單的身影

214
00:09:12,583 --> 00:09:15,791
{\an8}‪出於某種理由站在遠處盯著看

215
00:09:15,875 --> 00:09:19,875
{\an8}‪也讓導演能遠拍葬禮

216
00:09:20,541 --> 00:09:23,500
{\an8}‪但《玩命關頭》
‪將之提升到更高的層次

217
00:09:23,583 --> 00:09:26,583
{\an8}‪當保羅沃克從遠方看著葬禮

218
00:09:26,666 --> 00:09:31,416
‪馮迪索則在更遠的地方看著保羅沃克

219
00:09:31,500 --> 00:09:32,583
‪在遠方看著葬禮

220
00:09:33,958 --> 00:09:35,625
‪當然，一旦葬禮結束

221
00:09:35,708 --> 00:09:36,791
{\an8}‪（對著墓碑說話）

222
00:09:36,875 --> 00:09:39,500
{\an8}‪墳地就是展現角色

223
00:09:39,583 --> 00:09:40,875
{\an8}‪脆弱情緒狀態的絕佳場所

224
00:09:40,958 --> 00:09:41,833
{\an8}‪（《致命武器》）

225
00:09:41,916 --> 00:09:42,916
{\an8}‪我愛妳

226
00:09:43,750 --> 00:09:45,875
{\an8}‪嗨，巴伯，是我阿甘

227
00:09:45,958 --> 00:09:48,250
{\an8}‪也很適合用來向觀眾解釋

228
00:09:48,333 --> 00:09:49,458
{\an8}‪現在劇情進行到哪裡了

229
00:09:49,541 --> 00:09:53,166
‪我記得你說的一切，我都想通了

230
00:09:53,250 --> 00:09:55,291
{\an8}‪艾德哈里斯兩者都做了

231
00:09:55,375 --> 00:09:57,833
{\an8}‪以防你不確定他在跟誰說話…

232
00:09:57,916 --> 00:10:00,166
{\an8}‪我必須這麼做，小芭

233
00:10:00,250 --> 00:10:02,833
‪製片人還替你刻在墓碑上

234
00:10:02,916 --> 00:10:04,083
‪“他太太”

235
00:10:05,375 --> 00:10:08,958
{\an8}‪但在墓地並非都只有說話

236
00:10:09,041 --> 00:10:12,750
{\an8}‪看來今早墓園還有額外的老梗

237
00:10:15,416 --> 00:10:17,458
‪我很愛電影的原因之一

238
00:10:17,541 --> 00:10:20,791
‪就是能將你從日常生活

239
00:10:20,875 --> 00:10:23,458
‪轉移到完全虛構的幻想中

240
00:10:23,541 --> 00:10:25,375
‪像是在納尼亞或法國

241
00:10:25,458 --> 00:10:26,458
{\an8}‪（法國唯一的景觀）

242
00:10:26,541 --> 00:10:28,833
{\an8}‪我想法語中
‪應該有個詞專門形容“老梗”

243
00:10:28,916 --> 00:10:32,833
{\an8}‪但在電影中
‪首屈一指的老梗城市就是巴黎

244
00:10:32,916 --> 00:10:35,666
{\an8}‪但要怎麼知道我們在巴黎？

245
00:10:35,750 --> 00:10:39,000
‪因為導演絕對會
‪讓我們看到艾菲爾鐵塔

246
00:10:39,083 --> 00:10:40,750
‪無論是從臥室窗戶

247
00:10:42,625 --> 00:10:43,875
{\an8}‪閣樓窗戶

248
00:10:44,666 --> 00:10:46,166
{\an8}‪火車窗戶

249
00:10:46,250 --> 00:10:48,125
{\an8}‪陽台

250
00:10:48,208 --> 00:10:49,958
{\an8}‪或透過塔鐘看到

251
00:10:50,041 --> 00:10:52,666
{\an8}‪遺憾的是，這表示艾菲爾鐵塔

252
00:10:52,750 --> 00:10:56,166
‪也在侵略者的摧毀清單上名列前茅

253
00:10:57,083 --> 00:10:58,916
‪演員喜歡使用道具

254
00:10:59,000 --> 00:11:00,541
‪因為就和所有好的明星同事一樣

255
00:11:00,625 --> 00:11:01,875
‪它們絕不搶鏡頭

256
00:11:01,958 --> 00:11:03,750
‪而且收費也比較低

257
00:11:03,833 --> 00:11:05,333
‪日常生活的道具

258
00:11:05,416 --> 00:11:08,541
‪能立刻讓神一般的角色變得像一般人

259
00:11:08,625 --> 00:11:11,875
‪承認吧
‪我現在拿著的法國麵包雜貨紙袋

260
00:11:11,958 --> 00:11:14,708
‪讓我的親切感上升了約26%

261
00:11:14,791 --> 00:11:17,250
‪我已經十年沒買過或吃過麵包了

262
00:11:17,333 --> 00:11:19,166
‪袋子只是保護隔離

263
00:11:19,250 --> 00:11:22,250
‪避免我從皮膚吸收碳水化合物

264
00:11:22,333 --> 00:11:24,083
‪所有電影明星都這麼堅持

265
00:11:24,625 --> 00:11:27,166
{\an8}‪主角常常都以普通人的姿態出現

266
00:11:27,250 --> 00:11:28,083
{\an8}‪（雜貨紙袋）

267
00:11:28,166 --> 00:11:29,375
{\an8}‪他們會自己去購物

268
00:11:29,458 --> 00:11:33,541
{\an8}‪突出袋子的法國麵包
‪就非常適合出現在此

269
00:11:34,125 --> 00:11:36,458
{\an8}‪也很適合拿來躲在後面

270
00:11:37,083 --> 00:11:39,416
{\an8}‪在此，表演的強度

271
00:11:39,500 --> 00:11:41,541
‪只有麵包的數量能匹敵

272
00:11:41,625 --> 00:11:44,375
‪還是溫的，是我吃過最棒的麵包

273
00:11:45,041 --> 00:11:46,250
‪多麼專業啊

274
00:11:47,250 --> 00:11:50,375
‪演員們很喜歡用來表達情感的道具

275
00:11:50,458 --> 00:11:51,833
‪就是蘋果

276
00:11:51,916 --> 00:11:54,833
‪儘管一顆蘋果含糖量
‪高達驚人的19克

277
00:11:57,375 --> 00:12:00,625
‪拍夠了就告訴我
‪我要把這玩意吐出來

278
00:12:04,208 --> 00:12:05,291
‪（傲慢的蘋果）

279
00:12:05,375 --> 00:12:08,541
‪在場景中進食，絕對是狂妄的表現

280
00:12:08,625 --> 00:12:12,958
{\an8}‪就像最終極的
‪“我在這裡，我不在乎”

281
00:12:13,041 --> 00:12:14,666
{\an8}‪防衛企業號星艦

282
00:12:14,750 --> 00:12:15,583
{\an8}‪（《星際爭霸戰》）

283
00:12:16,750 --> 00:12:18,708
{\an8}‪殺光敵軍

284
00:12:19,625 --> 00:12:22,791
{\an8}‪或在見上司時吃點心

285
00:12:22,875 --> 00:12:24,375
{\an8}‪蓋洛威少校

286
00:12:24,458 --> 00:12:26,708
‪咬蘋果就是以老套的方式表達

287
00:12:26,791 --> 00:12:28,750
‪“我太酷了，這裡容不下我”

288
00:12:28,833 --> 00:12:31,208
‪同時能降低膽固醇，促進內臟健康

289
00:12:32,625 --> 00:12:34,166
‪電影選角的方式

290
00:12:34,250 --> 00:12:36,500
‪會根據故事的內容而不同

291
00:12:36,583 --> 00:12:39,208
‪有些故事需要導演精心策劃

292
00:12:39,291 --> 00:12:41,958
‪集合一群個性不同的角色

293
00:12:42,041 --> 00:12:45,125
‪有些電影
‪只需要一個會殺人的大人物就好

294
00:12:45,958 --> 00:12:46,875
{\an8}‪（一人軍隊）

295
00:12:46,958 --> 00:12:49,458
{\an8}‪電影喜歡說那種小蝦米

296
00:12:49,541 --> 00:12:50,666
‪對抗大鯨魚的故事

297
00:12:50,750 --> 00:12:53,500
{\an8}‪告訴我們這有可能的方式之一

298
00:12:53,583 --> 00:12:55,208
{\an8}‪就是透過一人軍隊

299
00:12:55,291 --> 00:12:59,083
{\an8}‪所以從早期的羅賓漢

300
00:12:59,166 --> 00:13:01,166
{\an8}‪艾洛佛林的電影就能看出

301
00:13:01,958 --> 00:13:05,708
{\an8}‪在西部電影中也清晰可見

302
00:13:06,500 --> 00:13:08,958
{\an8}‪可以說在龐德電影中也是

303
00:13:09,041 --> 00:13:10,875
{\an8}‪（《雷霆谷》）

304
00:13:11,666 --> 00:13:13,000
{\an8}‪我想是從1980年代開始改變

305
00:13:13,083 --> 00:13:17,875
{\an8}‪當時健美人士成為時尚
‪最出名的就是阿諾史瓦辛格

306
00:13:17,958 --> 00:13:18,833
{\an8}‪史特龍

307
00:13:18,916 --> 00:13:23,166
{\an8}‪突然間
‪他們看起來不像我們熟知的一般人

308
00:13:23,250 --> 00:13:24,291
{\an8}‪他們看起來像超人

309
00:13:24,375 --> 00:13:25,291
{\an8}‪（《魔鬼司令》）

310
00:13:26,208 --> 00:13:29,875
{\an8}‪當你拍攝史特龍
‪拿著巨大的大規模毀滅性武器

311
00:13:29,958 --> 00:13:31,708
{\an8}‪（《第一滴血續集》）

312
00:13:31,791 --> 00:13:34,416
‪20個人被炸成碎片

313
00:13:34,500 --> 00:13:39,083
{\an8}‪非常讓人滿足的屠殺和毀滅體驗

314
00:13:39,166 --> 00:13:43,000
{\an8}‪毫不重視人命

315
00:13:43,083 --> 00:13:45,000
‪這就是你看這種電影時想看到的

316
00:13:45,083 --> 00:13:48,958
{\an8}‪我想1980年代動作片中

317
00:13:49,041 --> 00:13:52,208
{\an8}‪肌肉英雄的無敵和不屈不撓

318
00:13:52,291 --> 00:13:56,166
{\an8}‪是他們成為系列電影的關鍵

319
00:13:56,875 --> 00:13:58,583
{\an8}‪然後出現了《終極警探》

320
00:13:58,666 --> 00:14:02,541
{\an8}‪這部電影開始的時候
‪相對來說還算符合現實

321
00:14:02,625 --> 00:14:05,166
‪布魯斯威利似乎是個平凡人

322
00:14:05,250 --> 00:14:08,000
‪放下，豬頭，我是警察

323
00:14:08,083 --> 00:14:09,333
‪等等，約翰！

324
00:14:09,416 --> 00:14:11,791
‪但到了第五集時

325
00:14:11,875 --> 00:14:14,875
{\an8}‪基本上，他在第五集都能對抗超人了

326
00:14:14,958 --> 00:14:16,291
{\an8}‪（ 《終極警探：跨國救援》）

327
00:14:16,958 --> 00:14:20,125
{\an8}‪所需的技能是比一般人類

328
00:14:20,208 --> 00:14:22,458
{\an8}‪有更好的身體能力

329
00:14:22,541 --> 00:14:24,041
{\an8}‪（《古墓奇兵：風起雲湧》）

330
00:14:24,125 --> 00:14:27,041
{\an8}‪基本上他們都是那種
‪強悍、沉默的角色

331
00:14:27,125 --> 00:14:30,166
‪一人軍隊會開口說話的時機

332
00:14:30,250 --> 00:14:33,666
{\an8}‪就只有在殺人前後

333
00:14:33,750 --> 00:14:34,916
{\an8}‪我們都結婚了

334
00:14:35,625 --> 00:14:38,791
‪最經典的就是阿諾史瓦辛格

335
00:14:38,875 --> 00:14:40,000
‪就當作是離婚吧

336
00:14:40,625 --> 00:14:43,666
‪當然，主角可以跑來跑去開槍

337
00:14:43,750 --> 00:14:47,500
‪拿火箭砲射校車，他們就是這種英雄

338
00:14:47,583 --> 00:14:49,291
‪但若他們要贏得我們的尊重

339
00:14:49,375 --> 00:14:52,833
‪到某一刻，他們就得拋下武器

340
00:14:52,916 --> 00:14:54,541
‪赤手空拳戰鬥

341
00:14:55,875 --> 00:14:56,958
‪兩手一起

342
00:14:57,583 --> 00:14:59,333
‪（肉搏）

343
00:14:59,416 --> 00:15:01,500
‪在無聲電影時期

344
00:15:01,583 --> 00:15:04,916
‪電影中的角色必須以肢體來展現自己

345
00:15:05,000 --> 00:15:07,666
{\an8}‪因為大家看默劇字卡會覺得無聊

346
00:15:07,750 --> 00:15:09,833
{\an8}‪他們常會嘲笑華麗的詞藻

347
00:15:09,916 --> 00:15:12,833
{\an8}‪所以就會出現超長的打鬥畫面

348
00:15:12,916 --> 00:15:14,291
{\an8}‪（《火車大劫案》）

349
00:15:14,375 --> 00:15:17,208
{\an8}‪基本上，第一場電影上的肉搏戰

350
00:15:17,291 --> 00:15:20,875
{\an8}‪是在火車上和火車車廂內的打鬥戲

351
00:15:20,958 --> 00:15:22,875
‪在《火車大劫案》中出現

352
00:15:22,958 --> 00:15:25,208
{\an8}‪快轉一百年左右

353
00:15:25,291 --> 00:15:28,333
{\an8}‪依然有人在移動的火車上互毆

354
00:15:28,416 --> 00:15:30,750
‪只是穿比較貴一點的西裝

355
00:15:31,916 --> 00:15:34,458
‪我覺得過去十年，我很喜歡看到的

356
00:15:34,541 --> 00:15:39,291
{\an8}‪就是看起來越來越粗暴、殘忍的打鬥

357
00:15:39,375 --> 00:15:40,833
{\an8}‪（《即刻救援》）

358
00:15:40,916 --> 00:15:43,125
{\an8}‪另一種很棒的老梗

359
00:15:43,208 --> 00:15:44,416
{\an8}‪（廣播人
‪安娜波古斯卡亞）

360
00:15:44,500 --> 00:15:46,916
{\an8}‪我想是讓我們作為觀眾
‪感到比較能接受的

361
00:15:47,000 --> 00:15:50,666
‪就是所有的攻擊者一個接一個出場

362
00:15:50,750 --> 00:15:52,333
{\an8}‪（《復仇》）

363
00:15:52,416 --> 00:15:53,291
{\an8}‪在《復仇》中

364
00:15:53,375 --> 00:15:56,666
{\an8}‪在走廊上很棒的一幕

365
00:15:56,750 --> 00:16:00,791
‪一次只需要注意一個人被殺的樣子

366
00:16:04,000 --> 00:16:06,916
‪我想這和電玩很像

367
00:16:07,000 --> 00:16:10,083
‪概念就是你可能有各種技巧

368
00:16:10,166 --> 00:16:14,375
{\an8}‪你揍人，但卻沒完沒了

369
00:16:15,333 --> 00:16:18,500
{\an8}‪這種“等輪到你再上”打鬥的大師

370
00:16:18,583 --> 00:16:20,458
{\an8}‪就是傳奇的成龍

371
00:16:21,208 --> 00:16:23,000
{\an8}‪我最愛成龍了

372
00:16:24,041 --> 00:16:26,916
{\an8}‪他之所以這麼受歡迎，是他不落俗套

373
00:16:27,000 --> 00:16:30,458
{\an8}‪成為在整部電影中一直挨打的英雄

374
00:16:31,291 --> 00:16:33,250
{\an8}‪他做的事情真的很荒謬

375
00:16:33,333 --> 00:16:36,208
{\an8}‪沒有鋼絲，根本是不顧性命

376
00:16:36,291 --> 00:16:38,250
{\an8}‪我覺得他是

377
00:16:38,333 --> 00:16:40,125
‪對此影響力最大的人

378
00:16:40,208 --> 00:16:41,208
‪而且電影中都看得出來

379
00:16:41,291 --> 00:16:42,416
{\an8}‪（《駭客任務：重裝上陣》）

380
00:16:42,500 --> 00:16:46,083
{\an8}‪成龍的影響力
‪在之後的電影中都能看到

381
00:16:46,166 --> 00:16:47,875
{\an8}‪現在有了違背…

382
00:16:47,958 --> 00:16:49,166
{\an8}‪（影評
‪大衛艾德爾斯汀）

383
00:16:49,250 --> 00:16:52,583
{\an8}‪生理學和面相學的肉搏

384
00:16:52,666 --> 00:16:57,708
{\an8}‪若你揍一個人50下
‪他們卻還是能起身

385
00:16:57,791 --> 00:16:59,375
‪這樣還算有危險嗎？

386
00:17:00,458 --> 00:17:02,000
‪要怎麼做才能終於殺掉他們？

387
00:17:03,333 --> 00:17:05,916
{\an8}‪大螢幕互毆的演進

388
00:17:06,000 --> 00:17:09,041
{\an8}‪從原本像共舞一般
‪變得越來越像子彈一樣飛快

389
00:17:09,708 --> 00:17:11,583
‪在赤手空拳的戰鬥中

390
00:17:11,666 --> 00:17:14,916
‪他們超快的互相打對方的手

391
00:17:15,000 --> 00:17:17,625
‪想看到是怎麼回事得放慢速度播

392
00:17:18,250 --> 00:17:22,625
{\an8}‪之後，最近興起
‪如《全面突襲》這種電影

393
00:17:23,291 --> 00:17:25,791
‪就是沒完沒了的打鬥

394
00:17:26,416 --> 00:17:28,750
‪劇情可以說是就只有人在打架

395
00:17:31,291 --> 00:17:32,333
‪（性感的性）

396
00:17:32,416 --> 00:17:35,416
‪讓我們切換不同的激烈肢體動作

397
00:17:35,500 --> 00:17:36,708
‪等等，泰山！

398
00:17:36,791 --> 00:17:38,416
{\an8}‪（《泰山與他的伴侶》）

399
00:17:38,500 --> 00:17:40,375
{\an8}‪性感時刻和淫穢的裸露

400
00:17:40,458 --> 00:17:42,666
{\an8}‪一直是好萊塢的支柱，自從…

401
00:17:42,750 --> 00:17:44,291
‪基本上一直以來都是

402
00:17:44,375 --> 00:17:45,666
‪在早期的電影

403
00:17:45,750 --> 00:17:48,625
{\an8}‪雖然電影公司挑戰品味和風化的極限

404
00:17:48,708 --> 00:17:50,958
{\an8}‪要求他們改進的壓力越來越大

405
00:17:51,041 --> 00:17:54,250
{\an8}‪要求不能讓女性表現出
‪如此自由、放蕩的樣子

406
00:17:54,333 --> 00:17:58,125
‪脫掉衣服，進來，告訴我是怎麼回事

407
00:17:58,208 --> 00:17:59,708
‪在1930年代初期

408
00:17:59,791 --> 00:18:02,833
{\an8}‪有《娃娃臉》中的芭芭拉史坦維克

409
00:18:02,916 --> 00:18:07,166
{\an8}‪她基本就是在紐約大銀行一路睡上位

410
00:18:07,250 --> 00:18:10,416
{\an8}‪-妳有任何經驗嗎？
‪-多得是

411
00:18:10,500 --> 00:18:12,208
‪還有梅惠思這種角色

412
00:18:12,291 --> 00:18:16,416
‪她過著奢華的生活
‪喝酒、抽菸什麼的

413
00:18:16,500 --> 00:18:20,958
{\an8}‪我厲害時，就很厲害
‪我狀況不好時，也比別人好

414
00:18:22,375 --> 00:18:24,833
‪在1920年代初期一連串的醜聞後

415
00:18:24,916 --> 00:18:27,708
‪媒體宣布好萊塢道德淪喪

416
00:18:27,791 --> 00:18:30,041
‪一名牧師寫下的新行為準則

417
00:18:30,125 --> 00:18:33,041
‪受到共和黨的守舊派威爾海斯的支持

418
00:18:33,125 --> 00:18:35,666
‪信譽良好的製片人簽署威爾海斯條款

419
00:18:35,750 --> 00:18:37,666
‪淨化電影事業

420
00:18:37,750 --> 00:18:43,291
{\an8}‪基本上禁止在電影中
‪出現任何性放蕩的劇情

421
00:18:43,375 --> 00:18:47,666
‪低俗、廉價、俗豔不再

422
00:18:48,291 --> 00:18:51,625
{\an8}‪到1930年代時
‪海斯條款實施了嚴格的規範

423
00:18:51,708 --> 00:18:54,166
{\an8}‪嚴管電影能呈現和不能呈現什麼

424
00:18:54,250 --> 00:18:55,583
‪主要是不能呈現什麼

425
00:18:55,666 --> 00:18:59,291
‪其中一名演員的腿得落地

426
00:19:00,416 --> 00:19:03,583
{\an8}‪一條腿在地上要怎麼做愛，我不知道

427
00:19:03,666 --> 00:19:06,375
{\an8}‪但製片們很快就找到鑽漏洞的方法

428
00:19:06,458 --> 00:19:10,583
{\an8}‪性幻想的電影老梗就成了必須品

429
00:19:10,666 --> 00:19:15,708
{\an8}‪要怎麼不呈現出來
‪但又要暗示性行為呢？

430
00:19:16,208 --> 00:19:17,625
{\an8}‪（《走出過去》）

431
00:19:17,708 --> 00:19:18,833
{\an8}‪外面在下雨嗎？

432
00:19:18,916 --> 00:19:22,500
{\an8}‪外面有暴風雨
‪你內心一定也風雨交加

433
00:19:22,583 --> 00:19:25,750
‪其他地方可能也是

434
00:19:25,833 --> 00:19:27,166
{\an8}‪（《北西北》）

435
00:19:27,250 --> 00:19:30,583
{\an8}‪畫面從角色在火車的臥舖中

436
00:19:30,666 --> 00:19:32,250
‪轉到火車過山洞

437
00:19:32,333 --> 00:19:35,333
{\an8}‪一開始的時候當然很令人享受

438
00:19:35,416 --> 00:19:37,500
{\an8}‪知道的人知道，而不知道的人

439
00:19:37,583 --> 00:19:39,041
‪都不會因此被冒犯或感到困擾

440
00:19:41,333 --> 00:19:42,708
‪在1960年代時

441
00:19:42,791 --> 00:19:46,708
‪大電影公司已經失去了
‪對連鎖電影院的掌控

442
00:19:46,791 --> 00:19:49,375
‪獨立電影院開始萌芽

443
00:19:49,458 --> 00:19:52,791
‪他們會從歐洲帶回刺激的新電影

444
00:19:52,875 --> 00:19:57,958
{\an8}‪通常會有像是露出胸部
‪這樣刺激又禁忌的畫面

445
00:19:58,500 --> 00:20:01,291
‪我永遠不會忘記妳，親愛的克絲汀

446
00:20:01,375 --> 00:20:05,416
{\an8}‪美國觀眾能看到的歐洲電影越來越多

447
00:20:05,500 --> 00:20:08,958
{\an8}‪好萊塢瞭解到
‪“若我們要競爭就得擺脫海斯條款”

448
00:20:09,958 --> 00:20:13,083
{\an8}‪解決之道
‪就是以年齡作區分的影片分級制度

449
00:20:13,166 --> 00:20:15,250
‪讓性又能回到電影中

450
00:20:15,333 --> 00:20:19,333
‪讓那些看到火車過山洞畫面
‪就覺得興奮的人感到沮喪

451
00:20:19,416 --> 00:20:21,625
‪電影中的性其實一直都不太有說服力

452
00:20:21,708 --> 00:20:25,625
‪但於此同時，也有一套自己的老梗

453
00:20:25,708 --> 00:20:28,041
{\an8}‪有音樂營造氣氛

454
00:20:28,125 --> 00:20:32,041
‪身體不管從那個角度看都超美

455
00:20:32,125 --> 00:20:36,041
‪胸罩幾乎都不會被脫掉
‪然後兩人在同時達到高潮

456
00:20:36,125 --> 00:20:38,083
‪充滿熱情

457
00:20:39,458 --> 00:20:42,458
{\an8}‪現在，電影中的性
‪可能只要點擊一下就能看到

458
00:20:42,541 --> 00:20:45,250
{\an8}‪但依然有一幕是好萊塢電影不會拍的

459
00:20:45,333 --> 00:20:46,458
‪不管多少錢都一樣

460
00:20:47,125 --> 00:20:49,791
‪是那種激動、音樂推波助瀾

461
00:20:49,875 --> 00:20:50,958
‪熱情的堆疊

462
00:20:51,041 --> 00:20:53,666
‪我們都知道會怎樣
‪其實不需要看接下來的畫面

463
00:20:53,750 --> 00:20:55,625
{\an8}‪（《暮光之城：破曉2》）

464
00:20:55,708 --> 00:20:59,208
{\an8}‪所以電影再一次得退回到暗示

465
00:20:59,291 --> 00:21:03,375
{\an8}‪手緊握床單
‪充滿蒸氣的窗戶上的一隻手

466
00:21:03,458 --> 00:21:06,250
{\an8}‪或是太空梭尾端的噴射火焰

467
00:21:06,333 --> 00:21:07,666
{\an8}‪快樂結尾…

468
00:21:07,750 --> 00:21:08,625
{\an8}‪（《守護者》）

469
00:21:08,708 --> 00:21:10,416
‪保證都會有

470
00:21:12,750 --> 00:21:13,791
‪是誰寫的？

471
00:21:13,875 --> 00:21:16,041
{\an8}‪（噴水畫面）

472
00:21:16,125 --> 00:21:19,375
{\an8}‪需要角色表現驚訝？給他們飲料吧

473
00:21:19,458 --> 00:21:20,458
{\an8}‪（《黑色手銬》）

474
00:21:20,541 --> 00:21:21,666
{\an8}‪“勃起”是什麼意思，爸？

475
00:21:23,291 --> 00:21:26,750
‪真的很難找到哪一部喜劇電影

476
00:21:26,833 --> 00:21:29,208
‪沒出現過各種噴水畫面之中的一種

477
00:21:29,291 --> 00:21:32,000
{\an8}‪他們以前都叫我肛交女

478
00:21:32,083 --> 00:21:34,791
{\an8}‪噴水畫面在真實生活中其實不會發生

479
00:21:34,875 --> 00:21:38,458
‪但你還是會買單，因為看起來很有趣

480
00:21:39,291 --> 00:21:43,000
{\an8}‪噴水畫面告訴觀眾
‪他們剛看到很驚人的事情

481
00:21:45,208 --> 00:21:46,625
‪老天，妳也抽菸？

482
00:21:46,708 --> 00:21:50,625
{\an8}‪並絕對能為任何場景加入一點鬧劇感

483
00:21:50,708 --> 00:21:52,416
{\an8}‪-這是什麼？
‪-“歡液”

484
00:21:55,208 --> 00:21:57,208
‪-女士
‪-什麼？

485
00:21:58,291 --> 00:21:59,500
‪歡迎

486
00:22:01,041 --> 00:22:03,125
‪抱歉，嚇到你了嗎？

487
00:22:03,208 --> 00:22:06,750
‪我不是故意的
‪我只是要介紹下一個老梗

488
00:22:06,833 --> 00:22:08,125
‪“突發驚嚇”，就是…

489
00:22:11,250 --> 00:22:12,458
‪（突發驚嚇）

490
00:22:12,541 --> 00:22:16,500
‪瓦爾路登是在雷電華電影公司
‪負責低成本製作的製片人

491
00:22:16,583 --> 00:22:19,833
‪他幫忙培養了一整個世代的製片人

492
00:22:19,916 --> 00:22:22,958
‪知道該如何利用情緒影響觀眾

493
00:22:23,583 --> 00:22:26,916
{\an8}‪在《豹族》中，女主角被跟蹤

494
00:22:27,000 --> 00:22:28,708
{\an8}‪營造一種恐怖感

495
00:22:31,833 --> 00:22:34,041
‪當然，最後揭曉

496
00:22:37,333 --> 00:22:40,708
‪卻發現其實是公車靠邊停的煞車聲

497
00:22:40,791 --> 00:22:42,416
‪那一幕就這樣結束了

498
00:22:42,500 --> 00:22:46,958
‪這是電影中第一次有人使用“誤嚇”

499
00:22:47,041 --> 00:22:50,500
‪這技巧
‪就是後來人們熟知的“路登公車”

500
00:22:50,583 --> 00:22:52,958
‪現在的“突發驚嚇”有很多型態

501
00:22:53,041 --> 00:22:55,583
{\an8}‪有東西撞進關閉的窗戶

502
00:22:55,666 --> 00:22:56,625
{\an8}‪（《月光光心慌慌》）

503
00:22:56,708 --> 00:23:00,625
{\an8}‪人們在擁抱時撞到柵欄上

504
00:23:01,750 --> 00:23:03,416
{\an8}‪還有超長風衣

505
00:23:03,500 --> 00:23:04,625
{\an8}‪（《是誰搞的鬼》）

506
00:23:04,708 --> 00:23:06,541
{\an8}‪別擔心，不是真皮的

507
00:23:07,500 --> 00:23:09,416
{\an8}‪考量到“誤嚇”第一次出現

508
00:23:09,500 --> 00:23:12,083
{\an8}‪是在一齣叫《豹族》的電影中的巴士

509
00:23:12,166 --> 00:23:15,708
‪現在製片人常用的一個老梗就是家貓

510
00:23:17,000 --> 00:23:18,333
‪其實也滿諷刺的

511
00:23:18,416 --> 00:23:20,333
{\an8}‪（《俠盜王子羅賓漢》）

512
00:23:20,416 --> 00:23:23,833
{\an8}‪貓是邪惡的，認為貓很可怕的老梗

513
00:23:23,916 --> 00:23:26,708
{\an8}‪是完全有事實根據的老梗

514
00:23:26,791 --> 00:23:30,125
{\an8}‪貓在家裡潛伏，躲在衣櫃中

515
00:23:31,291 --> 00:23:33,083
{\an8}‪只為了嚇人

516
00:23:33,166 --> 00:23:35,958
{\an8}‪牠們的惡意，甚至不僅限於在地球上

517
00:23:36,041 --> 00:23:37,166
{\an8}‪（《異形》）

518
00:23:38,416 --> 00:23:39,958
‪貓非常適合突發驚嚇

519
00:23:40,041 --> 00:23:43,750
‪因為牠們存在於我們的居家空間

520
00:23:43,833 --> 00:23:46,958
‪但完全不在乎我們的死活

521
00:23:51,625 --> 00:23:53,375
‪若你正好生活在沒有寵物的環境中

522
00:23:53,458 --> 00:23:54,291
{\an8}‪（鏡子驚嚇）

523
00:23:54,375 --> 00:23:56,833
{\an8}‪還是可以用鏡子讓人嚇一跳

524
00:23:56,916 --> 00:23:57,916
{\an8}‪（《危機四伏》）

525
00:23:58,000 --> 00:24:04,083
{\an8}‪被鏡子嚇到是電影中數一數二的老梗

526
00:24:05,375 --> 00:24:06,791
‪每次都有效

527
00:24:06,875 --> 00:24:11,708
{\an8}‪因為想像你一個人在家，關上鏡櫃時

528
00:24:11,791 --> 00:24:15,333
‪突然間你身後出現了東西真的很嚇人

529
00:24:15,416 --> 00:24:17,541
{\an8}‪在《美國狼人在倫敦》中

530
00:24:17,625 --> 00:24:20,083
{\an8}‪這是很棒的一刻，也超爆笑

531
00:24:20,166 --> 00:24:24,416
‪能在稀鬆平常事物中加入驚嚇元素

532
00:24:24,500 --> 00:24:25,458
‪你不是真的

533
00:24:25,541 --> 00:24:27,250
{\an8}‪我們每次照鏡子

534
00:24:27,333 --> 00:24:29,708
{\an8}‪看到浴室有人都會擔心

535
00:24:29,791 --> 00:24:32,833
{\an8}‪人在浴室時是最脆弱的

536
00:24:32,916 --> 00:24:37,083
{\an8}‪那是個很私密的地方
‪我想這點就很好發揮

537
00:24:37,750 --> 00:24:40,041
‪也可以用來欺騙觀眾

538
00:24:40,125 --> 00:24:42,291
{\an8}‪可以讓角色在浴室中

539
00:24:42,375 --> 00:24:43,625
{\an8}‪然後提高張力

540
00:24:43,708 --> 00:24:46,041
{\an8}‪實際上什麼都不用發生

541
00:24:46,666 --> 00:24:47,750
‪（威廉尖叫）

542
00:24:47,833 --> 00:24:49,791
‪當你在電影中聽到有人尖叫

543
00:24:49,875 --> 00:24:52,541
{\an8}‪很有可能就是下一個老梗

544
00:24:52,625 --> 00:24:54,708
{\an8}‪但你可能根本不會發現

545
00:24:57,416 --> 00:25:03,375
{\an8}‪威廉尖叫
‪是最初在1951年時錄製的尖叫聲

546
00:25:03,458 --> 00:25:06,833
{\an8}‪有個傢伙在大沼澤地走著
‪然後鱷魚咬住了他的腿

547
00:25:06,916 --> 00:25:07,958
{\an8}‪然後他…

548
00:25:08,041 --> 00:25:09,500
{\an8}‪（《軍鼓》）

549
00:25:10,458 --> 00:25:12,375
‪快轉個幾年

550
00:25:12,458 --> 00:25:15,125
{\an8}‪某個音效編輯在找尖叫聲

551
00:25:15,208 --> 00:25:19,041
{\an8}‪因為可憐的威廉大兵中箭了

552
00:25:19,125 --> 00:25:20,625
‪威廉！

553
00:25:20,708 --> 00:25:22,458
‪好，我正在填菸草！

554
00:25:26,583 --> 00:25:29,625
‪結果…或可以說疊加上去的

555
00:25:29,708 --> 00:25:31,625
‪就是威廉尖叫

556
00:25:31,708 --> 00:25:32,625
‪於是在好萊塢

557
00:25:32,708 --> 00:25:36,125
{\an8}‪只要有角色被槍擊
‪被推或被超大塑膠螞蟻殺掉

558
00:25:36,208 --> 00:25:38,541
{\an8}‪就會出現威廉尖叫

559
00:25:39,083 --> 00:25:41,958
{\an8}‪但當威廉尖叫在遙遠的銀河出現時

560
00:25:42,041 --> 00:25:44,500
{\an8}‪就成了內行人的笑話

561
00:25:45,583 --> 00:25:47,541
‪威廉尖叫出現在星際大戰

562
00:25:47,625 --> 00:25:50,000
‪然後喬治盧卡斯、史蒂芬史匹柏

563
00:25:50,083 --> 00:25:52,000
‪基本上所有人都開始用

564
00:25:54,041 --> 00:25:57,333
{\an8}‪這是業界笑話，塔倫提諾會用…

565
00:25:58,666 --> 00:26:01,291
{\an8}‪他不是不小心用的

566
00:26:01,375 --> 00:26:05,375
{\an8}‪他絕對是刻意使用這種音效老梗

567
00:26:05,458 --> 00:26:07,083
{\an8}‪（《不死殺陣》）

568
00:26:07,166 --> 00:26:09,166
‪因為其中的音調

569
00:26:09,250 --> 00:26:12,000
‪弔詭地確保了

570
00:26:12,083 --> 00:26:16,125
{\an8}‪即使是在一團混亂中
‪你還是會聽到威廉尖叫

571
00:26:16,875 --> 00:26:19,291
{\an8}‪現在這成了非常荒謬的業內笑話

572
00:26:19,375 --> 00:26:21,708
‪我認為我們需要新的尖叫聲

573
00:26:21,791 --> 00:26:25,166
‪好萊塢喜歡自認是平等的典範

574
00:26:25,250 --> 00:26:27,041
‪但若詳加觀察

575
00:26:27,125 --> 00:26:30,083
‪順道說一下
‪用男人發明的顯微鏡來看

576
00:26:30,166 --> 00:26:34,000
{\an8}‪有時男女被描繪的方式還是略有差異

577
00:26:34,083 --> 00:26:35,166
{\an8}‪（小美人）

578
00:26:35,250 --> 00:26:37,000
{\an8}‪（《復仇者聯盟》）

579
00:26:37,083 --> 00:26:39,916
{\an8}‪小美人原則
‪即是在充滿睪固酮的冒險中

580
00:26:40,000 --> 00:26:42,416
‪出現一名女性

581
00:26:42,500 --> 00:26:45,500
‪讓製片們能說自己夠多元了

582
00:26:45,583 --> 00:26:47,208
{\an8}‪妳好，小美人！

583
00:26:47,291 --> 00:26:50,458
{\an8}‪這個詞源自於經典的藍色小精靈

584
00:26:50,541 --> 00:26:54,208
‪小美人是一群
‪男性藍色小精靈中唯一的女性

585
00:26:55,250 --> 00:26:58,958
{\an8}‪這種狀況到處都能看到，從兒童卡通

586
00:26:59,041 --> 00:27:00,833
{\an8}‪你在做什麼？下來

587
00:27:00,916 --> 00:27:02,291
{\an8}‪我要教訓一下那小子

588
00:27:02,375 --> 00:27:04,291
‪到《復仇者聯盟》

589
00:27:04,375 --> 00:27:06,166
{\an8}‪我總是幫你們男生收爛攤子

590
00:27:06,250 --> 00:27:08,583
{\an8}‪到任何動作片都有

591
00:27:08,666 --> 00:27:10,791
{\an8}‪（《星際異攻隊》）

592
00:27:10,875 --> 00:27:14,541
{\an8}‪這是電影中最諷刺的架構

593
00:27:14,625 --> 00:27:18,708
{\an8}‪他們會丟一個女人進去
‪讓大家都垂涎她

594
00:27:18,791 --> 00:27:19,708
‪幹嘛？

595
00:27:20,333 --> 00:27:22,708
‪或他們會塞一個女人進去

596
00:27:22,791 --> 00:27:24,250
‪讓她不屑地看著男人

597
00:27:24,333 --> 00:27:26,250
‪告訴他們，他們有多幼稚

598
00:27:26,333 --> 00:27:29,291
{\an8}‪我根本無法理解我的腳趾為什麼會痛

599
00:27:29,375 --> 00:27:30,666
{\an8}‪（《正義聯盟》）

600
00:27:30,750 --> 00:27:33,708
‪小鬼，我和小鬼頭合作

601
00:27:34,250 --> 00:27:36,875
‪（高跟鞋動作戲）

602
00:27:36,958 --> 00:27:39,708
{\an8}‪無論妳是充場面的女性或女主角

603
00:27:39,791 --> 00:27:43,458
{\an8}‪妳都很有可能穿著高跟鞋往危險跑去

604
00:27:43,541 --> 00:27:44,625
‪或逃離危險

605
00:27:46,958 --> 00:27:49,333
‪你基本上自動為女人增加了一種障礙

606
00:27:49,416 --> 00:27:50,916
‪她們無法穿著高跟鞋奔跑

607
00:27:51,000 --> 00:27:52,666
‪但卻沒想過要脫掉

608
00:27:52,750 --> 00:27:54,458
‪即使在相對近期的電影中

609
00:27:54,541 --> 00:27:57,458
{\an8}‪她們依然在路上跌跌撞撞

610
00:27:57,541 --> 00:27:58,958
{\an8}‪（《靈病》）

611
00:27:59,041 --> 00:28:01,458
‪女人穿著高跟鞋奔跑的想法

612
00:28:01,541 --> 00:28:04,750
‪可追溯到好萊塢渲染女性

613
00:28:04,833 --> 00:28:07,541
{\an8}‪到了完全不實際的地步

614
00:28:07,625 --> 00:28:08,791
{\an8}‪（《未來帝國》）

615
00:28:08,875 --> 00:28:11,833
‪一點快速剪輯
‪加上情趣用品店買來的皮衣

616
00:28:11,916 --> 00:28:14,916
‪你的女英雄就能更卡通化

617
00:28:17,625 --> 00:28:20,833
‪我覺得有問題的是，當角色決定

618
00:28:20,916 --> 00:28:24,583
‪我需要高跟鞋來和一堆人打鬥

619
00:28:24,666 --> 00:28:26,041
{\an8}‪像是貓女

620
00:28:26,125 --> 00:28:29,125
{\an8}‪不可能穿著高跟鞋打鬥，一定會扭傷

621
00:28:29,208 --> 00:28:32,541
‪所以就讓一個超強的動作片女主角

622
00:28:32,625 --> 00:28:33,791
‪變得很假

623
00:28:33,875 --> 00:28:37,583
‪那是另一種陋習
‪穿著內衣上床和穿著高跟鞋打鬥

624
00:28:37,666 --> 00:28:40,250
‪不，我不會這樣演…

625
00:28:40,333 --> 00:28:42,500
{\an8}‪（夢幻女孩）

626
00:28:42,583 --> 00:28:46,333
{\an8}‪再來看看另一個
‪好萊塢經典的女性角色老梗

627
00:28:46,416 --> 00:28:48,166
{\an8}‪夢幻女孩

628
00:28:52,291 --> 00:28:55,541
‪我會發出噪音
‪或是做出沒人做過的事

629
00:28:55,625 --> 00:28:58,958
‪讓我再次覺得自己很特別
‪即使是只有一下子

630
00:28:59,041 --> 00:29:03,333
{\an8}‪她總是非常可愛，總是“古靈精怪”

631
00:29:03,416 --> 00:29:06,333
‪我得趁倉鼠還沒被狗吃之前去埋掉

632
00:29:06,416 --> 00:29:07,625
‪要幫忙嗎？

633
00:29:07,708 --> 00:29:09,500
{\an8}‪-養了怪寵物
‪-老鼠！

634
00:29:09,583 --> 00:29:12,250
{\an8}‪那是經典的夢幻女孩特質

635
00:29:12,333 --> 00:29:14,916
{\an8}‪牠是魯道夫，牠是雪貂

636
00:29:15,000 --> 00:29:18,333
{\an8}‪大家可能都知道是我
‪創造了“夢幻女孩”這說法

637
00:29:18,416 --> 00:29:22,875
{\an8}‪我在評論一部電影
‪《伊莉莎白小鎮》時

638
00:29:22,958 --> 00:29:24,500
{\an8}‪創造了那個詞

639
00:29:24,583 --> 00:29:28,375
{\an8}‪在《伊莉莎白小鎮》中
‪就有個非常純粹的例子

640
00:29:28,458 --> 00:29:29,875
{\an8}‪由克莉絲汀鄧斯特飾演

641
00:29:29,958 --> 00:29:32,125
{\an8}‪她有點瘋狂

642
00:29:32,208 --> 00:29:34,375
{\an8}‪她會說個不停

643
00:29:34,458 --> 00:29:37,416
‪我很高興我們能坐在這裡聊天

644
00:29:37,500 --> 00:29:39,333
‪在凌晨三點，或不管現在幾點

645
00:29:39,416 --> 00:29:42,875
‪真的很開心
‪除了我們，大家都睡著了

646
00:29:42,958 --> 00:29:46,333
‪真高興能和你聊天
‪你真的很用心傾聽

647
00:29:46,416 --> 00:29:49,541
‪夢幻女孩是一種男性的幻想

648
00:29:49,625 --> 00:29:52,625
‪我們可以憂鬱，人生毫無進展

649
00:29:52,708 --> 00:29:54,750
{\an8}‪然後這女人會找到我們

650
00:29:54,833 --> 00:29:57,416
{\an8}‪她會開始給予我們人生意義

651
00:29:57,500 --> 00:29:59,458
‪我不太習慣妳這種女生

652
00:30:00,541 --> 00:30:02,625
‪因為我是獨一無二的

653
00:30:02,708 --> 00:30:04,916
‪她教他如何找樂子

654
00:30:05,000 --> 00:30:09,083
‪而他完全沒有給她任何回報

655
00:30:09,166 --> 00:30:13,666
‪男人都有這種霸道的幻想

656
00:30:13,750 --> 00:30:14,625
‪覺得有個女人

657
00:30:14,708 --> 00:30:17,708
‪一個神奇的女人會來拯救自己

658
00:30:18,583 --> 00:30:19,791
{\an8}‪（我們需要蒙太奇）

659
00:30:19,875 --> 00:30:22,041
{\an8}‪通常電影進展到三分之二時

660
00:30:22,125 --> 00:30:25,250
‪編劇會突然發現
‪還有故事要說，但時間不夠了

661
00:30:25,333 --> 00:30:27,833
‪但沒關係，就像在比佛利山莊

662
00:30:27,916 --> 00:30:31,125
‪你可以用剪刀剪掉不想要的贅肉

663
00:30:31,208 --> 00:30:33,583
‪進入蒙太奇模式

664
00:30:33,666 --> 00:30:36,583
{\an8}‪我們最早開始討論蒙太奇時

665
00:30:36,666 --> 00:30:40,291
{\an8}‪應該是在提及愛森斯坦
‪和《波坦金戰艦》時

666
00:30:40,375 --> 00:30:44,333
{\an8}‪就是從不同角度剪接畫面

667
00:30:44,416 --> 00:30:45,666
{\an8}‪（《波坦金戰艦》）

668
00:30:45,750 --> 00:30:48,458
{\an8}‪讓我們學會電影不只是…

669
00:30:48,541 --> 00:30:51,708
‪像在看舞台劇那樣，直接從頭開始拍

670
00:30:51,791 --> 00:30:55,666
‪《波坦金戰艦》
‪首次讓觀眾見識到剪接

671
00:30:55,750 --> 00:30:57,291
‪以及利用剪接能做什麼

672
00:31:00,000 --> 00:31:04,333
{\an8}‪這技巧流行了起來
‪很快就席捲了電影產業

673
00:31:04,416 --> 00:31:07,125
‪製片們開始拼命使用蒙太奇

674
00:31:07,208 --> 00:31:12,291
‪公寓大樓、工廠、森林、海岸線

675
00:31:12,375 --> 00:31:14,250
‪蒙太奇就像速記一樣

676
00:31:14,333 --> 00:31:18,291
{\an8}‪在很短的時間內交代許多劇情

677
00:31:18,375 --> 00:31:19,375
‪真時髦

678
00:31:19,458 --> 00:31:21,083
{\an8}‪（《洛基》）

679
00:31:21,166 --> 00:31:23,583
{\an8}‪隨著1970年代知名的鏡頭出現

680
00:31:23,666 --> 00:31:26,666
‪蒙太奇開始有了超量級的表現

681
00:31:26,750 --> 00:31:28,833
‪洛基的訓練鏡頭

682
00:31:28,916 --> 00:31:31,375
{\an8}‪是訓練鏡頭的黃金標準

683
00:31:31,458 --> 00:31:32,666
{\an8}‪（《洛基4：天下無敵》）

684
00:31:32,750 --> 00:31:34,916
{\an8}‪我認為沒人能比得過

685
00:31:35,000 --> 00:31:38,250
{\an8}‪《洛基》電影的訓練鏡頭

686
00:31:38,333 --> 00:31:42,708
‪到了《洛基4：天下無敵》
‪有31點9%的內容都是蒙太奇

687
00:31:42,791 --> 00:31:44,416
‪將近是片長的三分之一

688
00:31:44,500 --> 00:31:46,666
‪其他的主要都是他在揍人

689
00:31:47,416 --> 00:31:49,208
{\an8}‪（《追殺比爾2：愛的大逃殺》）

690
00:31:50,458 --> 00:31:53,333
{\an8}‪藉此，電影能讓我們真心感到…

691
00:31:53,416 --> 00:31:58,166
‪毫不費力就能完成很棒成果的感覺

692
00:31:58,250 --> 00:32:00,708
‪我認為這是個被低估的老梗

693
00:32:01,916 --> 00:32:04,041
{\an8}‪（《美國賤隊：世界警察》）

694
00:32:04,666 --> 00:32:08,750
{\an8}‪最棒的蒙太奇
‪絕對就是南方公園製作群製作的…

695
00:32:08,833 --> 00:32:10,125
‪《美國賤隊：世界警察》

696
00:32:12,708 --> 00:32:14,125
‪最高明的地方是

697
00:32:14,208 --> 00:32:18,416
‪那不只傳達出了蒙太奇非常老梗

698
00:32:18,500 --> 00:32:21,625
‪而是在劇情進展的當下
‪確實需要使用蒙太奇

699
00:32:22,916 --> 00:32:25,666
‪在電影中
‪很少有比一輛車快速追著另一輛車

700
00:32:25,750 --> 00:32:27,166
‪（飛車追逐）

701
00:32:27,250 --> 00:32:30,500
{\an8}‪但又沒快到能追上
‪更能讓人心跳加速的畫面了

702
00:32:30,875 --> 00:32:33,250
‪自從1903年的《失控的比賽》

703
00:32:33,333 --> 00:32:35,083
‪帶來白熱的腎上腺素狂飆後

704
00:32:35,166 --> 00:32:38,625
{\an8}‪動作片一次又一次轉向飛車追逐

705
00:32:38,708 --> 00:32:41,833
{\an8}‪在技巧高超的導演和特技駕駛手中

706
00:32:41,916 --> 00:32:45,125
{\an8}‪再加上一份好劇本
‪就能成為電影中關鍵的一刻

707
00:32:46,500 --> 00:32:49,875
‪像是在《警網鐵金剛》中
‪就是電影關鍵的一刻

708
00:32:50,875 --> 00:32:53,750
‪多年來
‪找新方式在飛車追逐中猛踩油門

709
00:32:53,833 --> 00:32:56,250
‪已成了所有電影製片們的挑戰

710
00:32:56,333 --> 00:33:00,708
{\an8}‪《霹靂神探》
‪是主角開車追逐地面上的地下鐵

711
00:33:00,791 --> 00:33:04,166
‪每一聲煞車聲，每個被撞倒的垃圾桶

712
00:33:04,250 --> 00:33:07,500
‪每個推著嬰兒車的女人

713
00:33:08,416 --> 00:33:11,916
‪都讓你因擔心發生大災難而心一沉

714
00:33:12,750 --> 00:33:15,791
‪但經典的飛車追逐
‪葫蘆裡到底賣的是什麼藥？

715
00:33:15,875 --> 00:33:18,416
{\an8}‪當我想到飛車追逐時
‪我第一個想到的是

716
00:33:18,500 --> 00:33:20,083
{\an8}‪就是拉手煞車的畫面

717
00:33:20,916 --> 00:33:22,750
{\an8}‪車子在角落甩尾

718
00:33:22,833 --> 00:33:24,583
{\an8}‪一定會有

719
00:33:24,666 --> 00:33:28,458
{\an8}‪有推車和各式各樣的殘骸到處飛

720
00:33:31,500 --> 00:33:34,375
‪把車開到不該出現車子的地方

721
00:33:34,458 --> 00:33:36,125
{\an8}‪（《神鬼認證》）

722
00:33:36,208 --> 00:33:39,000
{\an8}‪開車下樓梯，或發現什麼能…

723
00:33:39,083 --> 00:33:41,500
{\an8}‪（《金鎗人》）

724
00:33:45,125 --> 00:33:47,208
‪飛車追逐的劇本其實很難寫

725
00:33:47,291 --> 00:33:49,250
‪因為你得描述看這邊，看那邊

726
00:33:49,333 --> 00:33:52,666
{\an8}‪轉彎，撞在一起，你總是要找…

727
00:33:52,750 --> 00:33:54,666
{\an8}‪有什麼是稍微新鮮的拍法

728
00:33:55,708 --> 00:33:59,500
{\an8}‪《狗男女》的飛車追逐鏡頭就很棒

729
00:34:01,541 --> 00:34:04,125
‪他的車以很有趣的方式卡在巷子裡

730
00:34:05,250 --> 00:34:09,541
{\an8}‪飛車追逐的吸引力
‪高到能拍一整系列飛車追逐的電影

731
00:34:10,625 --> 00:34:14,083
{\an8}‪《玩命關頭》
‪一開始在拍非法賽車的世界

732
00:34:14,166 --> 00:34:16,791
{\an8}‪但其飛車追逐被徹底改造成

733
00:34:16,875 --> 00:34:20,083
{\an8}‪有史以來數一數二有野心的鏡頭

734
00:34:21,250 --> 00:34:24,208
‪飛車追逐不再只是
‪大家在路上把車開得很快

735
00:34:24,291 --> 00:34:26,708
‪還得從飛機上落下

736
00:34:26,791 --> 00:34:28,375
{\an8}‪（《玩命關頭7》）

737
00:34:29,875 --> 00:34:32,708
{\an8}‪車子從大樓開下去

738
00:34:35,291 --> 00:34:39,958
{\an8}‪現代的電腦特效使奇蹟變得廉價

739
00:34:41,208 --> 00:34:44,458
‪物理法則完全消失了

740
00:34:44,541 --> 00:34:47,916
{\an8}‪所以現在馮迪索可以從一輛車上跳開

741
00:34:48,000 --> 00:34:52,458
{\an8}‪在空中救女友，然後還不會死

742
00:34:52,541 --> 00:34:55,833
‪你知道自己看到的畫面

743
00:34:55,916 --> 00:34:59,333
‪不會有任何物理的後果
‪所以似乎什麼都不重要了

744
00:35:00,083 --> 00:35:03,583
{\an8}‪但近期其他還沒採用電腦特效的電影

745
00:35:03,666 --> 00:35:07,083
{\an8}‪以老派方式創造讓人緊張的畫面

746
00:35:07,875 --> 00:35:11,125
{\an8}‪《玩命再劫》顛覆了飛車追逐的老梗

747
00:35:11,208 --> 00:35:15,041
‪通常音樂都會屈服於畫面之下

748
00:35:15,125 --> 00:35:17,833
‪開車的場景會左右音樂

749
00:35:17,916 --> 00:35:21,250
‪但在該片中兩者是並行的

750
00:35:27,291 --> 00:35:30,458
‪在《玩命再劫》
‪車子就好像在跳舞一樣

751
00:35:30,541 --> 00:35:33,041
‪他們拍攝的方式非常美

752
00:35:34,666 --> 00:35:37,916
‪飛車追逐的動作與歌曲同步

753
00:35:38,000 --> 00:35:42,291
‪感覺就像是音樂劇，而不是飛車追逐

754
00:35:46,375 --> 00:35:48,166
{\an8}‪（白人救世主）

755
00:35:48,250 --> 00:35:50,291
{\an8}‪當說到種族的詳實描繪時

756
00:35:50,375 --> 00:35:52,916
‪好萊塢的記錄其實不太光采

757
00:35:53,000 --> 00:35:54,333
‪我可能是首位

758
00:35:54,416 --> 00:35:57,083
‪願意勇於公開承認這一點的

759
00:35:57,166 --> 00:36:00,041
‪順性別白人男性

760
00:36:00,708 --> 00:36:04,291
‪就當我是先驅吧
‪事實上，叫我救世主也可以

761
00:36:04,375 --> 00:36:07,125
‪這話輪不到我來說，你有這想法就好

762
00:36:08,291 --> 00:36:12,541
{\an8}‪早期白人救世主的出現
‪或許是一番好意

763
00:36:12,625 --> 00:36:14,291
‪簡路易斯小姐，站起來

764
00:36:15,208 --> 00:36:17,041
‪但從今天的觀點來看…

765
00:36:17,708 --> 00:36:19,083
‪妳父親過世了

766
00:36:19,166 --> 00:36:22,500
‪會被認為是電影對白人罪惡感的繃帶

767
00:36:23,250 --> 00:36:26,833
{\an8}‪白人救世主就是描述一個白人出現

768
00:36:26,916 --> 00:36:30,333
{\an8}‪救了一個在掙扎或苦難中的黑人

769
00:36:30,416 --> 00:36:33,750
{\an8}‪妳憑什麼認為
‪有色人種需要妳的幫助？

770
00:36:34,666 --> 00:36:36,333
‪-妳何必在乎？
‪-米妮

771
00:36:36,416 --> 00:36:38,500
‪或許妳只想害愛比琳惹麻煩

772
00:36:38,583 --> 00:36:42,583
‪基本上
‪黑人角色就是要讓白人變得更好

773
00:36:42,666 --> 00:36:45,083
‪或是完全展現出他們的人性

774
00:36:45,166 --> 00:36:49,875
{\an8}‪若你回顧奧黛麗赫本的《修女傳》

775
00:36:49,958 --> 00:36:53,166
{\an8}‪她真的就是以一個白人女人的姿態

776
00:36:53,250 --> 00:36:56,958
{\an8}‪在那裡告訴黑人婦女如何幫小孩洗澡

777
00:36:57,041 --> 00:36:59,625
‪修女正在教媽媽如何幫孩子洗澡

778
00:36:59,708 --> 00:37:02,875
{\an8}‪這應該是最惡劣的例子了

779
00:37:02,958 --> 00:37:05,833
{\an8}‪白人救世主會以許多面目出現

780
00:37:05,916 --> 00:37:08,416
{\an8}‪即使在近期的奧斯卡得獎電影中

781
00:37:08,500 --> 00:37:11,333
‪也是由一名白人
‪拯救了世界級的爵士鋼琴家

782
00:37:11,875 --> 00:37:14,375
‪這位先生說我不能在此用餐

783
00:37:14,458 --> 00:37:17,541
‪不，你不理解
‪他今晚在此演奏，他是重頭戲

784
00:37:17,625 --> 00:37:20,833
‪抱歉，這是餐廳規定

785
00:37:20,916 --> 00:37:23,458
‪《幸福綠皮書》
‪在同年獲得最佳影片獎

786
00:37:23,541 --> 00:37:27,166
{\an8}‪《黑豹》和《黑色黨徒》沒得獎
‪更是在傷口上灑鹽

787
00:37:27,250 --> 00:37:29,875
{\an8}‪所以若你真的對黑人的故事有興趣

788
00:37:29,958 --> 00:37:31,625
‪就去看吧

789
00:37:31,708 --> 00:37:33,250
‪（神奇黑人）

790
00:37:34,208 --> 00:37:36,083
‪與白人救世主相抗衡的

791
00:37:36,166 --> 00:37:38,625
‪可以在1946年的迪士尼電影

792
00:37:38,708 --> 00:37:39,958
{\an8}‪《南方之歌》中看到

793
00:37:40,041 --> 00:37:41,750
{\an8}‪描繪了在廢除奴隸制後

794
00:37:41,833 --> 00:37:43,958
{\an8}‪種植園的人們的生活

795
00:37:44,041 --> 00:37:46,250
‪主角雷默斯叔叔

796
00:37:46,333 --> 00:37:49,125
‪成了下一個老梗的同義詞

797
00:37:49,208 --> 00:37:50,708
‪神奇黑人

798
00:37:50,791 --> 00:37:57,416
‪雷默斯叔叔的角色
‪幫助這個住在種植園的白人小男孩

799
00:37:57,500 --> 00:37:58,750
‪他跟他說了很多故事

800
00:37:58,833 --> 00:38:02,125
{\an8}‪開口就是歌唱

801
00:38:05,833 --> 00:38:08,833
‪就和以前的“快樂桑波”一樣

802
00:38:08,916 --> 00:38:11,250
‪這些都是種族歧視用語
‪所以我要特別加個引號

803
00:38:11,333 --> 00:38:15,291
‪整個好萊塢
‪都出席了第20屆年度頒獎典禮

804
00:38:15,375 --> 00:38:17,916
‪在迪士尼版本中扮演雷默斯叔叔的人

805
00:38:18,000 --> 00:38:21,666
‪詹姆斯拜斯吉
‪成了第一個獲得奧斯卡獎的黑人男性

806
00:38:21,750 --> 00:38:24,666
‪但那不是真的奧斯卡獎
‪比較像是榮譽奧斯卡獎

807
00:38:24,750 --> 00:38:27,250
‪因為他們認為他不夠有競爭力

808
00:38:27,333 --> 00:38:30,291
‪能角逐最佳男主角或最佳配角

809
00:38:30,375 --> 00:38:32,958
‪此用語被導演史派克李發揚光大

810
00:38:33,041 --> 00:38:37,458
‪他認為這種冒犯人的老梗
‪通常都具有神祕的能力

811
00:38:37,541 --> 00:38:40,000
‪你通常都不知道這角色是從哪裡來的

812
00:38:40,083 --> 00:38:41,458
‪他們為什麼在此

813
00:38:41,541 --> 00:38:45,000
‪他們就這樣出現提供指導或智慧

814
00:38:45,083 --> 00:38:46,666
{\an8}‪別擔心那個花瓶

815
00:38:46,750 --> 00:38:48,250
{\an8}‪什麼花瓶？

816
00:38:48,333 --> 00:38:49,541
{\an8}‪（《駭客任務》）

817
00:38:50,791 --> 00:38:51,916
‪那個花瓶

818
00:38:52,000 --> 00:38:56,083
{\an8}‪我認為神奇黑人的表現非常違反現實

819
00:38:56,166 --> 00:39:00,208
‪因為我個人一點都不想
‪每天都幫助白人解決他們的問題

820
00:39:00,291 --> 00:39:02,625
{\an8}‪《綠色奇蹟》中，約翰考菲的角色

821
00:39:02,708 --> 00:39:04,708
{\an8}‪就是一個單純沒受過教育的人

822
00:39:04,791 --> 00:39:07,666
‪因兩個白人小孩被殺而蒙受不白之冤

823
00:39:07,750 --> 00:39:12,583
‪被判處死刑後
‪他把餘生用來做最好的事

824
00:39:12,666 --> 00:39:13,875
‪讓白人安心

825
00:39:13,958 --> 00:39:15,166
‪你好，老大

826
00:39:15,250 --> 00:39:18,416
‪在監獄的場景中

827
00:39:18,500 --> 00:39:22,333
‪白人處決無辜的黑人，卻被黑人原諒

828
00:39:22,416 --> 00:39:25,666
‪顯然就是最明顯的自我安慰

829
00:39:25,750 --> 00:39:29,958
‪安撫了白人內疚的幻想
‪讓我覺得根本看不下去

830
00:39:30,041 --> 00:39:35,291
{\an8}‪神奇黑人老梗
‪甚至被用在最神聖的角色中

831
00:39:35,375 --> 00:39:37,166
{\an8}‪那就是《王牌天神》中的摩根費里曼

832
00:39:38,166 --> 00:39:39,250
‪我就是上帝

833
00:39:39,333 --> 00:39:42,958
{\an8}‪摩根費里曼把神奇黑人扮演得特別好

834
00:39:43,041 --> 00:39:47,125
‪他是神奇的黑人上帝
‪就像他是神奇黑人之神

835
00:39:47,208 --> 00:39:50,833
‪我認為摩根費里曼
‪重新定義了神奇黑人

836
00:39:51,416 --> 00:39:53,333
{\an8}‪在《重返榮耀》中

837
00:39:53,416 --> 00:39:56,875
{\an8}‪神奇黑人或許達成了其最高的使命

838
00:39:56,958 --> 00:39:58,958
‪改善白人的障礙

839
00:39:59,041 --> 00:40:00,958
‪我差點害死你

840
00:40:01,625 --> 00:40:04,625
‪不，先生，是這樣的
‪我站在你正前方

841
00:40:04,708 --> 00:40:08,083
‪從你揮桿的方式來看
‪我想我絕不會受傷

842
00:40:08,166 --> 00:40:11,208
‪其中一個非常冒犯人的地方就是

843
00:40:11,291 --> 00:40:12,916
‪那部電影的時代設定在1930年代

844
00:40:13,000 --> 00:40:15,208
‪當時有很多黑人被處以私刑

845
00:40:15,291 --> 00:40:17,666
‪三K黨四處橫行

846
00:40:17,750 --> 00:40:20,291
‪但威爾史密斯扮演的角色

847
00:40:20,375 --> 00:40:22,375
{\an8}‪卻只在乎麥特戴蒙

848
00:40:22,458 --> 00:40:25,166
{\an8}‪能在高爾夫球場上完美揮桿

849
00:40:25,250 --> 00:40:30,916
{\an8}‪只有你，那顆球，那面旗子…

850
00:40:31,000 --> 00:40:34,000
‪演員和大家一樣也得賺錢

851
00:40:34,083 --> 00:40:35,833
‪我也做過我不想做的工作

852
00:40:35,916 --> 00:40:40,375
‪我想威爾史密斯
‪不會在家重看《重返榮耀》

853
00:40:40,458 --> 00:40:43,291
‪某個在俄亥俄州的白人可能會重看

854
00:40:43,375 --> 00:40:46,000
‪所以，希望他們樂在其中

855
00:40:47,875 --> 00:40:49,375
{\an8}‪（殺父之仇）

856
00:40:49,458 --> 00:40:51,583
{\an8}‪當有一句保證能驅使復仇的台詞時

857
00:40:51,666 --> 00:40:54,666
{\an8}‪又何必去設想錯綜複雜的劇情線

858
00:40:54,750 --> 00:40:57,250
{\an8}‪這理由就是“你殺了我爸”

859
00:40:57,333 --> 00:40:59,208
{\an8}‪無論是經典的西部片

860
00:40:59,291 --> 00:41:00,500
{\an8}‪你殺了我爸

861
00:41:00,583 --> 00:41:03,166
{\an8}‪或甚至是強檔好片

862
00:41:03,250 --> 00:41:05,041
‪你殺了我爸

863
00:41:05,125 --> 00:41:09,958
{\an8}‪另一方面
‪約翰維克殺人則不需要太多誘因

864
00:41:10,250 --> 00:41:12,208
{\an8}‪你偷了我的車

865
00:41:13,750 --> 00:41:15,500
{\an8}‪殺了我的狗

866
00:41:18,416 --> 00:41:20,958
‪電影中的動物似乎都能感覺到

867
00:41:21,041 --> 00:41:24,041
‪一起登場的人類明星感覺不到的狀況

868
00:41:24,125 --> 00:41:26,708
‪牠們會不會其實比我們還聰明呢？

869
00:41:26,791 --> 00:41:29,166
‪才不是
‪有一半的白癡動物依然邊走邊拉屎

870
00:41:29,250 --> 00:41:30,875
‪但牠們對於危險

871
00:41:30,958 --> 00:41:33,875
‪確實都有特別靈敏的嗅覺

872
00:41:33,958 --> 00:41:35,083
‪（動物的第六感）

873
00:41:35,166 --> 00:41:36,416
‪上帝創造的動物

874
00:41:36,500 --> 00:41:38,833
{\an8}‪擁有超自然的蓋氏計數器

875
00:41:38,916 --> 00:41:40,083
{\an8}‪（《蒙上你的眼》）

876
00:41:40,166 --> 00:41:41,916
{\an8}‪若有什麼不對勁的狀況

877
00:41:42,000 --> 00:41:43,583
‪牠們會最先讓你知道

878
00:41:44,208 --> 00:41:46,625
{\an8}‪馬，踏一次是死人

879
00:41:46,708 --> 00:41:48,333
‪踏三次就是吸血鬼

880
00:41:51,166 --> 00:41:52,625
‪看？牠知道

881
00:41:52,708 --> 00:41:55,416
{\an8}‪擔心自己的兒子是黑暗王子？

882
00:41:55,500 --> 00:41:58,416
{\an8}‪就找能聞出别西卜的狒狒吧

883
00:42:01,666 --> 00:42:05,666
{\an8}‪但在好萊塢
‪邪惡的頭號勁敵就是人類最好的朋友

884
00:42:05,750 --> 00:42:07,875
{\an8}‪狗角色會警告你

885
00:42:07,958 --> 00:42:11,083
‪狗角色的職責就是要說
‪“這裡不太對勁”

886
00:42:11,166 --> 00:42:12,791
{\an8}‪怎麼了？

887
00:42:13,500 --> 00:42:15,041
{\an8}‪從看不到的鬼魂…

888
00:42:15,125 --> 00:42:16,291
{\an8}‪你在做什麼？

889
00:42:16,375 --> 00:42:18,166
{\an8}‪到半吊子吸血鬼

890
00:42:20,416 --> 00:42:22,666
{\an8}‪不只是超自然而已

891
00:42:22,750 --> 00:42:25,958
{\an8}‪敏感的狗狗也能嗅出壞人的味道

892
00:42:27,791 --> 00:42:30,125
‪泰德邦迪，逮到你了

893
00:42:32,208 --> 00:42:33,583
‪在電影中所有身處危險的人物中…

894
00:42:33,666 --> 00:42:34,958
{\an8}‪（埋了同志）

895
00:42:35,041 --> 00:42:38,875
{\an8}‪黨羽、帝國衝鋒隊
‪兩天後要退休的警察

896
00:42:38,958 --> 00:42:41,875
{\an8}‪排名前面的幾乎都是男同志或女同志

897
00:42:41,958 --> 00:42:45,208
‪好萊塢把同志角色
‪隨手就丟是出了名的

898
00:42:45,291 --> 00:42:46,375
{\an8}‪聽我說！

899
00:42:46,458 --> 00:42:50,125
{\an8}‪好萊塢早期使用同志關係的方法

900
00:42:50,208 --> 00:42:52,500
‪我愛妳的方式就是他們說的那樣

901
00:42:52,583 --> 00:42:54,083
‪就是《雙姝怨》

902
00:42:54,750 --> 00:42:58,291
‪奧黛麗赫本和莎莉麥克琳
‪飾演的兩名老師被控有同性戀關係

903
00:42:58,375 --> 00:43:00,250
‪她們之間那段讓人無法起共鳴的對話

904
00:43:00,333 --> 00:43:02,625
‪最後導致其中一人自殺

905
00:43:04,333 --> 00:43:05,166
{\an8}‪（《費城》）

906
00:43:05,250 --> 00:43:09,458
{\an8}‪儘管好萊塢試圖強調多元性向的議題

907
00:43:09,541 --> 00:43:12,166
‪但卻總是在劇中讓他們提前領紅包

908
00:43:13,875 --> 00:43:18,166
{\an8}‪有時，觸碰到真正的不幸時

909
00:43:18,250 --> 00:43:19,375
{\an8}‪（影評
‪凱斯帕薩蒙）

910
00:43:19,458 --> 00:43:23,875
{\an8}‪或是同志的苦難時
‪我想這樣的老梗是可接受的

911
00:43:25,416 --> 00:43:28,083
{\an8}‪例如《斷背山》

912
00:43:28,166 --> 00:43:31,041
{\an8}‪這不是愛情故事，是關於迫害

913
00:43:31,125 --> 00:43:32,583
‪多年來的迫害

914
00:43:32,666 --> 00:43:34,708
‪所以在電影中

915
00:43:34,791 --> 00:43:37,625
{\an8}‪最後描繪的死亡其實是合邏輯的

916
00:43:37,708 --> 00:43:39,333
{\an8}‪他年僅39歲

917
00:43:39,416 --> 00:43:43,750
{\an8}‪獎項確實都很愛死掉同志的傳記

918
00:43:43,833 --> 00:43:46,625
{\an8}‪他們熱愛有人慘死的電影

919
00:43:46,708 --> 00:43:47,541
{\an8}‪（《自由大道》）

920
00:43:47,625 --> 00:43:49,208
{\an8}‪對，這我能證明

921
00:43:49,291 --> 00:43:52,708
{\an8}‪我在《你能原諒我嗎》演過同志角色

922
00:43:52,791 --> 00:43:56,416
{\an8}‪我演出的角色傑克霍克，死於愛滋病

923
00:43:56,500 --> 00:43:59,625
‪你確實在曼哈頓風花雪月

924
00:44:01,958 --> 00:44:03,458
‪我想把這當成我的墓志銘

925
00:44:03,541 --> 00:44:05,500
‪所以沒錯，這絕對是真的

926
00:44:07,625 --> 00:44:12,708
‪事實上有40%
‪曾入圍過奧斯卡獎的多元性向角色

927
00:44:12,791 --> 00:44:14,833
‪在電影中都沒活到最後

928
00:44:16,875 --> 00:44:18,166
‪（不巧的科技故障）

929
00:44:18,250 --> 00:44:20,625
‪要讓角色陷入困境很好的方式

930
00:44:20,708 --> 00:44:23,458
{\an8}‪就是仰賴科技，然後科技故障

931
00:44:23,541 --> 00:44:26,833
{\an8}‪在《不可能的任務》中
‪當主角攀爬大樓時

932
00:44:26,916 --> 00:44:28,166
{\an8}‪你心想“酷耶”

933
00:44:28,250 --> 00:44:29,416
{\an8}‪但然後你想

934
00:44:29,500 --> 00:44:32,416
{\an8}‪你在大樓外，那個科技故障了

935
00:44:33,458 --> 00:44:35,458
‪所以現在馬上就產生了戲劇化效果

936
00:44:35,541 --> 00:44:39,583
‪畢竟誰在爬大樓時
‪沒忘記帶手套充電器過呢？

937
00:44:39,666 --> 00:44:42,666
{\an8}‪但最常見的科技故障比較普通一點

938
00:44:42,750 --> 00:44:44,416
{\an8}‪（《雙重保險》）

939
00:44:44,500 --> 00:44:46,625
{\an8}‪我們都曾上了車

940
00:44:46,708 --> 00:44:48,916
{\an8}‪轉動鑰匙，但車不能發動

941
00:44:52,875 --> 00:44:55,083
‪幾年前，大家都有了手機

942
00:44:55,166 --> 00:44:57,166
‪這是我向世界發出的最後訊號

943
00:44:57,250 --> 00:44:58,375
‪糟了，沒電了

944
00:44:58,458 --> 00:45:00,291
{\an8}‪（《致命ID》）

945
00:45:00,375 --> 00:45:03,208
{\an8}‪為了劇情需要，科技一定得故障

946
00:45:03,291 --> 00:45:05,541
‪才能讓我們投入
‪好奇主角接下來會怎麼做？

947
00:45:05,958 --> 00:45:07,458
{\an8}‪（《致命ID》）

948
00:45:08,875 --> 00:45:10,958
‪無論是最先進的科技

949
00:45:11,041 --> 00:45:15,333
‪車或手機，科技故障總是象徵了危險

950
00:45:18,166 --> 00:45:20,250
{\an8}‪（憤怒掃桌）

951
00:45:20,333 --> 00:45:23,875
{\an8}‪火大，坐在桌前？
‪那就來個憤怒掃桌吧

952
00:45:23,958 --> 00:45:25,625
{\an8}‪可惡！

953
00:45:26,208 --> 00:45:29,875
{\an8}‪特立獨行的警察
‪破壞了你賺數十億的計謀？

954
00:45:31,833 --> 00:45:34,000
{\an8}‪你是世界知名神經外科醫生

955
00:45:34,083 --> 00:45:35,458
{\an8}‪但手卻受傷了嗎？

956
00:45:37,416 --> 00:45:40,708
{\an8}‪或雄心壯志的軍隊律師
‪對抗五星上將？

957
00:45:40,791 --> 00:45:42,041
{\an8}‪感謝妳參加

958
00:45:42,125 --> 00:45:47,000
{\an8}‪“到底該不該聽
‪沒常識的笨蛋的建議”

959
00:45:47,083 --> 00:45:50,083
‪但管他的，順便再踹張椅子吧

960
00:45:51,333 --> 00:45:55,000
{\an8}‪特立獨行的警察傑克葛倫霍
‪在掃這張桌子時遇到了挑戰

961
00:45:55,083 --> 00:45:57,458
{\an8}‪他的東西哪都不去

962
00:45:59,000 --> 00:46:01,250
‪難怪鍵盤會被爆砸

963
00:46:04,041 --> 00:46:07,458
‪每個英雄都需要和壞人對抗

964
00:46:07,541 --> 00:46:10,000
‪雖然要花一點時間才能找到壞人

965
00:46:10,083 --> 00:46:12,583
‪但他在等你，龐德先生

966
00:46:13,208 --> 00:46:14,750
‪（壞人）

967
00:46:14,833 --> 00:46:18,333
‪如果英雄很帥
‪通常表示老梗中的壞人

968
00:46:18,416 --> 00:46:20,083
{\an8}‪必須是完全相反的

969
00:46:20,166 --> 00:46:23,666
{\an8}‪製片人通常都讓我們
‪很輕易就能判斷壞人是誰

970
00:46:23,750 --> 00:46:26,625
‪容我自我介紹一下

971
00:46:27,958 --> 00:46:31,166
‪我是恩斯史達羅布洛菲德

972
00:46:31,250 --> 00:46:32,583
{\an8}‪為了讓他們看起來是異類

973
00:46:32,666 --> 00:46:35,125
{\an8}‪我們把他們描繪得醜陋、毀容

974
00:46:35,208 --> 00:46:37,291
{\an8}‪會有疤痕顯示他們很邪惡

975
00:46:37,375 --> 00:46:38,833
{\an8}‪就算是獅子也一樣

976
00:46:38,916 --> 00:46:40,208
{\an8}‪凶手

977
00:46:40,291 --> 00:46:43,333
{\an8}‪你在說故事，你要告訴觀眾

978
00:46:43,416 --> 00:46:46,583
‪你的角色參與了邪惡的活動

979
00:46:46,666 --> 00:46:49,541
{\an8}‪可能也曾動粗過

980
00:46:49,625 --> 00:46:53,625
{\an8}‪順從妳的命運

981
00:46:53,708 --> 00:46:56,416
{\an8}‪毀容的壞人由來已久

982
00:46:56,500 --> 00:47:00,250
{\an8}‪回到默劇時代，顯然有朗錢尼

983
00:47:00,333 --> 00:47:01,791
{\an8}‪在《歌劇魅影》中的演出

984
00:47:01,875 --> 00:47:05,083
‪他用髮夾撐開他的鼻孔

985
00:47:06,458 --> 00:47:11,708
{\an8}‪這種角色呈現的問題在於

986
00:47:11,791 --> 00:47:16,625
{\an8}‪在真實生活中會影響到真的毀容的人

987
00:47:16,708 --> 00:47:20,625
‪他們被人們看到，認為是危險、邪惡

988
00:47:20,708 --> 00:47:22,125
‪是必須迴避的人

989
00:47:22,208 --> 00:47:28,125
{\an8}‪當然，把毀容和精神變態畫上等號

990
00:47:28,208 --> 00:47:30,833
‪是極為汙辱人的

991
00:47:30,916 --> 00:47:33,541
‪許多壞人都比英雄更有文化

992
00:47:33,625 --> 00:47:37,083
{\an8}‪你曾看過提到喜愛貝多芬的壞人

993
00:47:37,750 --> 00:47:38,916
{\an8}‪你不喜歡貝多芬

994
00:47:39,000 --> 00:47:40,833
{\an8}‪喜歡生活中的好東西

995
00:47:40,916 --> 00:47:42,541
{\an8}‪你不知道自己錯過了什麼

996
00:47:42,625 --> 00:47:44,583
‪營造出了另一面的感覺

997
00:47:44,666 --> 00:47:49,041
{\an8}‪他們還有另一面
‪反而強化了他們邪惡的一面

998
00:47:49,125 --> 00:47:54,583
{\an8}‪我把他的肝臟配上蠶豆
‪和高級奇揚地紅酒一起吃了

999
00:47:57,208 --> 00:47:58,708
‪他們通常都是英國人

1000
00:47:58,791 --> 00:48:01,708
‪那成了壞人的一個種類

1001
00:48:01,791 --> 00:48:04,916
{\an8}‪在好萊塢，他們認為英國口音

1002
00:48:05,000 --> 00:48:07,083
{\an8}‪代表了世故

1003
00:48:07,750 --> 00:48:11,291
{\an8}‪你想和我們合作嗎？
‪希望你能簡單回答想或不想

1004
00:48:11,375 --> 00:48:14,041
{\an8}‪若壞人有英國口音

1005
00:48:14,125 --> 00:48:18,041
‪就表示英雄要面對的
‪並非單純的野蠻人

1006
00:48:18,125 --> 00:48:20,208
‪那個壞人更有深度

1007
00:48:20,291 --> 00:48:22,166
‪不知怎麼，他們會選擇英國演員

1008
00:48:22,250 --> 00:48:23,291
‪因為我們廉價

1009
00:48:23,375 --> 00:48:25,083
{\an8}‪你能說對白

1010
00:48:25,166 --> 00:48:28,708
{\an8}‪你可以胡言亂語，但卻非常有說服力

1011
00:48:28,791 --> 00:48:33,625
{\an8}‪歷史、傳統、文化不是概念

1012
00:48:33,708 --> 00:48:37,000
{\an8}‪是我在書房用來當紙鎮的戰利品！

1013
00:48:37,083 --> 00:48:41,916
‪獨白是老梗，因為那是為了戲劇效果

1014
00:48:42,000 --> 00:48:46,916
{\an8}‪發生的一切都是按照我的設計

1015
00:48:47,000 --> 00:48:51,083
{\an8}‪是編劇想讓觀眾了解這個角色的背景

1016
00:48:51,166 --> 00:48:52,708
‪以及他們為什麼要這麼做

1017
00:48:52,791 --> 00:48:56,500
‪我在電影《羅根》的最後一幕中

1018
00:48:56,583 --> 00:48:57,625
‪有一段壞人獨白

1019
00:48:57,708 --> 00:49:01,083
‪我一直在說我為什麼要這麼做

1020
00:49:01,166 --> 00:49:02,708
‪殺了他的家人什麼的

1021
00:49:02,791 --> 00:49:06,125
{\an8}‪我發現
‪我們不需要停止讓我們的飲食完美

1022
00:49:06,208 --> 00:49:08,291
{\an8}‪我們用那些產品讓自己變得更完美

1023
00:49:08,375 --> 00:49:10,500
‪我的獨白說到一半

1024
00:49:11,875 --> 00:49:14,000
‪他就殺了我，我活該

1025
00:49:14,833 --> 00:49:18,666
‪每部電影都有停止的時刻

1026
00:49:18,750 --> 00:49:21,125
‪那就是結局

1027
00:49:21,208 --> 00:49:23,666
‪你一直轉動的所有劇情盤子

1028
00:49:23,750 --> 00:49:26,916
‪以比我剛剛說的
‪更好的比喻方式被編織在一起

1029
00:49:27,000 --> 00:49:29,833
‪該來看看電影的高潮結局

1030
00:49:29,916 --> 00:49:33,333
‪只有幾種型態而已

1031
00:49:33,416 --> 00:49:34,708
{\an8}‪（倖存的女生）

1032
00:49:35,375 --> 00:49:38,375
{\an8}‪希區考克《驚魂記》中
‪珍妮李的經典淋浴場景

1033
00:49:38,458 --> 00:49:41,916
{\an8}‪被許多人認為
‪是下一個老梗的靈感來源

1034
00:49:42,000 --> 00:49:43,958
‪並養成了浴室門要鎖的習慣

1035
00:49:44,041 --> 00:49:50,583
‪希區考克將女性
‪能度過這些恐怖事件的概念發揚光大

1036
00:49:50,666 --> 00:49:53,125
{\an8}‪他在觀眾心中確立了

1037
00:49:53,208 --> 00:49:56,500
{\an8}‪女人在恐怖片中是主角的預期

1038
00:49:57,583 --> 00:50:00,250
{\an8}‪18年後，珍妮李的女兒

1039
00:50:00,333 --> 00:50:02,208
{\an8}‪潔美李寇蒂斯扮演了

1040
00:50:02,291 --> 00:50:06,500
{\an8}‪讓她成為現在為人所知的老梗
‪“倖存的女生”典範的角色

1041
00:50:09,083 --> 00:50:13,250
‪《月光光心慌慌》中
‪禽獸對上倖存的女生潔美李寇蒂斯

1042
00:50:13,333 --> 00:50:15,708
‪在象徵上是第一人

1043
00:50:15,791 --> 00:50:17,916
‪她是藍圖，是原型

1044
00:50:18,000 --> 00:50:21,041
‪倖存的女生是那個沒和人上床

1045
00:50:21,125 --> 00:50:23,333
{\an8}‪比她的朋友都天真的女生

1046
00:50:23,416 --> 00:50:26,791
{\an8}‪妳這麼常當保母一定存了不少錢吧

1047
00:50:26,875 --> 00:50:28,375
{\an8}‪男生都認為我太聰明了

1048
00:50:28,458 --> 00:50:29,916
‪因為她沒和人上床

1049
00:50:30,000 --> 00:50:33,333
‪所以她不知怎麼了
‪比她所有朋友都更有觀察力

1050
00:50:33,416 --> 00:50:35,125
‪最早發現不對勁

1051
00:50:35,208 --> 00:50:38,416
‪若想拍一部很棒的倖存的女生電影

1052
00:50:38,500 --> 00:50:40,791
{\an8}‪就得找一群朋友

1053
00:50:40,875 --> 00:50:44,000
{\an8}‪若你們問鎮上的老人
‪他們會告訴你們他還在

1054
00:50:44,083 --> 00:50:48,083
{\an8}‪他們一起去某個地方開週末派對

1055
00:50:48,166 --> 00:50:50,291
‪你得給他們某種虛假的理由

1056
00:50:50,375 --> 00:50:54,458
{\an8}‪讓他們四散去做些胡鬧的事

1057
00:50:54,541 --> 00:50:56,250
{\an8}‪（《十三號星期五》）

1058
00:50:56,333 --> 00:50:58,916
{\an8}‪這是另一個老梗，另一個規則

1059
00:50:59,000 --> 00:51:01,541
‪如果你壞壞，你就會死

1060
00:51:03,250 --> 00:51:05,916
{\an8}‪一個接一個被了結

1061
00:51:06,000 --> 00:51:08,125
{\an8}‪（《半夜鬼上床》）

1062
00:51:09,583 --> 00:51:11,791
{\an8}‪在這些電影中，總會有個平靜期

1063
00:51:11,875 --> 00:51:14,583
{\an8}‪大家都以為凶手可能已經死了

1064
00:51:14,666 --> 00:51:16,333
{\an8}‪（《月光光心慌慌》）

1065
00:51:16,416 --> 00:51:19,625
‪然後一切都崩潰了
‪她得再次證明自己

1066
00:51:21,666 --> 00:51:25,458
{\an8}‪但她活了下來，成了觀眾的替身

1067
00:51:31,583 --> 00:51:34,000
‪我認為砍殺片的老梗

1068
00:51:34,083 --> 00:51:39,625
‪若不是因為《驚聲尖叫》
‪現在早就凋零了

1069
00:51:39,708 --> 00:51:41,541
{\an8}‪《驚聲尖叫》在電影一開始

1070
00:51:41,625 --> 00:51:46,083
{\an8}‪就把大家都認為是
‪“倖存的女生”的茱兒芭莉摩殺了

1071
00:51:46,166 --> 00:51:47,541
‪扭轉了這個老梗

1072
00:51:49,291 --> 00:51:52,041
‪我認為《驚聲尖叫》系列

1073
00:51:52,125 --> 00:51:55,416
‪真的瞭解恐怖片迷

1074
00:51:55,500 --> 00:52:00,875
‪他們對老梗的瞭解，並做出了改變

1075
00:52:00,958 --> 00:52:02,750
{\an8}‪有什麼意義？反正都一樣

1076
00:52:02,833 --> 00:52:04,916
{\an8}‪蠢凶手跟蹤大奶妹

1077
00:52:05,000 --> 00:52:07,708
{\an8}‪明明就該跑出門，但卻總是跑上樓

1078
00:52:07,791 --> 00:52:08,750
‪太汙辱人了

1079
00:52:08,833 --> 00:52:11,666
{\an8}‪但倖存的女生還是活下來了

1080
00:52:13,041 --> 00:52:14,875
‪現在，她準備得更周全

1081
00:52:15,791 --> 00:52:17,083
{\an8}‪去你的家人

1082
00:52:17,166 --> 00:52:19,250
{\an8}‪我們現在賦予她戰到最後的能力

1083
00:52:19,333 --> 00:52:21,750
{\an8}‪我們讓人們一直到最後
‪都為她擔心受怕

1084
00:52:21,833 --> 00:52:23,250
{\an8}‪去死吧，賤人！

1085
00:52:24,041 --> 00:52:29,958
{\an8}‪她有時候比她要對抗的人更加兇狠

1086
00:52:31,958 --> 00:52:34,625
‪基本上，被她害死的人

1087
00:52:34,708 --> 00:52:38,000
{\an8}‪比電影中的凶手還多

1088
00:52:38,083 --> 00:52:39,500
{\an8}‪（《弒婚遊戲》）

1089
00:52:39,583 --> 00:52:43,333
{\an8}‪我想這種老梗現在已經演化了

1090
00:52:43,416 --> 00:52:46,125
‪這類電影的結局就像療癒食物

1091
00:52:47,291 --> 00:52:48,125
{\an8}‪要命

1092
00:52:49,375 --> 00:52:53,041
‪接下來，爆破電影老梗，定時炸彈

1093
00:52:53,708 --> 00:52:55,750
{\an8}‪有一個炸彈，有一個計時器

1094
00:52:55,833 --> 00:52:58,208
{\an8}‪若英雄不行動，就會死很多人

1095
00:52:58,291 --> 00:53:00,000
{\an8}‪所以本質上就很有戲劇效果

1096
00:53:00,083 --> 00:53:02,958
{\an8}‪-還剩多少時間？
‪-二十秒！

1097
00:53:03,041 --> 00:53:06,833
{\an8}‪不管哪部電影
‪當你看到時間在倒數時

1098
00:53:06,916 --> 00:53:08,583
‪你就會心跳加快

1099
00:53:09,291 --> 00:53:10,333
{\an8}‪（《鬥陣俱樂部》）

1100
00:53:10,416 --> 00:53:14,083
{\an8}‪在最經典的型態中
‪這種老梗最後都來到剪線

1101
00:53:14,166 --> 00:53:15,166
‪你覺得？

1102
00:53:15,250 --> 00:53:18,541
{\an8}‪剪紅色或藍色，紅或藍？

1103
00:53:18,625 --> 00:53:20,500
{\an8}‪（《雷公彈》）

1104
00:53:24,250 --> 00:53:27,583
{\an8}‪那是數一數二的非動作高潮

1105
00:53:27,666 --> 00:53:28,833
{\an8}‪現在看起來比較性感了

1106
00:53:28,916 --> 00:53:32,500
{\an8}‪通常都是有人想駭入炸彈，阻止倒數

1107
00:53:33,458 --> 00:53:35,541
‪地獄犬已關閉

1108
00:53:35,625 --> 00:53:39,375
‪如果是英雄要拆除定時炸彈
‪你知道他或她一定會成功

1109
00:53:39,458 --> 00:53:44,875
{\an8}‪有趣的地方在於到底會有多接近一？

1110
00:53:44,958 --> 00:53:48,500
{\an8}‪很多次都倒數到一

1111
00:53:52,958 --> 00:53:54,083
‪（愛能克服一切）

1112
00:53:54,166 --> 00:53:56,375
{\an8}‪浪漫電影結局時必有的場景

1113
00:53:56,458 --> 00:53:57,750
{\an8}‪就是情人的瘋狂衝刺

1114
00:53:57,833 --> 00:54:01,833
{\an8}‪其中一人瘋狂地和時間與障礙賽跑

1115
00:54:01,916 --> 00:54:04,541
{\an8}‪宣揚對對方不停息的愛

1116
00:54:04,625 --> 00:54:08,875
{\an8}‪通常都會是情人最後一刻衝刺到機場

1117
00:54:08,958 --> 00:54:10,833
{\an8}‪或阻止婚禮舉行

1118
00:54:10,916 --> 00:54:13,125
{\an8}‪《畢業生》就是經典之一

1119
00:54:17,041 --> 00:54:19,541
‪老天，不要

1120
00:54:20,208 --> 00:54:23,708
{\an8}‪在追逐並說服永恆之愛的另一半後

1121
00:54:23,791 --> 00:54:25,791
‪他們的獎賞就是熱情深吻

1122
00:54:25,875 --> 00:54:27,666
‪通常當時的天候狀況都不會太好

1123
00:54:28,333 --> 00:54:32,541
‪那時你滿腦子
‪都只有自己在親吻深愛的人

1124
00:54:32,625 --> 00:54:35,708
‪你根本不會注意到天氣有多糟

1125
00:54:35,791 --> 00:54:38,666
{\an8}‪我想《妳是我今生的新娘》就是這樣

1126
00:54:38,750 --> 00:54:41,708
{\an8}‪兩個人遇到了各種阻礙

1127
00:54:41,791 --> 00:54:46,708
‪無法在一起，終於在雨中

1128
00:54:49,000 --> 00:54:51,250
{\an8}‪還在下雨嗎？我沒注意到

1129
00:54:55,375 --> 00:54:58,458
{\an8}‪導演葛莉塔潔薇
‪在《她們》的結尾就用了這個老梗

1130
00:54:59,333 --> 00:55:01,916
{\an8}‪（《她們》）

1131
00:55:02,708 --> 00:55:05,833
{\an8}‪她想要那樣的劇終場景

1132
00:55:05,916 --> 00:55:07,625
‪我記得曾和她聊過

1133
00:55:07,708 --> 00:55:12,458
‪她說“我要這樣拍…
‪這是我從小看到大的，我要這樣”

1134
00:55:12,541 --> 00:55:17,208
‪若一切順利
‪到最後，觀眾會如坐針氈

1135
00:55:17,291 --> 00:55:19,291
‪想知道好人是否會贏

1136
00:55:19,375 --> 00:55:22,083
{\an8}‪儘管明知道他一定會贏

1137
00:55:22,166 --> 00:55:23,291
{\an8}‪（好人總是會贏）

1138
00:55:24,208 --> 00:55:27,833
{\an8}‪嘿，你怎麼不找個
‪和你體格相當的對手？

1139
00:55:27,916 --> 00:55:31,291
{\an8}‪寓言故事中，英雄一定要殺死壞人

1140
00:55:35,458 --> 00:55:37,041
‪死得越慘

1141
00:55:37,583 --> 00:55:41,250
‪征服壞人的滿足感就越大

1142
00:55:41,333 --> 00:55:46,541
{\an8}‪有人從高處落下
‪是劃下句點最經典的方式之一

1143
00:55:46,625 --> 00:55:49,166
{\an8}‪當然，在《終極警探》用得非常高明

1144
00:55:49,250 --> 00:55:52,875
‪讓他們有短暫的一刻
‪能意識到自己被打敗了

1145
00:55:56,875 --> 00:55:58,958
‪這對觀眾來說是非常滿足的一刻

1146
00:55:59,041 --> 00:56:03,875
{\an8}‪讓他們能感到安全
‪壞人失敗了，所以你感到安全

1147
00:56:07,583 --> 00:56:10,666
‪壞人的行為越卑鄙

1148
00:56:10,750 --> 00:56:14,916
{\an8}‪我們就越期待他們遭到報應

1149
00:56:15,000 --> 00:56:19,166
{\an8}‪大壞蛋會讓觀眾嗜血

1150
00:56:19,250 --> 00:56:21,083
{\an8}‪中大獎吧，王八蛋

1151
00:56:21,166 --> 00:56:22,458
{\an8}‪（《終極警探2》）

1152
00:56:27,750 --> 00:56:31,958
{\an8}‪在電影結尾，我們想看到邪不勝正

1153
00:56:32,041 --> 00:56:36,041
{\an8}‪驅使我們去看英雄片的動力就是這個

1154
00:56:36,125 --> 00:56:37,583
‪我們想知道一切都會沒事

1155
00:56:37,666 --> 00:56:39,500
‪這世界一點都不恐怖

1156
00:56:40,583 --> 00:56:43,541
{\an8}‪在合約綁定的續集把他們找回來之前

1157
00:56:43,625 --> 00:56:45,250
{\an8}‪電影的最後時刻

1158
00:56:45,333 --> 00:56:47,583
{\an8}‪是要讓英雄們
‪沉浸在他們努力爭取的榮光之下

1159
00:56:47,666 --> 00:56:49,875
{\an8}‪然後騎馬往遠方而去

1160
00:56:52,250 --> 00:56:54,458
‪如我在一開始說的，我是羅伯洛

1161
00:56:54,541 --> 00:56:57,583
‪以上就是我們的
‪《好萊塢老梗大集合》

1162
00:56:57,666 --> 00:57:01,083
‪現在我唯一要做的
‪就只有跳上我的馬或機車

1163
00:57:01,166 --> 00:57:02,166
‪往夕陽騎去

1164
00:57:02,250 --> 00:57:04,708
‪同時，搖滾或嘻哈樂響起

1165
00:57:05,375 --> 00:57:07,041
‪但那樣會毀了我的西裝

1166
00:57:07,125 --> 00:57:11,000
‪所以我就彈一下手指
‪突兀地開始放劇組人員名單吧

1167
00:58:09,041 --> 00:58:11,541
‪字幕翻譯: 潘敏