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Downloaded from
YTS.MX
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[murmur of conversation]
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Official YIFY movies site:
YTS.MX
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[applause]
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NETFLIX PRESENTS
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[heartfelt orchestral music playing]
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[music rising]
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[music fades]
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[gentle orchestral music playing]
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[thunder rumbling]
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[applause]
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A BALLET IN TWO ACTS
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ACT I
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[glass tinkling]
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[breathing deeply]
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[sighs]
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WEDNESDAY
WEIGHT 46.7
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ARM 22.2
HIP 87.2
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WAIST 56.1
CHEST 87.3
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[man on radio] Today's a great day…
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-[woman sighs] Irene, we're leaving.
-Can you give me a ride?
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That's impossible, honey.
I'm driving your dad. We have a trial.
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-[sighs] Mwah!
-Mwah!
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-Good luck today. We'll talk later.
-Thank you.
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[door closes]
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-Good morning.
-Good morning.
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…the opening of a new play
here at the Cavern.
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Today, one of the greatest actresses
of Spain
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who has acted and danced with
the greatest directors in theater
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and who was born January 29th…
31
00:03:40,640 --> 00:03:43,400
-Are you ever gonna rest?
-Yes, when I get my spot.
32
00:03:43,480 --> 00:03:45,720
-You're gonna go crazy, Lidi.
-Yeah, well…
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you can't be the only crazy one
in the family, sis.
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Hmm?
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…fueled that love of animals…
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00:03:52,440 --> 00:03:53,880
You know Mom will catch you, right?
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-I'll open a window.
-What time is it?
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Damn it!
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Leave it, I'll do it.
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-I need the distraction.
-Thank you. I gotta go.
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-Today's the day they tell you?
-Mm.
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Today, they'll tell me
my life will stay exactly the same.
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Don't be like that. Come on.
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They might make a mistake
and decide to take a chance on you.
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-I don't think so.
-…chicken farm. And then, what's more…
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You look beautiful.
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Is it tight?
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No, I don't think so.
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Well, you just let me know
and I'll fix it right away.
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Have everything?
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[girl] Now I do.
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And me?
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What about me?
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I can go alone, Mom.
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It's your first day
with the company, honey.
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Do you really think I would miss it?
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No.
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Let's go. I don't want you to be late.
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-♪ Two, three, four ♪
-♪ Get quick, go fast ♪
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♪ Get good, don't crash ♪
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♪ Get get, get up ♪
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-♪ Get good-- ♪
-[phone buzzing]
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Yes?
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-[woman] Hello, Irene?
-Hello.
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-This is Laura.
-Oh, hi. How are you?
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[loud train engine drowns dialogue]
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Yes.
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Thank you.
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-Thank you.
-Thanks a lot.
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-Okay.
-See you later.
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-Bye.
-Bye-bye.
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[gasps]
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[door alarm blares]
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[doors close]
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Mom…
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All right. See you later.
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You can tell me how it goes.
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[girl 1] She didn't even
take her stuff with her.
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[girl 2] That must be because
she wanted to come back.
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[girl 1] Then what was María doing
in New York?
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[girl 2] Shh, stop.
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[locker door opens]
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[girl 1] She couldn't handle
the pressure of the company.
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-It's like, hang on.
-[giggling]
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[girl 2] So sad, right?
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[girl 1] What do you want?
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-[girl 2] We'll see.
-[girl 1] Enough already.
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See you later.
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-[door opens]
-Bye.
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-[girl 1] Bye.
-[girl 2] Bye.
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-[laughter]
-[girl 1] Why would she go to New York?
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[girl 2] Because she couldn't
take it anymore.
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Hello.
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-[girl 1] Hi.
-[girl 2] Hi.
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[girl 3] Good morning, Ruth.
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[girl 2] It's like when she was gone.
We need more of…
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[locker door opening]
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Hello.
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Hello.
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How are you?
101
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-Fine. I'm fine.
-[zips bag]
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Thanks for your text, by the way.
I never answered.
103
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That's all right.
104
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-Listen, I just wanted you to know--
-Yes, it's fucked up. I know.
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That's all. [sniffs]
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00:07:56,320 --> 00:07:58,000
[girl 3] Hey, if you wanna
talk to someone--
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Oh my God. I'm fine, really. Okay?
108
00:08:00,320 --> 00:08:02,240
[girl 4] Hey, everybody
get to class on time?
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00:08:02,320 --> 00:08:03,960
-I never…
-[sighing]
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00:08:04,040 --> 00:08:06,200
-[girl 4] Are you sure it's not working?
-So, what?
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00:08:07,440 --> 00:08:09,400
Do we know about her replacement?
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[girl 3] Well, you, Ruth.
It's pretty obvious.
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[vomiting]
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[gasping]
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[woman, muffled] We welcome the newcomers.
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You all know it's an honor
to join this company.
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I hope it'll also be an honor
having you in it.
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I'm sorry.
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Sit down with the others.
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[sighs]
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[woman] I make no exceptions.
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You must prove to us every day why
you chose to be a part of this company.
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Or rather, what for.
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Does anyone know?
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00:09:01,360 --> 00:09:03,760
Does anyone know why they're in this room?
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Any of the newcomers?
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Maybe to dance?
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[woman] Dancing is for nightclubs.
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You're here for something else.
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To turn your years of sacrifice
into a moment of perfection.
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Only an instant,
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but one that lives forever
in the memory of whoever sees it.
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And there is nothing more important
than that, understood?
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00:09:26,400 --> 00:09:27,280
Nothing.
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00:09:28,120 --> 00:09:30,920
You all know this year's
main production was Giselle.
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It will continue to be
a tribute to María.
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It won't be the Giselle
we know from other productions.
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This time, it'll be a woman whose death
is capable of sparking a whole revolution.
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I guess you know
who has been chosen for that revolution.
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[whispering]
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[girl whispers] I have no idea…
I don't know…
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[woman] I see she hasn't rushed
to tell anyone.
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[boy] …do you? Why tell me? Who told you?
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[woman] I won't be the one to tell you.
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Giselle is a brave woman.
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She embraces madness
and stands up for what she believes in.
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If the dancer who's just been
promoted to principal dancer
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is not able to say it out loud,
to stand up, to lead this company…
149
00:10:13,240 --> 00:10:14,200
[sighs]
150
00:10:17,480 --> 00:10:19,640
-[whispering]
-[boy] Are you serious?
151
00:10:20,280 --> 00:10:21,640
You didn't tell anyone?
152
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I didn't have time.
153
00:10:23,520 --> 00:10:25,760
How could you have time if you were late?
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Sorry.
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00:10:27,840 --> 00:10:29,640
[woman] First and last time, Irene.
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00:10:30,600 --> 00:10:31,840
You can sit down.
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00:10:31,920 --> 00:10:33,040
[sighs]
158
00:10:34,280 --> 00:10:36,040
[woman] The rest of you, don't relax.
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00:10:36,120 --> 00:10:39,280
In a few days, we'll be holding auditions
for the rest of the characters.
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00:10:39,360 --> 00:10:40,840
Nothing's decided.
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00:10:40,920 --> 00:10:42,840
Show us that you want it
more than anything,
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00:10:42,920 --> 00:10:45,280
as if it were your last wish in life.
163
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Carmen…
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-[piano plays]
-[Carmen] Eight and…
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One.
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00:10:54,160 --> 00:10:55,000
Two.
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Big.
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And fifth.
169
00:10:58,720 --> 00:11:01,880
Now, circle with the head and stand firm.
170
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Raise. One…
171
00:11:04,360 --> 00:11:07,840
Eight, two, three and one…
172
00:11:08,920 --> 00:11:10,440
And fifth position.
173
00:11:12,160 --> 00:11:14,240
Good. Now let's switch groups.
174
00:11:15,080 --> 00:11:18,160
-[girl whispers] Come with me?
-[boy] Will you-- Can you stretch me out?
175
00:11:18,240 --> 00:11:20,120
[Carmen] Good. And put your hair up.
176
00:11:20,200 --> 00:11:22,200
[whispering and giggling]
177
00:11:23,120 --> 00:11:24,440
[Carmen] Guys, guys…
178
00:11:24,520 --> 00:11:25,720
[giggling continues]
179
00:11:25,800 --> 00:11:27,480
[girl whispers] You see that?
180
00:11:29,000 --> 00:11:30,200
[Carmen] Let's begin.
181
00:11:32,280 --> 00:11:33,760
Let's go. Music.
182
00:11:35,200 --> 00:11:37,200
[gentle piano music playing]
183
00:13:01,520 --> 00:13:03,480
[sighing]
184
00:13:09,320 --> 00:13:11,040
[breathing deeply]
185
00:13:11,120 --> 00:13:12,360
[Carmen] Head out…
186
00:13:13,280 --> 00:13:14,400
What is your name?
187
00:13:16,200 --> 00:13:18,000
-Aurora.
-Aurora?
188
00:13:18,720 --> 00:13:20,480
Good, good, very good.
189
00:13:21,240 --> 00:13:22,560
Come on, next group.
190
00:13:23,080 --> 00:13:25,080
[distant piano music playing]
191
00:13:53,800 --> 00:13:54,920
[exhales]
192
00:14:06,480 --> 00:14:10,640
And, one, two. And one, two.
193
00:14:11,160 --> 00:14:13,840
One, two, and…
194
00:14:14,440 --> 00:14:17,280
Again. One, two, and…
195
00:14:17,360 --> 00:14:20,920
Two, and one, two and chaîné.
196
00:14:21,000 --> 00:14:21,960
And…
197
00:14:22,040 --> 00:14:23,000
Good.
198
00:14:23,080 --> 00:14:24,600
One, and one…
199
00:14:24,680 --> 00:14:28,000
That's it. And one, two, one…
200
00:14:28,600 --> 00:14:31,360
And the last part. Two, three…
201
00:14:31,440 --> 00:14:32,280
[sighs]
202
00:14:32,360 --> 00:14:35,360
[Carmen] Go on.
Two, and spot on the diagonal.
203
00:14:36,680 --> 00:14:38,800
["We're Not Ordinary" by Levi Stark]
204
00:14:48,640 --> 00:14:51,080
-[music continues through earphone]
-Congratulations.
205
00:14:52,200 --> 00:14:53,120
Thank you.
206
00:14:54,040 --> 00:14:55,560
-I wanted to tell you--
-But you didn't.
207
00:14:56,160 --> 00:14:58,080
So, what? You thought I wouldn't find out?
208
00:14:59,920 --> 00:15:02,320
-Maybe she's afraid of you.
-Afraid of what, you asshole?
209
00:15:02,400 --> 00:15:04,960
I don't know,
you are the one who's hiding things.
210
00:15:10,760 --> 00:15:13,000
Hey, Giselle, are you coming
to the party tonight?
211
00:15:13,080 --> 00:15:15,640
Or are you afraid
we might put something in your drink?
212
00:15:26,400 --> 00:15:27,560
[Aurora's mother gasps softly]
213
00:15:28,600 --> 00:15:30,080
[winces]
214
00:15:30,160 --> 00:15:31,160
That's all.
215
00:15:33,960 --> 00:15:35,480
[Aurora groans]
216
00:15:40,320 --> 00:15:42,720
You could wear the green dress
I made you last summer.
217
00:15:43,680 --> 00:15:45,160
You look beautiful in it.
218
00:15:46,000 --> 00:15:46,880
I don't wanna go.
219
00:15:48,160 --> 00:15:49,080
I'm very tired.
220
00:15:49,680 --> 00:15:51,160
You'll rest later.
221
00:15:51,240 --> 00:15:54,000
Today's important,
and these parties are important too.
222
00:15:55,160 --> 00:15:57,000
But, Mom, I don't know anyone.
223
00:16:01,720 --> 00:16:02,600
Aurora.
224
00:16:03,440 --> 00:16:05,440
You're not a little girl.
And it's your place.
225
00:16:06,360 --> 00:16:08,960
You could've been a soloist.
You think I don't know?
226
00:16:11,400 --> 00:16:13,320
I know that dance troupe.
227
00:16:13,400 --> 00:16:16,160
You'll see.
They'll give you what you deserve.
228
00:16:16,680 --> 00:16:18,480
They'll come around, sooner than later.
229
00:16:18,560 --> 00:16:21,840
You have to go wherever they go,
so they get to know you.
230
00:16:21,920 --> 00:16:24,880
You should talk to people.
Don't hide, let them see you.
231
00:16:30,120 --> 00:16:32,280
Go on, I'll wait up for you, all right?
232
00:16:32,360 --> 00:16:34,360
[glass tinkling]
233
00:16:39,440 --> 00:16:41,320
-[buzz of voices]
-[music thumping]
234
00:16:41,400 --> 00:16:43,800
[girl 1] What about me? No, sure.
235
00:16:45,320 --> 00:16:46,560
[laughs]
236
00:16:46,640 --> 00:16:47,600
Come on.
237
00:16:54,080 --> 00:16:56,000
[boy 1] …so many drinks tonight.
238
00:16:56,080 --> 00:16:59,160
[boy 2] Drinks and kissin', that's what
we do. It'll be like New Year's in here.
239
00:16:59,240 --> 00:17:00,600
[Irene] Hello.
240
00:17:01,360 --> 00:17:02,360
Come out to smoke?
241
00:17:03,920 --> 00:17:04,960
Yeah.
242
00:17:06,240 --> 00:17:07,240
Want one?
243
00:17:09,400 --> 00:17:10,360
Sure.
244
00:17:10,440 --> 00:17:12,440
-[door opens]
-[cheering]
245
00:17:31,040 --> 00:17:32,400
[coughs]
246
00:17:32,480 --> 00:17:33,800
[laughs]
247
00:17:36,640 --> 00:17:38,280
You don't smoke, do you?
248
00:17:39,160 --> 00:17:40,120
N-- no.
249
00:17:41,080 --> 00:17:42,720
You can stay here if you want.
250
00:17:43,200 --> 00:17:45,240
I don't feel like going inside at all.
251
00:17:46,240 --> 00:17:48,160
Throw it away if you don't like it.
252
00:17:49,760 --> 00:17:50,720
Thank you.
253
00:17:51,440 --> 00:17:52,840
Stop saying thanks for everything.
254
00:17:53,840 --> 00:17:56,680
You're in the company,
you have the same right as them
255
00:17:56,760 --> 00:17:59,160
to be inside, outside,
or wherever you want.
256
00:18:00,720 --> 00:18:02,000
-I'm fine here.
-[door opens]
257
00:18:02,080 --> 00:18:03,680
-[group chatting]
-[girl 1] Ready to go?
258
00:18:03,760 --> 00:18:05,560
[girl 2] At least
she can have a cigarette.
259
00:18:05,640 --> 00:18:07,120
[girl 1] She doesn't matter, anyway.
260
00:18:07,200 --> 00:18:09,440
-She's first dancer.
-[girl 2] We've been here all night.
261
00:18:09,520 --> 00:18:11,520
It's like it doesn't matter to her.
262
00:18:11,600 --> 00:18:12,680
I guess…
263
00:18:12,760 --> 00:18:14,080
Ruth's not a bad girl.
264
00:18:16,240 --> 00:18:18,520
She's just upset about
what happened to María.
265
00:18:19,600 --> 00:18:20,680
Were they friends?
266
00:18:22,120 --> 00:18:23,720
They were always together.
267
00:18:24,440 --> 00:18:27,000
[chuckles] And what was she like?
268
00:18:28,960 --> 00:18:30,760
[sighs] María was…
269
00:18:32,720 --> 00:18:34,600
Just María.
270
00:18:34,680 --> 00:18:35,520
[door opens]
271
00:18:39,760 --> 00:18:41,160
[door closes]
272
00:18:43,680 --> 00:18:45,240
And how do you feel?
273
00:18:45,880 --> 00:18:47,160
Me? About what?
274
00:18:47,880 --> 00:18:50,960
Well, about being the new first dancer
of the company.
275
00:18:51,880 --> 00:18:53,120
The new Giselle.
276
00:18:59,360 --> 00:19:00,320
What's the problem?
277
00:19:04,160 --> 00:19:07,000
Nothing, just…
no one's asked me about it.
278
00:19:08,680 --> 00:19:11,720
[gentle music playing]
279
00:19:11,800 --> 00:19:13,000
My name's Irene.
280
00:19:15,560 --> 00:19:16,720
I'm Aurora.
281
00:19:17,960 --> 00:19:18,960
[chuckles]
282
00:19:19,800 --> 00:19:21,240
Did you meet everyone?
283
00:19:22,840 --> 00:19:24,040
Yes, everyone.
284
00:19:24,880 --> 00:19:26,480
Was the whole company there?
285
00:19:27,040 --> 00:19:27,880
I think so.
286
00:19:29,720 --> 00:19:31,440
Did you talk to the substitute?
287
00:19:32,360 --> 00:19:34,360
-The substitute?
-Mm-hmm.
288
00:19:34,440 --> 00:19:36,360
I only talked to her for a little bit.
289
00:19:37,760 --> 00:19:38,680
How is she?
290
00:19:39,200 --> 00:19:40,600
Is she better than María?
291
00:19:42,840 --> 00:19:44,040
I suppose so.
292
00:19:46,400 --> 00:19:48,160
You won't tell me anything else?
293
00:19:50,480 --> 00:19:53,000
[chuckles] I had a lot of fun, Mom.
294
00:19:53,080 --> 00:19:54,320
[sighs]
295
00:19:55,560 --> 00:19:57,720
I told you it was a good idea.
296
00:19:57,800 --> 00:19:58,880
[chuckles]
297
00:20:00,400 --> 00:20:01,920
I'm very proud of you.
298
00:20:02,400 --> 00:20:03,480
[sighs]
299
00:20:04,320 --> 00:20:05,480
[kisses]
300
00:20:06,520 --> 00:20:07,640
Get some rest.
301
00:20:20,560 --> 00:20:21,880
[sighs]
302
00:20:25,440 --> 00:20:27,160
[whispers] Good night, sweetheart.
303
00:20:31,920 --> 00:20:33,400
[sighs]
304
00:20:36,120 --> 00:20:37,400
[phone alert]
305
00:20:48,440 --> 00:20:49,640
[sighs]
306
00:20:49,720 --> 00:20:54,360
IRENE
THIS WAS MARÍA
307
00:20:54,440 --> 00:20:55,360
[phone buzzing]
308
00:20:55,440 --> 00:20:56,720
[chuckles]
309
00:20:58,680 --> 00:21:00,280
[piano plays on video]
310
00:21:13,840 --> 00:21:15,960
And you can tell her anything.
311
00:21:16,040 --> 00:21:18,120
-Yeah?
-Why not?
312
00:21:18,200 --> 00:21:19,960
-So good, right?
-Yeah, right?
313
00:21:20,040 --> 00:21:21,560
That's what I heard!
314
00:21:21,640 --> 00:21:23,000
-So great…
-Shh!
315
00:21:23,080 --> 00:21:24,320
[conversation fading]
316
00:21:25,120 --> 00:21:26,360
[girl] Sh, sh.
317
00:21:26,440 --> 00:21:27,360
-Shh.
-[silence]
318
00:21:28,920 --> 00:21:32,000
I was going to ask for silence,
but you all went quiet.
319
00:21:32,080 --> 00:21:35,040
Well, you all know that in this company,
320
00:21:35,120 --> 00:21:37,200
we don't have choreographers in residence
321
00:21:37,280 --> 00:21:40,080
because we're always looking for
the best creator for each production.
322
00:21:41,120 --> 00:21:44,880
There isn't anyone in the world of dance
that doesn't know the name
323
00:21:44,960 --> 00:21:47,600
or the incredible work
of Erik Christensen.
324
00:21:48,120 --> 00:21:52,120
He's choreographed the most
revolutionary productions of recent years.
325
00:21:52,200 --> 00:21:54,800
I could rave about his plans for us,
326
00:21:54,880 --> 00:21:58,040
but there's nobody
better than him to tell you.
327
00:21:58,120 --> 00:22:00,480
Erik, they're all yours.
328
00:22:02,760 --> 00:22:03,840
Good morning, everyone.
329
00:22:04,440 --> 00:22:09,160
First of all, to start,
I'd like to ask you to focus on this.
330
00:22:09,240 --> 00:22:12,320
On this instant. Our present moment.
331
00:22:13,080 --> 00:22:16,040
A present that has to be Giselle.
332
00:22:16,960 --> 00:22:18,520
Just Giselle.
333
00:22:19,360 --> 00:22:21,840
Who can tell me something
about this story?
334
00:22:22,680 --> 00:22:24,680
[whispering]
335
00:22:25,960 --> 00:22:27,480
Not even Giselle herself?
336
00:22:27,560 --> 00:22:29,440
[laughs] Uh, yeah.
337
00:22:30,200 --> 00:22:33,080
Mm… Giselle is a story about a peasant
338
00:22:33,160 --> 00:22:36,640
and about the man Albrecht,
who breaks her heart
339
00:22:37,240 --> 00:22:40,040
and makes her spiral
into madness and death.
340
00:22:40,520 --> 00:22:43,000
Okay. But is that it?
341
00:22:43,520 --> 00:22:45,320
I'm sure you can tell us a little more.
342
00:22:45,400 --> 00:22:47,000
There's also the Wilis. Right?
343
00:22:47,080 --> 00:22:49,640
But what are the Wilis?
What do you think they represent?
344
00:22:49,720 --> 00:22:53,640
The Wilis are the spirits of the woods
that welcome Giselle when she dies.
345
00:22:53,720 --> 00:22:58,000
Their queen's name is Myrtha.
And they're the women that died unmarried.
346
00:22:58,080 --> 00:22:59,160
[Erik] So, today…
347
00:22:59,760 --> 00:23:02,240
-no one dies for that, right?
-[laughter]
348
00:23:02,320 --> 00:23:07,560
Our Wilis are going to be dark creatures,
beautiful, but cold.
349
00:23:07,640 --> 00:23:11,160
A mix between a nymph, a vampire…
350
00:23:11,760 --> 00:23:14,640
But don't get me wrong,
because what Irene said is true.
351
00:23:14,720 --> 00:23:16,400
And you are right, too.
352
00:23:16,480 --> 00:23:19,920
But that's all superficial.
Giselle is so much more.
353
00:23:20,000 --> 00:23:24,520
It's also a story about betrayal,
and forgiveness, and death.
354
00:23:24,600 --> 00:23:26,880
That's why I'd like to ask you
355
00:23:26,960 --> 00:23:29,680
to think about what we love.
356
00:23:30,400 --> 00:23:32,040
We love our family.
357
00:23:32,880 --> 00:23:35,120
We love our mothers.
358
00:23:36,720 --> 00:23:37,680
Our partners.
359
00:23:38,480 --> 00:23:40,560
We love dancing.
360
00:23:41,840 --> 00:23:43,200
We're going to start now.
361
00:23:43,280 --> 00:23:46,000
Because I can't wait to see
what you have inside,
362
00:23:46,520 --> 00:23:49,360
and why you should be
a part of this new Giselle.
363
00:23:49,440 --> 00:23:50,280
Shall we?
364
00:24:09,000 --> 00:24:10,800
[piano playing]
365
00:24:36,000 --> 00:24:38,640
[whispers] I actually really like her
for the role of Myrtha.
366
00:24:40,960 --> 00:24:43,480
[piano music continues]
367
00:24:55,400 --> 00:24:56,520
Stop,stop.
368
00:24:57,880 --> 00:24:58,800
[piano stops]
369
00:25:00,040 --> 00:25:01,480
[sighs] What's up?
370
00:25:03,360 --> 00:25:04,200
Irene?
371
00:25:05,080 --> 00:25:05,920
Yeah?
372
00:25:07,640 --> 00:25:10,080
She hasn't looked at you even once.
373
00:25:10,800 --> 00:25:13,720
-[sighs]
-Albrecht has to be a powerful force
374
00:25:13,800 --> 00:25:17,000
that destroys everything in his path
unintentionally.
375
00:25:17,080 --> 00:25:18,600
And this Giselle
376
00:25:18,680 --> 00:25:21,320
hasn't looked at you once
while you danced.
377
00:25:22,680 --> 00:25:23,840
Again.
378
00:25:23,920 --> 00:25:25,080
From the entrée.
379
00:25:27,080 --> 00:25:29,400
I want to see a dancer doing his job, now.
380
00:25:29,480 --> 00:25:32,520
Listen. A danseur, not a ballerina.
381
00:25:32,600 --> 00:25:34,400
Those, we already have.
382
00:25:41,600 --> 00:25:43,760
[Erik whispers] She has the soul
of a Wilis, doesn't she?
383
00:25:48,960 --> 00:25:50,960
[piano plays]
384
00:25:52,840 --> 00:25:53,760
[inhales deeply]
385
00:26:23,200 --> 00:26:25,200
[glass tinkling]
386
00:26:39,400 --> 00:26:41,400
[tinkling continues]
387
00:26:46,280 --> 00:26:47,320
-[knocking at door]
-[sighs]
388
00:26:47,400 --> 00:26:48,600
[door opens]
389
00:26:49,520 --> 00:26:50,600
[woman] Excuse me.
390
00:26:53,680 --> 00:26:54,760
He called again.
391
00:26:55,600 --> 00:26:57,280
-[company leader] He did?
-[woman] Yes.
392
00:26:57,360 --> 00:26:58,680
And he threatened to come here.
393
00:26:58,760 --> 00:27:01,200
I didn't know what to say, Norma.
He was beside himself.
394
00:27:01,280 --> 00:27:02,840
[Norma] He wouldn't dare.
395
00:27:02,920 --> 00:27:05,680
Don't take any of his calls anymore,
is that understood?
396
00:27:07,040 --> 00:27:08,000
Yes.
397
00:27:14,840 --> 00:27:16,720
-[Norma] Thank you.
-[sighs]
398
00:27:20,280 --> 00:27:21,920
[Irene] You're a perfect Wilis.
399
00:27:25,680 --> 00:27:27,160
[chuckles]
400
00:27:31,800 --> 00:27:32,760
What's the matter?
401
00:27:34,320 --> 00:27:36,000
I don't like watching myself.
402
00:27:37,440 --> 00:27:39,320
You make it look so easy.
403
00:27:45,440 --> 00:27:48,080
I have a trick. I've used it for years.
404
00:27:48,960 --> 00:27:50,120
[pauses video]
405
00:27:52,200 --> 00:27:53,240
A trick?
406
00:27:54,920 --> 00:27:58,080
Yes, but you have to promise me
that you'll never tell anybody.
407
00:27:59,080 --> 00:28:00,240
I promise you.
408
00:28:00,840 --> 00:28:01,960
Honesty?
409
00:28:02,040 --> 00:28:03,400
[laughs] Of course.
410
00:28:04,400 --> 00:28:05,360
What's wrong?
411
00:28:09,520 --> 00:28:11,120
I don't want you to make fun of me.
412
00:28:12,680 --> 00:28:14,320
I'd never make fun of you.
413
00:28:16,320 --> 00:28:18,040
[chuckles] Come on, go ahead.
414
00:28:21,800 --> 00:28:23,880
It's just… [sighs]
415
00:28:24,520 --> 00:28:27,320
when I close my eyes,
it's like I stop thinking.
416
00:28:27,960 --> 00:28:30,800
And I go to a place I've imagined before
and only I know.
417
00:28:30,880 --> 00:28:32,320
[delicate piano music plays]
418
00:28:32,400 --> 00:28:34,400
Sometimes, I don't wanna come back.
419
00:28:35,760 --> 00:28:39,120
You know that feeling of being in a place
where no one can hurt you?
420
00:28:40,480 --> 00:28:41,920
-That doesn't exist.
-[glass tinkling]
421
00:28:43,080 --> 00:28:43,960
And why not?
422
00:28:45,080 --> 00:28:47,440
That's my place,
where nothing bad can happen.
423
00:28:49,240 --> 00:28:50,720
Or to you, if you want.
424
00:28:52,040 --> 00:28:53,960
[glass tinkling]
425
00:28:54,040 --> 00:28:55,720
Why would something bad happen?
426
00:28:57,960 --> 00:29:00,480
Irene, because everybody wants
to be Giselle.
427
00:29:00,560 --> 00:29:01,880
But you're the one who is.
428
00:29:05,240 --> 00:29:07,240
[girls talking and laughing]
429
00:29:07,320 --> 00:29:10,040
[dramatic orchestral music playing]
430
00:29:11,720 --> 00:29:13,800
-[girl 1] Yeah…
-[girl 2] The shower's free.
431
00:29:15,360 --> 00:29:16,360
[girl 1] Yeah.
432
00:29:17,640 --> 00:29:18,640
It's fine.
433
00:29:19,160 --> 00:29:20,000
[crunching]
434
00:29:22,080 --> 00:29:25,040
[girl 1] Yeah, I don't know. I don't know
where they're going to be.
435
00:29:26,800 --> 00:29:28,480
[laughter]
436
00:29:41,680 --> 00:29:43,320
Mm! How nice.
437
00:29:43,400 --> 00:29:44,280
[mother] Hmm.
438
00:29:44,880 --> 00:29:47,240
Hands off. Call your sister, please.
439
00:29:47,320 --> 00:29:49,040
Irene, dinner!
440
00:29:50,280 --> 00:29:53,160
-Did you make salmon?
-[mother] Yes, look, here you go.
441
00:29:53,240 --> 00:29:54,280
[Lidi] Mm!
442
00:29:57,680 --> 00:29:58,640
Mm.
443
00:30:00,800 --> 00:30:02,240
-Are you okay?
-[Irene] Yes.
444
00:30:02,320 --> 00:30:04,480
I'm just tired from rehearsal, that's all.
445
00:30:06,840 --> 00:30:08,400
No, Dad, you know wine doesn't suit me.
446
00:30:09,000 --> 00:30:10,840
-[sighs]
-Just a little for a toast.
447
00:30:10,920 --> 00:30:13,720
What doesn't suit you
is not learning to enjoy things.
448
00:30:14,320 --> 00:30:15,200
Whatever.
449
00:30:16,440 --> 00:30:18,920
Yeah. And that's what this wine is for.
450
00:30:21,200 --> 00:30:23,240
The other day,
we couldn't celebrate with you.
451
00:30:23,320 --> 00:30:26,920
Yes, well, your father's client, honey,
he insisted on inviting us to dinner.
452
00:30:27,000 --> 00:30:27,880
He was very annoying.
453
00:30:27,960 --> 00:30:31,360
[father] Rosa, it was a difficult trial.
It's normal to be excited.
454
00:30:31,440 --> 00:30:34,600
Just as should you be.
You won, right? That's that.
455
00:30:34,680 --> 00:30:36,120
Well, let's make a toast.
456
00:30:36,200 --> 00:30:37,640
-[father] Yes.
-To Giselle.
457
00:30:37,720 --> 00:30:39,360
-[father] To Giselle.
-To Giselle.
458
00:30:42,680 --> 00:30:45,280
-[Irene] Mm. It's delicious.
-[Rosa] Mm-hmm.
459
00:30:45,360 --> 00:30:46,800
I have a question.
460
00:30:46,880 --> 00:30:49,440
How long can you dance this Giselle?
461
00:30:50,280 --> 00:30:51,960
As long as Norma lets me, Dad.
462
00:30:52,040 --> 00:30:55,920
But isn't it this character
a teenager or a child?
463
00:30:56,000 --> 00:30:58,960
-Yes. But that doesn't matter in ballet.
-Aah.
464
00:30:59,040 --> 00:31:01,920
Are there any adult characters
in the story, though?
465
00:31:02,000 --> 00:31:04,360
-My mom, but she doesn't dance.
-[Rosa] Ah, I see.
466
00:31:04,440 --> 00:31:06,360
[father] Enjoy everything
that's happening to you.
467
00:31:06,440 --> 00:31:09,200
Because it'll be over in no time,
and then you're gonna miss it.
468
00:31:11,520 --> 00:31:15,240
Hey, Dad? They just chose me and you're
asking me when they'll kick me out?
469
00:31:15,320 --> 00:31:17,400
-[Rosa] Nobody said that.
-[father] Of course not.
470
00:31:17,480 --> 00:31:19,840
But at some point,
you'll have to work on something
471
00:31:19,920 --> 00:31:23,080
that doesn't come to an end
when you turn 30 or something.
472
00:31:23,160 --> 00:31:26,680
Mm. If you want to be a civil servant,
I can give you my notes.
473
00:31:26,760 --> 00:31:28,200
[laughs] It's a joke.
474
00:31:29,120 --> 00:31:30,320
But Dad has a point.
475
00:31:30,400 --> 00:31:33,160
I don't know what a dancer does
when she retires either.
476
00:31:35,360 --> 00:31:36,680
Seriously, I don't know.
477
00:31:36,760 --> 00:31:39,360
-I thought about being a choreographer.
-Beautiful.
478
00:31:39,440 --> 00:31:40,800
[Lidi] Oh, that's cool.
479
00:31:40,880 --> 00:31:41,840
Choreographer?
480
00:31:42,600 --> 00:31:45,280
-Yes, choreographer. What's wrong?
-[father] Nothing.
481
00:31:46,320 --> 00:31:48,920
How many dancers are in your company?
482
00:31:50,040 --> 00:31:51,600
I don't know, around 50?
483
00:31:52,120 --> 00:31:52,960
Fifty.
484
00:31:54,400 --> 00:31:55,760
And choreographers?
485
00:31:56,720 --> 00:31:57,720
[father sighs]
486
00:31:57,800 --> 00:31:58,640
One.
487
00:32:00,640 --> 00:32:02,680
No further questions, your Honor.
488
00:32:02,760 --> 00:32:04,960
-[Rosa] Have some wine, come on.
-[father laughs]
489
00:32:05,040 --> 00:32:06,160
-[Lidi] Psst.
-[father] Here…
490
00:32:06,240 --> 00:32:07,960
Choreographer? Fucking awesome.
491
00:32:08,040 --> 00:32:09,880
-[Rosa] It's spectacular.
-[father] Yeah.
492
00:32:09,960 --> 00:32:12,080
[Rosa] He has vineyards, right?
493
00:32:12,160 --> 00:32:13,480
[father] Well, his family does.
494
00:32:13,560 --> 00:32:15,840
-[Rosa] Mm.
-[father] This wine is delicious.
495
00:32:16,760 --> 00:32:19,480
-[Rosa] Yes, it's-- it's very good.
-[father] Mm.
496
00:32:19,560 --> 00:32:21,840
One more, and that's all. I'm still ill.
497
00:32:21,920 --> 00:32:23,480
[unsettling low music playing]
498
00:32:23,560 --> 00:32:25,760
[Rosa] Agree, it's good. Mm.
499
00:32:25,840 --> 00:32:28,760
-Are you enjoying the wine?
-Mm. Yeah, it's good.
500
00:32:29,960 --> 00:32:31,200
[Rosa] He's your father.
501
00:32:31,720 --> 00:32:34,600
You can't blame him for wanting
the best for his daughter.
502
00:32:35,320 --> 00:32:37,520
He's just a bit worried. It's normal.
503
00:32:39,280 --> 00:32:40,520
What if he's right?
504
00:32:42,120 --> 00:32:43,080
About what?
505
00:32:45,880 --> 00:32:47,920
I don't know. About it ending too soon.
506
00:32:48,720 --> 00:32:50,920
Well, if it's over, it's over.
507
00:32:51,600 --> 00:32:52,920
You do something else.
508
00:32:53,000 --> 00:32:55,000
[dog barking in distance]
509
00:33:00,320 --> 00:33:02,280
-Can I be honest with you, honey?
-Mm.
510
00:33:04,200 --> 00:33:07,040
Do you know the only thing
I don't like about the story?
511
00:33:07,560 --> 00:33:08,400
What's that?
512
00:33:09,320 --> 00:33:12,840
That Giselle is a woman
that goes crazy over a man's love.
513
00:33:14,080 --> 00:33:15,080
I don't know.
514
00:33:15,160 --> 00:33:17,760
I know these classic ballets
are like that, but…
515
00:33:18,480 --> 00:33:20,360
in the end, we always seem stupid.
516
00:33:20,440 --> 00:33:22,200
[laughs]
517
00:33:22,720 --> 00:33:24,720
[chuckles]
518
00:33:28,280 --> 00:33:29,240
Well.
519
00:33:30,760 --> 00:33:32,200
I'm gonna get some sleep.
520
00:33:33,480 --> 00:33:35,160
Don't be hard on your father.
521
00:33:35,680 --> 00:33:39,480
Sometimes, he might be clumsy with you,
but he loves you so much.
522
00:33:41,560 --> 00:33:42,600
And me as well.
523
00:33:47,320 --> 00:33:48,400
Congratulations.
524
00:33:49,920 --> 00:33:51,160
[chuckles]
525
00:33:51,680 --> 00:33:53,040
[water running]
526
00:34:02,080 --> 00:34:03,200
[sighs]
527
00:34:04,360 --> 00:34:06,360
[breathing shakily]
528
00:34:19,680 --> 00:34:21,040
[retches]
529
00:34:21,880 --> 00:34:24,720
-[Irene] They're beautiful.
-[Aurora's mother] Thank you.
530
00:34:24,800 --> 00:34:26,720
These are from my first performances.
531
00:34:26,800 --> 00:34:28,800
Ah! Actually, I made this dress.
532
00:34:28,880 --> 00:34:31,200
-Really?
-Mm-hmm. Yes, it's true.
533
00:34:31,280 --> 00:34:33,520
My mother was a dressmaker and taught me.
534
00:34:34,120 --> 00:34:35,280
And this house was hers.
535
00:34:35,360 --> 00:34:36,280
-Is it?
-I inherited it.
536
00:34:38,000 --> 00:34:39,040
Ah!
537
00:34:39,120 --> 00:34:42,120
We kept everything,
even the laces from the shoes.
538
00:34:43,920 --> 00:34:45,560
[Irene] This one's very beautiful.
539
00:34:45,640 --> 00:34:46,720
[mother sighs]
540
00:34:47,440 --> 00:34:49,200
Those were good times. [chuckles]
541
00:34:51,360 --> 00:34:54,680
I was looking forward to meeting you.
Aurora talks about you.
542
00:34:54,760 --> 00:34:55,880
All the time.
543
00:34:58,520 --> 00:34:59,520
[chuckles]
544
00:35:00,400 --> 00:35:01,480
Mm.
545
00:35:02,080 --> 00:35:03,040
Majorca.
546
00:35:03,760 --> 00:35:05,560
We were doing The Firebird.
547
00:35:05,640 --> 00:35:07,840
It was a very small production,
very simple,
548
00:35:07,920 --> 00:35:10,240
a very small house,
not like what you guys do.
549
00:35:11,120 --> 00:35:12,600
That school couldn't do more.
550
00:35:13,200 --> 00:35:14,600
You all seem happy here.
551
00:35:15,160 --> 00:35:17,160
[laughs] We hated each other's guts.
552
00:35:17,240 --> 00:35:19,160
-Oh, really?
-Mm-hmm. [laughs]
553
00:35:19,920 --> 00:35:21,640
Look. You see this girl on the right?
554
00:35:21,720 --> 00:35:25,840
She got broken glass in her shoes
when she was chosen to be Anna Karenina.
555
00:35:27,080 --> 00:35:28,200
And this is Laura.
556
00:35:28,280 --> 00:35:31,480
They broke her costume
right before she went on stage.
557
00:35:31,560 --> 00:35:33,880
I've even seen mice
put in people's lockers.
558
00:35:33,960 --> 00:35:34,880
I mean, dead ones.
559
00:35:38,000 --> 00:35:39,320
And that's why you left?
560
00:35:42,160 --> 00:35:43,360
I had a bad fall.
561
00:35:44,960 --> 00:35:47,320
I put too much trust in the wrong person.
562
00:35:48,000 --> 00:35:49,160
Did you want to?
563
00:35:50,880 --> 00:35:52,280
[sighs]
564
00:35:53,960 --> 00:35:55,320
Those were good times.
565
00:35:56,960 --> 00:35:57,800
Let's eat.
566
00:36:06,560 --> 00:36:08,560
[piano playing]
567
00:36:08,640 --> 00:36:09,960
[Erik] Up high.
568
00:36:16,200 --> 00:36:17,360
Don't rush.
569
00:36:17,840 --> 00:36:19,000
Hop, accent.
570
00:36:19,720 --> 00:36:20,800
Careful.
571
00:36:25,640 --> 00:36:27,280
-Okay, stop. Stop.
-[piano stops]
572
00:36:27,360 --> 00:36:29,760
Irene, you're rushing
through the preparations.
573
00:36:29,840 --> 00:36:31,320
You need to slow down.
574
00:36:31,920 --> 00:36:33,840
-I'm trying.
-Stop trying and do it.
575
00:36:34,480 --> 00:36:38,400
I'm not changing the choreography for you.
I know perfectly well you can do it.
576
00:36:38,480 --> 00:36:39,320
Okay.
577
00:36:40,040 --> 00:36:41,400
-[door opens]
-[sighs]
578
00:36:48,960 --> 00:36:50,760
[Erik] Let's go from the top.
579
00:36:53,880 --> 00:36:55,880
[piano plays]
580
00:37:28,040 --> 00:37:29,680
-[Erik] Stop, stop.
-[sighs]
581
00:37:29,760 --> 00:37:31,440
[Erik] Irene, it's still not right.
582
00:37:31,520 --> 00:37:35,360
If you don't watch your preparation,
Israel won't be able to help you.
583
00:37:35,440 --> 00:37:36,480
Okay.
584
00:37:37,640 --> 00:37:39,240
Do I have to find another Giselle?
585
00:37:39,320 --> 00:37:41,640
No, it's not that.
We just need more rehearsal.
586
00:37:41,720 --> 00:37:43,000
No. There's no time.
587
00:37:43,800 --> 00:37:46,240
Either I solve this now
or I have to look for someone else.
588
00:37:48,840 --> 00:37:49,800
Let's go again.
589
00:37:50,400 --> 00:37:52,400
[piano plays]
590
00:38:07,960 --> 00:38:09,320
[sighs]
591
00:38:10,120 --> 00:38:11,680
[sighs]
592
00:38:11,760 --> 00:38:13,760
[glass tinkling]
593
00:38:51,760 --> 00:38:52,840
[sighs]
594
00:38:54,000 --> 00:38:55,680
That's it. It was perfect this time.
595
00:38:55,760 --> 00:38:58,520
You went with the music,
and you were in character.
596
00:38:59,120 --> 00:39:00,680
You see? You can do it.
597
00:39:01,800 --> 00:39:03,120
[Norma] Yes, you got it.
598
00:39:04,200 --> 00:39:07,400
You have to consider the production
as a matter of life or death.
599
00:39:08,440 --> 00:39:09,320
Yes?
600
00:39:10,040 --> 00:39:12,440
It's either that or back
to the ballet corps.
601
00:39:13,600 --> 00:39:14,760
Understood?
602
00:39:16,360 --> 00:39:18,600
-[sighs]
-[footsteps]
603
00:39:23,360 --> 00:39:25,360
Come on. Let's go one last time.
604
00:39:25,920 --> 00:39:27,720
[piano plays]
605
00:39:33,440 --> 00:39:34,920
-[sighs]
-[door closes]
606
00:39:36,440 --> 00:39:38,120
[Irene] But I don't understand.
607
00:39:38,200 --> 00:39:40,560
There's nothing to understand.
You did it, that's it.
608
00:39:40,640 --> 00:39:44,240
No, but it happened when I saw you.
As if I wasn't afraid anymore.
609
00:39:44,760 --> 00:39:45,800
Afraid of what?
610
00:39:47,400 --> 00:39:48,720
Of disappointing them.
611
00:39:49,400 --> 00:39:52,520
-Of not being able to do what they want.
-Yeah, you see?
612
00:39:53,040 --> 00:39:56,240
Nothing bad can happen to us there.
And now, it both of ours.
613
00:39:58,320 --> 00:39:59,360
[Irene] You think so?
614
00:39:59,440 --> 00:40:01,560
-Yeah, I'm sure.
-[laughs]
615
00:40:01,640 --> 00:40:02,840
I am also sure.
616
00:40:04,400 --> 00:40:06,120
No, not sure. Positive.
617
00:40:06,200 --> 00:40:07,200
What are you sure about?
618
00:40:07,800 --> 00:40:08,960
That you're gonna love it.
619
00:40:10,120 --> 00:40:12,240
-What is this?
-Brutal montage.
620
00:40:12,320 --> 00:40:14,360
You have to see it. It's tonight.
621
00:40:14,440 --> 00:40:15,800
You're gonna freak out.
622
00:40:15,880 --> 00:40:18,880
-How are you so sure?
-Because everyone else freaks out.
623
00:40:18,960 --> 00:40:20,200
-[both giggle]
-Yeah, I'm sorry.
624
00:40:20,280 --> 00:40:21,960
-But we're not like everyone else.
-[laughs]
625
00:40:22,040 --> 00:40:24,160
Okay, special girls,
not like everyone else,
626
00:40:24,240 --> 00:40:26,720
then, I guess, you ladies
have earned a discount.
627
00:40:26,800 --> 00:40:27,640
Oh, yeah?
628
00:40:27,720 --> 00:40:30,320
If you're here, it's because
you're part of the company, right?
629
00:40:30,400 --> 00:40:31,280
-Mm-hmm.
-Yes.
630
00:40:31,360 --> 00:40:33,760
Well, that's it. We have an excuse.
631
00:40:34,680 --> 00:40:37,400
Thank you, but we're really busy
with rehearsals.
632
00:40:37,480 --> 00:40:39,080
Ah, rehearsal at night?
633
00:40:39,160 --> 00:40:41,000
Well, no, but… [chuckles]
634
00:40:41,080 --> 00:40:43,920
-What's the discount?
-Nice. Some initiative.
635
00:40:44,000 --> 00:40:46,080
Well, it's a classic. Two for one.
636
00:40:46,160 --> 00:40:47,040
What's your name?
637
00:40:47,960 --> 00:40:49,360
-Aurora.
-[man] Aurora.
638
00:40:50,120 --> 00:40:51,400
Like the Sleeping Beauty.
639
00:40:51,480 --> 00:40:52,400
I'm Irene.
640
00:40:53,000 --> 00:40:55,840
Hi, Irene. Well, I'm Jon.
641
00:40:56,560 --> 00:41:00,200
Okay, I'll put Sleeping Beauty
on the list. And get ready.
642
00:41:00,720 --> 00:41:02,360
It's a really crazy company.
643
00:41:02,440 --> 00:41:05,720
I warn you, it's not classical. Like
nothing you've ever seen in your life.
644
00:41:05,800 --> 00:41:07,720
How do you know what we've seen, Jon?
645
00:41:07,800 --> 00:41:10,200
No, not this. I'm sure you haven't.
646
00:41:11,480 --> 00:41:14,560
Well, then… at 8:00?
647
00:41:15,840 --> 00:41:17,320
Okay, yeah. At 8:00.
648
00:41:18,360 --> 00:41:19,360
Don't be late, now.
649
00:41:21,160 --> 00:41:22,240
I'll be there.
650
00:41:22,320 --> 00:41:23,520
Bye, Jon.
651
00:41:23,600 --> 00:41:24,520
[Jon] Bye.
652
00:41:24,600 --> 00:41:25,680
-Hi, there.
-[girls] Hi.
653
00:41:25,760 --> 00:41:27,120
[Jon] Check this out. It's amazing.
654
00:41:27,200 --> 00:41:28,840
-Tonight at Garaje Lumière…
-[girl] Really?
655
00:41:28,920 --> 00:41:31,120
NEW GARAJE LUMIÈRE
656
00:41:31,200 --> 00:41:33,200
[industrial electronic music]
657
00:41:38,360 --> 00:41:39,600
-[man] Hi, there.
-[Irene] Hello.
658
00:41:39,680 --> 00:41:41,720
-Names?
-She's on the list. I'll pay.
659
00:41:42,800 --> 00:41:43,960
Aurora Ruiz.
660
00:41:47,520 --> 00:41:49,480
I'm sorry, but my list
doesn't show your name.
661
00:41:54,440 --> 00:41:58,080
And how about Sleeping Beauty?
662
00:41:59,680 --> 00:42:01,720
That one is. Welcome.
663
00:42:01,800 --> 00:42:03,560
-[Aurora laughs]
-[Irene] Thank you.
664
00:42:17,280 --> 00:42:18,960
[music fades]
665
00:42:19,720 --> 00:42:21,720
[ambient electronic music playing]
666
00:43:58,640 --> 00:44:01,440
[unsettling ambient music playing]
667
00:44:30,480 --> 00:44:32,480
[ethereal music plays]
668
00:45:08,360 --> 00:45:10,280
["Mysterious Times" by Sash!]
669
00:45:10,360 --> 00:45:12,600
[music drowns dialogue]
670
00:45:24,800 --> 00:45:25,960
♪ Life ♪
671
00:45:27,320 --> 00:45:29,840
♪ Mysterious life ♪
672
00:45:31,520 --> 00:45:36,720
♪ We're movin' around
Dancin' the rhythm of life ♪
673
00:45:38,920 --> 00:45:40,200
♪ Time ♪
674
00:45:41,560 --> 00:45:43,680
♪ Mysterious time ♪
675
00:45:46,000 --> 00:45:51,000
♪ We're counting the hours and days
To the end of all time ♪
676
00:45:53,160 --> 00:45:56,640
♪ And we're feelin' a change
And we don't know why ♪
677
00:45:56,720 --> 00:46:00,480
♪ Choose one direction
Just one for a time ♪
678
00:46:00,560 --> 00:46:05,680
♪ Don't say I'm thinking too much
If you see what's behind ♪
679
00:46:05,760 --> 00:46:09,400
♪ And these are mysterious times ♪
680
00:46:13,720 --> 00:46:16,440
♪ Mysterious times ♪
681
00:46:20,640 --> 00:46:23,920
♪ No trick of the mind ♪
682
00:46:25,480 --> 00:46:30,640
♪ For this moment I feel like
We live in mysterious times ♪
683
00:46:32,240 --> 00:46:38,720
♪ If you see what's behind
These are mysterious times ♪
684
00:46:40,680 --> 00:46:43,920
-[Aurora] And you never met him?
-[Jon] No, but I don't care.
685
00:46:44,000 --> 00:46:46,640
He disappeared when my mom
told him she was pregnant.
686
00:46:49,000 --> 00:46:50,600
I don't know my father either.
687
00:46:51,120 --> 00:46:52,200
No?
688
00:46:52,280 --> 00:46:54,400
And my mother
never wants to talk about it.
689
00:46:54,480 --> 00:46:56,800
[gentle music playing]
690
00:46:56,880 --> 00:47:00,200
Well, you're in luck,
because I have a method to get over it.
691
00:47:01,040 --> 00:47:03,480
Yeah, I'm sure you do. [chuckles]
692
00:47:03,560 --> 00:47:05,960
-Wanna know what it's called?
-All right.
693
00:47:06,920 --> 00:47:07,960
Hold this.
694
00:47:08,040 --> 00:47:09,720
[Aurora] No, but what are you gonna do?
695
00:47:09,800 --> 00:47:12,400
The method is called…
696
00:47:13,560 --> 00:47:14,560
[imitates drum roll]
697
00:47:14,640 --> 00:47:16,000
[laughs]
698
00:47:18,800 --> 00:47:20,000
…"I Say, Fuck It!"
699
00:47:20,600 --> 00:47:22,480
-It's good.
-You like it?
700
00:47:22,560 --> 00:47:24,760
-Yeah! [laughs]
-It works for so many things.
701
00:47:24,840 --> 00:47:27,640
For example, if your father's
never been to your birthday…
702
00:47:27,720 --> 00:47:30,520
-I say, "Fuck it"?
-You say, "Fuck it." You say, "Fuck it."
703
00:47:30,600 --> 00:47:32,880
If my father never gave me
a single thing in my life…
704
00:47:32,960 --> 00:47:34,680
-You say, "Fuck it."
-I say, "Fuck it."
705
00:47:34,760 --> 00:47:36,880
-You say, "Fuck it."
-I say, "Fuck it!"
706
00:47:36,960 --> 00:47:39,720
-Okay, you try now.
-Okay. Here.
707
00:47:39,800 --> 00:47:41,920
My father's never seen me
dancing up on stage.
708
00:47:42,000 --> 00:47:43,880
-So I say, "Fuck it."
-You say, "Fuck it."
709
00:47:43,960 --> 00:47:46,680
-[yells] I say, "Fuck it!"
-Hell, yeah! Do you like it?
710
00:47:46,760 --> 00:47:48,920
-I love it.
-Are you listening, people?
711
00:47:49,560 --> 00:47:50,400
Hey!
712
00:47:51,600 --> 00:47:52,960
She loves it!
713
00:47:53,040 --> 00:47:55,040
-[laughing]
-She loves it!
714
00:47:58,480 --> 00:48:00,000
[classical piano music plays]
715
00:48:07,560 --> 00:48:09,000
Careful with that cambré.
716
00:48:11,680 --> 00:48:13,760
Better. The accent with the head.
717
00:48:14,320 --> 00:48:15,160
Up.
718
00:48:17,840 --> 00:48:19,600
More tension in the hands, Wilis.
719
00:48:24,480 --> 00:48:26,000
And up on your tiptoes.
720
00:48:26,080 --> 00:48:27,640
Mark all those accents well.
721
00:48:27,720 --> 00:48:29,320
-[snapping fingers]
-Bop, bop, bop.
722
00:48:30,560 --> 00:48:32,480
And on a string.
723
00:48:32,560 --> 00:48:33,960
Strong. Out.
724
00:48:34,040 --> 00:48:34,920
Bop.
725
00:48:37,560 --> 00:48:38,760
And faster.
726
00:48:38,840 --> 00:48:40,080
Bourrée in place.
727
00:48:42,240 --> 00:48:43,080
No rush.
728
00:48:46,120 --> 00:48:47,280
[piano stops]
729
00:48:47,360 --> 00:48:48,240
I'm sorry.
730
00:48:48,840 --> 00:48:49,880
Are you okay?
731
00:48:51,880 --> 00:48:54,920
Ruth, you have to be very careful here.
732
00:48:55,520 --> 00:48:59,000
Right now, Myrtha's only walking
around the Wilis while they dance.
733
00:48:59,080 --> 00:49:01,880
-Yeah.
-It's important you don't go in the group.
734
00:49:01,960 --> 00:49:04,440
-I'm sorry, but she was in the middle.
-Ruth.
735
00:49:04,520 --> 00:49:07,080
Ruth, you need to focus
on what we're doing,
736
00:49:07,160 --> 00:49:09,120
otherwise we won't be ready
for the premiere.
737
00:49:09,200 --> 00:49:11,840
-I am focused, Norma.
- No. No, you're not.
738
00:49:12,480 --> 00:49:14,680
You're very angry
and it's distracting you.
739
00:49:15,600 --> 00:49:19,360
So take all that spoiled brat rage,
and pour it into the character.
740
00:49:19,440 --> 00:49:20,920
Myrtha needs it more than you do.
741
00:49:21,000 --> 00:49:23,600
You think you can do that? Or can't you?
742
00:49:26,920 --> 00:49:28,320
[Erik] Come on, girls.
743
00:49:30,280 --> 00:49:31,760
Let's take it from the top.
744
00:49:33,360 --> 00:49:36,640
-[man 1 outside] I have to see Norma,
for fuck's sake.
745
00:49:36,720 --> 00:49:39,240
-[man 2] No way. You can't go in there.
-[man 1] No, I'm going in.
746
00:49:39,320 --> 00:49:40,720
-[man 2] Sir--
-[man 1] I'm going in!
747
00:49:40,800 --> 00:49:41,880
-I'm going in!
-[door opens]
748
00:49:43,160 --> 00:49:44,240
-[door slams]
-[boy] Whoa!
749
00:49:44,320 --> 00:49:45,800
[dancers gasping]
750
00:49:45,880 --> 00:49:48,200
Óscar, why are you here?
You have no right to be here.
751
00:49:48,280 --> 00:49:51,200
Yes, I do. I do have the right.
Of course I have the right.
752
00:49:51,280 --> 00:49:52,880
For three months, I've been calling you.
753
00:49:52,960 --> 00:49:55,440
Three months, trying to get in
to get my daughter's things back.
754
00:49:55,520 --> 00:49:58,280
Are you drunk? You know I'm not about
to let you make a scene in here.
755
00:49:58,360 --> 00:50:01,320
No, me neither, I'm not gonna let you
steal her things away.
756
00:50:01,400 --> 00:50:03,640
[panting] She was my…
757
00:50:04,360 --> 00:50:05,480
My daughter.
758
00:50:06,040 --> 00:50:07,440
Not yours.
759
00:50:07,520 --> 00:50:09,440
Give me her things
or I'll call the police.
760
00:50:09,520 --> 00:50:11,160
-Sir, please--
-Don't touch me!
761
00:50:11,240 --> 00:50:13,440
-Don't touch me!
-Okay.
762
00:50:13,520 --> 00:50:17,520
I don't know who the fuck you are, but
this has nothing to do with you. [pants]
763
00:50:17,600 --> 00:50:21,120
Are you gonna bully me
like you bullied her?
764
00:50:21,200 --> 00:50:22,680
You know nothing about her.
765
00:50:22,760 --> 00:50:24,960
[sighs] You are such a bitch.
766
00:50:25,720 --> 00:50:27,840
[panting]
767
00:50:28,640 --> 00:50:30,680
[Óscar] This woman will ruin your lives.
768
00:50:31,840 --> 00:50:34,240
-All of you.
-[whispering]
769
00:50:34,320 --> 00:50:35,520
You know it's true.
770
00:50:43,040 --> 00:50:43,960
Continue.
771
00:50:47,360 --> 00:50:48,280
Let's go.
772
00:50:51,920 --> 00:50:55,400
-[girl 1 whispers] What just happened?
-[boy] What the hell was that?
773
00:50:55,480 --> 00:50:58,600
-[girl 2] Do you know who that was?
-[Erik] Okay, let's go again from the top.
774
00:51:07,360 --> 00:51:08,560
[glass smashes]
775
00:51:18,040 --> 00:51:19,080
Excuse me.
776
00:51:20,440 --> 00:51:21,400
Yes?
777
00:51:23,040 --> 00:51:25,680
I just wanted to say
I really admired María.
778
00:51:28,640 --> 00:51:29,760
[sighs]
779
00:51:31,440 --> 00:51:32,400
Thank you.
780
00:51:35,880 --> 00:51:36,880
Excuse me.
781
00:51:38,520 --> 00:51:40,120
You remind me of her a lot.
782
00:51:41,160 --> 00:51:42,080
You really do.
783
00:51:43,120 --> 00:51:46,440
[intriguing music playing]
784
00:51:55,080 --> 00:51:56,400
[car engine starts]
785
00:52:03,800 --> 00:52:05,960
Wait! Wait!
786
00:52:11,120 --> 00:52:13,440
NOTEBOOK FOR GISELLE
MARÍA POZA
787
00:52:19,640 --> 00:52:23,320
LISBON
788
00:52:27,800 --> 00:52:30,600
[Aurora] I don't get how María
could have feelings for this bitch.
789
00:52:31,600 --> 00:52:33,160
She wasn't always like this.
790
00:52:34,080 --> 00:52:35,640
Irene, stop defending her.
791
00:52:35,720 --> 00:52:38,160
Or do you really think
she pushed me on accident?
792
00:52:42,960 --> 00:52:44,120
[Irene sighs]
793
00:52:45,600 --> 00:52:47,920
LISBON
794
00:52:48,000 --> 00:52:49,800
ACT II
795
00:52:49,880 --> 00:52:53,040
[Irene] This isn't ours.
We should return it to María's father.
796
00:52:53,120 --> 00:52:56,480
If this is Giselle's notebook, it's yours.
Who's Giselle now?
797
00:52:56,560 --> 00:52:57,840
[both laugh]
798
00:52:58,400 --> 00:52:59,320
Don't say that.
799
00:53:00,320 --> 00:53:01,160
It's not mine.
800
00:53:01,800 --> 00:53:02,640
It is now.
801
00:53:03,560 --> 00:53:07,080
I'm sure that María left it for you
as some kind of instruction manual.
802
00:53:07,760 --> 00:53:09,320
[chuckles]
803
00:53:09,400 --> 00:53:12,280
[gentle, hopeful music plays]
804
00:53:18,760 --> 00:53:21,760
SANTA MARÍA RESERVOIR
805
00:53:23,160 --> 00:53:24,680
THE FOREST OF THE WILIS
806
00:53:24,760 --> 00:53:27,280
-Wow. Wilis' woods.
-Look at that. Wilis' woods.
807
00:53:27,360 --> 00:53:28,640
[both laugh]
808
00:53:32,360 --> 00:53:34,360
[birdsong]
809
00:53:39,600 --> 00:53:42,760
[gentle music continues]
810
00:53:45,960 --> 00:53:48,960
[Aurora] Now I understand
why María loved this place so much.
811
00:53:50,280 --> 00:53:51,760
[Irene] It's really pretty.
812
00:54:02,880 --> 00:54:05,120
-Is this her mother?
-Yeah.
813
00:54:05,200 --> 00:54:06,240
She was American.
814
00:54:06,800 --> 00:54:09,880
She went back to the States
after divorcing María's father.
815
00:54:10,560 --> 00:54:11,640
She adored her.
816
00:54:13,320 --> 00:54:14,480
And did you know her?
817
00:54:15,880 --> 00:54:16,720
A little.
818
00:54:17,400 --> 00:54:19,560
When we went to New York on tour,
819
00:54:19,640 --> 00:54:21,840
she would always come to the shows.
820
00:54:27,520 --> 00:54:28,680
Uh, hey.
821
00:54:28,760 --> 00:54:30,240
Do you like your parents?
822
00:54:33,240 --> 00:54:34,440
[chuckles]
823
00:54:34,520 --> 00:54:37,760
I mean, it's just… you can't choose it.
824
00:54:39,040 --> 00:54:40,680
Yeah, but do you like them?
825
00:54:43,120 --> 00:54:44,320
[sighs]
826
00:54:44,400 --> 00:54:45,880
My mom, yes, but…
827
00:54:47,920 --> 00:54:50,960
It's just my dad and I don't
really have a lot to talk about.
828
00:54:53,720 --> 00:54:54,640
And you?
829
00:54:54,720 --> 00:54:56,160
Do you like your mother?
830
00:54:56,880 --> 00:54:57,760
Sometimes.
831
00:54:58,520 --> 00:55:00,720
But I don't know if she likes me,
you know?
832
00:55:00,800 --> 00:55:02,120
She loves you.
833
00:55:03,800 --> 00:55:07,480
My mom loves how I dance.
And that I made the company.
834
00:55:08,960 --> 00:55:10,200
[chuckles]
835
00:55:12,040 --> 00:55:12,920
[sighs]
836
00:55:15,000 --> 00:55:16,720
Well, you know what I say?
837
00:55:21,240 --> 00:55:22,080
You say, "Fuck it."
838
00:55:22,160 --> 00:55:24,120
I say, "Fuck it." [chuckles]
839
00:55:24,920 --> 00:55:27,680
[both yell in unison] I say, "Fuck it!"
840
00:55:27,760 --> 00:55:29,240
[both laughing]
841
00:55:29,320 --> 00:55:32,200
[gentle music soars]
842
00:55:32,280 --> 00:55:35,440
[both laughing]
843
00:55:36,960 --> 00:55:37,960
You know what?
844
00:55:39,200 --> 00:55:41,240
We could just stay here forever.
845
00:55:41,880 --> 00:55:43,360
It will be our refuge.
846
00:55:45,960 --> 00:55:47,000
[sighs]
847
00:55:50,960 --> 00:55:52,920
We can be whatever we want here.
848
00:55:59,120 --> 00:56:01,600
[gentle music playing]
849
00:56:07,640 --> 00:56:09,600
[Aurora] No one can hurt us here.
850
00:56:11,000 --> 00:56:12,240
[Irene] I like it here.
851
00:56:14,440 --> 00:56:15,360
This is…
852
00:56:16,520 --> 00:56:17,400
[Aurora] …ours.
853
00:56:18,400 --> 00:56:19,240
And unique.
854
00:56:22,240 --> 00:56:23,480
[Irene] Forever.
855
00:56:26,960 --> 00:56:29,760
[delicate music playing]
856
00:57:15,160 --> 00:57:17,720
[music turns playful]
857
00:58:29,920 --> 00:58:31,920
[thunder rumbling]
858
00:58:38,560 --> 00:58:40,560
[music ends]
859
00:58:41,480 --> 00:58:42,640
[both laughing]
860
00:58:42,720 --> 00:58:44,080
[Irene] Come on!
861
00:58:44,760 --> 00:58:45,920
[Aurora] Hurry up!
862
00:58:48,080 --> 00:58:49,880
-[Aurora shrieks]
-[both laughing]
863
00:58:51,400 --> 00:58:52,600
[Aurora] Hurry up, please.
864
00:58:52,680 --> 00:58:54,680
Nothing's gonna happen, relax.
Hold on, okay?
865
00:58:54,760 --> 00:58:57,560
-Irene, hurry up, I beg you.
-Nothing will happen.
866
00:58:57,640 --> 00:58:58,480
Oh my God.
867
00:58:58,560 --> 00:58:59,720
-Now?
-Yes.
868
00:58:59,800 --> 00:59:01,480
-You sure?
-Yes. Done.
869
00:59:03,040 --> 00:59:04,320
[Aurora sighs]
870
00:59:16,800 --> 00:59:18,000
How does it feel?
871
00:59:18,600 --> 00:59:19,720
How does it feel when?
872
00:59:20,280 --> 00:59:21,120
Right now?
873
00:59:23,960 --> 00:59:25,400
No, when you're…
874
00:59:26,280 --> 00:59:27,240
Fucking?
875
00:59:28,440 --> 00:59:30,040
-Yeah, that.
-[giggles]
876
00:59:32,000 --> 00:59:32,880
Fucking.
877
00:59:32,960 --> 00:59:34,000
[Irene laughs]
878
00:59:34,880 --> 00:59:35,720
I don't know.
879
00:59:35,800 --> 00:59:38,160
For me, it's like dancing
at the nightclub,
880
00:59:38,240 --> 00:59:40,160
and I prefer doing it on a stage.
881
00:59:42,920 --> 00:59:43,760
I've never…
882
00:59:44,800 --> 00:59:47,760
-You've never danced at a nightclub?
-Yes, I have. With you.
883
00:59:47,840 --> 00:59:51,240
Maybe you should do it with someone else,
Sleeping Beauty.
884
00:59:59,960 --> 01:00:01,680
Did you give him your number?
885
01:00:02,840 --> 01:00:03,720
Yes.
886
01:00:04,400 --> 01:00:05,800
But he hasn't called.
887
01:00:05,880 --> 01:00:07,200
Did you call him?
888
01:00:10,760 --> 01:00:12,200
Isn't it a bit cold?
889
01:00:19,680 --> 01:00:22,360
-When's the last time you saw him?
-It was that night.
890
01:00:23,560 --> 01:00:25,040
Today's Saturday, right?
891
01:00:26,640 --> 01:00:27,840
Yes, but why?
892
01:00:34,000 --> 01:00:35,960
NEW GARAJE LUMIÈRE
893
01:00:36,040 --> 01:00:38,120
[Aurora] Are you sure this is a good idea?
894
01:00:38,200 --> 01:00:39,400
[Irene] I'm sure.
895
01:00:40,400 --> 01:00:42,400
[Aurora] What if he says no? [laughs]
896
01:00:42,480 --> 01:00:44,960
-Get out of the car, slowpoke.
-[both laugh]
897
01:00:54,680 --> 01:00:56,600
[Irene] Aurora. Aurora!
898
01:00:57,440 --> 01:00:58,440
Your backpack.
899
01:00:59,120 --> 01:01:00,960
You won't be going home tonight.
900
01:01:03,120 --> 01:01:04,720
[both laugh]
901
01:01:06,240 --> 01:01:07,480
See you tomorrow.
902
01:01:08,560 --> 01:01:10,080
[rain pouring]
903
01:01:16,240 --> 01:01:17,800
[man] I'm sorry, we're closing.
904
01:01:19,320 --> 01:01:20,440
[Aurora] Is Jon here?
905
01:01:21,560 --> 01:01:24,360
He'll be right out.
Just wait here, if you don't mind.
906
01:01:27,240 --> 01:01:29,240
[ambient electronic music playing]
907
01:02:18,960 --> 01:02:21,280
[unsettling music rising]
908
01:02:44,040 --> 01:02:45,040
[horn blares]
909
01:02:45,120 --> 01:02:46,440
[loud thud]
910
01:02:47,640 --> 01:02:49,640
[wipers thumping rhythmically]
911
01:02:51,880 --> 01:02:53,200
[man] Someone help!
912
01:02:53,720 --> 01:02:55,680
Are you okay? Are you okay?
913
01:02:57,160 --> 01:02:58,240
We need help!
914
01:02:59,600 --> 01:03:01,280
Someone call an ambulance!
915
01:03:01,360 --> 01:03:03,040
-Help!
-[rhythmic thumping continues]
916
01:03:03,120 --> 01:03:06,480
ACT II
917
01:03:07,800 --> 01:03:10,000
-[rhythmic thumping becomes heartbeat]
-[lights clank]
918
01:03:23,120 --> 01:03:24,880
[heartbeat continues]
919
01:03:39,360 --> 01:03:40,840
[heartbeat continues]
920
01:03:50,800 --> 01:03:52,800
[muffled laughter]
921
01:03:53,480 --> 01:03:55,080
-[laughing]
-I'll show you.
922
01:03:55,160 --> 01:03:57,160
Oh my God, stop. No!
923
01:04:01,640 --> 01:04:02,800
[shutters clicking]
924
01:04:11,760 --> 01:04:13,720
Hello, I'm Pedro Ángel Sánchez
from El País.
925
01:04:13,800 --> 01:04:14,760
Hello.
926
01:04:20,200 --> 01:04:23,120
Uh, ready to go? Uh, can you
say something for a soundcheck?
927
01:04:23,200 --> 01:04:24,160
Sure.
928
01:04:25,040 --> 01:04:29,520
Uh, hi, I'm Irene Solís
and this is the National Classical Ballet.
929
01:04:30,600 --> 01:04:31,680
And I am…
930
01:04:31,760 --> 01:04:32,600
[man] Aurora.
931
01:04:34,080 --> 01:04:34,920
Aurora.
932
01:04:36,360 --> 01:04:37,600
How are you feeling?
933
01:04:39,080 --> 01:04:40,840
-Fine.
-Yeah?
934
01:04:41,360 --> 01:04:42,840
How did you spend the last week?
935
01:04:42,920 --> 01:04:45,360
I've been rehearsing a lot.
That is what dancing is.
936
01:04:45,880 --> 01:04:47,240
[Pedro] What do you mean?
937
01:04:47,320 --> 01:04:48,320
Demanding.
938
01:04:48,880 --> 01:04:50,880
Is it demanding, or too hard?
939
01:04:50,960 --> 01:04:51,960
[gasps]
940
01:04:52,480 --> 01:04:56,000
Nothing is ever too hard for you
when you're living your dream.
941
01:04:56,080 --> 01:04:57,040
[man] A dream?
942
01:04:57,880 --> 01:04:58,880
And what was it?
943
01:04:59,480 --> 01:05:01,000
Everyone was made of glass.
944
01:05:03,640 --> 01:05:04,800
But I feel just fine.
945
01:05:05,760 --> 01:05:06,640
Why's that?
946
01:05:06,720 --> 01:05:07,880
[door closes]
947
01:05:09,080 --> 01:05:10,920
Because no one's making fun of me.
948
01:05:12,080 --> 01:05:13,240
Were you alone?
949
01:05:15,880 --> 01:05:16,720
No.
950
01:05:19,000 --> 01:05:20,080
With Irene.
951
01:05:20,160 --> 01:05:22,560
[Pedro] So tell me, who really is Irene?
952
01:05:23,200 --> 01:05:26,640
Irene is a girl who's… normal,
953
01:05:26,720 --> 01:05:29,840
with a family that's… normal,
954
01:05:29,920 --> 01:05:31,640
and a job that's not so normal.
955
01:05:32,480 --> 01:05:33,480
And nothing else.
956
01:05:34,000 --> 01:05:35,160
[Pedro] And Giselle?
957
01:05:36,280 --> 01:05:38,880
Giselle is a woman who…
958
01:05:39,400 --> 01:05:42,640
spirals into madness and death
because of a man's betrayal.
959
01:05:43,160 --> 01:05:45,320
[man] You feel like he betrayed you?
960
01:05:46,240 --> 01:05:48,280
But you barely knew each other, right?
961
01:05:49,400 --> 01:05:50,600
Yeah.
962
01:05:50,680 --> 01:05:53,000
[man]
Aurora, you need to understand
963
01:05:53,080 --> 01:05:56,000
that the messages
you've been sending him since then,
964
01:05:56,080 --> 01:05:58,600
aren't okay, that they aren't, uh,
965
01:05:59,840 --> 01:06:00,800
fair.
966
01:06:01,840 --> 01:06:04,960
And that this hurts you even more.
967
01:06:05,560 --> 01:06:07,640
Well, pain is part of the job,
968
01:06:07,720 --> 01:06:11,360
like any emotion
that we have to communicate from up here.
969
01:06:12,360 --> 01:06:15,520
[Pedro] And when you dance,
do you think of anyone in particular
970
01:06:15,600 --> 01:06:17,040
when you feel that pain?
971
01:06:18,560 --> 01:06:19,400
I think…
972
01:06:20,360 --> 01:06:23,200
about how hard it can be to miss someone.
973
01:06:33,400 --> 01:06:34,240
Look.
974
01:06:34,760 --> 01:06:38,120
The problem is that
I can't continue treating your daughter.
975
01:06:38,800 --> 01:06:40,280
Or, at least, I shouldn't.
976
01:06:40,800 --> 01:06:41,920
[mother] And why is that?
977
01:06:42,000 --> 01:06:44,360
Well, I've only been treating her
for a month,
978
01:06:44,440 --> 01:06:48,320
but I would venture to say
I think Aurora should see a psychiatrist.
979
01:06:49,120 --> 01:06:52,360
-When did she see Irene for the last time?
-[mother] The day of the accident.
980
01:06:52,440 --> 01:06:53,720
[man] Perfect. Keep it that way.
981
01:06:53,800 --> 01:06:56,600
The sooner she breaks the bond,
the sooner she'll be back to normal.
982
01:06:56,680 --> 01:06:58,480
[ringing tone]
983
01:06:59,480 --> 01:07:02,520
The number you are trying to reach
is not available at this time.
984
01:07:02,600 --> 01:07:04,080
Please leave a message.
985
01:07:04,680 --> 01:07:08,160
Aurora, when you turn your phone on,
call me, okay?
986
01:07:09,040 --> 01:07:11,520
I miss you,
and I need to know you're okay.
987
01:07:12,840 --> 01:07:15,160
I only know what the company told us.
988
01:07:16,800 --> 01:07:17,920
[bleep]
989
01:07:26,760 --> 01:07:28,200
[footsteps]
990
01:07:34,800 --> 01:07:36,880
You never forget your first time.
991
01:07:40,080 --> 01:07:41,280
How are you feeling?
992
01:07:44,080 --> 01:07:45,640
I would like to feel better,
993
01:07:46,360 --> 01:07:47,960
but it's like I have vertigo.
994
01:07:49,640 --> 01:07:50,560
Or fear.
995
01:07:51,320 --> 01:07:53,080
-It's not the same?
-No.
996
01:07:53,800 --> 01:07:54,640
No, it isn't.
997
01:07:56,480 --> 01:07:57,880
Come to my house.
998
01:07:57,960 --> 01:07:59,360
Let's have a drink.
999
01:07:59,920 --> 01:08:01,800
I shouldn't. I have class tomorrow.
1000
01:08:01,880 --> 01:08:04,160
No. You have class right now.
1001
01:08:15,640 --> 01:08:17,080
You were very good today.
1002
01:09:14,360 --> 01:09:16,240
[clock ticking]
1003
01:09:32,000 --> 01:09:34,040
The Paris Opera theater.
1004
01:09:36,040 --> 01:09:38,040
Went out for 12 curtain calls.
1005
01:09:39,120 --> 01:09:41,120
I've never seen anything like it.
1006
01:09:44,960 --> 01:09:45,960
Thank you.
1007
01:10:02,840 --> 01:10:03,840
[quiet orchestral music]
1008
01:10:03,920 --> 01:10:05,280
Can I ask you a question?
1009
01:10:06,280 --> 01:10:07,400
Do you want to?
1010
01:10:10,200 --> 01:10:11,640
Why did you choose me?
1011
01:10:11,720 --> 01:10:13,440
Because you are the best.
1012
01:10:13,520 --> 01:10:14,360
No, I'm not.
1013
01:10:14,960 --> 01:10:18,000
-Ruth is the best.
-Ruth is the perfect Myrtha.
1014
01:10:18,080 --> 01:10:22,400
In contrast, you,
you're a solitary warrior, like Giselle.
1015
01:10:22,480 --> 01:10:23,400
Like me.
1016
01:10:25,520 --> 01:10:26,800
How is your mother?
1017
01:10:28,320 --> 01:10:30,360
It's been a while
since she came by the company.
1018
01:10:30,960 --> 01:10:32,920
Fine. Normal. She works a lot.
1019
01:10:33,000 --> 01:10:35,840
My parents didn't
take me seriously either.
1020
01:10:36,360 --> 01:10:37,360
They never did.
1021
01:10:38,240 --> 01:10:39,680
Even though I ended up directing
1022
01:10:39,760 --> 01:10:42,480
the most important
dance company in the country.
1023
01:10:43,240 --> 01:10:45,160
But that's why you have to be strong.
1024
01:10:45,840 --> 01:10:46,720
Norma,
1025
01:10:47,560 --> 01:10:49,240
I don't know if I'm that strong.
1026
01:10:50,280 --> 01:10:52,840
Come. I want to show you something. Come.
1027
01:11:01,880 --> 01:11:02,720
What do you see?
1028
01:11:04,160 --> 01:11:05,600
I don't know. Myself.
1029
01:11:05,680 --> 01:11:06,800
And what else?
1030
01:11:09,920 --> 01:11:10,960
I don't know.
1031
01:11:11,680 --> 01:11:14,160
Stop keeping all of your feelings
inside of you.
1032
01:11:15,400 --> 01:11:18,760
You can tell me anything.
This is your place.
1033
01:11:18,840 --> 01:11:21,680
María struggled too,
but in the end, she did it.
1034
01:11:23,280 --> 01:11:24,840
I don't know if I'm capable.
1035
01:11:24,920 --> 01:11:27,480
If you weren't,
I never would have chosen you.
1036
01:11:28,480 --> 01:11:30,280
You're the only one that thinks so.
1037
01:11:30,920 --> 01:11:33,360
The most important thing
is that we think that.
1038
01:11:34,400 --> 01:11:35,920
And that you trust me.
1039
01:11:36,800 --> 01:11:39,520
I'll take care of you,
no matter what happens.
1040
01:11:46,080 --> 01:11:47,360
I didn't choose you.
1041
01:11:56,880 --> 01:11:58,200
María chose you.
1042
01:12:04,600 --> 01:12:06,400
The night before she left for New York,
1043
01:12:06,480 --> 01:12:09,360
she confessed to me
that you'd be a perfect Giselle.
1044
01:12:11,440 --> 01:12:12,960
And she was right.
1045
01:12:13,840 --> 01:12:16,400
María was perfect. And I am not.
1046
01:12:16,480 --> 01:12:18,880
She would be alive if she were perfect.
1047
01:12:20,680 --> 01:12:22,640
María could have been immortal.
1048
01:12:22,720 --> 01:12:23,760
She had everything.
1049
01:12:24,920 --> 01:12:26,120
Your friend, too.
1050
01:12:27,040 --> 01:12:28,200
But no…
1051
01:12:28,280 --> 01:12:30,200
They both threw everything away.
1052
01:12:30,720 --> 01:12:32,120
It wasn't Aurora's fault.
1053
01:12:32,200 --> 01:12:33,320
[chuckles]
1054
01:12:33,920 --> 01:12:35,160
It's weird, but…
1055
01:12:36,680 --> 01:12:40,040
when we were together,
it's as if nothing bad could happen to us.
1056
01:12:40,120 --> 01:12:43,280
Stop taking responsibility
for other people's lives.
1057
01:12:43,360 --> 01:12:45,520
You are this company's first dancer.
1058
01:12:45,600 --> 01:12:49,280
And that means you must learn
to be alone and not depend on anyone.
1059
01:12:49,880 --> 01:12:52,680
There's no prima ballerina
who can maintain friendships
1060
01:12:52,760 --> 01:12:54,440
in this scenario, Irene.
1061
01:12:54,520 --> 01:12:56,880
I'm not glad about what happened to her,
1062
01:12:58,200 --> 01:13:00,960
but I am relieved
that you two had to part ways,
1063
01:13:01,040 --> 01:13:02,760
because she wasn't
a good influence on you.
1064
01:13:03,520 --> 01:13:06,160
Sometimes, things happen for a reason.
1065
01:13:26,800 --> 01:13:27,640
Take it.
1066
01:13:29,240 --> 01:13:30,280
This is for you.
1067
01:13:32,080 --> 01:13:35,320
I want you to write down
all of Giselle's thoughts in there.
1068
01:13:37,040 --> 01:13:38,120
How she is.
1069
01:13:38,920 --> 01:13:40,160
What she likes.
1070
01:13:41,000 --> 01:13:43,960
What she's afraid of,
what helps her get out of bed every day,
1071
01:13:44,040 --> 01:13:45,320
what keeps her up at night.
1072
01:13:45,400 --> 01:13:49,920
All of that will help you
forget about Irene and turn into Giselle.
1073
01:13:51,200 --> 01:13:53,760
Until you're in her head,
you won't be her.
1074
01:13:54,480 --> 01:13:56,000
That's your only job.
1075
01:13:59,360 --> 01:14:01,640
-Norma…
-Class is dismissed.
1076
01:14:23,360 --> 01:14:24,480
[mother] Does it hurt?
1077
01:14:25,000 --> 01:14:27,440
No. It stings a little.
1078
01:14:27,960 --> 01:14:30,160
See? That's because it's healing.
1079
01:14:35,280 --> 01:14:37,120
Doctors get it wrong sometimes.
1080
01:14:37,640 --> 01:14:39,280
And you're very young, Aurora.
1081
01:14:39,360 --> 01:14:42,600
You'll see. In a couple of months,
everything will be back to normal.
1082
01:14:43,640 --> 01:14:45,520
And I'll be able to call Irene?
1083
01:14:47,120 --> 01:14:48,040
Of course.
1084
01:14:50,880 --> 01:14:52,880
[shower running]
1085
01:15:02,120 --> 01:15:05,280
But I already told you
that the phone will only cause problems.
1086
01:15:05,800 --> 01:15:07,840
So for now, I'll hold onto it for you.
1087
01:15:13,120 --> 01:15:14,480
[inhales]
1088
01:15:14,560 --> 01:15:18,520
The therapist asked what would happen
if I could never dance again.
1089
01:15:19,040 --> 01:15:22,920
[gasps] That man is useless,
and we're not going back, you hear me?
1090
01:15:23,000 --> 01:15:26,520
Why would you see a psychiatrist?
Your tibia's broken, not your head.
1091
01:15:27,640 --> 01:15:29,080
[Aurora] What if it's true?
1092
01:15:29,160 --> 01:15:31,560
What if he's right
and I can never dance again?
1093
01:15:32,080 --> 01:15:34,640
-[scrubbing hard]
-That's not what happened to my daughter.
1094
01:15:34,720 --> 01:15:36,280
-You hear?
-Mom!
1095
01:15:36,360 --> 01:15:37,360
What?
1096
01:15:38,280 --> 01:15:39,480
Now it hurts a bit.
1097
01:15:40,000 --> 01:15:40,840
[sighs]
1098
01:15:42,120 --> 01:15:43,680
[sighs] Sorry.
1099
01:15:43,760 --> 01:15:45,120
[shower running]
1100
01:16:11,600 --> 01:16:13,080
[whimpering]
1101
01:16:14,200 --> 01:16:16,200
[sobbing]
1102
01:16:18,160 --> 01:16:19,040
[door opens]
1103
01:16:19,120 --> 01:16:20,360
Oh shit, I'm sorry.
1104
01:16:20,440 --> 01:16:22,600
What the hell are you doing?
Can't you knock?
1105
01:16:23,680 --> 01:16:27,000
-I'm sorry, I thought I could go in.
-Well, you can't, all right?
1106
01:16:27,520 --> 01:16:29,280
Okay, all right. I'm sorry.
1107
01:16:29,360 --> 01:16:32,040
I'm sorry. I just wanted to know
how you were doing.
1108
01:16:33,600 --> 01:16:35,720
[gasps] Great. I'm marvelous.
1109
01:16:37,360 --> 01:16:38,520
I'm glad.
1110
01:16:43,320 --> 01:16:44,400
I'm super happy.
1111
01:16:46,520 --> 01:16:47,560
About what?
1112
01:16:48,880 --> 01:16:50,480
[clock ticking]
1113
01:16:52,040 --> 01:16:53,400
The exam, Irene.
1114
01:16:57,000 --> 01:16:58,000
When is it?
1115
01:17:02,640 --> 01:17:03,640
Yesterday.
1116
01:17:06,440 --> 01:17:07,560
[sighs]
1117
01:17:09,480 --> 01:17:10,480
[sighs]
1118
01:17:23,160 --> 01:17:24,480
[woman] The waist.
1119
01:17:26,080 --> 01:17:28,640
-All right, arms down.
-How is it?
1120
01:17:29,400 --> 01:17:30,560
You're the same.
1121
01:17:31,320 --> 01:17:33,080
Can you finish that later?
1122
01:17:33,160 --> 01:17:35,800
Of course. Go on, we'll finish later.
1123
01:17:38,160 --> 01:17:39,000
Yes?
1124
01:17:39,800 --> 01:17:41,800
Can you please give me Giselle's costume?
1125
01:17:41,880 --> 01:17:43,600
-Which act?
-The second.
1126
01:17:43,680 --> 01:17:44,640
Okay.
1127
01:17:46,000 --> 01:17:47,800
Give me a moment. [sighs]
1128
01:17:52,000 --> 01:17:54,440
-Has she tried it on yet?
-No.
1129
01:17:55,400 --> 01:17:58,440
But it's her turn in 20 minutes.
1130
01:18:09,320 --> 01:18:10,800
Bring it down a size.
1131
01:18:11,640 --> 01:18:13,960
She still doesn't realize what's at stake.
1132
01:18:14,840 --> 01:18:16,880
[piano music playing]
1133
01:18:44,920 --> 01:18:46,920
[Irene breathing shakily]
1134
01:19:13,080 --> 01:19:14,760
[panting]
1135
01:19:20,320 --> 01:19:22,000
[gasping]
1136
01:19:23,120 --> 01:19:24,280
Oh, God.
1137
01:19:30,440 --> 01:19:31,720
[yells]
1138
01:19:31,800 --> 01:19:34,000
[sobbing]
1139
01:19:37,760 --> 01:19:39,280
You gotta be strong.
1140
01:19:39,360 --> 01:19:42,040
Be strong, be strong,
be strong, be strong, be strong.
1141
01:19:42,120 --> 01:19:43,440
Be strong, be…
1142
01:19:48,120 --> 01:19:51,200
[panting]
1143
01:19:54,360 --> 01:19:56,080
[Jon] Yeah. It'll freak you out.
1144
01:19:56,160 --> 01:19:58,120
-It's awesome.
-[boy] Is there any food?
1145
01:19:58,200 --> 01:19:59,800
[Jon] No, no.
But there is a cool bar.
1146
01:19:59,880 --> 01:20:01,400
-[girl] 1 Yeah? Oh, really?
-[Jon] Yeah.
1147
01:20:01,480 --> 01:20:03,600
[girl 1] All right.
Well, maybe see you there.
1148
01:20:03,680 --> 01:20:05,920
-[Jon] Okay, great, see you there.
-[boy] All right.
1149
01:20:06,000 --> 01:20:07,480
-[girl 1] Okay. Thanks.
-[girl 2] Okay.
1150
01:20:07,560 --> 01:20:09,240
-[Jon] You're welcome. Bye.
-[girl 1] Bye.
1151
01:20:11,480 --> 01:20:13,800
Look. An exhibition at Garaje Lumière…
1152
01:20:20,120 --> 01:20:21,480
[Irene] What are you doing?
1153
01:20:21,560 --> 01:20:22,400
I'm working.
1154
01:20:22,480 --> 01:20:25,560
-Do you have to come here?
-I don't pick the areas.
1155
01:20:29,600 --> 01:20:31,320
I can't. I'm very busy, thanks.
1156
01:20:35,440 --> 01:20:37,360
Impressive,
seeing yourself like that, huh?
1157
01:20:41,480 --> 01:20:43,080
I saw her name was missing.
1158
01:20:44,080 --> 01:20:45,320
How is she?
1159
01:20:45,400 --> 01:20:48,560
-How do you think?
-I don't know. I asked you.
1160
01:20:49,320 --> 01:20:50,240
Is she better?
1161
01:20:53,000 --> 01:20:53,960
Irene,
1162
01:20:55,120 --> 01:20:57,360
I'm sorry for what happened,
but it wasn't my fault.
1163
01:20:57,440 --> 01:20:59,680
I think Aurora's great,
but it was just one night.
1164
01:20:59,760 --> 01:21:01,280
One night and two kisses.
1165
01:21:01,880 --> 01:21:02,720
Yeah.
1166
01:21:03,520 --> 01:21:05,800
You say, "Fuck it." Right?
1167
01:21:06,920 --> 01:21:08,440
Irene, I'm not a bad guy,
1168
01:21:08,960 --> 01:21:11,880
but it's not fair that after something
that only happened in Aurora's head,
1169
01:21:11,960 --> 01:21:13,520
she sent me those messages.
1170
01:21:14,800 --> 01:21:15,640
What messages?
1171
01:21:16,520 --> 01:21:18,640
You're her friend, she must have told you.
1172
01:21:20,440 --> 01:21:22,000
She didn't say anything?
1173
01:21:22,640 --> 01:21:25,400
-When was the last time you talked?
-And why do you care, man?
1174
01:21:25,480 --> 01:21:28,000
I really don't care, actually.
But I bet she does.
1175
01:21:30,840 --> 01:21:33,560
I really have to go. This area's huge.
1176
01:21:37,280 --> 01:21:38,160
Oh, and,
1177
01:21:38,240 --> 01:21:39,440
have a good show.
1178
01:21:57,040 --> 01:21:59,040
[bell rings]
1179
01:22:03,160 --> 01:22:04,080
[Aurora's mother] Yes?
1180
01:22:05,240 --> 01:22:06,800
Pilar, it's Irene.
1181
01:22:09,000 --> 01:22:10,560
One moment. I'm coming down.
1182
01:22:11,320 --> 01:22:12,440
[click]
1183
01:22:13,080 --> 01:22:14,160
[door opens]
1184
01:22:18,120 --> 01:22:19,200
Hello, Pilar.
1185
01:22:20,800 --> 01:22:22,080
Aurora's resting now.
1186
01:22:23,920 --> 01:22:24,920
Can I see her?
1187
01:22:25,640 --> 01:22:26,560
No.
1188
01:22:27,160 --> 01:22:28,360
That's not a good idea.
1189
01:22:29,680 --> 01:22:30,520
But why?
1190
01:22:30,600 --> 01:22:33,080
You know what happened
the last time you were together.
1191
01:22:33,160 --> 01:22:34,560
I just wanted to apologize to her.
1192
01:22:35,960 --> 01:22:36,800
I beg you.
1193
01:22:38,760 --> 01:22:39,720
Well.
1194
01:22:40,840 --> 01:22:41,880
[Aurora] Irene?
1195
01:22:42,400 --> 01:22:43,960
[Pilar] Aurora, go back inside!
1196
01:22:44,800 --> 01:22:45,640
You came.
1197
01:22:47,200 --> 01:22:48,040
[Pilar] Aurora.
1198
01:22:49,640 --> 01:22:51,000
Mom, let her in.
1199
01:22:51,840 --> 01:22:53,600
-No.
-[Aurora] Please.
1200
01:22:54,480 --> 01:22:56,200
Don't you want me
to go back to the company?
1201
01:22:56,800 --> 01:22:58,200
Irene can help me with that.
1202
01:22:59,400 --> 01:23:00,680
That's why she's here.
1203
01:23:01,480 --> 01:23:02,560
Isn't that right?
1204
01:23:03,960 --> 01:23:05,080
Yeah.
1205
01:23:08,160 --> 01:23:09,360
Mom, please.
1206
01:23:11,800 --> 01:23:12,800
Mom.
1207
01:23:15,840 --> 01:23:18,440
[gentle music playing]
1208
01:23:18,520 --> 01:23:22,200
[Aurora] It doesn't hurt so much anymore.
It's actually a lot better.
1209
01:23:22,280 --> 01:23:23,640
[Irene] And what is this?
1210
01:23:24,680 --> 01:23:26,520
[Aurora] It's just for protection.
1211
01:23:26,600 --> 01:23:28,320
It's not comfortable to walk with,
1212
01:23:28,400 --> 01:23:31,720
but my mother said that if I wear it,
I'll be able to dance again soon.
1213
01:23:43,400 --> 01:23:44,680
I missed you a lot.
1214
01:23:47,320 --> 01:23:48,400
Me too.
1215
01:23:49,600 --> 01:23:52,800
-Why didn't you come sooner?
-I didn't have the time, and…
1216
01:23:53,360 --> 01:23:56,240
Norma doesn't want me
distracted by anything.
1217
01:23:56,320 --> 01:23:57,680
Or anybody, right?
1218
01:24:03,440 --> 01:24:04,760
Irene, it wasn't your fault.
1219
01:24:05,720 --> 01:24:08,200
I left you alone. And look what happened.
1220
01:24:09,960 --> 01:24:12,120
That's why we can never be apart again.
1221
01:24:18,400 --> 01:24:20,120
Norma gave me the same one.
1222
01:24:26,280 --> 01:24:28,200
No notebook is like this one.
1223
01:24:33,560 --> 01:24:35,280
[Irene] What does Giselle want?
1224
01:24:36,240 --> 01:24:37,680
What does Giselle want?
1225
01:24:37,760 --> 01:24:40,440
-What does Giselle want?
-Giselle just wants to dance.
1226
01:24:49,880 --> 01:24:51,320
-But…
-[both laugh]
1227
01:24:52,800 --> 01:24:53,880
[Aurora] Careful.
1228
01:24:56,000 --> 01:24:56,840
Okay.
1229
01:24:59,320 --> 01:25:00,160
[Irene] Ready?
1230
01:25:00,240 --> 01:25:01,360
-[Aurora] Yes.
-[Irene] Yeah?
1231
01:25:03,560 --> 01:25:06,080
[Irene] You have to be with me
on opening night.
1232
01:25:07,560 --> 01:25:09,040
I can't do it without you.
1233
01:25:10,360 --> 01:25:11,760
They all want me to fail.
1234
01:25:13,520 --> 01:25:14,720
[Aurora] I'll be there.
1235
01:25:15,920 --> 01:25:17,160
[Irene] Swear it.
1236
01:25:18,360 --> 01:25:19,240
[Aurora] I swear.
1237
01:25:21,240 --> 01:25:22,720
[Irene] I miss our place.
1238
01:25:23,960 --> 01:25:25,000
[Aurora] Me too.
1239
01:25:27,240 --> 01:25:30,560
[gentle music continues]
1240
01:26:28,680 --> 01:26:30,640
[glass tinkling]
1241
01:26:33,960 --> 01:26:35,440
[Aurora] But be careful.
1242
01:26:35,520 --> 01:26:36,880
They're after you.
1243
01:26:37,400 --> 01:26:39,480
[Ruth] Her mom's a judge
and her dad's a lawyer.
1244
01:26:39,560 --> 01:26:42,160
-[Israel] They won't do anything.
-[Ruth] But they must know.
1245
01:26:42,240 --> 01:26:44,120
-I mean, she must've told them.
-No.
1246
01:26:45,240 --> 01:26:46,360
Hello.
1247
01:26:51,720 --> 01:26:52,960
[lock clicks]
1248
01:26:53,040 --> 01:26:55,280
-[Israel] She's an asshole.
-[Ruth] She heard everything.
1249
01:26:55,360 --> 01:26:57,880
-She totally caught us.
-[Israel] I don't give a shit if she did,
1250
01:26:57,960 --> 01:26:59,360
[Ruth] Did you see her face?
1251
01:26:59,440 --> 01:27:01,000
[piano playing]
1252
01:27:08,440 --> 01:27:09,920
No, no, stop. Stop.
1253
01:27:10,000 --> 01:27:11,400
-Stop. Stop!
-[piano stops]
1254
01:27:12,200 --> 01:27:13,920
I don't like it. Do it again.
1255
01:27:17,920 --> 01:27:19,240
[sighs]
1256
01:27:20,920 --> 01:27:22,480
Let's start from the imbalance now.
1257
01:27:24,880 --> 01:27:26,560
[piano plays]
1258
01:28:03,520 --> 01:28:05,640
-Stop. Stop. Stop!
-[piano stops]
1259
01:28:06,520 --> 01:28:09,560
You don't need to prance.
I need to see you soar.
1260
01:28:09,640 --> 01:28:11,360
I need to feel like
you're going to take off.
1261
01:28:11,440 --> 01:28:13,360
Like you're going to disappear. Yes?
1262
01:28:13,440 --> 01:28:14,920
You dance with your soul.
1263
01:28:15,000 --> 01:28:16,760
Don't just follow steps.
1264
01:28:16,840 --> 01:28:17,800
Do it again!
1265
01:28:21,360 --> 01:28:23,360
[piano plays]
1266
01:28:29,360 --> 01:28:31,360
[Irene breathing shakily]
1267
01:28:33,320 --> 01:28:34,800
[Norma] Stop. No. Nothing.
1268
01:28:34,880 --> 01:28:36,600
-[piano stops]
-it's not working.
1269
01:28:36,680 --> 01:28:37,960
-[sighing]
-No.
1270
01:28:38,040 --> 01:28:40,400
Enough. It isn't working.
1271
01:28:40,480 --> 01:28:42,520
Why don't we take five minutes, Norma?
1272
01:28:42,600 --> 01:28:45,920
No, I don't have five minutes, because
I'm meeting our press manager in ten,
1273
01:28:46,000 --> 01:28:48,680
and I don't wanna tell her
we have to postpone the premiere.
1274
01:28:49,600 --> 01:28:51,360
This depends on you.
1275
01:28:51,440 --> 01:28:53,960
And the work of your peers depends on you.
1276
01:28:54,480 --> 01:28:56,080
As does the whole company.
1277
01:28:56,720 --> 01:28:57,920
Do it again!
1278
01:28:58,440 --> 01:28:59,880
And I don't want any looks.
1279
01:29:02,200 --> 01:29:05,200
Can we start at the arabesque,
if you please?
1280
01:29:07,160 --> 01:29:08,280
[piano plays]
1281
01:29:21,320 --> 01:29:22,800
-[Irene cries out]
-[shocked murmurs]
1282
01:29:22,880 --> 01:29:24,120
[girl] Oh my God.
1283
01:29:24,200 --> 01:29:25,440
[girl 2] Shit.
1284
01:29:26,880 --> 01:29:29,400
-Are you all right?
-Yes, I think so.
1285
01:29:29,920 --> 01:29:32,320
[Erik] Can you move? Come on, stand up.
1286
01:29:32,960 --> 01:29:34,480
-[Irene gasps]
-[Erik] Mm?
1287
01:29:34,560 --> 01:29:36,200
-[Irene] Mm.
-[Erik] And your foot?
1288
01:29:36,280 --> 01:29:38,040
-[Irene] Yeah.
-[Erik] Yeah?
1289
01:29:38,120 --> 01:29:39,280
[Israel] Irene?
1290
01:29:39,360 --> 01:29:41,120
Irene, I'm sorry, I slipped.
1291
01:29:41,640 --> 01:29:44,600
-Don't fucking touch me!
-It was unintentional.
1292
01:29:44,680 --> 01:29:47,240
-Unintentional?
-I'm sorry. Yeah, unintentional.
1293
01:29:50,720 --> 01:29:52,680
-This is what you wanted, right?
-What do you mean?
1294
01:29:52,760 --> 01:29:53,960
Tell me you didn't plan this.
1295
01:29:54,040 --> 01:29:56,640
Or weren't talking about this
in the fucking locker room.
1296
01:29:56,720 --> 01:30:00,000
-You don't know what you're saying.
-[Erik] Ruth. One second.
1297
01:30:03,080 --> 01:30:05,080
-[gasps]
-[Erik] Irene, please.
1298
01:30:05,880 --> 01:30:07,120
These things happen.
1299
01:30:07,200 --> 01:30:09,160
Luckily, it was nothing
and we can continue.
1300
01:30:09,240 --> 01:30:11,800
Continue?
You want to continue after this?
1301
01:30:11,880 --> 01:30:14,560
[Erik] Irene, I'm really sorry,
but we have to move on.
1302
01:30:14,640 --> 01:30:16,680
-You know we have very little time.
-[sighs]
1303
01:30:16,760 --> 01:30:18,440
The public rehearsal is on Tuesday.
1304
01:30:18,520 --> 01:30:20,120
-But don't you see it?
-[Erik] See what?
1305
01:30:20,200 --> 01:30:22,120
Irene, there's nothing to see.
1306
01:30:22,200 --> 01:30:26,400
-I told you it was a fucking accident!
-It wasn't a fucking accident, asshole!
1307
01:30:26,480 --> 01:30:29,440
You're losing your mind. Don't ever
talk to me like that again, crazy bitch!
1308
01:30:29,520 --> 01:30:31,000
What did you say, you son of a bitch?
1309
01:30:31,080 --> 01:30:32,760
-[Norma] Irene.
-[Israel grunts]
1310
01:30:34,040 --> 01:30:36,680
-Norma, tell me you saw it.
-Irene, stop it.
1311
01:30:38,360 --> 01:30:40,840
She's after me. And you all know it.
1312
01:30:40,920 --> 01:30:43,400
[Israel] My God, you are as crazy
as your friend.
1313
01:30:44,120 --> 01:30:45,800
-[shocked gasps]
-[Norma] Irene.
1314
01:30:45,880 --> 01:30:48,000
-[girl 1] Did she slap him?
-[girl 2] Did you see that?
1315
01:30:48,840 --> 01:30:50,000
[Israel] Goddammit!
1316
01:30:51,760 --> 01:30:53,280
Get off the stage.
1317
01:30:54,480 --> 01:30:56,840
-But Norma, tell them why.
-Enough.
1318
01:30:56,920 --> 01:30:59,240
Norma, tell them
why you chose me as Giselle!
1319
01:30:59,320 --> 01:31:01,040
-I want them to know!
-You say one more word
1320
01:31:01,120 --> 01:31:02,960
and you are out of the company.
1321
01:31:22,680 --> 01:31:24,120
Your rehearsal is over.
1322
01:31:24,840 --> 01:31:25,840
Leave.
1323
01:31:31,840 --> 01:31:33,240
[sighs]
1324
01:31:50,720 --> 01:31:51,800
You were right.
1325
01:31:53,160 --> 01:31:56,640
We were talking about you earlier,
but it's not what you think.
1326
01:31:58,280 --> 01:32:00,720
I'm asking Norma
to take Israel out of the A cast.
1327
01:32:00,800 --> 01:32:02,320
Israel didn't do anything.
1328
01:32:02,840 --> 01:32:05,040
He'd never let you fall,
he's a professional.
1329
01:32:05,120 --> 01:32:06,600
You were there. You saw it.
1330
01:32:06,680 --> 01:32:09,360
What I saw is a dancer
that doesn't trust her peers.
1331
01:32:09,440 --> 01:32:12,280
Who should I trust? You?
Who leaves broken glass in my shower?
1332
01:32:12,360 --> 01:32:13,680
I didn't do it.
1333
01:32:13,760 --> 01:32:17,040
I told the person who did it
that it wasn't funny, it was stupid.
1334
01:32:18,080 --> 01:32:20,840
-I don't believe you.
-Because you don't believe anyone.
1335
01:32:21,480 --> 01:32:22,840
You don't even believe in yourself.
1336
01:32:22,920 --> 01:32:26,160
You never accepted Norma chose me
to replace María, am I right?
1337
01:32:26,240 --> 01:32:28,120
I think you're the one who never did.
1338
01:32:28,880 --> 01:32:31,000
If you go on like this,
you'll end up like María.
1339
01:32:31,080 --> 01:32:33,440
Like how? Like dead?
1340
01:32:33,520 --> 01:32:36,240
[quiet music playing]
1341
01:32:40,320 --> 01:32:41,400
I'm sorry.
1342
01:32:43,480 --> 01:32:46,200
[sighs] Do you wanna know
what we were saying before?
1343
01:32:47,240 --> 01:32:49,840
That we don't like all the pressure
you're getting from Norma,
1344
01:32:49,920 --> 01:32:51,440
and you should do something about it.
1345
01:32:51,520 --> 01:32:54,360
You're pissed off 'cause
she didn't pick you for Giselle.
1346
01:32:54,440 --> 01:32:55,880
Is that your revenge?
1347
01:32:55,960 --> 01:32:58,280
Get rid of the directors
until you find one that picks you?
1348
01:32:58,360 --> 01:33:00,320
[sighs] Look, Irene,
no, I don't like you.
1349
01:33:01,000 --> 01:33:02,200
And you don't like me.
1350
01:33:02,280 --> 01:33:04,160
And it's clear that we'll never get along.
1351
01:33:04,240 --> 01:33:06,800
But I also don't like to see you suffer
like you're suffering.
1352
01:33:06,880 --> 01:33:09,200
But who says that I'm suffering?
1353
01:33:09,280 --> 01:33:12,400
-Why would I suffer?
-For the same reason María suffered.
1354
01:33:13,840 --> 01:33:16,760
Norma uses methods that aren't healthy.
1355
01:33:16,840 --> 01:33:19,240
She doesn't care about anyone,
only the fucking stage.
1356
01:33:20,040 --> 01:33:23,000
But when we get off the stage,
we have to go back to the world.
1357
01:33:23,720 --> 01:33:25,720
Did she tell you
you're better off alone?
1358
01:33:27,880 --> 01:33:29,720
María bought it, and isolated herself.
1359
01:33:30,320 --> 01:33:32,680
Don't let Norma do to you
what she did to her.
1360
01:33:34,400 --> 01:33:36,160
Why are you telling me this?
1361
01:33:37,520 --> 01:33:39,160
Because I never told María.
1362
01:33:42,240 --> 01:33:44,560
And if I had,
she might still be with me now.
1363
01:33:48,160 --> 01:33:49,560
[sighs]
1364
01:33:53,920 --> 01:33:54,920
[sighs]
1365
01:34:00,560 --> 01:34:01,640
[Lidi] She's not coming.
1366
01:34:01,720 --> 01:34:03,640
Oh, I'm sure she is.
1367
01:34:04,480 --> 01:34:06,200
Let's just have a little patience.
1368
01:34:06,280 --> 01:34:09,160
Mom, we've been waiting
for half an hour. She isn't coming.
1369
01:34:09,680 --> 01:34:12,800
Your sister isn't like this.
Something's up.
1370
01:34:12,880 --> 01:34:16,600
What's up is that she isn't interested
in what happens in this family.
1371
01:34:16,680 --> 01:34:17,560
Did you call her?
1372
01:34:18,800 --> 01:34:20,480
She's not answering, it's switched off.
1373
01:34:20,560 --> 01:34:23,800
All right, well, let's order, then, okay?
I don't have all day.
1374
01:34:23,880 --> 01:34:25,600
[Rosa] I would wait a little more.
1375
01:34:26,200 --> 01:34:27,320
Five minutes?
1376
01:34:29,240 --> 01:34:30,360
[sighs]
1377
01:34:32,400 --> 01:34:33,480
All right.
1378
01:34:33,560 --> 01:34:35,600
Rosa, we've waited enough.
1379
01:34:35,680 --> 01:34:38,480
We're celebrating that Lidia got her spot,
with or without Irene.
1380
01:34:38,560 --> 01:34:40,360
She wasn't gonna eat anyway.
1381
01:34:40,440 --> 01:34:42,600
And if she did,
she'd just throw it up like always.
1382
01:34:43,520 --> 01:34:45,440
What's that nonsense, Lidia?
1383
01:34:48,960 --> 01:34:51,080
Yeah, it's just nonsense, Mom. Sorry.
1384
01:34:52,200 --> 01:34:53,200
Forget it.
1385
01:34:54,120 --> 01:34:56,400
Uh, can we order?
I already know what I want.
1386
01:35:05,680 --> 01:35:07,440
You came to the right place.
1387
01:35:08,120 --> 01:35:10,600
Not everyone understands this profession.
1388
01:35:10,680 --> 01:35:14,120
[sighs] The hours you put into it,
how tough the stage is…
1389
01:35:22,000 --> 01:35:23,000
What's wrong?
1390
01:35:25,320 --> 01:35:26,440
[sighs]
1391
01:35:28,440 --> 01:35:29,280
Nothing.
1392
01:35:30,360 --> 01:35:32,200
I guess I just miss it.
1393
01:35:34,040 --> 01:35:34,880
All done.
1394
01:35:35,920 --> 01:35:37,160
Thank you so much.
1395
01:35:37,680 --> 01:35:39,120
-Better?
-Yes.
1396
01:35:43,200 --> 01:35:44,360
[sighs]
1397
01:36:07,800 --> 01:36:09,840
You could come live with us here.
1398
01:36:11,440 --> 01:36:13,440
Then we could
sleep together every night.
1399
01:36:15,480 --> 01:36:16,720
[Irene sighs]
1400
01:36:17,240 --> 01:36:18,760
And what will your mother say?
1401
01:36:20,440 --> 01:36:21,680
[Aurora] She'll say yes.
1402
01:36:24,160 --> 01:36:25,760
It'll be like nothing happened to me.
1403
01:36:27,920 --> 01:36:29,320
[chuckles]
1404
01:36:29,400 --> 01:36:30,400
[Irene] Hmm.
1405
01:36:50,080 --> 01:36:51,120
Fuck, Mom.
1406
01:36:51,760 --> 01:36:52,600
[gasps]
1407
01:36:55,560 --> 01:36:57,120
Where were you yesterday?
1408
01:36:58,520 --> 01:37:00,920
Go now and apologize
to your sister, please.
1409
01:37:01,000 --> 01:37:03,600
I will, but you knew I was rehearsing.
1410
01:37:03,680 --> 01:37:05,080
I don't like you barging in.
1411
01:37:05,160 --> 01:37:07,760
And I don't like not knowing
where you are for so many days.
1412
01:37:08,400 --> 01:37:09,360
What do you wanna know?
1413
01:37:10,640 --> 01:37:13,040
I don't know, honey.
Well, how are you doing?
1414
01:37:13,120 --> 01:37:14,920
I'm busy, Mom, can't you see?
1415
01:37:15,000 --> 01:37:16,920
No, I can't see,
because you're never around.
1416
01:37:17,000 --> 01:37:19,760
It's really easy, Mom.
I'm rehearsing today, rehearsing tomorrow,
1417
01:37:19,840 --> 01:37:21,680
the next day,
and every day until opening night.
1418
01:37:21,760 --> 01:37:22,600
Yeah. Happy now?
1419
01:37:22,680 --> 01:37:25,280
Can you stop that, please,
and just look at me for just a second?
1420
01:37:27,240 --> 01:37:28,240
Irene.
1421
01:37:29,280 --> 01:37:30,200
[sighs]
1422
01:37:32,360 --> 01:37:33,440
What do you want?
1423
01:37:34,920 --> 01:37:36,720
What's going on at the company?
1424
01:37:37,720 --> 01:37:38,680
Are you all right?
1425
01:37:39,280 --> 01:37:42,680
-Yes. Normal. Why?
-I don't know.
1426
01:37:44,280 --> 01:37:45,760
You never tell me anything.
1427
01:37:46,520 --> 01:37:47,920
Do we have to talk now?
1428
01:37:48,840 --> 01:37:51,720
I can't be late. Norma told me once.
I don't want to be told twice.
1429
01:37:52,880 --> 01:37:53,720
But why?
1430
01:37:55,280 --> 01:37:57,240
Is she being too hard on you?
1431
01:37:57,320 --> 01:37:58,280
Like always.
1432
01:37:59,120 --> 01:38:01,080
Why are you asking me all this, Mom?
1433
01:38:01,160 --> 01:38:03,760
Because I just got a call
from one of the ballerinas.
1434
01:38:04,280 --> 01:38:05,200
Your friend Ruth.
1435
01:38:06,280 --> 01:38:07,400
What?
1436
01:38:07,480 --> 01:38:09,360
How are you treated by Norma, Irene?
1437
01:38:09,440 --> 01:38:13,200
-Don't lie to me.
-Don't believe anything that bitch says.
1438
01:38:13,280 --> 01:38:16,200
-That girl just wants to help you, Irene.
-Help me, Mom?
1439
01:38:16,280 --> 01:38:18,880
-You really believe she wants to help me?
-But what would she want?
1440
01:38:18,960 --> 01:38:21,840
To fuck with me.
It's what they've always been doing
1441
01:38:21,920 --> 01:38:23,360
ever since Norma made me prima.
1442
01:38:23,440 --> 01:38:26,320
-Is there anything else?
-No, they don't want to fuck with you.
1443
01:38:26,400 --> 01:38:27,800
They just want to help you, honey.
1444
01:38:27,880 --> 01:38:29,200
Help me how, Mom?
1445
01:38:29,280 --> 01:38:31,320
-Tell me!
-They want to report Norma.
1446
01:38:32,960 --> 01:38:35,680
-But report her for what?
-For how she treats you.
1447
01:38:36,200 --> 01:38:39,040
Irene, how has Norma been treating you?
1448
01:38:40,840 --> 01:38:41,680
Please, honey.
1449
01:38:48,480 --> 01:38:51,880
What do you want?
Tell me what you want me to do,
1450
01:38:51,960 --> 01:38:53,720
so you will leave me in peace.
1451
01:38:53,800 --> 01:38:55,320
You only have to tell the truth.
1452
01:38:55,400 --> 01:38:57,640
And what's the truth, Mom? What is?
1453
01:38:57,720 --> 01:38:59,920
Because it seems to me that the truth here
1454
01:39:00,000 --> 01:39:02,160
is what everyone else says
and not your own daughter!
1455
01:39:02,240 --> 01:39:05,240
-Now excuse me, I have to go.
-Honey, please listen to me.
1456
01:39:05,320 --> 01:39:07,560
Your father is very worried.
I'm very worried.
1457
01:39:07,640 --> 01:39:09,440
Do you know what I'm worried about, Mom?
1458
01:39:10,160 --> 01:39:11,120
Opening night.
1459
01:39:11,640 --> 01:39:14,440
And no one in this family
1460
01:39:14,960 --> 01:39:17,440
has asked me how I feel about that.
1461
01:39:17,520 --> 01:39:18,480
No one!
1462
01:39:21,520 --> 01:39:23,040
[footsteps running downstairs]
1463
01:39:41,160 --> 01:39:43,440
[music from Adam's Giselle playing]
1464
01:39:49,880 --> 01:39:51,320
[sighs]
1465
01:40:23,520 --> 01:40:25,280
[footsteps]
1466
01:40:29,440 --> 01:40:32,520
I don't have much time,
but they said that it was urgent.
1467
01:40:33,320 --> 01:40:34,640
Do you know what this is?
1468
01:40:36,760 --> 01:40:40,360
A notebook with the measurements
of my daughter's belly and hips.
1469
01:40:40,880 --> 01:40:42,680
Measurements she takes daily,
1470
01:40:43,280 --> 01:40:45,280
as if her life depended on it.
1471
01:40:46,760 --> 01:40:48,720
Because her life does depend on it.
1472
01:40:49,600 --> 01:40:52,200
[scoffs]
So, it's true what they say, then.
1473
01:40:53,200 --> 01:40:54,080
What's that?
1474
01:40:56,520 --> 01:40:58,480
That you are never satisfied.
1475
01:41:00,520 --> 01:41:03,520
Your daughter knew exactly
what I was like since the first day.
1476
01:41:04,040 --> 01:41:06,040
Your daughter, and also the whole company.
1477
01:41:06,960 --> 01:41:09,120
That's why they give their all
to be part of it.
1478
01:41:09,200 --> 01:41:11,560
Because they know
that we are making them better here.
1479
01:41:11,640 --> 01:41:13,200
Regardless of the consequences.
1480
01:41:13,280 --> 01:41:14,720
What consequences?
1481
01:41:15,480 --> 01:41:16,880
Art must be an obsession,
1482
01:41:16,960 --> 01:41:19,240
otherwise it's not art,
it's entertainment.
1483
01:41:19,320 --> 01:41:21,160
And we're not here to entertain anyone.
1484
01:41:21,240 --> 01:41:23,360
That's what monkeys in the zoo are for.
1485
01:41:23,440 --> 01:41:25,240
And now, if you'll excuse me…
1486
01:41:28,200 --> 01:41:29,040
Norma.
1487
01:41:29,760 --> 01:41:30,920
I'm here to talk.
1488
01:41:31,000 --> 01:41:31,840
Right now.
1489
01:41:33,120 --> 01:41:37,680
But if you refuse, I will take whatever
steps necessary to get you banned.
1490
01:41:37,760 --> 01:41:38,840
And I can do it.
1491
01:41:38,920 --> 01:41:39,840
You know that.
1492
01:41:39,920 --> 01:41:42,640
And why would you ban me, Rosa?
For a notebook?
1493
01:41:43,440 --> 01:41:44,720
No.
1494
01:41:44,800 --> 01:41:46,360
For the death of María.
1495
01:41:46,960 --> 01:41:48,680
And to prevent it from happening again.
1496
01:41:48,760 --> 01:41:51,120
I'd appreciate it if you would go away
and leave me in peace.
1497
01:41:51,200 --> 01:41:53,560
You know I have a hand
in every court in Madrid.
1498
01:41:53,640 --> 01:41:55,000
I can force you to testify.
1499
01:41:55,080 --> 01:41:58,680
That is none of your business,
and much less a court of law.
1500
01:41:58,760 --> 01:41:59,840
As you wish.
1501
01:41:59,920 --> 01:42:04,520
But may I remind you that a court can
sentence you to an eight-year suspension.
1502
01:42:05,320 --> 01:42:08,400
Eight years without ever contacting
any dance company,
1503
01:42:09,160 --> 01:42:10,240
or any dancer.
1504
01:42:11,080 --> 01:42:12,120
Eight years.
1505
01:42:13,160 --> 01:42:14,800
That's a long time, Norma.
1506
01:42:18,120 --> 01:42:19,240
It's up to you.
1507
01:42:22,600 --> 01:42:23,520
Very well.
1508
01:42:25,320 --> 01:42:26,640
As you wish.
1509
01:42:28,320 --> 01:42:30,120
Rosa. Rosa!
1510
01:42:37,800 --> 01:42:40,240
[sighs] I have two minutes.
1511
01:42:41,640 --> 01:42:42,920
Sit down, please.
1512
01:42:46,920 --> 01:42:48,320
I'll be quick.
1513
01:42:48,400 --> 01:42:50,120
What happened to María Poza?
1514
01:42:50,200 --> 01:42:51,640
Why did she do it?
1515
01:42:52,560 --> 01:42:54,480
You don't waste any time, do you?
1516
01:42:54,560 --> 01:42:56,480
No. I don't have any.
1517
01:42:59,440 --> 01:43:01,240
María put pressure on herself.
1518
01:43:02,720 --> 01:43:04,040
But she didn't suffer.
1519
01:43:04,760 --> 01:43:06,560
She didn't know any other way.
1520
01:43:08,320 --> 01:43:10,720
She was pure instinct, pure passion.
1521
01:43:11,360 --> 01:43:12,800
Her passion was dancing.
1522
01:43:14,000 --> 01:43:16,920
There wasn't room
in her life for anything else,
1523
01:43:17,000 --> 01:43:19,800
including friends, or partners,
1524
01:43:20,800 --> 01:43:23,520
or a mother that was dying of cancer.
1525
01:43:25,560 --> 01:43:26,560
I didn't know.
1526
01:43:27,080 --> 01:43:28,440
Not you or anyone.
1527
01:43:29,800 --> 01:43:32,800
The very last thing María wanted
was our pity.
1528
01:43:36,160 --> 01:43:37,040
[sighs]
1529
01:43:38,160 --> 01:43:40,720
[Norma] She only told me because
she needed my permission
1530
01:43:40,800 --> 01:43:42,600
and my word that I'd wait for her.
1531
01:43:42,680 --> 01:43:45,480
So she could go to New York
and take care of the woman
1532
01:43:45,560 --> 01:43:50,160
who had, according to her doctors,
only days left to live.
1533
01:43:52,800 --> 01:43:54,640
She was there for four months.
1534
01:43:56,280 --> 01:43:57,680
And never came back.
1535
01:44:01,040 --> 01:44:02,640
Maybe she didn't want to.
1536
01:44:03,160 --> 01:44:04,920
Of course she wanted to come back.
1537
01:44:06,640 --> 01:44:09,640
The only thing María wanted
was to come back and dance.
1538
01:44:10,160 --> 01:44:12,080
She wanted it more than anything else.
1539
01:44:13,840 --> 01:44:16,440
Have you ever had
a feeling like that, Rosa?
1540
01:44:17,160 --> 01:44:19,680
Loving your job over anything else?
1541
01:44:19,760 --> 01:44:21,280
Loving it until it hurts?
1542
01:44:21,360 --> 01:44:25,600
Until the wounds on your feet are bleeding
and your skin is falling off,
1543
01:44:25,680 --> 01:44:27,720
and still, then, you love it even more?
1544
01:44:28,320 --> 01:44:31,240
Have you ever felt that way
for any of your trials, Rosa?
1545
01:44:31,760 --> 01:44:32,640
No.
1546
01:44:33,640 --> 01:44:35,040
Not for a trial., no.
1547
01:44:35,960 --> 01:44:37,200
For Irene, yes.
1548
01:44:38,560 --> 01:44:41,000
But you don't know that,
because you don't have children.
1549
01:44:41,080 --> 01:44:42,760
My children are my dancers.
1550
01:44:43,280 --> 01:44:45,880
I hope you're not going
to judge me for that also.
1551
01:44:45,960 --> 01:44:47,640
No, I won't do that.
1552
01:44:47,720 --> 01:44:52,200
But I couldn't go on if any
of my kids ever jumped off a roof.
1553
01:44:52,280 --> 01:44:54,720
Is this how you win your trials?
Manipulation?
1554
01:44:54,800 --> 01:44:56,800
Is this how you run this company?
1555
01:44:57,400 --> 01:45:00,720
Is this how you directed my daughter?
Is this how you directed María?
1556
01:45:00,800 --> 01:45:03,440
Yes, well, yes, of course it is.
Of course I manipulate them.
1557
01:45:03,520 --> 01:45:04,760
That is my job!
1558
01:45:04,840 --> 01:45:08,360
How do you think you turn María
into a star? Or Irene into a star?
1559
01:45:08,440 --> 01:45:10,920
How do you make a common dancer
an unforgettable one?
1560
01:45:11,000 --> 01:45:14,400
-How do you think that happens?
-I'm taking you to court, Norma.
1561
01:45:14,480 --> 01:45:17,200
Take me wherever you want,
but I didn't kill anyone.
1562
01:45:17,280 --> 01:45:19,160
María jumped because of what she did.
1563
01:45:21,600 --> 01:45:22,680
What she did?
1564
01:45:24,720 --> 01:45:26,280
What did María do?
1565
01:45:27,160 --> 01:45:29,080
Norma, what did she do?
1566
01:45:29,160 --> 01:45:31,280
This profession isn't kind
to anyone, Rosa.
1567
01:45:31,880 --> 01:45:36,120
It takes years to build a career,
and to forget it, only a second.
1568
01:45:36,200 --> 01:45:38,240
And four months is a long time.
1569
01:45:40,160 --> 01:45:41,360
[sighs]
1570
01:45:43,000 --> 01:45:44,320
I set a date.
1571
01:45:45,160 --> 01:45:48,800
If María didn't come back,
another Giselle would take her part.
1572
01:45:55,520 --> 01:45:56,440
Stop it.
1573
01:45:59,760 --> 01:46:01,160
[Norma] And she got scared.
1574
01:46:01,240 --> 01:46:02,840
[coughing]
1575
01:46:02,920 --> 01:46:04,040
Mom?
1576
01:46:04,960 --> 01:46:05,800
Mom?
1577
01:46:05,880 --> 01:46:07,320
[coughing]
1578
01:46:09,800 --> 01:46:10,760
Mom.
1579
01:46:12,160 --> 01:46:13,080
[Norma] She was afraid.
1580
01:46:13,160 --> 01:46:14,920
[gasping]
1581
01:46:16,520 --> 01:46:19,200
She feared the company
would move on without her.
1582
01:46:19,280 --> 01:46:21,240
[mother gasping and coughing]
1583
01:46:21,320 --> 01:46:23,280
[Norma]
Afraid that she would lose her career.
1584
01:46:23,360 --> 01:46:24,240
[wheezing]
1585
01:46:24,320 --> 01:46:27,280
Of all those years
of hard work turning into nothing.
1586
01:46:27,360 --> 01:46:28,200
I can't.
1587
01:46:28,280 --> 01:46:29,840
[mother wheezing and gasping]
1588
01:46:29,920 --> 01:46:31,480
[mother whimpering]
1589
01:46:32,680 --> 01:46:35,000
[dramatic music playing]
1590
01:46:46,080 --> 01:46:48,000
[Norma] Her mother was only suffering.
1591
01:46:49,240 --> 01:46:51,120
She just had to let her go.
1592
01:46:51,840 --> 01:46:54,640
So she killed herself
because she felt responsible?
1593
01:46:54,720 --> 01:46:55,800
No.
1594
01:46:56,520 --> 01:46:58,720
Because she felt like a monster.
1595
01:46:59,240 --> 01:47:00,160
No.
1596
01:47:00,240 --> 01:47:01,720
You are the monster.
1597
01:47:02,840 --> 01:47:04,040
You pressured her.
1598
01:47:04,880 --> 01:47:06,560
You imposed the deadline.
1599
01:47:06,640 --> 01:47:10,520
Rosa, there are many families
who depend on this company.
1600
01:47:11,040 --> 01:47:12,240
Many.
1601
01:47:12,320 --> 01:47:15,520
A company like this can't stop.
This isn't a game, Rosa.
1602
01:47:15,600 --> 01:47:17,000
How do you know all that?
1603
01:47:17,080 --> 01:47:19,280
Why should I believe it?
Because you say so?
1604
01:47:20,200 --> 01:47:21,880
You don't have to believe me.
1605
01:47:24,240 --> 01:47:25,440
Believe María.
1606
01:47:31,920 --> 01:47:33,920
[ringing tone]
1607
01:47:39,600 --> 01:47:40,440
[beep]
1608
01:47:40,520 --> 01:47:43,240
[tearfully] Norma,
I hope you get this message,
1609
01:47:43,320 --> 01:47:45,720
because I did something horrible.
1610
01:47:46,560 --> 01:47:49,080
[gasps] I just stared at her.
1611
01:47:49,160 --> 01:47:50,600
And her eyes were…
1612
01:47:50,680 --> 01:47:51,880
[sobbing]
1613
01:47:51,960 --> 01:47:55,000
So I… She needed my help
and I just stood there.
1614
01:47:55,080 --> 01:47:58,040
I… I don't know what's wrong with me.
[sobs]
1615
01:47:58,120 --> 01:48:00,280
But… I need help. I…
1616
01:48:00,880 --> 01:48:02,160
I feel so…
1617
01:48:08,880 --> 01:48:10,160
[sniffles]
1618
01:48:10,240 --> 01:48:11,200
[phone beeps]
1619
01:48:16,240 --> 01:48:18,560
You love Irene
because she's your daughter.
1620
01:48:20,880 --> 01:48:23,160
I loved María as if she were my daughter.
1621
01:48:24,960 --> 01:48:26,960
I wanted to take care of her.
1622
01:48:28,120 --> 01:48:30,520
I want her
to be remembered for her talent,
1623
01:48:31,040 --> 01:48:32,880
just like all of my dancers.
1624
01:48:34,840 --> 01:48:38,600
Do you want to blame me
for the sacrifice it takes to be a dancer?
1625
01:48:40,320 --> 01:48:41,280
Perfect.
1626
01:48:42,440 --> 01:48:44,200
Let them say I'm a tyrant.
1627
01:48:46,400 --> 01:48:50,120
I'd rather they think María jumped
because of me than for what she did.
1628
01:48:55,600 --> 01:48:57,840
Don't take this company away from me.
1629
01:48:59,800 --> 01:49:01,680
It's the only thing I have.
1630
01:49:03,280 --> 01:49:05,520
It's the only thing your daughter has.
1631
01:49:10,200 --> 01:49:12,280
I'm just so worried about Irene.
1632
01:49:13,160 --> 01:49:14,280
That's normal.
1633
01:49:14,920 --> 01:49:16,840
Your job is to take care of her.
1634
01:49:17,600 --> 01:49:19,680
And mine is to take care of the company.
1635
01:49:20,200 --> 01:49:21,920
And I have to keep doing so.
1636
01:49:24,080 --> 01:49:26,120
Allow your daughter one night.
1637
01:49:27,400 --> 01:49:28,960
Tomorrow's the premiere.
1638
01:49:47,400 --> 01:49:49,040
[knocking at door]
1639
01:49:57,120 --> 01:49:58,440
[sighs]
1640
01:49:58,520 --> 01:50:02,040
Tonight, forget about everything
that happened up to this moment.
1641
01:50:02,640 --> 01:50:05,600
Now all that matters
is the audience and your Giselle.
1642
01:50:07,040 --> 01:50:08,200
And relax.
1643
01:50:09,840 --> 01:50:11,000
You'll be great.
1644
01:50:19,640 --> 01:50:20,760
Welcome, sir.
1645
01:50:20,840 --> 01:50:22,960
-[man] Thank you very much.
-Here you are. Hello.
1646
01:50:23,040 --> 01:50:24,280
-[chuckles]
-[Rosa] Thank you.
1647
01:50:33,320 --> 01:50:35,360
-Going to the bathroom.
-By yourself?
1648
01:50:35,440 --> 01:50:37,240
-Yes, don't worry about me.
-Okay.
1649
01:50:50,640 --> 01:50:52,640
I'm sorry, you can't go in.
1650
01:50:52,720 --> 01:50:55,840
-I'm with the company.
-I'm sorry, but no one is allowed.
1651
01:50:55,920 --> 01:50:56,960
[sighs]
1652
01:50:57,880 --> 01:50:58,760
Erik!
1653
01:51:00,120 --> 01:51:01,360
-Aurora!
-[sighs]
1654
01:51:01,440 --> 01:51:03,640
-How are you?
-Fine. I'm fine.
1655
01:51:05,880 --> 01:51:08,240
-Your leg is better?
-Let me go in.
1656
01:51:09,160 --> 01:51:10,960
Aurora, I don't think that's a good idea.
1657
01:51:11,040 --> 01:51:14,520
Erik, I'd like to see Irene,
so I can wish her good luck.
1658
01:51:14,600 --> 01:51:17,440
It won't do you any good to go in there.
Trust me on this.
1659
01:51:17,520 --> 01:51:18,960
Come on, let me in.
1660
01:51:20,600 --> 01:51:21,920
[security guard] It's your call.
1661
01:51:25,920 --> 01:51:27,560
Through the door in the back.
1662
01:51:29,960 --> 01:51:31,560
-Go on, go in.
-Thank you.
1663
01:51:32,440 --> 01:51:35,360
[dramatic music playing]
1664
01:51:48,360 --> 01:51:50,120
I thought you weren't coming.
1665
01:51:50,200 --> 01:51:52,000
I swore I'd be here with you, right?
1666
01:51:52,080 --> 01:51:55,320
[emotional music playing]
1667
01:52:01,280 --> 01:52:02,800
[both laughing]
1668
01:52:03,960 --> 01:52:05,440
Stay right here, please.
1669
01:52:10,040 --> 01:52:11,480
There's a lot of people.
1670
01:52:13,800 --> 01:52:16,760
Relax. She's worked so hard,
I'm sure she'll be great.
1671
01:52:18,400 --> 01:52:19,880
[bell rings]
1672
01:52:19,960 --> 01:52:23,360
[man on PA] Ladies and gentlemen,
the performance is about to begin.
1673
01:52:25,400 --> 01:52:27,080
[exhaling]
1674
01:52:30,800 --> 01:52:33,720
[hopeful music playing]
1675
01:52:53,200 --> 01:52:55,160
[curtain squeaking]
1676
01:53:00,960 --> 01:53:04,080
[orchestra playing
Adam's "Overture" from Giselle]
1677
01:53:51,760 --> 01:53:53,760
[music continues playing]
1678
01:55:27,880 --> 01:55:28,880
[sighs]
1679
01:59:45,800 --> 01:59:48,800
[dramatic orchestral music soaring]
1680
01:59:57,920 --> 01:59:59,920
[applause]
1681
02:00:10,520 --> 02:00:14,280
Hey. You bitch, why don't you
dance like that in rehearsals?
1682
02:00:14,360 --> 02:00:15,800
[laughs]
1683
02:00:21,760 --> 02:00:24,320
[applause continues]
1684
02:00:44,480 --> 02:00:46,120
-Norma, let go of me.
-Come here.
1685
02:00:46,200 --> 02:00:48,120
-Norma, please. [grunts]
-Sh, sh, sh.
1686
02:00:48,640 --> 02:00:50,320
-Norma, I can be here.
-Let's go.
1687
02:00:50,840 --> 02:00:54,080
-Norma, you're hurting me. Norma, let go!
-Shh! Calm down!
1688
02:00:56,320 --> 02:00:58,800
-What are you doing here?
-Erik let me in.
1689
02:00:59,640 --> 02:01:02,000
This area is for only
members of the company.
1690
02:01:02,080 --> 02:01:03,120
I am in the company.
1691
02:01:03,200 --> 02:01:08,240
Aurora, I have already spoken
with your mother about your new situation.
1692
02:01:09,560 --> 02:01:11,680
-What situation?
-We'll discuss it later.
1693
02:01:11,760 --> 02:01:14,560
Now, why don't you go back to your seat?
I'm sure she's waiting for you.
1694
02:01:14,640 --> 02:01:16,640
No. What did you tell my mother?
1695
02:01:16,720 --> 02:01:18,640
That's not important right now.
1696
02:01:18,720 --> 02:01:22,320
What's important is for you
to go back to your seat and relax.
1697
02:01:22,960 --> 02:01:24,680
[Aurora] You don't get it, do you?
1698
02:01:25,200 --> 02:01:26,920
Irene and I are connected.
1699
02:01:27,000 --> 02:01:29,760
When she dances, it's like I'm dancing.
She needs me by her side.
1700
02:01:29,840 --> 02:01:32,160
Irene needs to be able to focus.
1701
02:01:32,240 --> 02:01:35,720
And you need help,
or this will end up hurting all of us.
1702
02:01:35,800 --> 02:01:38,360
-For the last time, go back to your seat.
-Norma!
1703
02:01:39,360 --> 02:01:41,800
What are you doing here?
You have to change for your next scene.
1704
02:01:41,880 --> 02:01:45,640
-Norma, let her stay, please.
-You leave her now and go change.
1705
02:01:45,720 --> 02:01:48,040
Do you want to ruin your friend's night?
1706
02:01:48,120 --> 02:01:50,840
Do you want to ruin
the premiere with your fantasies?
1707
02:01:50,920 --> 02:01:52,480
We need to be together.
1708
02:01:52,560 --> 02:01:56,640
-This way, when I come back to dance--
-You are never going to dance again.
1709
02:02:00,880 --> 02:02:02,160
[whimpers]
1710
02:02:05,760 --> 02:02:06,760
That's a lie.
1711
02:02:08,960 --> 02:02:10,320
[Aurora] Why are you lying?
1712
02:02:10,400 --> 02:02:12,000
You are never going to dance again.
1713
02:02:12,080 --> 02:02:15,760
If your mother hasn't told you yet,
it's because she refuses to accept it.
1714
02:02:15,840 --> 02:02:17,680
They told us the day of the accident.
1715
02:02:17,760 --> 02:02:20,120
-Norma, stop it now. Please.
-[Norma] Go.
1716
02:02:20,200 --> 02:02:22,320
Get changed.
You have to change for your next scene.
1717
02:02:22,400 --> 02:02:24,000
-You're lying!
-[Norma screams]
1718
02:02:24,080 --> 02:02:25,280
[gasping]
1719
02:02:26,000 --> 02:02:27,920
[Norma groans]
1720
02:02:28,000 --> 02:02:29,480
[gasping]
1721
02:02:30,720 --> 02:02:31,840
Aurora?
1722
02:02:32,680 --> 02:02:34,240
I'm sorry, Irene.
1723
02:02:34,320 --> 02:02:35,680
[Norma groans]
1724
02:02:36,680 --> 02:02:37,880
Get out, you monster!
1725
02:02:37,960 --> 02:02:40,680
-Let go of me! [gasps]
-Get out of my theater!
1726
02:02:40,760 --> 02:02:42,320
-Get out!
-[Irene] Come on. Let's go.
1727
02:02:42,400 --> 02:02:44,560
-Let's go. Aah!
-[Norma] Go and get changed!
1728
02:02:45,240 --> 02:02:47,440
-You leave her alone!
-[screams]
1729
02:02:47,520 --> 02:02:48,400
[loud thud]
1730
02:02:48,480 --> 02:02:49,680
[Aurora] Oh no!
1731
02:02:50,320 --> 02:02:51,960
[gasping]
1732
02:02:59,000 --> 02:03:01,000
[sobbing]
1733
02:03:01,080 --> 02:03:03,720
[dramatic music playing]
1734
02:03:08,120 --> 02:03:09,920
[Irene] Norma. Norma?
1735
02:03:10,520 --> 02:03:12,240
Norma! [sobbing]
1736
02:03:37,880 --> 02:03:40,120
Irene, you have to go, right now.
1737
02:03:42,160 --> 02:03:44,400
You were in the dressing room. Run.
1738
02:03:46,920 --> 02:03:48,840
-Aurora?
-[sobbing]
1739
02:03:50,280 --> 02:03:52,640
[Aurora] No one will ever
separate us. Ever.
1740
02:03:55,800 --> 02:03:58,280
[ballet music continues]
1741
02:06:08,040 --> 02:06:10,080
-The audience is loving this.
-Have you seen Norma?
1742
02:06:10,160 --> 02:06:12,080
[man] No, not for a while now.
1743
02:06:12,800 --> 02:06:15,440
I saw her by the trailers.
She was with that girl.
1744
02:08:18,000 --> 02:08:19,960
[applause]
1745
02:08:35,000 --> 02:08:36,640
[gasping] Excuse me.
1746
02:08:38,960 --> 02:08:40,960
[emotional music playing]
1747
02:09:33,000 --> 02:09:35,560
[music builds]
1748
02:09:40,120 --> 02:09:42,120
[glass tinkling]
1749
02:09:46,320 --> 02:09:49,360
[gentle music playing]
1750
02:10:59,040 --> 02:11:02,800
[emotional music builds]
1751
02:11:23,680 --> 02:11:26,080
[emotional music fades]
1752
02:11:27,760 --> 02:11:29,600
IF I COULD TELL YOU WHAT IT MEANT,
1753
02:11:29,680 --> 02:11:32,360
THERE WOULD BE NO POINT IN DANCING IT.
-ISADORA DUNCAN
1754
02:11:33,920 --> 02:11:37,240
[emotional music playing]