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Downloaded from
YTS.MX

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When I come up with ideas,
they'll just start from a very primal,

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Official YIFY movies site:
YTS.MX

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"I just want to see
this cute thing on screen,"

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and then I'll find the meaning
and the metaphor and the themes

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<i>to justify why it should be that.</i>

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But really, it just came from a place
of "Oh, they're so cute,"

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and "Wouldn't it be awesome
if they were gigantic?"

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I'm excited.

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What's the panda's name again?
Tenzin.

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And then the girl was
the older one, right?

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Didn't realize they'd be so small.

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<i>Real red pandas are really cute.</i>

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And I think that's the main reason why
I was drawn to making a story about them.

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It's got kind of a belly sometimes.

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They're very tubular
and they have very long, fluffy tails,

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<i>more pointed snouts.</i>

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The tail's about 18 inches.

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Oh.

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They feel a little cat-like,
kind of raccoon, kind of bear.

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Maybe a little splash
of monkey or something.

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Look at it. Aw!

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<i>They're totally solitary.</i>

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<i>They don't really communicate
with one another.</i>

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They're kind of like teenagers.

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- I like the long...
- That one's like an old one.

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<i>I found a lot of parallels</i>

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<i>between red pandas and Mei
and her story.</i>

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<i>Like, red pandas
are very attached to their mom.</i>

30
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<i>They sleep all day.</i>

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<i>They eat bamboo, but they're not
supposed to eat bamboo,</i>

32
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<i>bamboo doesn't give them
enough nutrients.</i>

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<i>So I imagine
it's just like a lazy teenager,</i>

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<i>just eating chips
and sleeping all day.</i>

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<i>They're native to China.</i>

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<i>And then also, it's like red and white.</i>

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<i>It's like Chinese, but also like
the colors of the Canadian flag, too.</i>

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<i>So it felt like the perfect animal</i>

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to tell this story about this
- Chinese-
- Canadian teenage girl.

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I'm Meilin Lee.

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And ever since I turned 13,
I've been doing my own thing.

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Making my own moves, 24/7, 365.

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<i>Turning Red</i> is about Mei,

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- <i>a Chinese-
- Canadian girl living in Toronto in 2002.</i>

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<i>It's very specific.</i>

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It's a mother-daughter story.

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At its most base level,
this film is about growing up

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and figuring out who you are
and embracing that.

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Mei-
- Mei...

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Coming!

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<i>Everything changes for Mei
when she wakes up one morning</i>

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<i>and discovers she's a giant,
eight-foot-tall furry red panda,</i>

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and she realizes
"Oh, I can control this transformation.

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<i>"If I just stay completely calm
and even for the rest of my life,</i>

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<i>"I will stay human and it'll be A-okay."</i>

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Yes.

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But that's not how life works.

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Oh, crap.

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Mom!

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So the red panda is basically
a metaphor for magical puberty.

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<i>Just seeing how this girl</i>

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<i>who thought she had everything
under control,</i>

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<i>suddenly big and hairy and smelly,</i>

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<i>an emotional wreck.</i>

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<i>4*TOWN forever?</i>

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<i>This panda is incredibly cute.</i>

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It's also true to that time
in a girl's life.

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In some ways, it's the worst time.

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<i>You're not a kid,
and you're not an adult.</i>

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<i>This poor girl,
she's looking in a mirror</i>

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<i>and seeing that
she's got hair everywhere and she stinks,</i>

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<i>and she's big
and doesn't fit through the doorway.</i>

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<i>Panda Mei is only
half in control.</i>

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She's having a great time,
but then she's like "Auughhh."

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<i>And like, I don't know,</i>

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<i>that feels very much like
what my teenager years were like.</i>

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<i>Ah OOGa!</i>

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<i>It's bodily, it's emotional.</i>

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<i>It's all about, "Can I embrace this?
Can I grow into it?</i>

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<i>"Can I still love who I am</i>

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"knowing that I've become someone
that I'm not used to?"

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It's all going according to plan.
This is about right.

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<i>It's the first time in my career</i>

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<i>where all of the key leadership
on the show are women,</i>

85
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<i>and I feel like
that sets a very different vibe.</i>

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It's completely amazing

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to have this all-women leadership team.

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<i>I have spent the entirety
of my career in meetings</i>

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<i>where I was one of very few women.</i>

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<i>Now sitting there and making plans
and it's all women in the room</i>

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has been this really crazy thing
and very different for me.

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Everything's different
about this film.

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I don't know how to answer that question
without starting with Domee.

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She's a good girl. Just like I was.

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I first heard of Domee

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<i>through seeing one of her
ten-second animation clips.</i>

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<i>I was in college, and it was something
that she posted on her blog.</i>

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It was this dancing, twerking hamster
to a K-pop song.

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<i>"Who is this girl?</i>

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<i>"She's probably going to be
a really funny director one day."</i>

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When I first started this movie,

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I was really determined
to make something different.

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We're going to be spending
four or five years of our life on this,

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we've got to go big.

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I'm Domee Shi,
the director of <i>Red,</i>

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and ever since we started
making this movie,

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we've been breaking convention
and making people laugh 24/7, 365.

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Ah, legally, it's nine-to-five, 261.

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Whoo!

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<i>On this show,
we wear what we want,</i>

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<i>say what we want,</i>

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<i>and we will not hesitate
to do spontaneous cartwheels</i>

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<i>if we feel so moved.</i>

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Domee is a force of nature.

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<i>She is a first-time feature director.</i>

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It's been a while since I've worked
with a first-time director before,

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and I'm loving it.

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In conclusion, welcome to <i>Red!</i>

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Lights? Pitch.

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Did that actually change anything?
Yes, it did.

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- So, welcome, everyone.
- Just ignore the camera, everyone.

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- It's not there.
- Don't look right here.

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<i>Making the film,
it's just been like a long marathon.</i>

124
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<i>But in the first couple of years,
it was mostly me,</i>

125
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<i>and Julia, our screenwriter,</i>

126
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<i>head of story, Rosie Sullivan,</i>

127
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<i>the story team,
and then Nick, our editor.</i>

128
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<i>And we were just working
on the reels.</i>

129
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<i>Yeah, it feels like
you're part of a pirate ship.</i>

130
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<i>Because you're all kind of just working
and sweating for these drawings,</i>

131
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<i>and you're all aiming to make
the director react or respond.</i>

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I started working with her,
and pretty quickly,

133
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I felt like this woman
is really impressive.

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<i>Also, incredibly clear in her vision.</i>

135
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And then ta-da, and like,

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imagine it to look
like a comic book background.

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Thank you, Margaret.
Great work.

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She is so unique
in how she thinks about movies,

139
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how she communicates her vision,

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<i>her humor, her tone.</i>

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I just thought I'd get this in front of
you to see if it lives within our world.

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- Is that what we're looking for?
- Yes. Yes. Sorry.

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I feel like I have to be more
of a director now for the camera.

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The crew slowly grew bigger and bigger.

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To give you a general sense
of the BG buildings.

146
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This reminds me of Toronto a lot,
a lot of these old buildings.

147
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And then last year,
it just exploded.

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And that was during
the pandemic.

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It just so happens that

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the busiest time on the show
was when we were all working from home.

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Hi, Frankie. Hi, bubba.

152
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<i>It may not be obvious, I don't know,</i>

153
00:08:05,276 --> 00:08:08,154
<i>but making films is a huge team effort,</i>

154
00:08:08,154 --> 00:08:12,116
<i>and so, the more you can collaborate
with the people around you,</i>

155
00:08:12,200 --> 00:08:14,035
<i>the better the movie is going to be.</i>

156
00:08:15,161 --> 00:08:19,707
<i>As we were leaving to walk out
the door for getting sent home,</i>

157
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<i>Domee said, "Well, maybe I could do
like a coffee time or something</i>

158
00:08:24,504 --> 00:08:26,881
<i>"just so we can keep
in touch with the crew.</i>

159
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And we all went, "Oh, what a great idea."

160
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<i>And in the beginning, it really was</i>

161
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<i>kind of this awesome thing
of just being able to see</i>

162
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<i>more than like three people in your life.</i>

163
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<i>And also getting to hear from
the director weekly is pretty cool.</i>

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...Mei's struggle throughout act two...

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Even if sometimes
it's just a little update,

166
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it felt like some kind of connection.

167
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We are starting with a couple of
nominations from our dailies team.

168
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<i>I've been really surprised</i>

169
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<i>because we routinely get a hundred
and something people coming to it.</i>

170
00:09:02,917 --> 00:09:05,169
Oh! Thank you!

171
00:09:05,253 --> 00:09:10,383
Exceptionally bad and so out of key.
But I really love it.

172
00:09:10,758 --> 00:09:12,635
Here's to a better 2021.

173
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<i>We're coming together in some of
the best way you can do during a pandemic</i>

174
00:09:16,639 --> 00:09:19,100
<i>with a giant movie crew,
so it's been pretty cool.</i>

175
00:09:28,234 --> 00:09:32,238
<i>My job is Visual Effects
Supervisor on the film.</i>

176
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First woman in 20 years at Pixar
to have that job.

177
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<i>For almost 15 years,
I was a lighting DP,</i>

178
00:09:38,369 --> 00:09:41,581
<i>and so most of my career at Pixar
has been about lighting,</i>

179
00:09:41,581 --> 00:09:44,500
<i>thinking about how to make
the most beautiful movie possible,</i>

180
00:09:44,584 --> 00:09:46,961
<i>how to make a great experience
for the lighting team...</i>

181
00:09:47,086 --> 00:09:49,755
A little bit of this,
even though that would catch the light.

182
00:09:49,839 --> 00:09:51,424
<i>How to engage with the director,</i>

183
00:09:51,424 --> 00:09:54,844
<i>how to coordinate with other departments,
how to do groundbreaking stuff.</i>

184
00:09:54,844 --> 00:09:56,470
And now I'm in this new role,

185
00:09:56,554 --> 00:09:59,515
<i>overseeing heavily tech
and some of the creative,</i>

186
00:09:59,599 --> 00:10:02,518
<i>and I am now in the leadership group
of running the movie.</i>

187
00:10:05,104 --> 00:10:08,941
<i>And then at the same time,
I became a mother for the first time.</i>

188
00:10:09,734 --> 00:10:11,611
<i>I have twins, a boy and a girl.</i>

189
00:10:12,612 --> 00:10:13,946
Ah!

190
00:10:14,322 --> 00:10:17,241
<i>I don't know that I ever thought
I was going to have kids.</i>

191
00:10:18,826 --> 00:10:22,580
<i>You know, there's days where it feels
completely overwhelming, I would say.</i>

192
00:10:22,913 --> 00:10:25,333
Yay!
Yay!

193
00:10:28,044 --> 00:10:31,922
But I also am now a year and a half
into being a mother.

194
00:10:35,593 --> 00:10:37,803
<i>And I'm two years into this position.</i>

195
00:10:39,722 --> 00:10:43,392
<i>I love both things dearly, and it's hard
to imagine not having them now.</i>

196
00:10:45,686 --> 00:10:48,356
And I got married to my amazing wife.

197
00:10:49,106 --> 00:10:50,566
Hello.
Hello.

198
00:10:50,983 --> 00:10:53,486
You guys, it's Mommy!

199
00:10:53,986 --> 00:10:55,404
Hi, guys.

200
00:10:56,072 --> 00:11:00,242
<i>Paige is a battalion chief
for the Alameda County Fire Department.</i>

201
00:11:00,326 --> 00:11:03,120
<i>She's the highest ranking woman
of that department,</i>

202
00:11:03,204 --> 00:11:05,581
<i>which I'm neverendingly proud about.</i>

203
00:11:05,665 --> 00:11:08,834
<i>She would not love that I'm bragging
about her, but I love to brag about her.</i>

204
00:11:08,918 --> 00:11:10,503
<i>It's one of my favorite topics.</i>

205
00:11:11,671 --> 00:11:14,131
Are you gonna be able
to jump into the end credit?

206
00:11:14,215 --> 00:11:15,925
We're moving it up to 2:30, I think.

207
00:11:15,925 --> 00:11:19,512
This is Lindsey Collins.
She is the producer of <i>Turning Red.</i>

208
00:11:20,513 --> 00:11:24,725
<i>The producer is the one orchestrating
this giant circus.</i>

209
00:11:24,809 --> 00:11:27,186
- The ringmaster?
- She is the ringmaster.

210
00:11:28,646 --> 00:11:33,067
<i>When people are going "Auggghhh"
Lindsey is like, "Okay, let's make a plan.</i>

211
00:11:33,067 --> 00:11:34,985
"Let's figure out
how to make this happen."

212
00:11:35,069 --> 00:11:36,487
So in the race to get this done,

213
00:11:36,487 --> 00:11:40,282
we're probably just going to be working
on top of each other, which is great.

214
00:11:40,366 --> 00:11:43,703
Lindsey is so smart, I think she's
always like a million steps ahead,

215
00:11:43,703 --> 00:11:47,707
<i>so that I can worry about
what's happening in the present.</i>

216
00:11:47,707 --> 00:11:51,669
<i>I'm really good at working
within boxes and limitations</i>

217
00:11:51,669 --> 00:11:55,005
and she was really good about
drawing them out for me

218
00:11:55,089 --> 00:11:57,508
to be crazy and push up against.

219
00:11:57,508 --> 00:12:01,345
Just to draw the storyline together
maybe a little bit clearer...

220
00:12:01,429 --> 00:12:05,433
<i>I feel like I learned so much just by
watching her and working with her</i>

221
00:12:05,433 --> 00:12:07,768
and I see it as the partner
to the director.

222
00:12:07,852 --> 00:12:12,148
<i>So that includes being a creative partner,
but also managing the crew</i>

223
00:12:12,148 --> 00:12:14,734
<i>and surrounding her
with all the right people.</i>

224
00:12:14,734 --> 00:12:16,610
<i>You're in every meeting,</i>

225
00:12:16,694 --> 00:12:20,364
you always offer ways
to move story along

226
00:12:20,448 --> 00:12:25,286
and you help production through,
not just by managing it,

227
00:12:25,286 --> 00:12:29,206
but also just from an emotional,
creative side as well.

228
00:12:29,290 --> 00:12:30,583
- You do.
- Thank you, Rona.

229
00:12:30,708 --> 00:12:32,334
I kind of like it when...

230
00:12:32,418 --> 00:12:33,794
<i>This is Rona Liu.</i>

231
00:12:33,878 --> 00:12:36,505
She's the production designer
of <i>Turning Red.</i>

232
00:12:36,589 --> 00:12:41,093
<i>The production designer
is the first person brought on the show</i>

233
00:12:41,177 --> 00:12:42,928
<i>after the producer and director.</i>

234
00:12:43,012 --> 00:12:46,348
You know, we're talking about the values
being super, super crunched.

235
00:12:46,432 --> 00:12:49,185
<i>And that's basically because
from the very beginning,</i>

236
00:12:49,185 --> 00:12:52,813
<i>their job is to figure out
what the movie is going to look like.</i>

237
00:12:52,897 --> 00:12:57,985
<i>And that is everything from characters
to sets to color to tone and style.</i>

238
00:12:57,985 --> 00:13:01,697
<i>My role is to collaborate
closely with the director,</i>

239
00:13:01,781 --> 00:13:04,408
and make sure that her vision translates

240
00:13:04,492 --> 00:13:07,244
throughout all of the department
and onto the screen.

241
00:13:08,454 --> 00:13:09,872
<i>Welcome, everyone.</i>

242
00:13:09,872 --> 00:13:11,624
<i>Today, we're going to kick it off</i>

243
00:13:11,624 --> 00:13:15,169
<i>with Athena and the panda
costume shaping.</i>

244
00:13:15,169 --> 00:13:16,545
For her tail,

245
00:13:16,629 --> 00:13:19,006
the lighter part
can take on some of that red.

246
00:13:19,006 --> 00:13:24,178
I know I'm providing information that
other people need to get their work done.

247
00:13:24,178 --> 00:13:29,433
Let's tone the two sides
where there is the star and the heart.

248
00:13:29,517 --> 00:13:33,395
<i>I feel like that's the most important
part of my job, is to just make sure</i>

249
00:13:33,479 --> 00:13:37,107
that everybody else feels good
about the work that they're doing.

250
00:13:37,191 --> 00:13:38,317
Okay.

251
00:13:38,317 --> 00:13:39,985
<i>Good job, everyone. Thank you.</i>

252
00:13:40,069 --> 00:13:41,612
- Thank you. Bye.
- <i>-
- Thanks.</i>

253
00:13:45,241 --> 00:13:47,785
<i>Being pregnant while we're
in the crunch of things</i>

254
00:13:47,785 --> 00:13:51,789
<i>definitely made me have to just
trust my team a lot more.</i>

255
00:13:51,789 --> 00:13:53,541
<i>It's the first time in my life</i>

256
00:13:53,541 --> 00:13:56,752
<i>where I was comfortable
telling my manager, Sophia,</i>

257
00:13:56,836 --> 00:13:58,629
<i>I need to take some time to nap.</i>

258
00:13:59,505 --> 00:14:01,131
<i>So that does make sense.</i>

259
00:14:01,215 --> 00:14:03,175
Hey, Rona, where are we?

260
00:14:03,551 --> 00:14:06,220
We're in the living room area.

261
00:14:06,220 --> 00:14:08,597
This is the entrance to our house.

262
00:14:08,681 --> 00:14:11,350
This is our kitty.

263
00:14:11,350 --> 00:14:13,853
And this is my soon-to-be-husband.

264
00:14:13,853 --> 00:14:16,814
- We're getting Zoom-married on Friday.
- Mmm-hmm.

265
00:14:16,814 --> 00:14:20,818
We've been engaged for so long,
we figured now's a good time to do it.

266
00:14:20,818 --> 00:14:22,611
Yeah.

267
00:14:26,156 --> 00:14:27,825
<i>Being able to step away,</i>

268
00:14:27,825 --> 00:14:31,829
<i>touch base with a loved one
and to say, "Hey, how's your day going?"</i>

269
00:14:32,454 --> 00:14:36,458
<i>and just being really connected
in both of our lives for the first time,</i>

270
00:14:37,626 --> 00:14:40,004
<i>that's been really comforting.</i>

271
00:14:44,550 --> 00:14:45,885
I'm an only child,

272
00:14:45,885 --> 00:14:48,637
and my dad had to go away to work a lot.

273
00:14:48,721 --> 00:14:50,973
So a lot of the time,
it was just me and my mom.

274
00:14:52,725 --> 00:14:55,769
<i>We'd go on Chinese bus tours.</i>

275
00:14:57,104 --> 00:14:59,523
<i>Like she'd pick the locations.</i>

276
00:14:59,607 --> 00:15:02,192
<i>And she would take us to Atlanta,</i>

277
00:15:02,276 --> 00:15:04,778
<i>or Halifax,</i>

278
00:15:04,862 --> 00:15:05,863
<i>Prince Edward Island.</i>

279
00:15:05,863 --> 00:15:08,991
<i>Maybe not like, upfront,
the most exciting places,</i>

280
00:15:08,991 --> 00:15:13,537
<i>but we would spend a good ton of time
just together on the bus talking.</i>

281
00:15:13,621 --> 00:15:15,539
<i>It was good at first,</i>

282
00:15:15,623 --> 00:15:18,834
<i>but like everybody,
you grow up and you change</i>

283
00:15:18,918 --> 00:15:21,670
<i>and you want to have your own friends
and your own life,</i>

284
00:15:21,754 --> 00:15:26,008
<i>and it's kind of just about
how that transition happens.</i>

285
00:15:27,760 --> 00:15:29,470
I love the lighting.

286
00:15:29,470 --> 00:15:31,430
I love everything in this sequence.

287
00:15:31,430 --> 00:15:32,806
Great work, you guys.

288
00:15:35,184 --> 00:15:37,227
<i>It's been a long time
since I was 13.</i>

289
00:15:38,020 --> 00:15:41,774
<i>But I just remember it being
a lot of highs and lows.</i>

290
00:15:41,774 --> 00:15:45,194
It's such a turbulent time
in a person's life,

291
00:15:45,194 --> 00:15:47,446
especially a girl's, I think.

292
00:15:47,446 --> 00:15:50,324
Small things can feel
super, super important,

293
00:15:50,324 --> 00:15:54,119
<i>and you could love something
one day and hate it the other.</i>

294
00:15:54,203 --> 00:15:56,080
I didn't even like 4*TOWN last year,

295
00:15:56,080 --> 00:15:58,958
but now they're literally
the greatest thing

296
00:15:58,958 --> 00:16:00,584
that's ever happened to me.

297
00:16:00,668 --> 00:16:04,004
This film is very personal
to me in that

298
00:16:04,088 --> 00:16:08,592
it was very much inspired by my own life
growing up in Toronto

299
00:16:08,676 --> 00:16:13,222
<i>and being the only child
of my overprotective mom and dad.</i>

300
00:16:15,224 --> 00:16:18,602
<i>We are about to hop onto
a Zoom call with my parents</i>

301
00:16:18,686 --> 00:16:22,272
<i>and they are going to dig through
all of the artwork and things</i>

302
00:16:22,356 --> 00:16:24,692
<i>that I've ever created in my life.</i>

303
00:16:24,692 --> 00:16:26,235
<i>They've collected all of it.</i>

304
00:16:26,235 --> 00:16:27,903
Yeah, everything. Everything.

305
00:16:27,987 --> 00:16:29,154
It's my parents!

306
00:16:29,947 --> 00:16:30,948
<i>Hi!</i>

307
00:16:33,450 --> 00:16:37,287
How's it going? Is it weird having
a whole camera crew in the house?

308
00:16:40,833 --> 00:16:42,918
<i>They live in Toronto, Canada.</i>

309
00:16:43,002 --> 00:16:46,088
<i>Still in the same house
that I grew up in,</i>

310
00:16:46,088 --> 00:16:48,924
<i>pretty much looks exactly the same
every time I go back.</i>

311
00:16:53,804 --> 00:16:56,974
Yeah. And then you replied as Santa Claus.

312
00:17:02,563 --> 00:17:05,941
Why would Santa Claus ever say that?

313
00:17:13,741 --> 00:17:17,161
<i>She wrote a table of contents,
a foreword.</i>

314
00:17:17,161 --> 00:17:19,997
<i>Can you read some of your foreword?</i>

315
00:17:28,714 --> 00:17:31,425
So my dad would be like my art tutor,

316
00:17:31,425 --> 00:17:33,886
but my mom would encourage
my writing.

317
00:17:41,018 --> 00:17:42,895
- Aw, the Wi-
- Fi sucks.

318
00:17:45,147 --> 00:17:47,399
He's saying nice things about me,
and I can't hear it.

319
00:17:47,483 --> 00:17:50,319
<i>He's never this generous with his praise.
Come on!</i>

320
00:17:53,197 --> 00:17:55,032
Yeah. Why is it... It's so big.

321
00:17:55,157 --> 00:17:56,658
<i>In the living room,</i>

322
00:17:56,742 --> 00:18:01,038
<i>there's like an ever-growing shrine
dedicated to me.</i>

323
00:18:01,663 --> 00:18:03,457
<i>It looks like they really love me</i>

324
00:18:03,457 --> 00:18:06,919
and that I'm dead or something.

325
00:18:12,633 --> 00:18:13,967
Yeah, I remember the judge.

326
00:18:14,051 --> 00:18:17,262
I heard you guys collected
all of my sketchbooks.

327
00:18:17,346 --> 00:18:19,014
<i>Let's look through them together.</i>

328
00:18:20,182 --> 00:18:21,642
- Pokémon.
- <i>-
- Yeah, Pokémon.</i>

329
00:18:21,642 --> 00:18:23,435
<i>That's middle school.</i>

330
00:18:23,519 --> 00:18:27,314
And then high school is when I started
drawing a lot of beautiful people.

331
00:18:27,773 --> 00:18:30,776
<i>It's boys. If there's boys,
then it's close to high school.</i>

332
00:18:31,735 --> 00:18:33,904
- <i>-
- Oh, my God.</i>

333
00:18:35,864 --> 00:18:37,116
This is so embarrassing.

334
00:18:37,116 --> 00:18:39,827
There was this fan art contest
that I entered,

335
00:18:39,827 --> 00:18:42,955
where it's like
draw Draco's children.

336
00:18:43,664 --> 00:18:46,125
<i>Okay, maybe we can look
at another sketchbook.</i>

337
00:18:48,377 --> 00:18:50,671
Mmm. Devon.

338
00:18:50,671 --> 00:18:53,715
Ugh! May I remind you
what real men look like?

339
00:18:53,841 --> 00:18:55,676
4*TOWN!

340
00:18:57,553 --> 00:19:01,348
<i>There's just so much comedy
in female adolescence</i>

341
00:19:01,473 --> 00:19:04,852
<i>that I don't see a lot of,
and I just can't wait to show people</i>

342
00:19:04,852 --> 00:19:07,062
just how weird girls can be,

343
00:19:08,564 --> 00:19:11,024
because I was totally that as a teen

344
00:19:11,108 --> 00:19:13,402
and a young adult and now.

345
00:19:14,736 --> 00:19:19,283
I love how Mei is just a confident dork,

346
00:19:19,283 --> 00:19:22,119
and she's unapologetic about it.

347
00:19:22,661 --> 00:19:25,414
<i>I feel like she was the girl
that I wanted to be.</i>

348
00:19:25,414 --> 00:19:29,376
There's so many elements of me in Mei.

349
00:19:29,376 --> 00:19:34,882
Spunky, loud,
doesn't care what anyone thinks.

350
00:19:35,007 --> 00:19:36,717
I accept and embrace all labels.

351
00:19:36,717 --> 00:19:38,552
<i>Even though I was a total nerd.</i>

352
00:19:39,344 --> 00:19:42,097
I was so oblivious to that,
and I think that helped me.

353
00:19:42,723 --> 00:19:45,559
<i>She herself
never questions who she is,</i>

354
00:19:45,559 --> 00:19:49,271
and I think she fights
what is expected of her.

355
00:19:49,271 --> 00:19:52,649
But deep down,
she always knew who she was,

356
00:19:52,733 --> 00:19:55,944
<i>and she was always
so accepting of herself.</i>

357
00:19:56,028 --> 00:20:00,073
I remember being that at some point,
and then, you know, hitting that age

358
00:20:00,157 --> 00:20:04,870
and then suddenly turning very, very shy
when I got acne. And then I was

359
00:20:04,870 --> 00:20:09,499
very aware of my body and all that stuff,
and that's what I wanted to explore,

360
00:20:09,583 --> 00:20:12,419
with Mei turning into a red panda.

361
00:20:13,378 --> 00:20:15,255
<i>She's this girl
that has her life together,</i>

362
00:20:15,339 --> 00:20:18,258
and then all of a sudden,
magical puberty hits.

363
00:20:18,342 --> 00:20:19,551
It's going to be okay.

364
00:20:19,635 --> 00:20:21,803
No, it's not! Will you just get out?

365
00:20:21,887 --> 00:20:23,138
Excuse me?

366
00:20:23,222 --> 00:20:26,725
Are you serious?

367
00:20:26,725 --> 00:20:30,103
<i>For Mei, I really wanted her
to sound unique.</i>

368
00:20:30,729 --> 00:20:33,440
<i>I wanted her to feel like a real girl.</i>

369
00:20:33,440 --> 00:20:35,525
Oh, my gosh, that was the best thing ever.

370
00:20:36,109 --> 00:20:37,945
<i>And so we found Rosalie Chiang.</i>

371
00:20:37,945 --> 00:20:42,741
It's like you feel bad about
turning her down because she's your mom.

372
00:20:42,741 --> 00:20:44,493
<i>She just had this really great voice.</i>

373
00:20:44,493 --> 00:20:47,246
<i>There was just like
a charming imperfection to it.</i>

374
00:20:48,372 --> 00:20:54,378
<i>For Mei, it was important to
design her the way that we saw ourselves.</i>

375
00:20:54,378 --> 00:20:57,714
<i>Her face is round, her ankles are thick.</i>

376
00:20:57,798 --> 00:21:01,343
<i>We definitely embraced her chunky cute.</i>

377
00:21:01,343 --> 00:21:05,055
It's kind of our design aesthetic
for our characters and for our sets.

378
00:21:06,473 --> 00:21:09,309
<i>We were looking at each other's faces
and were like, "We got moles.</i>

379
00:21:09,393 --> 00:21:10,519
<i>"She should have moles."</i>

380
00:21:10,519 --> 00:21:13,897
- Then you're like, "Rona, you have..."
- "You have funny lips."

381
00:21:13,981 --> 00:21:17,317
"You have that dip in your lip.
Let's put that in.

382
00:21:17,401 --> 00:21:20,320
"Hey, Rona,
you have really patchy eyebrows."

383
00:21:21,488 --> 00:21:25,492
When that part of myself gets celebrated
and the director's like,

384
00:21:25,492 --> 00:21:27,995
"Hey, I like that.
Let's put it in our main character,"

385
00:21:27,995 --> 00:21:30,789
you're like,
"Hey, why did I hate that for so long?"

386
00:21:31,206 --> 00:21:33,834
Jin. Jin! It's happening!

387
00:21:36,086 --> 00:21:37,254
What are you doing?

388
00:21:38,422 --> 00:21:43,135
<i>For me, this story is so much
my day-to-day life.</i>

389
00:21:44,553 --> 00:21:46,722
<i>I hate to admit, I'm much more the mom</i>

390
00:21:46,722 --> 00:21:51,601
<i>than the main character because I actually
have three kids who are teens.</i>

391
00:21:51,685 --> 00:21:56,231
I am surrounded by teenagers
and hormones and puberty at work.

392
00:21:56,315 --> 00:21:59,401
And then I go home,
and I am equally, if not more,

393
00:21:59,401 --> 00:22:01,820
<i>surrounded by puberty
and hormones at home.</i>

394
00:22:02,404 --> 00:22:04,239
Are you guys going to walk the dog?

395
00:22:05,907 --> 00:22:09,202
Will you take them together
or are you gonna take them separate?

396
00:22:10,203 --> 00:22:11,496
Bye. Thank you.

397
00:22:11,580 --> 00:22:13,373
They've been very well-behaved.

398
00:22:13,790 --> 00:22:17,294
It does not normally
go that smoothly.

399
00:22:18,545 --> 00:22:24,384
<i>The number one rule in my family?
Honor your parents.</i>

400
00:22:25,135 --> 00:22:27,387
<i>They're the supreme beings
who gave you life...</i>

401
00:22:27,471 --> 00:22:29,681
<i>The least you can do in return is...</i>

402
00:22:29,765 --> 00:22:32,267
<i>every single thing they ask.</i>

403
00:22:33,435 --> 00:22:36,480
I think both of us probably grew up
under a lot of pressure

404
00:22:36,480 --> 00:22:39,024
- to, you know, make our parents proud.
- Yeah.

405
00:22:39,024 --> 00:22:40,859
I had that pressure on myself.

406
00:22:40,859 --> 00:22:43,070
Like, I was very high-strung.

407
00:22:43,070 --> 00:22:44,988
<i>I was really into good grades.</i>

408
00:22:45,989 --> 00:22:50,118
<i>I was into the image of the perfect girl.</i>

409
00:22:50,202 --> 00:22:51,912
I never ask for anything.

410
00:22:51,912 --> 00:22:55,957
My whole life I've been her perfect
- little Mei-
- Mei. Temple duties, grades...

411
00:22:56,041 --> 00:22:57,834
- Violin!
- Tap dancing.

412
00:22:57,918 --> 00:23:00,170
Yeah. We've been so good.

413
00:23:00,170 --> 00:23:02,672
If they don't trust us anyway,
then what's the point?

414
00:23:03,548 --> 00:23:05,550
<i>Mei's struggle in this film is</i>

415
00:23:05,634 --> 00:23:09,554
<i>she's torn between being her mom's
good little daughter,</i>

416
00:23:09,638 --> 00:23:13,517
<i>and embracing her wild inner beast.</i>

417
00:23:16,561 --> 00:23:19,898
<i>That is the universal struggle
that a lot of kids go through,</i>

418
00:23:19,898 --> 00:23:24,444
<i>especially, I think, immigrant kids,
there's definitely more of this obligation</i>

419
00:23:24,528 --> 00:23:30,367
to carry on your family's legacy
and make sure that their sacrifices

420
00:23:30,367 --> 00:23:34,704
<i>in coming to a new country aren't in vain.
But also, you're in a new country,</i>

421
00:23:34,788 --> 00:23:37,707
<i>you're experiencing all of this
crazy, awesome stuff</i>

422
00:23:37,791 --> 00:23:41,294
<i>that maybe your parents
didn't get to grow up with.</i>

423
00:23:41,878 --> 00:23:43,296
You're caught between two worlds,

424
00:23:43,380 --> 00:23:45,757
and that's kind of
what I wanted to explore in Mei

425
00:23:45,841 --> 00:23:50,512
<i>and also, like, literally caught between
being like a human girl and a panda.</i>

426
00:23:51,555 --> 00:23:54,599
<i>I immigrated to the U.S.
when I was 10,</i>

427
00:23:54,683 --> 00:23:59,604
<i>and my mom
is very much in her Eastern roots.</i>

428
00:23:59,688 --> 00:24:01,481
<i>And when I came here, you know,</i>

429
00:24:01,565 --> 00:24:05,652
<i>I was the good little Chinese girl
that I knew how to be,</i>

430
00:24:05,652 --> 00:24:09,781
and then as I get more and more exposed
to the Western culture

431
00:24:09,865 --> 00:24:13,118
<i>and what it means
to be an American teenager,</i>

432
00:24:13,118 --> 00:24:15,704
<i>my mom and I started to butt heads.</i>

433
00:24:15,704 --> 00:24:20,959
I had to discover
how to bridge the gap

434
00:24:20,959 --> 00:24:24,671
between being a dutiful daughter,

435
00:24:24,671 --> 00:24:28,049
<i>faithful to myself, and a good friend.</i>

436
00:24:29,384 --> 00:24:33,388
<i>In eighth grade,
I met my best friend, Aya Alaadel.</i>

437
00:24:33,472 --> 00:24:36,016
<i>She really taught me</i>

438
00:24:36,016 --> 00:24:40,520
<i>that girls can burp the alphabet.</i>

439
00:24:43,482 --> 00:24:45,525
<i>Girls can want to play video games.</i>

440
00:24:46,443 --> 00:24:50,405
<i>If you trip and you fall on your face,
you can learn to laugh at yourself.</i>

441
00:24:50,489 --> 00:24:53,617
<i>You don't have to be embarrassed
for your decisions,</i>

442
00:24:53,617 --> 00:24:55,911
<i>for your mistakes, for who you are.</i>

443
00:24:56,536 --> 00:24:59,623
<i>She really opened my eyes to all of that.</i>

444
00:25:00,874 --> 00:25:02,125
This is Bao.

445
00:25:02,209 --> 00:25:04,711
- This is...
- Your first baby.

446
00:25:04,711 --> 00:25:06,880
- Our first baby.
- Our first.

447
00:25:06,880 --> 00:25:08,298
Our first baby.

448
00:25:09,382 --> 00:25:12,093
Rona designed
this cute little nose for him.

449
00:25:12,552 --> 00:25:13,762
<i>Used our own noses.</i>

450
00:25:13,762 --> 00:25:16,556
You look like your mother.

451
00:25:16,973 --> 00:25:20,227
<i>I had this short film
that I was developing, that became</i> Bao,

452
00:25:20,227 --> 00:25:24,105
<i>and Rona was one of the first people
that I roped into the story.</i>

453
00:25:24,189 --> 00:25:27,526
<i>I was like, "Dang, she can really paint
and she has really good taste</i>

454
00:25:27,526 --> 00:25:29,110
<i>"and she seems really cool."</i>

455
00:25:29,194 --> 00:25:32,989
<i>"I really need an art person
to like take this to the next level."</i>

456
00:25:33,448 --> 00:25:37,035
To be honest, I will follow you
to the ends of the Earth.

457
00:25:37,035 --> 00:25:40,830
I think Domee is just
a brilliant, brilliant mind.

458
00:25:40,914 --> 00:25:44,376
I just feel like we click
and we can be so open

459
00:25:44,376 --> 00:25:46,169
in communicating with each other.

460
00:25:46,253 --> 00:25:50,924
<i>We're different enough
in certain areas of our tastes</i>

461
00:25:50,924 --> 00:25:54,511
<i>that we can collaborate and create
something even better together</i>

462
00:25:54,511 --> 00:25:56,930
<i>than if we worked on something separately.</i>

463
00:25:59,558 --> 00:26:01,351
Hey, Bart. Hey, Lisa.

464
00:26:01,351 --> 00:26:06,356
<i>In the movie, Mei and her family
own and take care of a family temple.</i>

465
00:26:07,190 --> 00:26:09,317
<i>We took several trips</i>

466
00:26:09,401 --> 00:26:13,071
<i>to different historic temples
around California</i>

467
00:26:13,071 --> 00:26:16,866
<i>that were built by early Chinese settlers</i>

468
00:26:16,950 --> 00:26:20,370
<i>just to get a feeling
of what these grassroots temples are like.</i>

469
00:26:21,454 --> 00:26:25,792
<i>I also spent time living behind
a temple with my grandma in China,</i>

470
00:26:25,792 --> 00:26:30,297
and I just remember
it being just a really lovely memory.

471
00:26:31,464 --> 00:26:36,511
<i>I'd make candles, and we would sell them
to visitors of the temples.</i>

472
00:26:36,595 --> 00:26:40,307
<i>And I'd learned how to pray properly
with my grandma.</i>

473
00:26:41,850 --> 00:26:45,937
When we got to building the set
of the temple and dressing it,

474
00:26:46,021 --> 00:26:50,483
<i>it was really cool seeing those details
that we saw at the temples</i>

475
00:26:50,567 --> 00:26:52,569
<i>kind of pop up in the background.</i>

476
00:26:52,569 --> 00:26:54,946
Like, there's just a bottle
of vegetable oil.

477
00:26:55,030 --> 00:26:58,283
<i>Like, cleaning supplies
tucked away in the corner.</i>

478
00:26:59,618 --> 00:27:01,536
They've been around
since the Gold Rush era.

479
00:27:01,620 --> 00:27:04,164
<i>All these immigrants
who came with so little</i>

480
00:27:04,164 --> 00:27:07,208
<i>were able to cobble together
a little piece of home.</i>

481
00:27:07,292 --> 00:27:09,502
<i>That kind of felt like
the immigrant spirit.</i>

482
00:27:09,586 --> 00:27:11,463
<i>That kind of felt like me and Rona,</i>

483
00:27:11,463 --> 00:27:13,632
<i>and how we, in our art,</i>

484
00:27:13,632 --> 00:27:16,926
we are inspired
by Eastern and Western stuff.

485
00:27:17,052 --> 00:27:21,181
Should we try to match their face shapes?
You know, like a bell shape?

486
00:27:21,181 --> 00:27:24,726
I remember you saying,
"Rona, this is not a Chinese film.

487
00:27:24,726 --> 00:27:27,395
<i>"This is a coming of age film,</i>

488
00:27:27,479 --> 00:27:31,483
<i>"but it just happens to be
about a Chinese girl."</i>

489
00:27:32,400 --> 00:27:37,781
<i>We need to really tap into the mind
of a 13-year-old growing up in 2002,</i>

490
00:27:37,781 --> 00:27:39,949
<i>growing up in Toronto.</i>

491
00:27:40,075 --> 00:27:43,578
- What did we like when we were 13.
- Yeah.

492
00:27:43,662 --> 00:27:47,248
And we liked <i>Sailor Moon.</i>
We liked anime.

493
00:27:48,333 --> 00:27:51,670
<i>The fandoms are what got me
really into anime.</i>

494
00:27:52,170 --> 00:27:56,424
I was drawing fan art passionately.
I had a secret sketchbook.

495
00:27:56,508 --> 00:28:00,345
<i>You join an online community,
you draw fan art,</i>

496
00:28:00,345 --> 00:28:02,097
<i>and other people
would comment on it,</i>

497
00:28:02,097 --> 00:28:05,141
<i>and that would encourage you
to draw more, produce more.</i>

498
00:28:05,225 --> 00:28:08,770
<i>And that's kind of just what
encouraged me to keep drawing.</i>

499
00:28:09,771 --> 00:28:12,774
I think, as a kid,
it was such an escape.

500
00:28:12,774 --> 00:28:16,444
I know I'm Asian,
but I'm in a very white school.

501
00:28:16,528 --> 00:28:20,782
It kind of was nice to be connected
to that Asian side of myself.

502
00:28:20,782 --> 00:28:22,409
I didn't have a boyfriend,

503
00:28:22,409 --> 00:28:24,494
<i>so then it's nice to read
about boyfriends.</i>

504
00:28:24,494 --> 00:28:27,789
Yeah, and a lot of them are drawn
and written by women too.

505
00:28:27,789 --> 00:28:30,834
<i>There was a lot of stories told
from a girl's point of view,</i>

506
00:28:30,834 --> 00:28:32,293
<i>and they're the heroes,</i>

507
00:28:32,377 --> 00:28:37,424
they save the day
or they change the hearts of all the boys

508
00:28:37,424 --> 00:28:39,718
and make them fall for her.

509
00:28:39,718 --> 00:28:42,887
This is my house.
This is my boyfriend, Darren.

510
00:28:46,933 --> 00:28:49,519
My many game consoles.

511
00:28:49,519 --> 00:28:53,857
I've been using these
to de-stress over quarantine.

512
00:28:53,857 --> 00:28:59,487
This is this awesome
Miyazaki art book I got

513
00:28:59,571 --> 00:29:01,614
about the Ghibli Museum.

514
00:29:01,698 --> 00:29:03,700
I got this rug over quarantine.

515
00:29:04,409 --> 00:29:06,035
Diane really likes this rug.

516
00:29:06,119 --> 00:29:07,912
Where's Diane? Diane?

517
00:29:08,288 --> 00:29:10,206
Don't be scared, don't be scared.

518
00:29:10,290 --> 00:29:12,041
Don't be scared. Come over here.

519
00:29:12,125 --> 00:29:13,293
I got you!

520
00:29:13,793 --> 00:29:15,336
She'll come out, she's shy.

521
00:29:15,420 --> 00:29:18,089
I think I'm craving even more speed

522
00:29:18,173 --> 00:29:21,885
as she poofs into a panda
and shoots forward.

523
00:29:21,885 --> 00:29:25,346
<i>We're paying homage to anime
throughout the entire movie.</i>

524
00:29:25,889 --> 00:29:29,350
<i>You can see it in the expressions
and the acting,</i>

525
00:29:29,434 --> 00:29:31,144
<i>the starry eyes in Mei</i>

526
00:29:31,144 --> 00:29:33,938
<i>when she sees a boy
that she really, really loves.</i>

527
00:29:35,148 --> 00:29:36,149
Uh, Mei?

528
00:29:36,149 --> 00:29:38,109
Why are you staring
- at Carter Murphy-
- Mayhew?

529
00:29:38,193 --> 00:29:40,820
We definitely have a lot of expertise
on the movie

530
00:29:40,904 --> 00:29:43,782
about being 13-year-old girls,
for sure.

531
00:29:43,782 --> 00:29:46,910
There is definitely
a lived experience there

532
00:29:46,910 --> 00:29:48,995
that we get to bring
to the movie-making,

533
00:29:48,995 --> 00:29:50,747
maybe in a different way

534
00:29:50,747 --> 00:29:54,334
than I would have been able to,
say on a movie like <i>WALL•E.</i>

535
00:29:56,336 --> 00:29:58,880
<i>That scene with Mei
going under the bed,</i>

536
00:29:58,880 --> 00:30:01,257
and all of a sudden
she's sort of gripped by things,

537
00:30:01,341 --> 00:30:05,220
and she's drawing these sexy pictures
and the conflict there

538
00:30:05,220 --> 00:30:07,222
<i>and "Why did I draw those things?"</i>

539
00:30:07,222 --> 00:30:09,641
<i>I mean, I wasn't
under my bed drawing things,</i>

540
00:30:09,641 --> 00:30:13,561
<i>but when I was 11,
I had a little wooden clothes pin,</i>

541
00:30:13,978 --> 00:30:17,065
<i>and I had this mad crush on this woman
that was older than me,</i>

542
00:30:17,065 --> 00:30:20,568
<i>but I did not know
that I was gay at the time.</i>

543
00:30:21,444 --> 00:30:23,071
<i>And I remember drawing her name</i>

544
00:30:23,071 --> 00:30:25,657
<i>on the clothes pin
and then flipping it over.</i>

545
00:30:25,657 --> 00:30:28,827
<i>And she played a sport
so I put her number down,</i>

546
00:30:28,827 --> 00:30:31,746
<i>and that sat on my desk
and I would look at it sometimes.</i>

547
00:30:31,830 --> 00:30:34,165
<i>You know, these things,
these silly things you do.</i>

548
00:30:34,249 --> 00:30:37,085
I definitely get what Mei is doing.

549
00:30:39,379 --> 00:30:41,339
From the side, would it look like this?

550
00:30:41,339 --> 00:30:44,759
Did you know that I was like,
"Oh, my God, am I ready?"

551
00:30:44,843 --> 00:30:47,470
- To be a production designer?
- Yeah. "Will I be good?"

552
00:30:47,554 --> 00:30:52,183
<i>We both did it on a short.
But you're a first time feature...</i>

553
00:30:52,267 --> 00:30:54,727
<i>I will be a first-time
feature production designer.</i>

554
00:30:54,811 --> 00:30:58,606
I figured because I was nervous
about directing for the first time

555
00:30:58,690 --> 00:31:01,317
that you would be nervous
about production designing,

556
00:31:01,401 --> 00:31:03,570
but I naively thought,

557
00:31:03,570 --> 00:31:06,364
"How much harder could it be
directing a feature?"

558
00:31:07,866 --> 00:31:11,411
I was really scared, honestly,
at the beginning.

559
00:31:11,411 --> 00:31:14,038
I mean, you know,
Domee was intimidating, right?

560
00:31:14,122 --> 00:31:17,625
I mean, she's... Seriously, you were,
like, super talented and...

561
00:31:17,709 --> 00:31:18,710
I'm gonna be a diva.

562
00:31:18,710 --> 00:31:20,461
No, I was never worried about that.

563
00:31:20,545 --> 00:31:21,546
It was good, too,

564
00:31:21,546 --> 00:31:24,716
because you also made me,
kind of having done this for a while,

565
00:31:24,716 --> 00:31:27,468
you questioned things
that I hadn't questioned in a while.

566
00:31:29,679 --> 00:31:35,101
<i>So I started in May of '97
at Pixar on</i> A Bug's Life.

567
00:31:35,101 --> 00:31:37,061
<i>I had worked in traditional animation,</i>

568
00:31:37,145 --> 00:31:40,148
but at the time, CG animation
was a completely different ball game.

569
00:31:40,690 --> 00:31:44,736
<i>I just remember I would have this notepad
and I would just write down questions.</i>

570
00:31:45,194 --> 00:31:47,196
<i>I was like, "Is the render farm a zoo?</i>

571
00:31:47,280 --> 00:31:48,907
"What's a cookie?
Can I have a cookie?"

572
00:31:48,907 --> 00:31:51,743
They're like, "No. You cannot."
A cookie is not a cookie.

573
00:31:51,743 --> 00:31:55,246
It was kind of like,
"Here we go, welcome to my questions."

574
00:31:56,205 --> 00:31:58,708
<i>Danielle was definitely
somebody that I sought out,</i>

575
00:31:58,708 --> 00:32:02,378
as she would not judge you and give you
a nice, clear and concise answer.

576
00:32:02,462 --> 00:32:05,548
When we export act three,

577
00:32:05,632 --> 00:32:09,135
is there a way to do one
that just has music...

578
00:32:09,135 --> 00:32:11,721
<i>One of the things
I love most about Pixar</i>

579
00:32:11,721 --> 00:32:13,932
is that I'm still asking questions

580
00:32:14,599 --> 00:32:19,604
with the same amount of freedom and safety
as I did on the first day I got here.

581
00:32:19,604 --> 00:32:21,689
<i>It's just a philosophy that I've kept.</i>

582
00:32:21,773 --> 00:32:25,318
<i>It's something I encourage other people
to do as they're starting on something.</i>

583
00:32:25,318 --> 00:32:26,402
<i>If you don't know,</i>

584
00:32:26,486 --> 00:32:29,614
you're probably not the only one
in the room who doesn't know, so ask.

585
00:32:29,614 --> 00:32:31,658
We basically started these this morning.

586
00:32:31,658 --> 00:32:34,243
So be gentle.

587
00:32:35,995 --> 00:32:39,707
<i>A little bit before I was asked
to be the DP on</i> WALL•E,

588
00:32:39,791 --> 00:32:42,669
I thought, "I don't know
if I could ever be a DP,

589
00:32:42,669 --> 00:32:44,879
"maybe like in 10 or 15 years."

590
00:32:44,963 --> 00:32:46,255
Wow, that's great.

591
00:32:46,339 --> 00:32:49,759
This one we lit in five minutes.

592
00:32:49,759 --> 00:32:53,137
<i>And then Andrew Stanton
asked me to be the DP on</i> WALL•E,

593
00:32:53,221 --> 00:32:57,141
<i>and I was terrified because I didn't think
I knew how to do that at all.</i>

594
00:32:57,725 --> 00:33:00,770
<i>I think we both
credit Andrew to a big degree, frankly.</i>

595
00:33:01,646 --> 00:33:06,025
We both had this encouragement
neither one of us would have asked for

596
00:33:06,109 --> 00:33:09,237
until he kind of said,
"No, I want you to come do this."

597
00:33:09,237 --> 00:33:10,780
It was an amazing experience.

598
00:33:10,780 --> 00:33:13,658
It was also, half the time, terrifying

599
00:33:13,658 --> 00:33:17,829
<i>of just trying to figure out
how to hang on to who I was</i>

600
00:33:17,829 --> 00:33:19,080
and make it through,

601
00:33:19,080 --> 00:33:22,375
even though a lot of times I felt like
I didn't know what I was doing.

602
00:33:25,128 --> 00:33:27,338
<i>But what we then decided to do</i>

603
00:33:27,422 --> 00:33:29,590
<i>is some look stuff that's sort of like,</i>

604
00:33:29,674 --> 00:33:33,344
<i>"How do we get out of the Pixar look?
How do we get into some new thing?"</i>

605
00:33:34,721 --> 00:33:37,473
We were trying to push
the boundaries of style

606
00:33:37,557 --> 00:33:39,559
<i>in both storytelling, in the camera,</i>

607
00:33:39,559 --> 00:33:41,144
<i>the look of things,</i>

608
00:33:41,144 --> 00:33:43,521
<i>using some hand-drawn elements,</i>

609
00:33:43,521 --> 00:33:47,066
<i>but then you sprinkle in
Asian art influences.</i>

610
00:33:47,150 --> 00:33:49,736
It's been so interesting
to take those pieces

611
00:33:49,736 --> 00:33:53,698
and figure out how you can apply them
to a 3D computer-animated film.

612
00:33:55,116 --> 00:33:59,203
<i>For me, I really wanted to be
a VFX supervisor</i>

613
00:33:59,287 --> 00:34:01,956
<i>that was making sure
that people had the room</i>

614
00:34:02,040 --> 00:34:03,833
<i>to bring their very best.</i>

615
00:34:03,833 --> 00:34:05,293
<i>Not telling people what to do</i>

616
00:34:05,293 --> 00:34:07,545
but making space for them to shine.

617
00:34:07,545 --> 00:34:10,923
<i>And I have to say, honestly,
a lot of that has started with Rona</i>

618
00:34:11,007 --> 00:34:14,302
<i>because she is the most
collaborative production designer</i>

619
00:34:14,302 --> 00:34:16,471
<i>I have ever worked with, far and away.</i>

620
00:34:16,929 --> 00:34:19,182
I think it's made
a huge difference to the movie

621
00:34:19,182 --> 00:34:21,601
and to people's enjoyment
of making the movie.

622
00:34:23,644 --> 00:34:26,481
And this is the trust
and the confidence I gain.

623
00:34:28,191 --> 00:34:30,610
This isn't just our first concert.

624
00:34:31,069 --> 00:34:34,197
This is our first step into womanhood.

625
00:34:34,197 --> 00:34:37,033
And we have to do it together.

626
00:34:37,033 --> 00:34:41,537
<i>Mei's friends are
Miriam, Abby, and Priya.</i>

627
00:34:41,621 --> 00:34:43,289
And they're her dork squad.

628
00:34:44,749 --> 00:34:47,043
<i>They accept her no matter what.</i>

629
00:34:47,043 --> 00:34:48,711
<i>Red panda or no panda.</i>

630
00:34:49,337 --> 00:34:52,924
<i>I always saw that as a metaphor
for when I found my squad.</i>

631
00:34:52,924 --> 00:34:54,884
<i>4*TOWN, here we come!</i>

632
00:34:56,219 --> 00:34:59,138
I love that Mei
has these key friendships.

633
00:34:59,222 --> 00:35:01,432
<i>I very much am that person myself.</i>

634
00:35:02,141 --> 00:35:06,312
<i>I always was the kid who had
two or three best friends.</i>

635
00:35:06,312 --> 00:35:09,690
<i>Those kind of quirky, dorky people
who made you laugh,</i>

636
00:35:09,774 --> 00:35:13,027
<i>equally insecure
about what was going on.</i>

637
00:35:13,111 --> 00:35:15,988
<i>And in high school,
we'd get invited to the party</i>

638
00:35:16,072 --> 00:35:17,406
<i>and we'd be like, "Okay, cool."</i>

639
00:35:18,533 --> 00:35:22,161
<i>And then we drive over to the party
and we'd sit outside for a minute,</i>

640
00:35:22,245 --> 00:35:24,872
<i>and then we were like,
"Let's go get a cake."</i>

641
00:35:26,332 --> 00:35:30,545
<i>Then we'd eat a cake, like a whole cake,
in the car, and then go home.</i>

642
00:35:32,880 --> 00:35:35,299
It was about friends
that listen to that moment

643
00:35:35,383 --> 00:35:37,552
when you were like,
"I'm not comfortable going in.

644
00:35:37,552 --> 00:35:39,178
"I'm not confident enough
to do this,

645
00:35:39,262 --> 00:35:41,848
"and all I really want to do
is go hang out with you guys."

646
00:35:43,891 --> 00:35:45,726
Hi. Sorry I'm late.

647
00:35:47,061 --> 00:35:49,438
<i>Figuring out
how to be comfortable in the room</i>

648
00:35:49,522 --> 00:35:51,482
<i>and finding my voice took a while.</i>

649
00:35:52,150 --> 00:35:55,069
<i>When I first started,
I was definitely more nervous.</i>

650
00:35:55,153 --> 00:35:59,115
<i>I was one of the few women
in the story department.</i>

651
00:35:59,115 --> 00:36:01,367
<i>What helped a lot for me</i>

652
00:36:01,367 --> 00:36:03,703
<i>was a female story artists support group</i>

653
00:36:03,703 --> 00:36:05,746
called the Story Artistas,

654
00:36:05,830 --> 00:36:09,125
<i>led by Mary Coleman,
and Nicole Grindle.</i>

655
00:36:09,125 --> 00:36:12,128
They were like,
"I want you guys to get comfortable,"

656
00:36:12,128 --> 00:36:14,589
like, stating out loud
what your goals are.

657
00:36:15,047 --> 00:36:18,092
And I think there was one lunch
where I meekly said out loud,

658
00:36:18,176 --> 00:36:21,679
"I want to be a director." Oh!

659
00:36:21,679 --> 00:36:24,307
Cool. Yeah, really feeling that anger.

660
00:36:24,307 --> 00:36:27,393
She's like launching herself up,
"Sorry, I'm not..."

661
00:36:27,810 --> 00:36:30,605
You could play Ming
a little bit more in slo-mo as well.

662
00:36:30,605 --> 00:36:32,607
- Yeah.
- Otherwise it's looking good.

663
00:36:32,607 --> 00:36:34,942
Anyone else have thoughts? Notes?

664
00:36:35,026 --> 00:36:36,277
- Mei-
- Mei, there you are.

665
00:36:36,277 --> 00:36:37,945
- Hey, Mom...
- You're ten minutes late.

666
00:36:38,029 --> 00:36:40,364
What happened? Are you hurt?
Are you hungry?

667
00:36:40,448 --> 00:36:44,577
- Um...
- Ming is a force to be reckoned with.

668
00:36:46,037 --> 00:36:48,289
She's just a sweet innocent child.

669
00:36:48,289 --> 00:36:50,541
How dare you take advantage of her!

670
00:36:50,625 --> 00:36:54,003
When Sandra Oh became the voice of Ming,

671
00:36:54,003 --> 00:36:57,924
<i>it just felt like her character
was starting to flesh out.</i>

672
00:36:57,924 --> 00:36:59,967
I knew you were trouble.

673
00:37:00,384 --> 00:37:03,638
<i>Sandra's so funny,
but she also has so much range.</i>

674
00:37:03,638 --> 00:37:07,600
She added that missing piece
to the puzzle of Ming.

675
00:37:07,600 --> 00:37:11,020
I have a double-jointed elbow!
Look! I can make a perfect circle!

676
00:37:11,520 --> 00:37:12,521
That was great.

677
00:37:12,605 --> 00:37:14,357
I think in terms of design,

678
00:37:14,357 --> 00:37:17,526
<i>you wanted her to have
the really powerful shoulders</i>

679
00:37:17,610 --> 00:37:18,903
<i>with these thin eyebrows,</i>

680
00:37:18,903 --> 00:37:21,447
<i>kind of like Chinese ladies
from like the '60s,</i>

681
00:37:21,447 --> 00:37:24,992
<i>- with the qipao and stuff.
- I wanted traditional Chinese</i>

682
00:37:25,076 --> 00:37:27,411
<i>mixed with</i> Working Girl. <i>Yeah.</i>

683
00:37:32,583 --> 00:37:37,338
We definitely couldn't have written Ming
without input from Lindsey

684
00:37:37,338 --> 00:37:40,132
and other moms on the show.

685
00:37:42,385 --> 00:37:47,348
I came at it purely from the point of view
of the oppressed teenage daughter.

686
00:37:48,224 --> 00:37:51,435
<i>So it was really helpful
hearing that other side.</i>

687
00:37:51,519 --> 00:37:54,522
You don't know everything,
you're making it up as you go along.

688
00:37:55,106 --> 00:38:00,236
<i>What I love about Ming is that she's not
one sided, cookie cutter character</i>

689
00:38:00,236 --> 00:38:01,862
<i>and certainly not as a mom.</i>

690
00:38:01,946 --> 00:38:05,741
And as a mom myself,
I can appreciate those moments.

691
00:38:06,450 --> 00:38:07,451
Hey, Sloane?

692
00:38:08,452 --> 00:38:12,873
So will you remind me before we sit down
to dinner to RSVP for your...

693
00:38:12,957 --> 00:38:14,959
Fall festival?
Yeah.

694
00:38:16,043 --> 00:38:18,879
<i>You're having conversations
that you are like,</i>

695
00:38:18,963 --> 00:38:21,173
<i>"Is this even the right conversation
to be having?</i>

696
00:38:21,257 --> 00:38:23,384
<i>"Am I supposed to be playing
more of a mom role?</i>

697
00:38:23,384 --> 00:38:24,844
<i>"I don't even know what that is."</i>

698
00:38:24,844 --> 00:38:31,600
<i>You're talking about heartbreak and dating
and insecurity and body image.</i>

699
00:38:31,684 --> 00:38:33,561
<i>I know how I feel about all those things,</i>

700
00:38:33,561 --> 00:38:36,314
<i>yet I don't know what I'm supposed
to say about any of them.</i>

701
00:38:36,314 --> 00:38:39,317
I don't know if I'm supposed
to pretend I don't have those issues

702
00:38:39,317 --> 00:38:41,694
or if I'm supposed to say
I had all of them.

703
00:38:42,069 --> 00:38:45,406
<i>We always joke that your poor oldest kid
is like the first pancake.</i>

704
00:38:45,406 --> 00:38:46,907
You're like "Oof.

705
00:38:46,991 --> 00:38:49,452
"Sorry, dude, I'm pretty sure
we're messing this up."

706
00:38:49,452 --> 00:38:51,245
The third one we should be good.

707
00:38:51,329 --> 00:38:53,581
She's gonna have
nothing to complain about

708
00:38:53,581 --> 00:38:54,790
You guys...

709
00:38:55,750 --> 00:38:57,668
The RSVP thing is closed.

710
00:38:57,752 --> 00:38:59,170
Mom!

711
00:38:59,170 --> 00:39:00,379
Okay.
Is it too late?

712
00:39:00,463 --> 00:39:02,256
Yeah, apparently. But that's okay.

713
00:39:02,923 --> 00:39:04,175
Ready?
Yeah.

714
00:39:07,345 --> 00:39:11,307
<i>In a way, parenting overwhelms me
much more than my job does.</i>

715
00:39:13,142 --> 00:39:17,396
And I think it's just because I feel like
the stakes are so much higher.

716
00:39:19,482 --> 00:39:21,984
<i>Every choice you make as a parent</i>

717
00:39:22,068 --> 00:39:24,779
<i>has equal chances
of being this great memory</i>

718
00:39:24,779 --> 00:39:27,031
<i>and a success
in your relationship with them,</i>

719
00:39:27,031 --> 00:39:30,034
<i>or alternatively, this huge disaster</i>

720
00:39:30,409 --> 00:39:32,745
<i>that they will talk about
for the rest of their lives</i>

721
00:39:32,745 --> 00:39:35,706
<i>as the most embarrassing thing
that ever happened to them.</i>

722
00:39:41,003 --> 00:39:43,381
Okay. Who wants to get dressed?
Me!

723
00:39:48,594 --> 00:39:51,430
<i>We both have worked
very hard at our careers,</i>

724
00:39:51,514 --> 00:39:54,058
<i>and we are late mommies.</i>

725
00:39:54,058 --> 00:39:56,894
<i>And so I think both of us
have a huge amount of regard</i>

726
00:39:57,019 --> 00:39:59,105
<i>for how important our work and career is,</i>

727
00:39:59,105 --> 00:40:01,524
<i>and so we try to protect
that for one another.</i>

728
00:40:01,982 --> 00:40:05,236
<i>On Fridays, Paige is here with the kids.
We don't have the nanny.</i>

729
00:40:05,236 --> 00:40:07,571
<i>And, you know, I sort of have this like,</i>

730
00:40:07,655 --> 00:40:10,616
<i>any spare moment I have
I should be running out to help,</i>

731
00:40:10,616 --> 00:40:13,202
<i>and she has zero expectation of that.</i>

732
00:40:14,120 --> 00:40:15,871
<i>That's made it so much more doable</i>

733
00:40:15,955 --> 00:40:18,457
<i>to be able to balance the two things.</i>

734
00:40:18,541 --> 00:40:22,628
<i>Not that it's always easy or something
but it, that makes a huge difference.</i>

735
00:40:24,422 --> 00:40:27,091
Boy, you guys really destroyed
the house this morning.

736
00:40:28,592 --> 00:40:31,637
<i>You know, it's really amazing
those kids right now,</i>

737
00:40:31,637 --> 00:40:33,681
<i>they're almost 17 months.</i>

738
00:40:33,806 --> 00:40:36,225
Maybe you can hear Jack
crying in the other room.

739
00:40:36,225 --> 00:40:39,228
<i>That's a little heartbreaking
because I want to go run and help.</i>

740
00:40:40,146 --> 00:40:43,482
<i>It is a massive luxury
to be able to see my kids</i>

741
00:40:43,566 --> 00:40:46,277
<i>as much as I have
during this last year-plus.</i>

742
00:40:46,277 --> 00:40:49,363
<i>I never ever would have
been able to see them as much.</i>

743
00:40:49,447 --> 00:40:53,159
<i>I would have been racing home from work
just to catch them going to bed.</i>

744
00:40:53,159 --> 00:40:57,037
<i>Sometimes I get to catch them for dinner.
I always get to put them to bed.</i>

745
00:41:00,541 --> 00:41:03,377
You know, it's not like
you can ever get that time back.

746
00:41:08,466 --> 00:41:10,551
Yeah, I think it's working really well.

747
00:41:11,093 --> 00:41:12,511
Okay.
- Final!

748
00:41:15,139 --> 00:41:19,685
<i>I think it took until screening six
for us to finally have an ending.</i>

749
00:41:19,685 --> 00:41:23,564
<i>And that, I think, was because
it took a long time for me</i>

750
00:41:23,564 --> 00:41:26,484
<i>to process my own relationship
with my mother,</i>

751
00:41:26,484 --> 00:41:30,988
<i>and just trying to figure out
how to be a good daughter for them.</i>

752
00:41:31,822 --> 00:41:35,993
<i>I also don't know
what the solution is in real life.</i>

753
00:41:35,993 --> 00:41:39,830
<i>Is it about being true to yourself,
or is it about honoring your parents?</i>

754
00:41:39,914 --> 00:41:40,998
<i>I don't know.</i>

755
00:41:40,998 --> 00:41:44,877
<i>It's some messy mix of both.
There's no clear answer.</i>

756
00:41:48,672 --> 00:41:49,965
<i>Before I was a mom,</i>

757
00:41:50,841 --> 00:41:55,638
<i>it just didn't occur to me
how hard it would be.</i>

758
00:41:55,638 --> 00:41:59,683
<i>I don't know how people do it, and I don't
even know how I'm doing it right now.</i>

759
00:42:02,394 --> 00:42:08,067
<i>My mom has been such a huge supporter
of what I want to do,</i>

760
00:42:08,067 --> 00:42:12,446
and she just always believed
that I know what's best.

761
00:42:12,530 --> 00:42:17,076
That gave me so much freedom
to be the artist that I am today.

762
00:42:18,953 --> 00:42:20,329
Happy baby.

763
00:42:24,208 --> 00:42:27,419
<i>Growing up, my parents separated,</i>

764
00:42:27,503 --> 00:42:31,423
and striving for perfection
came from this feeling of like,

765
00:42:31,507 --> 00:42:37,179
I just want to be good enough
to keep my dad and my mom.

766
00:42:37,263 --> 00:42:38,764
And maybe...

767
00:42:38,764 --> 00:42:42,726
Maybe if I was a perfect little girl,
my parents would be together.

768
00:42:44,311 --> 00:42:45,354
Yeah.

769
00:42:45,980 --> 00:42:48,107
And... Hmm!

770
00:42:48,107 --> 00:42:51,318
It worked out
in the best possible way for me.

771
00:42:51,402 --> 00:42:55,614
I feel like it made me ambitious.

772
00:42:55,698 --> 00:42:58,867
<i>Ever since I had a baby, my worth,</i>

773
00:42:58,951 --> 00:43:02,621
<i>who I am, is no longer
so much tied to others.</i>

774
00:43:03,163 --> 00:43:06,500
I just feel like I am a whole being

775
00:43:07,209 --> 00:43:08,586
and I'm solid.

776
00:43:12,798 --> 00:43:16,552
<i>I think anyone being able
to tell kids as they're</i>

777
00:43:16,552 --> 00:43:18,971
<i>growing up and going through
this sort of chaos,</i>

778
00:43:18,971 --> 00:43:22,016
<i>of emotion or feeling out of control</i>

779
00:43:22,016 --> 00:43:23,517
<i>or "Do my parents love me?"</i>

780
00:43:23,601 --> 00:43:26,228
<i>or "Can I be who I want to be
and they'll still love me?"</i>

781
00:43:26,312 --> 00:43:28,814
or "Who am I and what do the other kids
want me to be?"

782
00:43:30,524 --> 00:43:32,526
<i>We need art in general,</i>

783
00:43:32,610 --> 00:43:35,362
<i>especially things that go on a screen
that kids can see</i>

784
00:43:35,446 --> 00:43:37,156
<i>that tell them that it is okay.</i>

785
00:43:37,156 --> 00:43:41,744
<i>And I think it's also for parents,
it's okay to see all of that craziness,</i>

786
00:43:41,744 --> 00:43:44,622
<i>and that's a natural part of life
you've got to wade through</i>

787
00:43:44,622 --> 00:43:46,123
<i>to form who you really are.</i>

788
00:43:47,041 --> 00:43:50,294
Meilin says she's not like her mom,
and that's okay.

789
00:43:51,670 --> 00:43:54,798
<i>And then she realizes,
"I am my own person.</i>

790
00:43:54,882 --> 00:43:57,134
<i>"I want to embrace this thing</i>

791
00:43:57,134 --> 00:44:00,512
<i>"that every other member of my family
has tried to lock away."</i>

792
00:44:02,848 --> 00:44:05,142
<i>When she becomes this red panda,</i>

793
00:44:05,142 --> 00:44:08,354
<i>it at first glance, represents everything
she doesn't want to be,</i>

794
00:44:08,479 --> 00:44:13,192
<i>her being different and standing out
and feeling like she can't control herself</i>

795
00:44:13,192 --> 00:44:15,653
<i>or the situation
the way she used to be able to.</i>

796
00:44:16,320 --> 00:44:20,991
<i>You can't go through life and become the
amazing person you're supposed to become</i>

797
00:44:21,075 --> 00:44:24,119
<i>if things don't conspire to rock
that sense of stability.</i>

798
00:44:24,662 --> 00:44:26,580
<i>When you say to embrace the red panda,</i>

799
00:44:26,664 --> 00:44:30,668
<i>I think that represents
being okay with that part of yourself.</i>

800
00:44:31,251 --> 00:44:33,420
<i>It's okay not to be
in control all the time.</i>

801
00:44:33,504 --> 00:44:35,798
<i>It's okay to be messy.
It's okay to be loud.</i>

802
00:44:35,798 --> 00:44:37,508
<i>It's okay to be noticed.</i>

803
00:44:38,884 --> 00:44:41,303
If you don't accept it, it's a curse.

804
00:44:41,387 --> 00:44:46,058
And then if you embrace it,
then it's a gift that keeps on giving.

805
00:44:46,058 --> 00:44:50,062
I mean, for Mei, once she embraced it,
her whole life opened up to her.

806
00:44:51,355 --> 00:44:53,607
<i>The last year-plus
with the pandemic</i>

807
00:44:53,691 --> 00:44:57,528
<i>has been unlike anything
any of us have experienced.</i>

808
00:44:57,528 --> 00:45:00,239
<i>It's been incredibly difficult,
it's been very stressful,</i>

809
00:45:00,239 --> 00:45:03,701
and for me, this is the funniest movie
I've ever worked on,

810
00:45:03,701 --> 00:45:09,832
and so, if even at just that level
people get to have some laughs,

811
00:45:09,832 --> 00:45:11,542
<i>I think that would be amazing.</i>

812
00:45:12,126 --> 00:45:14,044
<i>But it also has this much deeper thing</i>

813
00:45:14,128 --> 00:45:17,297
<i>of really being able to reach out
and say, "It's okay."</i>

814
00:45:17,423 --> 00:45:20,634
<i>If you're confused and feeling crazy
and you don't know who you are</i>

815
00:45:20,759 --> 00:45:23,262
<i>and you might let your parents
or yourself down,</i>

816
00:45:23,262 --> 00:45:25,222
that's a natural part of growing up.

817
00:45:25,222 --> 00:45:28,559
And if that could be what we provide for,

818
00:45:28,559 --> 00:45:32,563
I think even one kid out there,
that would be really amazing.

819
00:45:40,779 --> 00:45:42,698
Come on. Good Cornflake.

820
00:45:45,617 --> 00:45:49,246
Darren made a quiche yesterday.

821
00:45:49,705 --> 00:45:51,707
Look, your quiche is on camera.

822
00:45:51,707 --> 00:45:54,251
So cool. I like how you guys designed it.

823
00:45:55,586 --> 00:45:56,670
In there?
Yes.

824
00:46:01,008 --> 00:46:03,844
When these dogs come in here
and start snoring so loudly,

825
00:46:03,844 --> 00:46:06,388
to the point where they're like...

826
00:46:16,440 --> 00:46:19,735
<i>Do you, Rona, take Dylan
to be your lawfully wedded spouse?</i>

827
00:46:19,735 --> 00:46:20,903
I do.

828
00:46:20,903 --> 00:46:22,821
<i>Congratulations, you may kiss.</i>

829
00:46:27,367 --> 00:46:28,744
Good boy. Got it?

830
00:46:29,369 --> 00:46:30,579
Great job.

831
00:46:48,013 --> 00:46:50,474
<i>Final!</i>



