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WELCOME TO THE 63rd ANNUAL GRAMMY AWARD, I'M TREVOR NOAH
AND I'M YOUR HOST AS WE CELEBRATE THE LAST TEN YEARS OF
MUSIC THAT GOT US THROUGH ABOUT TEN YEARS OF CORONAVIRUS, I KNOW
IT IS ONE YEAR BUT IT FEELS LIKE TEN, WE HAVE MADE THE DECISION
TO SOCIALLY DISTANCE FROM THE PRESTIGIOUS
PEER VOTED TROPHIES IN MUSIC GIVING SHIEBEE NEW GRAMMY AWARDS
LIVE THROUGHOUT THE EVENING BUT WE HAVE TO DO IT QUICKLY BECAUSE
TOMORROW THIS TENT IS RESERVED FOR AN OUTDOOR WEDDING IN MALIBU
AND I DO IN THE WANT TO LOSE MY SECURITY DEPOSIT.
REST ASSURED EVERYONE HERE IS FOLLOWING COVID-19 PROTOCOLS AND
GUIDE LINES, THIS WILL BE THE AWARD SHOW WHERE THE WHITE STUFF
GOING UP PEOPLE'S NOSESES COTTON SWABS.
THIS LOOKS DIFFERENT, THE WHOLE THING IS GOING TO BE DIFFERENT
BUT FOLKS WILL BE EVEN MORE EXCITED BECAUSE OUR IMPRESSIVE
NOMINEES WILL BE SITTING AT THOSE TABLES FOR THEIR AWARDS.
SO RIGHT NOW THERE IS MORE TENSION IN THAT TENT THAN AT A
FAMILY REUNION AT BUCKINGHAM PALACE.
AND I KNOW THAT YOU HAVEN'T BEEN ABLE TO GO TO A CONCERT IN A
LONG TIME, NEITHER HAVE I.
SO TONIGHT WE'RE BRINGING THE CONCERT TO YOU, AFTER EVERYONE
MAKES THEIR WAY DOWN THIS RED CARPET THEY WILL HEAD INSIDE
THERE TO PERFORM FOR EACH OTHER AND FOR YOU.
AND UNLIKE AN ACTUAL CONCERT, TWO TEENAGERS ON STACKED ON TOP
WON'T BLOCK YOUR VIEW, THAT IS WHAT TONIGHT IS ABOUT, IT IS
ABOUT BRINGING US TOGETHER AS ONLY MUSIC CAN.
WELL, MUSIC AND VACCINES, WE WILL CELEBRATE MUSIC AND
HOPEFULLY FORGET OUR PROBLEMS UNLESS SOME OF OUR PROBLEMS ARE
BEING OBSESSED WITH HARRY STYLES BECAUSE THAT WILL ONLY GET
WORSE, I CAN PROMISE YOU.
TONIGHT WE WILL ENJOY PERFORMANCES FROM EVERYONE FROM
MEGAN THEE STALLION TO CARDI B, BRUNO MARS, AN DERSON PAAK, TO
PAY LETTER SWIFT, WE WILL HEAR MIRANDA LAMBERT, AND MAREN
MORRIS.
WE WILL PAY TRIBUTE TO SOME OF THE MANY GREAT MUSICAL ARTISTS
THAT WE'VE LOST DURING THE LAST YEAR INCLUDING LIL RICHARD AND
KENNY ROGERS AND JOHN PRINE, WE'LL ALSO BRING YOU GLOBAL
SENSATIONS DUA LIPA, BAD BUNNY, BTS AND POST MALONE PLUS
EXCITING PERFORMANCES BY DOJA CAT, RODDY RICCH, BRANDI
CARLILE, JOHN MAYER, AND ON TOP OF THAT WE WILL BE JINKED BY NOT
ONE BUT TWO OF THE BIGGEST AND MOST BELOVED BABIES ON PLANET
EARTH, DABABY AND LITTLE BABY.
-- LIL BABY AND ALL OF THEM WILL BE PERFORMING RIGHT HERE IN THIS
BEAUTIFUL ROOM.
(APPLAUSE) TONIGHT WE ARE HOPING THAT THIS
IS ALL ABOUT WHAT 2021 CAN BE, BEGINNINGS AND COMING TOGETHER.
NEVER FORGETTING WHAT HAPPENED IN 2020 BUT FULL OF HOPE FOR
WHAT IS TO COME.
SO LET'S DO THIS, PEOPLE.
NOMINATED TONIGHT FOR BOTH RECORD OF THE YEAR AND ALBUM OF
THE YEAR, BLACK PUMAS ARE HERE, EVERYBODY.
SO GOOD TO YOU HAVE GUYS, MAN, BIG FANS.
IT IS MY PLEASURE TO ANNOUNCE THAT THE-- WILL BE JOINING US,
NOMINATED FOR ALBUM OF THE YEAR, THAT'S RIGHT, AND RIGHT OVER
HERE, YOU BETTER START SCREAMING BECAUSE I KNOW I AM, LAST YEAR
SHE MADE GRAMMY HISTORY, IT IS BILLIE EILISH, EVERYBODY.
SHE WON SO MANY GRAMMYS LAST YEAR THAT HER UBER HAUL WAS A
YOU HAUL, SHE IS BACK WITH HER BROTHER TO PLAY THEIR GRAMMY
NOMINATED RECORD OF THE YEAR.
BUT FIRST, WE COULD NOT BE MORE EXCITED TO KICK OFF OUR SHOW IN
THE BIGGEST WAY POSSIBLE, PERFORMING AT THE GRAMMY AWARDS
FOR THE FIRST TIME EVER WITH THREE GRAMMY NOMINATIONS
TONIGHT, THIS GUY IS A GLOBAL MEGASTAR.
LADIES, YOU BETTER WATCH OUT BECAUSE HE'LL STEAL YOUR HEART
AND YOUR DRESS AND HE'LL LOOK DAMN GOOD DOING IT.
GIVE IT UP FOR HARRY STYLES.
(APPLAUSE) ♪ TASTES LIKE STRAWBERRIES
ON A SUMMER EVENIN' ♪ AND IT SOUNDS JUST LIKE
A SONG ♪ I WANT MORE BERRIES
AND THAT SUMMER FEELIN' ♪ IT'S SO WONDERFUL
AND WARM ♪ BREATHE ME IN
BREATHE ME OUT ♪ I DON'T KNOW IF I
COULD EVER GO WITHOUT ♪ I'M JUST THINK
--KING OUT LOUD ♪ I DON'T KNOW IF I COULD
EVER GO WITHOUT ♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH ♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH WATERMELON SUGAR
♪ STRAWBERRIES ON A SUMMER EVENIN'
♪ BABY, YOU'RE THE END OF JUNE I WANT YOUR BELLY
♪ AND THAT SUMMER FEELIN' GETTING WASHED AWAY IN YOU
♪ BREATHE ME IN BREATHE ME OUT
♪ I DON'T KNOW IF I COULD EVER GO WITHOUT
♪ WATERMELON SUGAR HIGH WATERMELON SUGAR HIGH
♪ I JUST WANNA TASTE IT I JUST WANNA TASTE IT
♪ WATERMELON SUGAR HIGH
♪ ♪ ♪ ♪ TASTES LIKE STRAWBERRIES
ON A SUMMER EVENIN' ♪ AND IT SOUNDS JUST LIKE
A SONG ♪ I WANT YOUR BELLY
AND THAT SUMMER FEELIN' ♪ I DON'T KNOW IF I COULD
EVER GO WITHOUT ♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH ♪ WATERMELON SUGAR HIGH
WATERMELON SUGAR HIGH ♪ I JUST WANNA TASTE IT
I JUST WANNA TASTE IT ♪ WATERMELON SUGAR HIGH
I JUST WANNA TASTE IT ♪ I JUST WANNA TASTE IT
WATERMELON SUGAR HIGH ♪ WATERMELON SUGAR ♪
(APPLAUSE) HARRY STYLES, THAT WAS
AMAZING, MAN.
I MEAN I WOULD HAVE WORN A SHIRT FOR MY FIRST GRAMMYS, YOU KNOW,
BUT EACH TO HIS OWN, EVERYBODY-- IT IS CRAZY TO THINK
EVERYONE THAT TALENTED AND HANDSOME IS FROM THE SAME PLACE
AS BORE IS JOHNSON, MAN, THE U.K. IS DIVERSE, NO TIME TO
WASTINGS SINGING HER GRAMMY NOMINATED RECORD OF THE YEAR,
SMASH HIT, EVERYTHING I WANTED, THIS IS BILLIE EILISH.
(APPLAUSE)
♪ ♪ ♪ ♪ I HAD A DREAM
I GOT EVERYTHING I WANTED ♪ NOT WHAT YOU'D THINK
AND IF I'M BEIN' HONEST ♪ IT MIGHT'VE BEEN A NIGHTMARE
TO ANYONE WHO MIGHT CARE ♪ THOUGHT I COULD FLY
SO I STEPPED OFF THE GOLDEN, MM ♪ NOBODY CRIED
NOBODY EVEN NOTICED ♪ I SAW THEM STANDING
RIGHT THERE ♪ KINDA THOUGHT THEY
MIGHT CARE ♪ I HAD A DREAM
I GOT EVERYTHING I WANTED ♪ BUT WHEN I WAKE UP, I SEE
YOU WITH ME ♪ AND YOU SAY
"AS LONG AS I'M HERE ♪ NO ONE CAN HURT YOU"
DON'T WANNA LIE HERE ♪ BUT YOU CAN LEARN TO
IF I COULD CHANGE ♪ THE WAY THAT YOU SEE YOURSELF
YOU WOULDN'T WONDER WHY YOU HEAR ♪ "THEY DON'T DESERVE YOU"
I TRIED TO SCREAM ♪ BUT MY HEAD WAS UNDERWATER
THEY CALLED ME WEAK ♪ LIKE I'M NOT JUST
SOMEBODY'S DAUGHTER ♪ COULDA BEEN A NIGHTMARE
BUT IT FELT LIKE THEY WERE ♪ RIGHT THERE
AND IT FEELS LIKE YESTERDAY ♪ WAS A YEAR AGO
BUT I DON'T WANNA LET ♪ ANYBODY KNOW
'CAUSE EVERYBODY WANTS ♪ SOMETHING FROM ME NOW
AND I DON'T WANNA LET 'EM DOWN ♪ I HAD A DREAM
I GOT EVERYTHING I WANTED ♪ BUT WHEN I WAKE UP, I SEE
YOU WITH ME ♪ AND YOU SAY
"AS LONG AS I'M HERE ♪ NO ONE CAN HURT YOU
DON'T WANNA LIE HERE ♪ BUT YOU CAN LEARN TO
♪ IF I KNEW IT ALL THEN WOULD I DO IT AGAIN?
♪ WOULD I DO IT AGAIN?
IF THEY KNEW WHAT THEY SAID ♪ WOULD GO STRAIGHT TO MY HEAD
WHAT WOULD THEY SAY INSTEAD? ♪
♪ ♪ ♪ (CHEERS AND APPLAUSE)
BILLIE EILISH AND FINNEAS, EVERYBODY, KEEP IT GOING, Y'ALL,
KEEP IT GOING, EVERY SINGLE TIME, MAN, AMAZING.
NOW A TRIO OF SISTERS FROM RIGHT HERE IN LOS ANGELES NOMINATED
FOR ALBUM OF THE YEAR TONIGHT, ABOUT TO ROCK OUR WORLD WITH
THEIR FIRST EVER GRAMMY PERFORMANCE, THIS IS HAIM.
(CHEERS AND APPLAUSE)
♪ ♪ ♪ ♪ ♪ ♪
♪ SO, BABY WHEN I'M NEAR YOU
♪ YOU CAN'T FEEL ME I'M LIGHTNIN'
♪ YOU USED TO COME BY AND SIT DOWN BY MY SIDE
♪ YOU WOULD COME IN CLOSE AND TAKE OFF ALL MY CLOTHES
♪ EVERY TIME I THINK THAT I'VE BEEN TAKIN' THE STEPS
♪ YOU END UP MAD AT ME FOR MAKIN' A MESS
♪ I CAN'T UNDERSTAND WHY YOU DON'T UNDERSTAND ME, BABY
♪ AND EVERY DAY I WAKE UP AND I MAKE MONEY FOR MYSELF
♪ AND THOUGH WE SHARE A BED YOU KNOW THAT I DON'T
♪ NEED YOUR HELP DO YOU UNDERSTAND?
♪ YOU DON'T UNDERSTAND ME BABY
♪ ♪ ♪ ♪ ♪ ♪
♪ IF I GO RIGHT AND YOU GO LEFT
♪ HEY, I KNOW WE'LL MEET UP AGAIN
♪ ♪ ♪ ♪ ♪ ♪
♪ AND IF YOU GO LEFT AND I GO RIGHT
♪ HEY, MAYBE THAT'S JUST LIFE SOMETIMES
♪ ♪ ♪ ♪ ♪ ♪
♪ EVERY TIME I THINK THAT I'VE BEEN TAKIN' THE STEPS
♪ YOU END UP MAD AT ME FOR MAKIN' A MESS
♪ I CAN'T UNDERSTAND WHY YOU DON'T UNDERSTAND ME, BABY
♪ AND EVERY DAY I WAKE UP AND MAKE MONEY FOR MYSELF
♪ AND THOUGH WE SHARE A BED YOU KNOW THAT I DON'T
♪ NEED YOUR HELP DO YOU UNDERSTAND?
♪ YOU DON'T UNDERSTAND ME BABY ♪
♪ ♪ ♪ ♪ ♪ ♪
(CHEERS AND APPLAUSE) THAT'S RIGHT, PEOPLE, KEEP IT
GOING, HAIM, LADY AS AND GENTLEMEN, OUR GRAMMY NIGHT IS
OFFICIALLY OFF AND RUNNING.
UP NEXT OUR FIRST AWARD, AND IT'S A BIG ONE, BEST NEW ARTIST.
PLUS BLACK PUMAS, DUA LIPA AND BADIBUNNY WILL BE ON THESE STAGE
RIGHT HERE, SO DON'T GO ANYWHERE.
THIS IS CBS.
♪ ♪ ♪ ♪ ♪ ♪
Announcer: THE 63rd GRAMMY AWARDS IS SPONSORED BY LINCOLN
FAMILY OF LUXURY S.U.V.s.
♪ ♪ ♪ (CHEERS AND APPLAUSE)
Trevor: WELCOME BACK TO THE GRAMMYS.
SO, LET'S GET STRAIGHT TO THE AWARDS.
THE FIRST AWARD TONIGHT IS BEST NEW ARTIST.
IT'S AN AWARD THAT'S BEEN WON BY THE BEATLES, MARIAH CAREY,
CHRISTINA AGUILERA, AND JOHN LEGEND.
AND IT'S BEEN LOST BY KENDRICK LAMAR, DRAKE, TAYLOR SWIFT, BOYZ
II MEN, AND ELTON JOHN.
SO, EVEN IF YOU LOSE IT, YOU'LL BE ALL RIGHT.
(LAUGHTER) HERE TO PRESENT THE AWARD IS AN
ARTIST WHO ALWAYS MAKES ME FEE“" GOOD AS HELL.”
PLEASE WELCOME THREE-TIME GRAMMY WINNER, LIZZO!
♪ ♪ ♪ (CHEERS AND APPLAUSE)
♪ ♪ ♪ THANK YOU, TREVOR.
I LOVE YOU.
CUTIE.
I'M PRESENTING CUZ I LOVE YOU.
(CHEERS AND APPLAUSE) AND THE THREE SHINY GRAMMYS I
GOT LAST YEAR, WOO!
I'M BACK.
BITCH I'M BACK, OH, I'M SO SORRY.
I'M HAPPY TO PRESENT THE FIRST AWARD OF THE NIGHT THAT PUTS
THAT BIG BEAUTIFUL GRAMMY SPOTLIGHT ON EIGHT NEW MUSICAL
HEROES WHO ALL HAVE THAT BEST NEW ARTIST VIBE, MEGAN, STOP
LAUGHING AT ME, EACH IN THEIR OWN WAY.
THESE ARE THE AMAZING NOMINEES.
♪ ♪ ♪ Announcer: INGRID ANDRESS.
PHOEBE BRIDGERS.
CHIKA.
NOAH CYRUS.
D SMOKE.
DOJA CAT.
KAYTRARNADA.
MEGAN THEE STALLION.
♪ ♪ ♪ (APPLAUSE)
Y'ALL READY?
AND THE GRAMMY GOES TO: NERVOUS, Y'ALL.
WAIT, HOW DO YOU OPEN IT, OH MY GOD.
WAIT, HOW DO YOU DO IT, OKAY, I GOT T I GOT T I GOT IT, MEGAN
THEE STALLION.
WHOOO.
♪ (APPLAUSE)
♪ ♪ ♪ (CHEERS AND APPLAUSE)
I DON'T WANT TO CRY.
BUT FIRST OF ALL I WANT TO SAY EVERYBODY IS AMAZING.
EVERY ARTIST THAT WAS NOMINATED FOR THIS AWARD IS SO AMAZING.
SO SHOUT OUT TO ALL Y'ALL.
(APPLAUSE) SECONDLY, I REALLY JUST WANT TO
THANK GOD BECAUSE THANK YOU FOR PUTTING LIFE INTO MY BODY FOR ME
TO BE ABLE TO EVEN BE HERE TODAY.
I WANT TO SAY THANK YOU FOR-- ALWAYS BEING WITH ME,
BEING BY MY SIDE.
THANK YOU FOR ALWAYS BEING WITH ME, BEING BY MY SIDE, I WANT TO
SAY THANK YOU TO EVERYBODY AT 300 FOR BELIEVING IN ME,
STICKING BY ME THROUGH MY CRAZINESS AND YOU KNOW, IT'S
BEEN A HELL OF A YEAR BUT WE MADE IT.
THANK YOU EVERYBODY AT ROCK NATION AND I REALLY WANT TO SAY
THANK YOU TO MY MAMA, SHE'S NOT HERE WITH ME TODAY BUT I KNOW
SHE IS HERE WITH ME IN SPIRIT AND SHE ALWAYS BELIEVE I COULD
DO IT, SO THANK YOU ALL SO MUCH.
(APPLAUSE) THAT'S YOUR GRAMMY!
Trevor: CONGRATULATIONS, MEGAN THEE STALLION!
WOW!
TODAY, THE SINGLE RECORD HAS NEVER BEEN MORE IMPORTANT.
SEE, IN THE NEW WORLD OF STREAMING, IF AN ARTIST CAN
CREATE THAT PERFECT SINGLE, THEIR SONG WILL
BE STREAMED BILLIONS AND BILLIONS OF TIMES, MAKING THEM
ANYWHERE FROM $2-$3.
(LAUGHTER) OUR RECORD OF THE YEAR NOMINEES
ARE AN ECLECTIC, DIVERSE AND IMPRESSIVE GROUP.
AND WE ASKED THE REMARKABLE 23- YEAR-OLD DIRECTOR GIBSON HAZARD
TO MAKE SOME FILMS ABOUT THESE CONTENDERS FOR THE RECORD OF THE
YEAR.
SO, FIRST UP, HERE'S A REVEALING LOOK AT THE TRUE "COLORS" OF
A STRONG MUSICAL PARTNERSHIP THAT FLOWERED IN AUSTIN, TEXAS,
AFTER A LITTLE STREET PERFORMING ON THE SANTA MONICA PIER.
THIS IS BLACK PUMAS.
(APPLAUSE) ♪ ♪ ♪
OUR MUSIC IS VERY REFLECTIVE OF THE SINCERITY OF OUR OWN
SOULS, WE CALL IT SOUL MUSIC AND OBVIOUSLY IT IS NOT SOUL MUSIC
BUT THE MOST IMPORTANT THING IS IT COMES FROM OUR SOUL, MY SOUL
AND HIS SOUL.
GETTING THE NOMINATION FOR "COLORS" IS SPECIAL, WE KNOW HOW
PEOPLE HAVE BEEN REACTING TO THAT SONG, WE HAVE SEEN IT LIVE,
WE HAVE EVEN SEEN IT U NIGHT CROWDS, WE KNOW IT WAS SPECIAL.
I MOVED TO CALIFORNIA FROM NEW MEXICO IN 20134.
I WOULD TAKE LIKE TWO TRAINS THEN TWO BUSES TO THE SANTA
MONICA PIER JUST TO BUSK.
STREET PERFORMING FOR ME, IT IS KIND OF A LOVE HATE
RELATIONSHIP, SUCH AS BEAUTIFUL YET BRUTAL EXPERIENCE.
I WOULD BE PERFORMING IN THE STREET BUT IN MY MIND I'M
PERFORMING ON THE STAGE OF THE GRAMMYS.
KSH WITHIN MYSELF AS A KID I REMEMBER IMAGINING WHAT IT WOULD
BE LIKE TOKING ON SUCH A GRAND STAGE.
WHEN I THINK ABOUT IT, I GET EMOTIONAL BECAUSE I'VE
EXPERIENCED A LOT, MAN.
SO IT FEELS GOOD TO BE HERE.
(APPLAUSE).
♪ ♪ ♪ ♪ I WOKE UP TO THE MORNING
SKY FIRST ♪ BABY BLUE
JUST LIKE WE REHEARSED ♪ WHEN I GET UP OFF THIS GROUND
I SHAKE LEAVES BACK DOWN ♪ TO THE BROWN, BROWN
BROWN, BROWN ♪ 'TIL I'M CLEAN
THEN I WALK WHERE I'D BE ♪ SHADED BY THE TREES
BY A MEADOW OF GREEN ♪ FOR ABOUT A MILE
I'M HEADED TO TOWN, TOWN, TOWN ♪ IN STYLE
WITH ALL MY FAVORITE COLORS ♪ YES, SIR
ALL MY FAVORITE COLORS ♪ RIGHT ON
MY SISTERS AND MY BROTHERS ♪ SEE 'EM LIKE NO OTHER
ALL MY FAVORITE COLORS ♪ IT'S A GOOD DAY TO BE
A GOOD DAY FOR ME ♪ A GOOD DAY TO SEE
MY FAVORITE ♪ COLORS, COLORS
MY SISTERS AND MY BROTHERS ♪ THEY SEE 'EM LIKE NO OTHER
ALL MY FAVORITE COLORS ALL MY FAVORITE COLORS
♪ ♪ ♪ ♪ I'M ON THE OTHER SIDE
OOH-OOH, OOH-OOH, OOH-OOH-OHH ♪ WHERE THE BABY BLUE BIRDS FLY
OOH-OOH, OOH-OOH, OOH-OOH-OHH ♪ IN GRAY CLOUDS
OR WHITE WALLS ♪ OR BLUE SKIES
BLUE SKIES ♪ WE GON' FLY
FEEL ALRIGHT ♪ BLACK PUMAS HELP ME FEEL
ALRIGHT ONE MORE TIME ♪ WITH ALL MY FAVORITE COLORS
YES, SIR ♪ ALL MY FAVORITE COLORS
RIGHT ON ♪ MY SISTERS AND MY BROTHERS
SEE 'EM LIKE NO OTHER ♪ ALL MY FAVORITE COLORS
IT'S A GOOD DAY TO BE ♪ A GOOD DAY FOR ME
A GOOD DAY TO SEE MY FAVORITE ♪ COLORS, COLORS
MY SISTERS AND MY BROTHERS ♪ SEE 'EM LIKE NO OTHER
ALL MY FAVORITE COLORS ♪ (APPLAUSE)
(CHEERS AND APPLAUSE) THAT'S RIGHT, PEOPLE, KEEP
KEEP IT GOING, KEEP IT GOING, PEOPLEK BLACK PUMAS.
EVER HEARD A BAND FOR THE FIRST TIME BUT FEEL LIKE IT IS YOUR
FAVORITE FOR THE YOUR WHOLE LIFE, THAT IS WHAT WE FELT, YOUR
STORY IS INSANE, HOW MANY YEARS AGO YOU WERE BUSKK ON THE PIER.
ABOUT SIX YEARS.
SIX YEARS HOPING PEOPLE WOULD LISTEN TO YOU PERFORM, FOR SMALL
GROUPS OF PEOPLE AND NOW ARE YOU AT THE GRAMMYS.
THANK YOU.
STILL PERFORMING FOR A SMALL GROUP OF PEOPLE BUT THAT'S NOT
THE POINT.
WELL, YOU KNOW, TREVOR, ONCE YOU ARE A KING YOU ARE ALWAYS A
KING.
I FEEL YOU THERE, GOOD LUCK FOR TONIGHT.
THANK YOU.
RIGHT NOW WE WILL TAKE A QUICK BREAK SO CAN I CHECK
TWITTER TO SEE ALL THE NICE THINGS PEOPLE ARE SAYING ABOUT
ME, BUT DON'T GO AWAY, AFTER THE BREAK WE HAVE BACK TO BACK
PERFORMANCES FROM NOMINEES DABABY, BAD BUNNY AND DUA LIPA.
PLUS DID I MENTION WE HAVE TAYLOR SWIFT, THIS IS THE GRAMMY
AWARDS.
WE'LL BE RIGHT BACK.
(CHEERS AND APPLAUSE)
♪ ♪ ♪ WELCOME BACK TO THE GRAMMY
AWARD, THE ONLY AWARD YOU CAN PLAY TINY RECORDS ON.
THROUGHOUT THE NIGHT WE ARE PUTTING THE SPOT LIGHT ON THIS
YEAR'S NOMINEES FOR RECORD OF THE YEAR.
AND YOU CAN SEE LONGER VERSIONSES OF OUR FILMS AND
INTERVIEWS ON PARAMOUNT PLUS RIGHT AFTER THE SHOW.
OUR NEXT NOMINEE IS SOMEONE WHO HAS GROWN INTO A MAJOR HIP-HOP
SENSATION WITH ONE OF THE BIGGEST RECORDS OF THE YEAR.
THIS IS DABABY.
WHAT'S GOING ON WITH DABABY, SIX TIME GRAMMY NOMINATED
INTERNATIONAL MEGASTAR."
ROCKSTAR KTION FORM PERFORMER WITH A PRETTY SMILE.
ALLOW ME TO BREAK THROUGH.
YOU WANT ME TO WATCH MY LANGUAGE?
DO WHAT YOU LIKE.
I DON'T GIVE A [BLEEP] I COME FROM NOTHING, YOU AND YOUR
BROTHER CAN'T EVEN GET A FRESH HAIRCUT, Y'ALL AIN'T DOING TOO
GOOD, YOU COMING FROM WHAT I COME FROM, THAT AIN'T SOMETHING,
I USE IT AS AN EXCUSE, THAT IS MORE LIKE MOTIVATION THAN
NIBBLES, THEY GOING UP AGAINST THE ODDS, THAT IS WHAT MAKES IT
BEAUTIFUL AT THE END OF THE DAY.
MY GREATEST CREATION, MY BEAUTIFUL DAUGHTER, BEING A
FATHER IS THE BEST THING THAT EVER HAPPENED TO ME, IT GAVE ME
PURPOSE.
THAT IS THE REASON WHY I'M HERE.
IT GAVE ME THAT EXTRA MOTIVATION, LIKE NOW I GOT TO GO
NOW, AN THAT'S WHAT I DID.
ROCKSTAR, THE SECOND I MADE IT I KNEW IT WAS A HIT, IT LIVED UP
TO EXACTLY WHAT I THOUGHT IT WAS GOING TO BE, GO TO NUMBER ONE,
REMAIN AT NUMBER ONE.
ONE OF THE MOST IMPACTFUL, LONGEST LASTING SONGS OF 2020.
GETTING GRAMMY NOMINATED FOR RECORD OF THE YEAR IS AMAZING,
NOW ALL WE GOT TO DO IS BRING ONE HOME.
♪ ♪ ♪ ♪ ♪ ♪
♪ WOO ♪ ♪ ♪
♪ WOO ♪ I PULL UP, LIKE
I PULL UP HOW YOU PULL UP BABY
♪ PULL UP GO AHEAD AND SHOW THE GRAMMYS
♪ HOW YOU PULL UP I PULL UP
♪ GET DOWN ♪ HOW YOU PULL UP
I PULL UP BRAND NEW LAMBORGHINI
♪ NOT A COP CAR WITH THE PISTOL ON MY HIP
♪ LIKE I'M A COP YEAH HAVE YOU EVER MET A REAL HITTER
ROCKSTAR?
♪ THIS AIN'T NO GUITAR THIS A GLOCK WOO
♪ MY GLOCK TOLD ME TO PROMISE YOU GON' SQUEEZE ME OH
♪ YOU BETTER LET ME GO THE DAY YOU NEED ME OOH
♪ GET TO BUSTIN' OOH AND IF I AIN'T ENOUGH
♪ GO GET THE CHOP IT'S SAFE TO SAY I EARNED IT
♪ AIN'T NOBODY GAVE ME NOTHIN' YEAH, YEAH, YEAH
♪ I'M READY TO HOP OUT ON SOMEBODY
♪ GET TO BUSTIN' KNOW YOU HEARD ME SAY
♪ "YOU PLAY, YOU LAY" DON'T MAKE ME PUSH THE BUTTON
♪ FULL OF PAIN DROPPED ENOUGH TEARS
♪ TO FILL UP A BUCKET GOIN' FOR BUCKETS
♪ I BOUGHT A CHOPPER I GOT A BIG DRUM, IT HOLD A 100
♪ AIN'T GOIN' FOR NOTHIN' YEAH
♪ I'M READY TO AIR IT OUT ON ALL THESE HITTERS
♪ I CAN SEE ¡EM RUNNIN' JUST TALKED TO MY MAMA
♪ SHE HIT ME ON FACETIME JUST TO CHECK UP ON ME
♪ AND MY BROTHER I'M REALLY THE BABY
YEAH ♪ SHE KNOW THAT HER YOUNGEST SON
WAS ALWAYS GUARANTEED ♪ TO GET THE MONEY
OKAY, LET'S GO ♪ SHE KNOW THAT HER BABY BOY
WAS ALWAYS GUARANTEED ♪ TO GET THE LOOT
SHE KNOW WHAT I DO ♪ SHE KNOW 'FORE I RUN FROM A
HITTER ♪ I'MA PULL IT OUT AND SHOOT
BOOM PTSD, I'M ALWAYS WAKING UP
YEAH ♪ IN COLD SWEATS LIKE I GOT THE
FLU ♪ MY DAUGHTER A G
SHE SAW ME KILL A HITTER ♪ IN FRONT OF HER
BEFORE THE AGE OF TWO ♪ AND I'LL KILL ANOTHER HITTER
TOO ♪ OH
'FORE I LET ¡EM DO ♪ SOMETHIN' TO YOU
THAT'S SOMETHING THEY ♪ MAY NOT KNOW
THEY JUST GONNA HAVE TO ♪ UNDERSTAND THAT FOR BETTER OR
WORSE ♪ LET'S GO
BRAND NEW LAMBORGHINI ♪ NOT A COP CAR
WITH THE PISTOL ON MY HIP ♪ LIKE I'M A COP
YEAH, YEAH, YEAH ♪ HAVE YOU EVER MET A REAL
HITTER ROCKSTAR?
♪ THIS AIN'T NO GUITAR THIS A GLOCK WOO
♪ MY GLOCK TOLD ME TO PROMISE YOU GON' SQUEEZE ME WOO
♪ YOU BETTER LET ME GO THE DAY YOU NEED ME WOO
♪ SOON AS YOU UP ME ON THAT GET TO BUSTIN' OOH
♪ AND IF I AIN'T ENOUGH GO GET THE CHOP
♪ KEEP A GLOCKY WHEN I RIDE IN THE SUBURBAN
♪ ¡CAUSE THE CODEINE ♪ HAD A YOUNG HITTER SWERVIN'
I GOT THE MOP ♪ WATCH ME WASH ¡EM LIKE
DETERGENT ♪ AND I'M BALLIN'
THAT'S WHY IT'S DIAMONDS ♪ ON MY
SLIDE ON OPPS' SIDE OH
♪ AND FLIP THE BLOCK BACK, YEAH, YEAH MY JUNIOR
♪ POPPED HIM OH
♪ AND LEFT HIM LOPSIDED, YEAH WE SPIN HIS BLOCK
♪ GOT THE REBOUND, DENNIS YOU FOOL ME ONE TIME
♪ YOU CAN'T CROSS ME AGAIN 1,200 HORSEPOWER
OH ♪ I GET LOST IN THE WIND
IF HE TALKIN' ON THE YARD ♪ THE PEN' DOGS'LL TAKE HIS CHIN
MAYBACH SUV FOR MY REFUGEES ♪ GOT MONEY IN THE HOOD
PUT MONEY IN THE STREETS ♪ I WAS SOLO WHEN THE OPPS
CAUGHT ME AT THE GAS STATION ♪ HAD IT ON ME, 30 THOUSAND
THOUGHT IT WAS MY LAST DAY ♪ BUT THEY AIN'T EVEN WANT NO
SMOKE ♪ IF I HAD TO CHOOSE IT
MURDER WHAT SHE WROTE ♪ SUPERHERO IN THAT LAMBORGHINI
LIKE I'M BATMAN ♪ SOMETHING THEY AIN'T USED TO
SEEING ♪ FROM EVERY BLACK MAN
TRY TO BRING ME DOWN ♪ EAT UP THE ALLEGATIONS LIKE
PAC-MAN ♪ YOU SHOULD SEE ME NOW
DON'T KNOW WHICH WHIP TO DRIVE ♪ WHEN I LEAVE THE HOUSE
MY SKIN DON'T LOOK THE SAME ♪ SO I GET SINGLED OUT
RIGHT NOW I'M PERFORMING ♪ AT THE GRAMMYS
I'LL PROBABLY GET PROFILED ♪ BEFORE LEAVIN OUT
DON'T BE IN DENIAL LIKE ♪ WE ALL EVEN NOW
CUZ IF YOU'RE IN THE PROJECTS OR ♪ A MANSION
YOU'RE STILL A BLACK MAN ♪ WHEN YOU LEAVE THE HOUSE
AND THEM FACTS ♪ BRAND NEW LAMBORGHINI
NOT A COP CAR ♪ WITH THE PISTOL ON MY HIP
LIKE I'M A COP ♪ YEAH, YEAH, YEAH
HAVE YOU EVER MET A REAL HITTER ♪ ROCKSTAR?
THIS AIN'T NO GUITAR ♪ THIS A GLOCK WOO
MY GLOCK TOLD ME TO PROMISE ♪ YOU GON' SQUEEZE ME WOO
YOU BETTER LET ME GO ♪ THE DAY YOU NEED ME WOO
SOON AS YOU UP ME ON THAT HITTER ♪ GET TO BUSTIN' WOO
AND IF I AIN'T ENOUGH ♪ GO GET THE CHOP
WOO ♪ YOU KNOW THEY SAY
EVERYTHING WE BEEN THROUGH ♪ MAN, IT JUST MADE US ROCKSTARS
YOU KNOW THEY SAY ♪ WE FIT THE DESCRIPTION
♪ ♪ ♪ (CHEERS AND APPLAUSE)
THANK YOU.
DABABY, GIVE IT UP FOR DABABY, EVERYBODY, AND I GUESS
DABABY BOOMERS WITH RODDY RICCH, AND NOW LADIES AND GENTLEMEN, A
TRULY GLOBAL SUPERSTAR AND MOST STREAMED ARTIST MUCH 2020 JOINED
BY JHAY CORTEZ THIS IS BAD BUNNY .
(APPLAUSE) ♪ ♪ ♪
♪ BABY YA YO ME ENTERE SE NOTA CUANDO ME VES
♪ AHI DONDE NO HAS LLEGAO' SABES QUE YO TE LLEVARE
♪ Y DIME QUE QUIERES BEBER ES QUE TU ERES MI BEBE
♪ Y DE NOSOTROS QUIEN VA A HABLAR
♪ SI NO NOS DEJAMOS VER Y A VECES ES DOLCE
♪ A VECES BULGARI CUANDO TE LO QUITO
♪ DESPUES DE LO' PARTIES LAS COPAS DE VINO
♪ LAS LIBRAS DE MARI TU TAS' BIEN SUELTA
♪ Y YO DE SAFARI TU MUEVES EL FENOMENAL
♪ PA' YO DEVORARTE COMO ANIMAL HOY NINGUNO SE MUERE
EN MI CAMA Y LO VOY A CELEBRAR ♪ BABY YO A E NO ME OPONGO
Y SIEMPRE TE LO PONGO ♪ Y SI TU ME ERA
VAMOS A NADAR EN LO HONDO Y SIEMPRE TE LO PONGO
♪ ♪ ♪ ♪ YA YO ME ENTERE
SE NOTA CUANDO ME VE ♪ AHI DONDE NO HAS LLEGAO'
SABES QUE YO TE LLEVARE ♪ DIME QUE QUIERES BEBER
ES QUE TU ERES MI BEBE ♪ Y DE NOSTROS QUIEN VA A
HABLAR ♪ SI NO NOS DEJAMOS VER
♪ ♪ ♪ ♪ ♪ ♪
♪ CONEGO SIEMPRE ARREBATAO' TU NO ERES MI SENORA
-♪ TOMA 5 -K GASTALO EN SEPHORA LOUIS VUIRON YA NO COMPRA
♪ EN PANDORA COMO PIERCING A
♪ LOS HOMBRES PERFORA EH
♪ HACE EEMPO LE ROMPIERON EL CORA CORA
♪ ESTUDIOSA PUESTA PA' SER DOCTORA DOCTORA
♪ PERO PERO LE GUSTAN LOS UTERE WILEANDO
♪ MOTORA MOTORA ♪ ♪ ♪
♪ BABY A E NO ME OPONGO Y SIEMPRE TE LO PONGO
♪ TE LO PONGO Y SI TU ME ERA VAMOS A
♪ NADAR EN LO HONDO ♪ Y SI ES POR MI YO TE LO PONGO
DE SEPEEMBRE HASTA AGOSTO ♪ A MI SIN LOS QUE DIGAN TUS
AMIGAS ♪ YA YO ME ENTERE
SE NOTA CUANDO ME VE ♪ AHI DONDE NO HAS LLEGAO'
SABES QUE YO TE LLEVARE ♪ Y DIME QUE QUIERES BEBER
ES QUE TU ERES MI BEBE ♪ Y DE NOSTROS QUIEN VA A
HABLAR ♪ SI NO NOS DEJAMOS VER
♪ ♪ ♪ ♪ ♪ ♪
(CHEERS AND APPLAUSE) BAD BUNNY, EVERYONE, WOW,
THAT FELT EXACTLY LIKE I WAS BACK IN THE CLUB, EXCEPT I'M NOT
GETTING KICKED OUT THIS TIME.
NOW IT'S TIME FOR ANOTHER RECORD OF THE YEAR PERFORMER.
IN 2019 SHE WON TWO GRAMMY AWARDS INCLUDING BEST NEW
ARTIST.
THIS YEAR THIS INTERNATIONAL SENSATION HAS EARNED SIX MORE
NOMINATIONS SO LET'S TAKE A CLOSER LOOK AT DUA LIPA.
IT WAS REALLY KIND OF AN AMALGAMATION OF MEMORIES THAT
HAVE I HAD SINCE I WAS A KID, GROWING UP, WHEN I SEE ARTISTS
ON TV, THEY WOULD ALWAYS BE SOMETHING THAT I THOUGHT WAS AS
FAR FETCHED AS A-- TO BE HONEST.
DOING MUSIC, ONLY A PIPEDREAM.
♪ ♪ ♪ I WAS BORN AND RAISED IN
LONDON.
MY FAMILY AND I MOVED, HONORING MY ROOTS HAS ALWAYS BEEN
SOMETHING VERY IMPORTANT TO ME, LIKE BEING TWO PLACES AT ONCE,
FEELING EQUALLY A PART OF BOTH WORLDS.
WHEN I PERFORM LIVE I FEEL INVINCIBLE.
WHATEVER IS GOING THROUGH MY MIND, I WELCOME ALL OF THOSE
CRAZY EMOTIONS.
I LOVE BEING SO PRESENT IN THOSE MOMENTS.
THE GRAMMYS HAS ALWAYS BEEN SUCH A MASSIVE DREAM OF MINE, THIS IS
INSANE THAT SO MANY PEOPLE THAT I LOOKED UP TO MY WHOLE LIFE,
THAT HAVE BEEN ON.
IT IS MIND BLOWING.
♪ I GOT YOU MOONLIGHT
♪ YOU'RE MY STARLIGHT
♪ I NEED YOU ALL NIGHT
♪ COME ON, DANCE WITH ME COME ON, DANCE WITH ME
I'M LEVITATING ♪ IF YOU WANNA
RUN AWAY WITH ME ♪ I KNOW A GALAXY
AND I CAN TAKE YOU FOR A RIDE ♪ I HAD A PREMONITION THAT WE
FELL INTO A RHYTHM ♪ WHERE THE MUSIC DON'T
STOP FOR LIFE ♪ GLITTER IN THE SKY
GLITTER IN MY EYES ♪ SHINING JUST THE WAY I LIKE
IF YOU FEELIN' LIKE ♪ YOU NEED A LITTLE BIT OF
COMPANY ♪ YOU MET ME AT THE
PERFECT TIME ♪ YOU WANT ME
I WANT YOU, BABY ♪ MY SUGARBOO
I'M LEVITATING ♪ THE MILKY WAY
WE'RE RENEGADING YEAH, YEAH, YEAH, YEAH, YEAH
♪ I GOT YOU MOONLIGHT
♪ YOU'RE MY STARLIGHT
♪ I NEED YOU ALL NIGHT
♪ COME ON, DANCE WITH ME I'M LEVITATING
♪ YOU MOONLIGHT
♪ YOU'RE MY STARLIGHT
♪ I NEED YOU ALL NIGHT
♪ COME ON, DANCE WITH ME I'M LEVITATING
♪ ♪ ♪ (APPLAUSE)
♪ I'M ONE OF THE GREATEST AIN'T NO DEBATIN' ON IT
♪ I'M STILL LEVITATED I'M HEAVILY MEDICATED
♪ IRONIC, I GAVE 'EM LOVE AND THEY END UP HATIN' ON ME
♪ SHE TOLD ME SHE LOVE ME AND SHE BEEN WAITIN'
♪ BEEN FIGHTIN' HARD FOR YOUR LOVE
♪ AND I'M RUNNIN' THIN ON MY PATIENCE
♪ NEEDED SOMEONE TO HUG EVEN TOOK IT BACK TO THE BASICS
♪ YOU SEE WHAT YOU GOT ME OUT HERE DOIN'
♪ MIGHT'VE THREW ME OFF BUT CAN'T NOBODY STOP THE
♪ MOVEMENT UH UH, LET'S GO
♪ LEFT FOOT, RIGHT FOOT LEVITATIN'
♪ POP STARS DUA LIPA WITH DaBABY
♪ I HAD TO LACE MY SHOES FOR ALL THE BLESSINGS I WAS
♪ CHASIN' IF I EVER SLIP
♪ I'LL FALL INTO A BETTER SITUATION
♪ SO CATCH UP GO PUT SOME CHEESE ON IT
♪ GET OUT AND GET YOUR BREAD UP THEY ALWAYS LEAVE WHEN YOU FALL
♪ BUT YOU RUN TOGETHER WEIGHT OF THE WORLD ON MY
♪ SHOULDERS I KEPT MY HEAD UP
♪ NOW BABY, STAND UP 'CAUSE GIRL, YOU
♪ YOU WANT ME I WANT YOU, BABY
♪ MY SUGARBOO I'M LEVITATING
♪ THE MILKY WAY WE'RE RENEGADING
YEAH, YEAH, YEAH, YEAH, YEAH ♪ I GOT YOU
MOONLIGHT ♪ YOU'RE MY
STARLIGHT ♪ I NEED YOU
ALL NIGHT ♪ COME ON, DANCE WITH ME
I'M LEVITATING ♪ YOU
MOONLIGHT ♪ YOU'RE MY
STARLIGHT ♪ I NEED YOU
ALL NIGHT ♪ COME ON, DANCE WITH ME
I'M LEVITATING ♪ YOU CAN FLY AWAY WITH ME
TONIGHT ♪ YOU CAN FLY AWAY WITH ME
TONIGHT ♪ BABY, LET ME TAKE YOU FOR A
RIDE ♪ YEAH, YEAH, YEAH, YEAH, YEAH
I'M LEVITATING, WOO ♪ YOU CAN FLY AWAY WITH ME
TONIGHT ♪ YOU CAN FLY AWAY WITH ME
TONIGHT ♪ BABY, LET ME TAKE YOU FOR A
RIDE YEAH, YEAH, YEAH, YEAH, YEAH
♪ I GOT YOU MOONLIGHT
♪ YOU'RE MY STARLIGHT
♪ I NEED YOU ALL NIGHT
♪ COME ON, DANCE WITH ME I'M LEVITATING ♪
(CHEERS AND APPLAUSE)
♪ ♪ ♪ ♪ ♪ ♪
♪ IF YOU DON'T WANNA SEE ME DANCING WITH SOMEBODY
♪ IF YOU WANNA BELIEVE THAT ANYTHING COULD STOP ME
(CHEERS AND APPLAUSE) ♪ DON'T SHOW UP
DON'T COME OUT ♪ DON'T START CARING
ABOUT ME NOW ♪ WALK AWAY
YOU KNOW HOW ♪ DON'T START CARING
ABOUT ME NOW
♪ ♪ ♪ ♪ DON'T START NOW
♪ ♪ ♪ I'M NOT WHERE YOU LEFT ME
AT ALL, SO ♪ IF YOU DON'T WANNA SEE ME
DANCING WITH SOMEBODY ♪ IF YOU WANNA BELIEVE THAT
ANYTHING COULD STOP ME ♪ DON'T SHOW UP
DON'T SHOW UP ♪ DON'T COME OUT
DON'T COME OUT ♪ DON'T START CARING
ABOUT ME NOW ♪ 'BOUT ME NOW
WALK AWAY ♪ WALK AWAY
YOU KNOW HOW ♪ YOU KNOW HOW
DON'T START CARING ABOUT ME NOW ♪ ♪ ♪
GRAMMYS!
♪ ♪ ♪ ♪ ♪ ♪
WALK AWAY, WALK AWAY, OH ♪
♪ ♪ ♪ WALK AWAY, WALK AWAY, OH ♪
♪ WALK AWAY, WALK AWAY WALK AWAY, WALK AWAY
♪ WALK AWAY, WALK AWAY ♪ (CHEERS AND APPLAUSE)
UP NEXT BRUNO MARS, AND ANKERSON APPROXIMATE AK, TAYLOR
SWIFT AND REMEMBERING LITTLE RICHARD, JOHN PRINE AN KENNY
ROGERS IN AN ALL-STAR TRIBUTE.
NOW LET'S CHECK THIS BACKSTAGE WITH CASSIE DI LAURA.
WE ARE HERE WITH MEMBERS OF FACEBOOK GROUP, A PLACE WHERE
PEOPLE CAN CONNECT WITH OTHERS WITH THE SAME PASSION, SO THEY
CAN SHARE INSURANCE OPERATION, ADVICE, INFORMATION AND REALLY
HAVE THEIR VOICES HEARD, THERE ARE MANY GRAMMY WINNING ARTUS
WAS GOT THEIR START THROUGH SOCIAL MEDIA SO IT WILL BE
INTERESTING TO SEE IF ANY OF THESE GROUP MEMBERS HERE WILL
SOME DAY HAVE A CHANCE TO PERFORM LIVE ON THIS STAGE.
STAY WITH US.
Announcer: THE 63rd GRAMMY AWARDS IS SPONSORED BY REMY
MARTIN: TEAM UP FOR EXCELLENCE.
♪ ♪ ♪ (APPLAUSE)
Trevor: WELCOME BACK TO THE GRAMMYS, EVERYBODY.
THIS IS EXCITING.
BECAUSE FOR THE FIRST TIME ANYWHERE, THIS IS BRUNO MARS AND
-ANDERSON . -PAAK TOGETHER AS SILK SONIC.
(CHEERS AND APPLAUSE)
♪ ♪ ♪ ♪ OOH
♪ SAID BABY, SAID BABY, SAID BABY
♪ WHAT YOU DOIN'?
WHAT YOU DOIN'?
♪ WHERE YOU AT?
WHERE YOU AT?
♪ OH, YOU GOT PLANS?
YOU GOT PLANS ♪ DON'T SAY THAT
SHUT YOUR TRAP ♪ I'M SIPPIN' WINE
SIP, SIP ♪ IN A ROBE
DRIP, DRIP ♪ I LOOK TOO GOOD
LOOK TOO GOOD ♪ TO BE ALONE
WOO, WOO ♪ MY HOUSE CLEAN
HOUSE CLEAN ♪ MY POOL WARM
POOL WARM ♪ I JUST SHAVED
SMOOTH LIKE A NEWBORN ♪ WE SHOULD BE DANCIN',
ROMANCIN' ♪ IN THE EAST WING AND THE WEST
WING ♪ OF THIS MANSION, WHAT'S
HAPPENIN'?
♪ I AIN'T PLAYIN' NO GAMES EVERY WORD THAT I SAY
♪ IS COMING STRAIGHT FROM THE HEART
♪ SO IF YOU TRYNA LAY IN THESE ARMS
♪ I'MA LEAVE THE DOOR OPEN I'MA LEAVE THE DOOR OPEN
♪ I'MA LEAVE THE DOOR OPEN, GIRL I'MA LEAVE THE DOOR OPEN, HOPIN'
♪ THAT YOU FEEL THE WAY I FEEL AND YOU WANT ME LIKE
♪ I WANT YOU TONIGHT, BABY TELL ME THAT YOU'RE
♪ COMING THROUGH
♪ OOH, YOU'RE SO SWEET SO SWEET
♪ SO TIGHT SO TIGHT
♪ I WON'T BITE AH-AH
♪ UNLESS YOU LIKE UNLESS YOU LIKE
♪ IF YOU SMOKE WHAT YOU SMOKE
♪ I GOT THAT HAZE PURPLE HAZE
♪ AND IF YOU'RE HUNGRY, GIRL, I GOT FILETS WOO
♪ OOH, BABY, DON'T KEEP ME WAITIN
♪ THERE'S SO MUCH LOVE WE COULD BE MAKING
SHAMONE!
♪ I'M TALKING KISSING CUDDLING
♪ ROSE PETALS IN THE BATHTUB GIRL, LETS JUMP IN, IT'S BUBBLIN
♪ I AIN'T PLAYIN' NO GAMES EVERY WORD THAT I SAY
♪ IS COMING STRAIGHT FROM THE HEART
♪ SO IF YOU TRYNA LAY IN THESE ARMS
♪ I'MA LEAVE THE DOOR OPEN I'MA LEAVE THE DOOR OPEN
♪ I'MA LEAVE THE DOOR OPEN, GIRL I'MA LEAVE THE DOOR OPEN, HOPIN'
♪ THAT YOU FEEL THE WAY I FEEL AND YOU WANT ME LIKE
♪ I WANT YOU TONIGHT, BABY TELL ME THAT YOU'RE
♪ COMING THROUGH
♪ LA-LA-LA-LA-LA-LA-LA I NEED YOU, BABY
♪ LA-LA-LA-LA-LA-LA-LA I GOTTA SEE YOU, BABY
♪ LA-LA-LA-LA-LA-LA-LA GIRL, I'M TRYNA GIVE YOU THIS,
♪ AH HEY HEY
♪ I'MA LEAVE MY DOOR OPEN I'MA LEAVE THE DOOR OPEN BABY
♪ I'MA LEAVE, I'MA LEAVE MY DOOR OPEN, GIRL
♪ I'MA LEAVE THE DOOR OPEN AND I'M HOPIN'
♪ HOPIN' HOPIN' THAT YOU FEEL THE WAY I FEEL
♪ AND YOU WANT ME LIKE I WANT YOU BABY
♪ TELL ME THAT YOU'RE COMING THROUGH
♪ MMM ♪ ♪ ♪
I'M WAITING, WAITING, WAITING ♪ GIRL, I'M HERE JUST WAITING
FOR YOU ♪ COME ON OVER I'LL ADORE YOU
LA-LA-LA-LA ♪ I'M WAITING, WAITING, WAITING
FOR YOU ♪ YOU
COME ON OVER BABY ♪ I'MA LEAVE THE DOOR OPEN FOR
YOU ♪ WOO
OW ♪ (CHEERS AND APPLAUSE)
Trevor: BRUNO MARS AND -ANDERSON . -PAAK, EVERYBODY--
NOW KNOWN AS SILK SONIC!
AND AS WITH EVERY BRUNO SONG, I CAN'T WAIT TO DANCE TO THAT AT
EVERY WEDDING FOR THE REST OF MY LIFE.
(LAUGHTER) TAYLOR SWIFT WILL BE PERFORMING
NEXT, BUT, FIRST, TIME TO GIVE OUT A GRAMMY.
NOW, THIS PAST YEAR HAS BEEN DIFFICULT FOR US ALL.
I MEAN, WE'VE HAD TO DO EVERYTHING OVER ZOOM-- WEDDINGS,
WORK, COLONOSCOPIES.
BUT SOME OF THE BUSINESSES HIT HARDEST BY THE PANDEMIC HAVE
BEEN THE INDEPENDENT MUSIC VENUES ALL OVER AMERICA THAT
HAVEN'T HAD AUDIENCES IN THEIR ICONIC BUILDINGS FOR A YEAR.
SO, TONIGHT, WE ARE GOING TO GO TO A FEW OF THESE PRECIOUS
INDEPENDENT MUSIC VENUES AROUND THIS COUNTRY AND GIVE THE PEOPLE
WHO HAVE CREATED SUCH LOVING HOMES FOR MUSIC THE HONOR OF
PRESENTING SOME OF THIS YEAR'S GRAMMY AWARDS.
LET'S GO FIRST TO NASHVILLE, TENESSEE, TO THE STATION INN,
AND MEET J.T. GRAY.
(APPLAUSE) I'M JT GRAY, I'M THE OWNER OF
THE STATION INN IN NASHVILLE, TENNESSEE.
MUSIC, IT IS ONE BIG HAPPY FAMILY, PLAYING HAPPY MUSIC AND
HAVING A HAPPY TIME, YOU NEVER KNOW WHO IS GOING TO BE AT
STATION INN.
VINS GILL USED TO PLAY ON MONDAY NIGHT, CHRIS STAPLETON USED TO
PLAY WITH THE STEEL DRIVERS.
THERE WAS A BAND PLAYED EVERY TUESDAY NIGHT CALLED THE SIDEMEN
AND HE STARTED COMING DOWN AND HANGING OUT, AND DIRKS WILL TELL
YOU TODAY THAT IS WHERE HE LEARNED TO PLAY AND STING QUITE
HERE AT THE STATION INN.
WHEN COVID HIT WE HAD TO CLOSE DOWN, WE HAD NO IDEA AT THAT
TIME WHAT WE WERE GOING TO DO.
BIGGER NAME VENUES CAN SUSTAIN REVENUE LOSS A LOT MORE THAN A
PRIVATELY OWNED SMALL VENUE LIKE THE STATION INN.
WE JUST HOPE THAT ALL THE OTHER SMALL VENUES GET TO BE BACK IN
BUSINESS ALONG WITH US REAL SOON BECAUSE MUSIC IS THERAPY FOR
PEOPLE.
GETTING TO REOPEN THE STATION INN IS GOING TO BE A CELEBRATION
LIKE NEVER BEFORE.
THERE IS GOING TO BE A BIG PARTY.
IN THE MEANTIME, I'M HONORED TO BE PRESENTING THE GRAMMY AWARD
FOR BEST COUNTRY ALBUM.
HERE ARE THE NOMINATIONS.
♪ ♪ ♪ "LADY LIKE," INGRID ANDRESS.
"YOUR LIFE IS A RECORD," BRANDY CLARK.
"WILDCARD," MIRANDA LAMBERT.
"NIGHTFALL," LITTLE BIG TOWN.
"NEVER WILL," ASHLEY McBRYDE.
♪ ♪ ♪ (APPLAUSE)
Trevor: A GREAT GROUP OF NOMINEES.
SO, LET'S GO BACK NOW TO J.T.
GRAY AT THE STATION INN TO TELL US WHO THE WINNER IS.
AND THE GRAMMY GOES TO: "WILDCARD," MIRANDA LAMBERT.
♪ ♪ ♪ (CHEERS AND APPLAUSE)
♪ KEEP THE LIGHT ON.
♪ KEEP A BLUE BIRD IN MY HEART.
♪.
THANK YOU ALL SO, SO MUCH, THANK YOU FOR THE GRAMMYS FOR
PUTTING THIS TOGETHER AND LETTING US AT LEAST KIND OF BE
TOGETHER AND SAY HI, BRANDY, INGRID AND LITTLE BIGTOWN, WE
ARE SUCH A FAMILY IN COUNTRY MUSIC SO I FEEL LIKE LIKE I'M
HOLDING IT FOR ALL OF US, ESPECIALLY US GIRLS.
I'M VERY THANKFUL, I'M THANKFUL FOR JAY WHO HAD THREE IN THIS
CATEGORY, ASHLEY AND MYSELF, WHO MADE WILDCARD WHAT IT IS THIS
PAST SEASON, INSPIRED IT, THANKS TO MY FAMILY, HUSBAND, MY
MANAGER, MY CREW, I MISSED HELL OUT OF Y'ALL.
I CAN'T WAIT TO GET BACK OUT AS A BAND.
I LOVE YOU SO MUCH.
THANK YOU.
(APPLAUSE) Trevor: CONGRATS, MIRANDA
LAMBERT!
NOW IT'S TIME FOR SOMEONE VERY SPECIAL.
TAYLOR SWIFT'S MUSIC WAS LIKE MEDICINE FOR MANY THIS PAST
YEAR, AND NOT JUST BECAUSE IT CAME IN TWO DOSES.
THIS ARTIST HAS BEEN SO PROLIFIC LATELY, SHE'S EVEN RECORDED A
COVER ALBUM OF HERSELF.
NOMINATED FOR SIX GRAMMY AWARDS THIS YEAR, INCLUDING ALBUM AND
SONG OF THE YEAR, HERE TO SHARE A LITTLE "FOLKLORE" JOINED BY
JACK ANTONOFF AND AARON DESSNER: LADIES AND GENTLEMEN, TAYLOR
SWIFT!
(CHEERS AND APPLAUSE) ♪ ♪ ♪
♪ VINTAGE TEE BRAND NEW PHONE
♪ HIGH HEELS ON COBBLESTONES
♪ WHEN YOU ARE YOUNG THEY ASSUME YOU KNOW NOTHING
♪ SEQUIN SMILE BLACK LIPSTICK
♪ SENSUAL POLITICS WHEN YOU ARE YOUNG
♪ THEY ASSUME YOU KNOW NOTHING 'CAUSE I KNEW YOU
♪ STEPPIN' ON THE LAST TRAIN MARKED ME LIKE A BLOODSTAIN, I
♪ I KNEW YOU TRIED TO CHANGE THE ENDING
♪ PETER LOSING WENDY, I I KNEW YOU
♪ LEAVING LIKE A FATHER RUNNING LIKE WATER, I
♪ AND WHEN YOU ARE YOUNG THEY ASSUME YOU KNOW NOTHING
♪ BUT I KNEW YOU'D LINGER LIKE A TATTOO KISS
♪ I KNEW YOU'D HAUNT ALL OF MY WHAT-IFS
♪ THE SMELL OF SMOKE WOULD HANG AROUND THIS LONG
♪ 'CAUSE I KNEW EVERYTHING WHEN I WAS YOUNG
♪ I KNEW I'D CURSE YOU FOR THE LONGEST TIME
♪ CHASIN' SHADOWS IN THE GROCERY LINE
♪ I KNEW YOU'D MISS ME ONCE THE THRILL EXPIRED
♪ AND YOU'D BE STANDIN' IN MY FRONT PORCH LIGHT
♪ AND I KNEW YOU'D COME BACK TO ME
♪ YOU'D COME BACK TO ME AND YOU'D COME BACK TO ME
♪ AND YOU'D COME BACK AND WHEN I FELT LIKE I WAS AN
♪ OLD CARDIGAN UNDER SOMEONE'S BED
♪ YOU PUT ME ON AND SAID I WAS YOUR FAVORITE
♪ AND YOU'D COME BACK TO ME ♪ ♪ ♪
♪ AND YOU'D COME BACK TO ME
♪ ♪ ♪ ♪ ♪ ♪
♪ SALT AIR AND THE RUST ON YOUR DOOR
I NEVER NEEDED ANYTHING MORE ♪ WHISPERS
OF "ARE YOU SURE?" ♪ "NEVER HAVE I EVER BEFORE"
BUT I CAN SEE US ♪ LOST IN THE MEMORY
AUGUST SLIPPED AWAY ♪ INTO A MOMENT IN TIME¡
CAUSE IT WAS NEVER MINE AND I CAN SEE US TWISTED
♪ IN BEDSHEETS AUGUST SIPPED AWAY
♪ LIKE A BOTTLE OF WINE 'CAUSE YOU WERE NEVER MINE
♪ BACK WHEN WE WERE STILL CHANGING
♪ FOR THE BETTER WANTING WAS ENOUGH
♪ FOR ME, IT WAS ENOUGH TO LIVE FOR THE HOPE OF IT ALL
♪ CANCEL PLANS JUST IN CASE YOU'D CALL
♪ AND SAY, "MEET ME BEHIND THE MALL"
♪ SO MUCH FOR SUMMER LOVE AND SAYING "US"
♪ 'CAUSE YOU WEREN'T MINE TO LOSE
♪ YOU WEREN'T MINE TO LOSE
♪ ♪ ♪ ♪ LIFE WAS A WILLOW
AND IT BENT RIGHT TO YOUR WIND ♪ OH
THEY COUNT ME OUT ♪ TIME AND TIME AGAIN
LIFE WAS A WILLOW ♪ AND IT BENT RIGHT TO YOUR WIND
OH ♪ BUT I COME BACK STRONGER
THAN A '90'S TREND ♪ WAIT FOR THE SIGNAL
AND I'LL MEET YOU AFTER DARK ♪ SHOW ME THE PLACES
WHERE THE OTHERS ♪ GAVE YOU SCARS
-NOW THIS IS AN OPEN/ -SHUT CASE ♪ GUESS I SHOULD'VE KNOWN
FROM THE LOOK ON YOUR FACE ♪ EVERY BAIT AND SWITCH
WAS A WORK OF ART ♪ THE MORE THAT YOU SAY
THE LESS I KNOW ♪ WHEREVER YOU STRAY
I FOLLOW ♪ I'M BEGGING FOR YOU
TO TAKE MY HAND ♪ WRECK MY PLANS
THAT'S MY MAN ♪ YOU KNOW THAT MY TRAIN
COULD TAKE YOU HOME ♪ ANYWHERE ELSE IS HOLLOW
I'M BEGGING FOR YOU ♪ TO TAKE MY HAND
WRECK MY PLANS ♪ THAT'S MY MAN
THE MORE THAT YOU SAY ♪ THE LESS I KNOW
WHEREVER YOU STRAY ♪ I FOLLOW
I'M BEGGING FOR YOU ♪ TO TAKE MY HAND
WRECK MY PLANS ♪ THAT'S MY MAN ♪
♪ ♪ ♪ (CHEERS AND APPLAUSE)
WE SEE WHO TAKES HOME BEST POP SOLO PERFORMANCE, HARRY
STYLESK TAYLOR SWIFT, JUSTIN BIEBER, DOJA CAT, BILLIE EILISH
OR DUA LIPA.
THIS IS CBS.
MUSICARES LEADS THE LARGEST PANDEMIC RELIEF EFFORT FOR MUSIC
PEOPLE, AND HELPS THE HUMANS BEHIND THE MUSIC BECAUSE MUSIC
GIVES SO MUCH TO THE WORLD.
HELP THIS IMPORTANT WORK CONTINUE.
THE 63rd GRAMMY AWARDS IS SPONSORED BY FORD, BUILT FORD
PROUD.
♪ ♪ ♪ (CHEERS AND APPLAUSE)
Trevor: WELCOME BACK TO THE GRAMMY AWARDS.
SO, WHAT DO ADELE, ED SHEERAN, AND LADY GAGA ALL HAVE IN
COMMON?
WELL, THEY'VE ALL DONE "CARPOOL KARAOKE" EPISODES WHERE JAMES
CORDEN HIT A PEDESTRIAN AND KEPT DRIVING.
(LAUGHTER) AND ALSO, THEY'VE ALL WON THIS
NEXT GRAMMY AWARD.
TO HELP GIVE OUT THE GRAMMY FOR BEST POP SOLO PERFORMANCE, WE'RE
HEADING ACROSS TOWN TO WEST HOLLYWOOD AND AN INDEPENDENT
MUSIC VENUE.
LET'S MEET THE NIGHT MANAGER, RACHELLE ERRATCHU, AT THE
TROUBADOUR.
(APPLAUSE) I'M WORK HERE AT THE TROWB A
DOWR, FOR 15 YEARS AND I'M THE NIGHT MANAGER, IT'S A MAGIC
PLACE, HISTORY IS MADE HERE ALL THE TIME, WHEN YOU COME IN HERE
IT'S LIKE GOING TO CHURCH.
THE PEOPLE IN THAT ROOM DON'T WANT TO BE ANYWHERE ELSE IN THE
WORLD BUT IN THAT ROOM, PEOPLE TALK ABOUT SHOWS THAT HAPPENED
HERE 40, 50 YEARS AGO AND THEY WILL TALK ABOUT THEM 40, 50
YEARS LATER.
WE BUILD A COMMUNITY HERE EVERY NIGHT AND THAT COMMUNITY IS
CURRENTLY GONE.
WHEN THE DOORS ARE FINALLY ABLE TO OPEN UP AGAIN, IT WILL
DEFINITELY BE LIKE OH, CAN I BREATHE AGAIN.
MEANWHILE IT IS MY HONOR TO PRESENT THE GRAMMY AWARD FOR
BEST POP SOLO POMANCE.
HERE ARE THE NOMINATIONS.
"YUMMY," JUSTIN BIEBER.
"SAY SO," DOJA CAT.
"EVERYTHING I WANTED," BILLIE EILISH.
"DON'T START NOW," DUA LIPA.
"WATERMELON SUGAR," HARRY STYLES.
"CARDIGAN," TAYLOR SWIFT.
♪ ♪ ♪ (APPLAUSE)
Trevor: AND THE TROUBADOUR'S VERY OWN NIGHT MANAGER, RACHELLE
ERRATCHU, IS HERE NOW TO DO THE HONORS.
AND THE GRAMMY GOES TO: "WATERMELON SUGAR," HARRY
STYLES.
(CHEERS AND APPLAUSE) ♪ I DON'T KNOW IF I COULD EVER
GO WITHOUT.
♪ WATERMELON SUGAR HIGH.
♪ ♪.
WOW, TO EVERYONE WHO MADE THIS RECORD WITH ME, THANK YOU
SO MUCH.
THIS IS THE FIRST SONG WE WROTE AFTER MY FIRST ALBUM CAME OUT.
DURING A DAY OFF IN NASHVILLE AND I JUST WANT TO SAY THANKS TO
TOM, KYLE AND MITCH AND EVERYONE.
ROB STRINGER AND EVERYONE AT COLUMBIA, MY MANAGER, WHO HAS
ALWAYS NUDGED ME TO DO BETTER AND NEVER PUSHED ME.
AND THANK YOU SO MUCH.
SO VERY GRATEFUL TO BE HERE.
THANK YOU. THANK YOU SO MUCH.
THANK YOU SO MUCH.
CONGRATULATIONS ON A WELL DESERVED WIN.
NOW AS WE PUT THE GRAMMY SPOTLIGHT ON WORKERS AT
INDEPENDENT MUSIC VENUES TONIGHT WE REMAIN THANKFUL FOR ALL OF
OUR ESSENTIAL WORKERS AROUND THE WORLD WHO HAVE DONE SO MUCH TO
ENSURE THAT SO MANY OF US HAVE SURVIVED.
WE ALSO RECOGNIZED THAT DURING THIS PAST YEAR UNLIKE ANY OTHER,
THE LOSS OF LIFE HAS BEEN HISTORIC.
AND SO TONIGHT WE WANT TO REMEMBER THE ENDURING IMPACT OF
THOSE IN OUR MUSIC COMMUNITY WHO WE HAVE LOST THIS PAST YEAR.
THAT LOSS HAS BEEN IMMENSE.
SO AT THE END OF THE NIGHT, -PLEASE GO TO GRAMMY. -COM FOR A
LIST OF NEARLY 1,000 SOULS WHO HAVE BROUGHT SUCH ENDURING MUSIC
TO OUR LIVES.
♪ AIN'T NO SUNSHINE WHEN SHE'S GONE
♪ IT'S NOT WARM WHEN SHE'S AWAY
♪ AIN'T NO SUNSHINE WHEN SHE'S GONE
♪ AND SHE'S ALWAYS GONE TOO LONG
♪ ANYTIME SHE GOES AWAY
(CHEERS AND APPLAUSE)
♪ ♪ ♪ ♪ GONNA TELL AUNT MARY 'BOUT
UNCLE JOHN ♪ HE CLAIM HE HAS THE MISERY
BUT HE HAD A LOT OF FUN ♪ OH, BABY
YEAH BABY ♪ WOO BABY
I'M HAVIN' ME SOME FUN TONIGHT ♪ WELL LONG, TALL SALLY SHE'S
BUILT FOR SPEED, SHE GOT ♪ EVERYTHING THAT UNCLE JOHN
NEED ♪ OH, BABY
YEAH BABY ♪ WOO BABY
I'M HAVIN' ME SOME FUN TONIGHT ♪ ♪ ♪
♪ GOOD GOLLY MISS MOLLY SURE LIKE TO BALL
♪ WHEN YOU'RE ROCKIN' AND A ROLLIN'
♪ I CAN'T HEAR YOUR MAMA CALL FROM THE EARLY, EARLY MORNIN'
♪ TO THE EARLY, EARLY NIGHT WHEN YOU CAUGHT
♪ MISS MOLLY ROCKIN' AT THE HOUSE OF BLUE LIGHT
♪ GOOD GOLLY MISS MOLLY SURE LIKE TO BALL
♪ WHEN YOU'RE ROCKING AND A-ROLLIN'
♪ CAN'T HEAR YOUR MAMA CALL AAAHHH
♪ ♪ ♪ ♪ ♪ ♪
I'M GOING TO THE CORNER ♪ GONNA BUY A DIAMOND RING
WOULD YOU PARDON ME, KISS ME ♪ MAKE ME TING-A-LING-A-LING
GOOD GOLLY MISS MOLLY ♪ SURE LIKE TO BALL
WHEN YOU'RE ROCKING ♪ AND A-ROLLIN'
I CAN'T HEAR YOUR MAMA CALL ♪ ♪ ♪ ♪
WE LOVE YOU LITTLE RICHARD!
♪ ♪ ♪ (CHEERS AND APPLAUSE)
♪ ♪ ♪ ♪ STOP!
IN THE NAME OF LOVE ♪ BEFORE YOU BREAK MY HEART
BABY, BABY ♪ I'M AWARE OF WHERE YOU GO
EACH TIME YOU LEAVE MY DOOR ♪ LADY
I'M YOUR KNIGHT ♪ IN SHINING ARMOR
♪ AND I LOVE YOU YOU HAVE MADE ME WHAT I AM AND
♪ I AM YOURS MY LOVE
♪ THERE'S SO MANY WAYS I WANT TO SAY
♪ I LOVE YOU LET ME HOLD YOU IN MY ARMS
♪ FOR EVER MORE ♪ YOU HAVE GONE
AND MADE ME SUCH A FOOL ♪ I'M SO LOST
IN YOUR LOVE ♪ AND OH
WE BELONG TOGETHER ♪ WON'T YOU BELIEVE
IN MY SONG ♪ OH, LADY
YOUR LOVE'S ♪ THE ONLY LOVE I NEED
AND BESIDE ME ♪ IS WHERE
I WANT YOU TO BE ♪ 'CAUSE, MY LOVE
THERE'S SOMETHING ♪ I WANT YOU
TO KNOW ♪ YOU'RE THE LOVE OF MY LIFE
YOU'RE THE LOVE OF MY LIFE ♪ YOU'RE MY LADY ♪
MISS YOU, KENNY.
MISS YOU, MAN.
♪ ♪ ♪ ♪ ♪ ♪
'CAUSE YOU'VE GOT TO ♪ KISS AN ANGEL GOOD MORNING
AND LET HER KNOW YOU THINK ♪ ABOUT HER WHEN YOU'RE GONE
KISS AN ANGEL GOOD MORNING ♪ AND LOVE HER LIKE THE DEVIL
WHEN YOU GET BACK HOME
♪ ♪ ♪ ♪ ♪ ♪
I'VE BEEN DOWN THIS ROAD BEFORE ♪ I REMEMBER EVERY TREE
EVERY SINGLE BLADE OF GRASS ♪ HOLDS A SPECIAL PLACE FOR ME
AND I REMEMBER EVERY TOWN ♪ AND EVERY HOTEL ROOM
AND EVERY SONG I EVER SANG ♪ ON A GUITAR OUT OF TUNE
I REMEMBER EVERYTHING ♪ THINGS I CAN'T FORGET
THE WAY YOU TURNED ♪ AND SMILED ON ME
ON THE NIGHT THAT WE FIRST MET ♪ AND I REMEMBER EVERY NIGHT
YOUR OCEAN EYES OF BLUE ♪ HOW I MISS YOU
IN THE MORNING LIGHT ♪ LIKE ROSES MISS THE DEW
I'VE BEEN DOWN ♪ THIS ROAD BEFORE
ALONE AS I CAN BE ♪ CAREFUL NOT TO LET MY PAST
GO SNEAKING UP ON ME I'VE GOT NO FUTURE
♪ IN MY HAPPINESS MY REGRETS ARE VERY FEW
♪ SOMETIMES A LITTLE TENDERNESS WAS THE BEST THAT I COULD DO
♪ I REMEMBER EVERYTHING YOUR OCEAN EYES OF BLUE
♪ HOW I MISS YOU IN THE MORNING LIGHT
♪ LIKE ROSES MISS THE DEW HOW I MISS YOU
♪ IN THE MORNING LIGHT LIKE ROSES MISS THE DEW ♪
WE THANK YOU JOHN, FOR EVERYTHING.
♪ ♪ ♪ ♪ WHEN YOU WALK
THROUGH A STORM ♪ HOLD YOUR HEAD UP HIGH
AND DON'T ♪ BE AFRAID
OF THE DARK ♪ AT THE END
OF A STORM ♪ THERE'S A GOLDEN SKY
AND THE SWEET ♪ SILVER SONG OF A LARK
WALK ON THROUGH THE WIND ♪ WALK ON THROUGH THE RAIN
THOUGH YOUR DREAMS ♪ BE TOSSED
AND BLOWN ♪ WALK ON
WALK ON ♪ WITH HOPE IN YOUR HEART
AND YOU'LL NEVER ♪ WALK
ALONE ♪ YOU'LL NEVER WALK ALONE
♪ ♪ ♪ WALK ON
♪ WALK ON WITH HOPE IN YOUR HEART
♪ AND YOU'LL NEVER WALK ALONE
♪ YOU'LL NEVER WALK ALONE ♪ ♪ ♪ ♪
I LOVE IT, I LOVE THE MUSIC, AND I LIKE DOING THE LIVE SHOWS
AND I DON'T CARE WHO ST, OR WHAT, AIBT NO STOPPING ME.
I JUST CARE ABOUT THE PEOPLE I WORK WITH, AND MOST OF ALL I
CARE ABOUT MY FAMILY.
♪ ♪ ♪ (APPLAUSE)
WELCOME BACK TO THE GRAMMYS.
THIS YEAR'S COUNTRY GRAMMY NOMINATIONS WERE DOMINATED BY
FANTASTIC FEMALE ARTISTS, AND WE WANT TO CELEBRATE THE REMARKABLE
ABLE WOMEN OF COUNTRY MUSIC TODAY BY PUTTING THE SPOTLIGHT
ON THREE OF THE GENRES VERY BEST.
WE BEGIN WITH THE FIRST BLACK FEMALE SOLO ARTIST EVER
NOMINATED IN A COUNTRY CATEGORY, LADIES AND GENTLEMEN, MICKEY
GUYTON.
♪ LITTLE KID IN A SMALL TOWN I DID MY BEST JUST TO FIT IN
♪ BROKE MY HEART ON THE PLAYGROUND, MM
♪ WHEN THEY SAID I WAS DIFFERENT OH, NOW, NOW
♪ I'M ALL GROWN UP AND NOTHING HAS CHANGED
♪ YEAH, IT'S STILL THE SAME IT'S A HARD LIFE ON EASY STREET
♪ JUST WHITE PAINTED PICKET FENCES FAR AS YOU CAN SEE
♪ IF YOU THINK WE LIVE IN THE LAND OF THE FREE
♪ YOU SHOULD TRY TO BE BLACK LIKE ME
MY DADDY WORKED DAY AND NIGHT FOR AN OLD HOUSE
♪ AND A USED CAR, HM JUST TO LIVE THAT GOOD LIFE, MM
♪ IT SHOULDN'T BE TWICE AS HARD OH, NOW, NOW
♪ I'M ALL GROWN UP AND NOTHING HAS CHANGED
♪ YEAH, IT'S STILL THE SAME IT'S A HARD LIFE ON EASY STREET
♪ JUST WHITE PAINTED PICKET FENCES FAR AS YOU CAN SEE
♪ IF YOU THINK WE LIVE IN THE LAND OF THE FREE
♪ YOU SHOULD TRY TO BE OH, BLACK LIKE ME
♪ OH, OH OH, I KNOW I'M NOT THE
♪ ONLY ONE, OH, YEAH WHO FEELS LIKE I
♪ I DON'T BELONG IT'S A HARD LIFE ON EASY STREET
♪ JUST WHITE PAINTED PICKET FENCES FAR AS YOU CAN SEE
♪ AND IF YOU THINK WE LIVE IN THE LAND OF THE FREE
♪ THEN YOU SHOULD TRY TO BE OH, BLACK LIKE ME
♪ OH, AND SOMEDAY WE'LL ALL BE FREE
♪ AND I'M PROUD TO BE OH, BLACK LIKE ME
♪ AND I'M PROUD TO BE BLACK LIKE ME
(CHEERS AND APPLAUSE) THANK YOU.
AND NOW THE ONE AND ONLY MIRANDA LAMBERT.
♪ ♪ ♪ OOH
♪ ♪ ♪ ♪ WELL, I'M A TURNER
I TURN PAGES ALL THE TIME ♪ DON'T LIKE WHERE I'M AT
34 WAS BAD ♪ SO I JUST TURN TO 35
YEAH, I'M A KEEPER ♪ I KEEP DIGGING DOWN FOR
THE DEEP ♪ LIKE THE RECORDS I'M PLAYING
THEY MIGHT KEEP YOU WAITING ♪ BUT YOU KNOW I'M GONNA
PLAY 'EM FOR KEEPS ♪ AND IF THE HOUSE JUST
KEEPS ON WINNING ♪ I GOT A WILDCARD UP MY SLEEVE
AND IF LOVE KEEPS GIVING ME ♪ LEMONS
I'LL JUST MIX 'EM IN MY DRINK ♪ AND IF THE WHOLE WIDE WORLD
STOPS SINGING ♪ AND ALL THE STARS GO DARK
I'LL KEEP A LIGHT ON IN MY SOUL ♪ KEEP A BLUEBIRD IN MY HEART
♪ ♪ ♪ ♪ ♪ ♪
♪ WELL, I'M A GIVER YEAH, AND I'M STILL
♪ GIVING 'EM HELL FORGIVING'S PRETTY HARD
♪ SO I MADE AN ART OUT OF FORGETTING 'EM WELL
♪ YEAH, I'M A RHYMER I CAN TURN TWENTY CENTS INTO
A TEN ♪ AND IF I GET CONFUSED
AND I START TO LOSE ♪ I RHYME A DIME 'TIL
IT ALL MAKES SENSE ♪ AND IF THE HOUSE JUST
KEEPS ON WINNING ♪ I GOT A WILDCARD UP MY SLEEVE
AND IF LOVE KEEPS GIVING ME ♪ LEMONS
I'LL JUST MIX 'EM IN MY DRINK ♪ AND IF THE WHOLE WIDE WORLD
STOPS SINGING ♪ AND ALL THE STARS GO DARK
I'LL TURN A LIGHT ON IN MY SOUL ♪ KEEP A BLUEBIRD IN MY HEART
♪ ♪ ♪ ♪ ♪ ♪
♪ AND IF THE HOUSE JUST KEEPS ON WINNING
♪ I GOT A WILDCARD UP MY SLEEVE AND IF LOVE KEEPS GIVING ME
♪ LEMONS I'LL JUST MIX 'EM IN MY DRINK
♪ AND IF THE WHOLE WIDE WORLD STOPS SINGING
♪ AND ALL THE STARS GO DARK I'LL KEEP A LIGHT ON IN MY SOUL
♪ KEEP A BLUEBIRD IN MY HEART I'LL KEEP A LIGHT ON IN MY SOUL
KEEP A BLUEBIRD IN MY HEART ♪ KEEP A BLUEBIRD IN MY HEART
♪ ♪ ♪ ♪ ♪ ♪
(CHEERS AND APPLAUSE) ALL RIGHT, JOINED BY JOHN
MAYER, HER IS MY TEXAS GAL PAL, MISS MAREN MORRIS.
♪ WE'RE IN THE HOMESTRETCH OF THE HARD TIMES
♪ WE TOOK A HARD LEFT BUT WE'RE ALRIGHT
♪ YEAH, LIFE SURE CAN TRY TO PUT LOVE THROUGH IT, BUT
♪ WE BUILT THIS RIGHT, SO NOTHING'S EVER GONNA MOVE IT
♪ WHEN THE BONES ARE GOOD THE REST DON'T MATTER
♪ YEAH, THE PAINT COULD PEEL THE GLASS COULD SHATTER
♪ LET IT RAIN 'CAUSE YOU AND I REMAIN THE SAME
♪ WHEN THERE AIN'T A CRACK IN THE FOUNDATION
♪ BABY, I KNOW ANY STORM WE'RE FACING
♪ WILL BLOW RIGHT OVER WHILE WE STAY PUT
♪ THE HOUSE DON'T FALL WHEN THE BONES ARE GOOD
♪ CALL IT DUMB LUCK BUT BABY, YOU AND I
♪ CAN'T EVEN MESS IT UP ALTHOUGH WE BOTH TRY
♪ NO, IT DON'T ALWAYS GO THE WAY WE PLANNED IT
♪ BUT THE WOLVES CAME AND WENT AND WE'RE STILL STANDING
♪ WHEN THE BONES ARE GOOD THE REST DON'T MATTER
♪ YEAH, THE PAINT COULD PEEL THE GLASS COULD SHATTER
♪ LET IT RAIN 'CAUSE YOU AND I REMAIN THE SAME
♪ WHEN THERE AIN'T A CRACK IN THE FOUNDATION
♪ BABY, I KNOW ANY STORM WE'RE FACING
♪ WILL BLOW RIGHT OVER WHILE WE STAY PUT
♪ THE HOUSE DON'T FALL WHEN THE BONES ARE GOOD
♪ ♪ ♪ ♪ WHEN THE BONES ARE GOOD
♪ THE REST DON'T MATTER BABY, IT DON'T REALLY MATTER
♪ PAINT COULD PEEL THE GLASS COULD SHATTER
♪ OH, THE GLASS OH, THE GLASS COULD SHATTER
♪ BONES ARE GOOD, THE REST THE REST DON'T MATTER, OOH
♪ PAINT COULD PEEL, THE GLASS THE GLASS COULD SHATTER, YEAH
♪ WHEN THE BONES ARE GOOD THE REST DON'T MATTER
♪ YEAH, THE PAINT COULD PEEL THE GLASS COULD SHATTER
♪ LET IT RAIN LET IT RAIN
♪ LET IT RAIN 'CAUSE YOU AND I
♪ REMAIN THE SAME, WOO WHEN THERE AIN'T A
♪ CRACK IN THE FOUNDATION, WOO BABY, I KNOW ANY
♪ STORM WE'RE FACING WILL BLOW RIGHT OVER
♪ WHILE WE STAY PUT THE HOUSE DON'T FALL
♪ WHEN THE BONES ARE GOOD YEAH, OOH ♪
(CHEERS AND APPLAUSE) COMING UP, THE GRAMMY AWARD
FOR SONG OF THE YEAR.
THEN PERFORMANCES BY POST MALONE, BTS AND MEGAN THEE
STALLION AND CARDI B WITH THEIR FIRST EVER TV PERFORMANCE OF
WAP.
THIS IS THE 63rd GRAMMY AWARDS IS
SPONSORED BY LINCOLN FAMILY OF LUXURY S.U.V.s.
♪ ♪ ♪ (CHEERS AND APPLAUSE)
Trevor: WELCOME BACK TO THE GRAMMYS.
LET'S TAKE A LOOK AT SOME AWARDS WE PRESENTED EARLIER.
Announcer: THE GRAMMY FOR BEST MELODIC RAP PERFORMANCE
WENT TO: ANDERSON PAAK.
♪.
WOW, THANK YOU, THANK YOU SO MUCH.
I WANT TO SAY THANK YOU SO MUCH TO MY FAMILY, MY BEAUTIFUL WIFE
AND KIDS.
I WANT TO SAY THANK YOU TO THE TEAM THAT HELPED ME PUT THIS
RECORD TOGETHER.
I WANT TO SAY THANK YOU TO THE ACADEMY AND LASTLY I WANT TO SAY
THAT THIS SONG, LOCKDOWN IS DEDICATED TO EVERY HUMAN BEING
WHO ACTUALLY HAS A VOICE.
IF YOU HAVE A VOICE, DON'T BE AFRAID TO USE IT.
BECAUSE THEY WATCHING.
AND THIS IS PROOF.
THANK YOU SO MUCH.
THE GRAMMY FOR BEST THE GRAMMY FOR BEST LATIN POP OR
URBAN ALBUM WENT TO: OR URBAN ALBUM WENT TO YHLQMDLG,
BAD BUNNY.
I'M VERY HAPPY, I'M REALLY HAPPY, I'M VERY PROUD.
I WANT TO THANK EVERY PERSON IN THE WORLD THAT LISTENED TO MY
MUSIC, AND SUPPORT MY CAREER AND MY IDEAS.
(SPEAKING SPANISH) (APPLAUSE)
NOW AS YOUR HOST, AND A GRAMMY NOMINEE MYSELF, I KNOW,
I'VE BEEN GIVEN THE HONOR OF ANNOUNCING SOJ OF THE YEAR.
NOW JUST SO EVERYBODY UNDERSTANDS, RECORD OF THE YEAR
HONORS THE PERFORMANCE AND THE PRODUCTION OF A TRACK.
SONG OF THE YEAR IS AN AWARD THAT HONORS THE TALENTED PEOPLE
WHO WRITE THE MUSIC AND THOSE WORDS.
L LIKE THOSE LYRICISTS WHO PEN THE
LINES THAT STIR OUR SOULS AND MAKE YOU ASK YOURSELF, "AM I A
SAVAGE?
CLASSY, BOUGIE, RATCHET?" (LAUGHTER)
I'M ALSO EXCITED TO ANNOUNCE THE RECORDING ACADEMY IS LAUNCHING
ITS NEW SONGWRITERS & COMPOSERS WING TO ELEVATE AND ADVOCATE ON
BEHALF OF SONGWRITERS AND COMPOSERS.
WITH THAT SAID, THESE ARE THE NOMINATIONS FOR SONG OF THE
YEAR.
♪ ♪ ♪ Announcer: "BLACK PARADE."
"THE BOX."
"CARDIGAN."
"CIRCLES."
"DON'T START NOW."
"EVERYTHING I WANTED."
"I CAN'T BREATHE."
"IF THE WORLD WAS ENDING."
(APPLAUSE) Trevor: WOW.
WOW, THIS IS TENSE.
AND THE GRAMMY GOES TO: "I CAN'T BREATHE," H.E.R.
(CHEERS AND APPLAUSE) ♪ ♪ ♪
♪ I CAN'T BREATHE.
♪ ♪ I CAN'T BREATHE.
♪.
OH MY GOD, I DON'T EVEN KNOW WHAT TO SAY.
I THINK THE FIRST THING I WANT TO SAY IS THAT I HAVE NEVER BEEN
SO PROUD TO BE AN ARTIST.
AND EVERYBODY ELSE THIS WAS NOMINATED, THOSE SONGS WERE TO
ME, SONG OF THE YEAR ALSO AND THEY WERE ALL AMAZING.
BUT YOU KNOW, WE WROTE THIS SONG OVER FACETIME.
AND I DIDN'T IMAGINE THAT MY FEAR AND THAT MY PAIN WOULD TURN
INTO IMPACT.
AND IT WOULD POSSIBLY TURN INTO CHANGE.
AND I THINK THAT IS WHAT THIS IS ABOUT.
AND THAT'S WHY I WRITE MUSIC.
THAT'S WHY I DO THIS.
SO I'M SO, SO GRATEFUL.
I WANT TO THANK GOD FOR GIVING ME THE GIFT OF A VOICE AND A PEN
AND USING ME AS A VESEL TO CREATE CHANGE AND I'M SO
THANKFUL FOR SIERRA AND-- WHO ARE PART OF THIS, A HUGE PART OF
THIS RECORD.
I WANT TO THANK MY MOM, I RECORDED THIS SONG MYSELF IN MY
BEDROOM AT MY MOM'S HOUSE.
AND I WANT TO THANK MY DAD.
HE CRIED.
HE WAS IN TEARS WHEN I WROTE THIS SONG AND I PLAYED IT FOR
HIM.
HE WAS THE FIRST PERSON I PLAYED IT FOR.
AND YEAH, MY JEFF, MISHA WALT, JANEVEN, EVERYBODY AT RCA,
PETER, CAROLYN, CAMEL, EVERYBODY.
I'M SO SPEECHLESS RIGHT NOW, I CAN'T BELIEVE THIS, THANK YOU SO
MUCH. BUT REMEMBER, WE ARE THE CHANGE THAT WE WISH TO SEE, AND
THAT FIGHT THAT WE HAD IN US, THE SUMMER OF 2020, KEEP THAT
SAME INFORMING.
-- ENERGY.
THANK YOU.
(CHEERS AND APPLAUSE) ♪ ♪ ♪
Announcer: AFTER THIS BREAK, MEGAN THEE STALLION AND CARDI B
PERFORM "WAP" FOR THE FIRST TIME ANYWHERE.
THIS IS CBS.
HISTORY!
HEAD TO charitybuzz.com/grammy AND BID ON ONE-OF-A-KIND SIGNED
ITEMS TO SUPPORT THE GRAMMY MUSEUM'S MUSIC EDUCATION
PROGRAMS AND KEEP MUSIC PLAYING THE 63rd GRAMMY AWARDS IS
SPONSORED BY "IN THE HEIGHTS," IN THEATERS AND ON HBO MAX JUNE
18.
♪ ♪ ♪ WELCOME BACK TO THE GRAMMY
AWARDS, NOW I HOPE YOU'RE READY, EVERYBODY, BECAUSE IN TONIGHT
WE'RE GOING TO FIND OUT WHAT WAP REALLY STANDS FOR, IF YOU HAVE
SMALL CHILDREN IN THE ROOM, JUST TELL THEM IT'S A SONG ABOUT
GIVING A CAT A BATH.
CARDI B WILL BE TAKING TO THE STAGE SHORTLY BUT FIRST THE TIME
HAS COME TO GET UP CLOSE AND PERSONAL WITH THE DYNAMIC
HIP-HOP FORCE WHO IS ALREADY A GRAMMY WINNER TONIGHT AND IS
NOMINATED FOR RECORD OF THE YEAR.
LET'S GET TO KNOW MEGAN THEE STALLION.
♪ ♪ ♪ OKAY.
YOU WANT TO KNOW ABOUT GOOD NEWS.
I'M STIERD OF-- TIRED OF GETTING ON MY PHONE AND LOOKING
AT ALL THE BAD NEWS GOING ON IN THE WORLD.
SO I WAS LIKE YOU KNOW WHAT, THIS ALBUM IS CALLED GOOD NEWS
AND THE GOOD NEWS IS COMING FROM MEGAN STALLION.
GROWING UP IN HOUSTON, JUST THE HOTTIE THAT I AM, MY VIBE, THE
WAY I TALK, THE WAY I DRESS, THE WAY I WALK IT IS A SOUTHERN
SWAG.
HAVE I ALWAYS HAD MY MOTHER, MY AUNT, MY GREAT GRANDMOTHER AND
GRANDMA TELLING ME MEGAN, YOU'RE AMAZING.
MEGAN, YOU CAN DO WHATEVER YOU WANT TO DO, DON'T LET NOBODY
TELL YOU NOTHING DIFFERENT.
YOU'RE BEAUTIFUL.
NOW IT IS SO EASY FOR ME TO UPLIFT OTHER WOMEN BECAUSE I'VE
ALWAYS BEEN UPLIFTED.
SAFAGE IS MY CONFIDENCE ANTHEM.
I'M DESCRIBING MYSELF AND HOW EVERY OTHER PERSON SHOULD FEEL.
EVERYBODY WAS ALWAYS ASKED WHO IS YOUR DREAM COULD LAB AND I
WOULD BE LIKE BEYONS, BEYONS, AND IT FINALLY HAPPENED.
I REMEMBER PERFORMING A I WOULD BE AT CLUBS, POMPLING
EVERY NIGHT, ANYWHERE I COULD PERFORM I WOULD PERFORM.
AND IT JUST GOT BIGGER EVERY TIME.
AND NOW I'M GRAMMY NOMINATED.
WE AT THE GRAMMYS NOW, WE NEVER GAVE UP.
EVEN ON THE DAYS YOU FEEL LIKE QUITTING, DON'T QUIT BECAUSE IT
IS POSSIBLE TO ACHIEVE ALL YOUR DREAMS.
(CHEERS AND APPLAUSE)
♪ ♪ ♪ AND IF THE BEAT LIVE.
WHAT'S UP, GRAMMYS?
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY- ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY
WHAT'S UP, HOTTIES AT HOME?
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY- ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY
TONIGHT IS MY FIRST TIME AT THE GRAMMYS.
BUT IT'S NOT MY FIRST TIME ENTERTAINING YOU.
♪ BODY-ODY-ODY-ODY-ODY-ODY-ODY- ODY-ODY-ODY-ODY-ODY-ODY-ODY-ODY
♪ BODY CRAZY CURVY, WAVY
♪ BIG-- LIL' WAIST BODY CRAZY
♪ CURVY, WAVY ♪ BIG-- LIL' WAIST
♪ ♪ ♪ ♪ I COULD BUILD A HOUSE
WITH ALL THE BRICK I GOT ♪ I COULD--
I COULD BUILD A HOUSE WITH ALL THE BRICK I GOT
♪ ♪ ♪ ♪ ♪ ♪
I'M THAT ♪ BEEN THAT
STILL THAT ♪ WILL FOREVER BE THAT
♪ I'M A SAVAGE ATTITUDE NASTY
♪ TALK BIG BUT MY BANK ACCOUNT MATCH IT
♪ HOOD, BUT I'M CLASSY RICH, BUT I'M RATCHET
♪ HATERS KEPT MY NAME IN THEY MOUTH, NOW THEY GAGGIN'
BOUGIE ♪ HE SAY, "THE WAY THAT THANG
MOVE, IT'S A MOVIE" ♪ I TOLD THAT BOY,
"WE GOTTA KEEP IT LOW ♪ LEAVE ME THE ROOM KEY"
I DONE BLED THE BLOCK ♪ AND NOW IT'S HOT
I'M TUNECHI A MOOD AND I'M MOODY, AH
♪ I'M A SAVAGE, OKAY CLASSY, BOUGIE, RATCHET, OKAY
♪ SASSY, MOODY, NASTY, YEAH ACTING STUPID
♪ WHAT'S HAPPENING?
WHAT'S HAPPENING?
♪ LIKE BEYONCE, LIKE ME LIKE ME
♪ HE WANT A LIKE THEE STALLION ♪ WITH THE KNEES
WITH THE KNEES ♪ HE BE LIKE, "DAMN, HOW THAT
THANG MOVIN' IN THEM JEANS?" THEM JEANS
-♪ EVEN D4 -L COULDN'T DO IT LIKE ME, LIKE ME
♪ I'M THE OOH I NEED A MOP TO CLEAN THE FLOOR,
♪ IT'S TOO MUCH DRIP, OHH I KEEP A KNOT, I KEEP A WATCH,
♪ I KEEP A WHIP, OOH LET'S PLAY A GAME,
♪ SIMON SAYS I'M STILL THAT AYY I'M STILL THAT, YUH
♪ AH, I'M A SAVAGE, YEAH CLASSY, BOUGIE, RATCHET, YEAH
♪ SASSY, MOODY, NASTY HEY, HEY YEAH
♪ ACTING STUPID WHAT'S HAPPENING?
♪ WHAT'S HAPPENING?
WHOA ♪ HIPS TIKTOK WHEN I DANCE
DANCE ♪ ON THAT DEMON TIME
SHE MIGHT START A ONLYFANS ONLYFANS
♪ BIG B AND THAT B STAND FOR BANDS
♪ IF YOU WANNA SEE SOME REAL BABY, HERE'S YOUR CHANCE
♪ I SAY, LEFT CHEEK, RIGHT CHEEK, DROP IT LOW, THEN SWANG
SWANG ♪ TEXAS UP IN THIS THANG
THANG ♪ PUT YOU UP ON THIS GAME
GAME ♪ IVY PARK ON MY FRAME
FRAME ♪ GANG, GANG, GANG, GANG
GANG ♪ IF YOU DON'T JUMP TO PUT JEANS
ON, BABY, YOU DON'T FEEL MY PAIN HOL' UP
♪ I'M A SAVAGE, YEAH CLASSY, BOUGIE, RATCHET, YEAH
♪ SASSY, MOODY, NASTY HEY, HEY YEAH
♪ ACTING STUPID WHAT'S HAPPENING?
♪ WHAT'S HAPPENING?
♪ ♪ ♪ I'M A SAVAGE, OKAY
♪ CLASSY, BOUGIE, RATCHET, OKAY SASSY, MOODY, NASTY, YEAH
♪ ACTING STUPID WHAT'S HAPPENING?
♪ WHAT'S HAPPENING?
I'M A SAVAGE, YEAH OKAY
♪ CLASSY, BOUGIE, RATCHET, YEAH OKAY
SASSY, MOODY, NASTY, HUH ♪ ACTING STUPID
WHAT'S HAPPENING?
♪ WHAT'S HAPPENING?
AH ♪ (CHEERS AND APPLAUSE)
♪ ♪ ♪ ♪ ♪ ♪
(CHEERS AND APPLAUSE) ♪ UP, UP
UP, AYY, UP, UH ♪ UP, LOOK
LOOK, ONCE UPON A TIME, MAN I HEARD THAT I WAS UGLY
♪ CAME FROM A CHICK WHO MAN'S WANNA TOUCH ME
♪ I SAID MY FACE BOMB, ABS TIGHT RACKS STACK UP SHAQ HEIGHT
♪ JEWELRY ON ME, FLASHLIGHT I BEEN LIT SINCE LAST NIGHT
♪ HIT HIM WITH THAT GOOD-GOOD MAKE HIM WANNA ACT RIGHT
♪ BROKE BOYS DON'T DESERVE NO KITTY
♪ I KNOW THAT'S RIGHT (CHEERS AND APPLAUSE)
BIG BAG BUSSIN' OUT ♪ THE BENTLEY BENTAYGA
♪ THE BENTLEY BENTAYGA, MAN BIRKIN BAG, BARDI BACK
BIG BAG BUSSIN' OUT ♪ THE BENTLEY BENTAYGA
♪ KNOW HOW I GIVE IT UP IF IT'S UP, THEN IT'S UP
♪ THEN IT'S UP, THEN IT'S STUCK IF IT'S UP, THEN IT'S UP
♪ THEN IT'S UP, THEN IT'S STUCK HUH, AYY
♪ UP, THEN IT'S UP IF IT'S UP, THEN IT'S STUCK, HUH
♪ IF IT'S UP, THEN IT'S UP THEN IT'S UP, THEN IT'S STUCK
♪ HUH, WOO FACE BOMB, ABS TIGHT
RACKS STACK UP SHAQ HEIGHT ♪ JEWELRY ON ME, FLASHLIGHT
I BEEN LIT SINCE LAST NIGHT ♪ HIT HIM WITH THAT GOOD-GOOD
MAKE HIM WANNA ACT RIGHT ♪ BROKE BOYS DON'T
DESERVE NO KITTY ♪ I KNOW THAT'S RIGHT
IF IT'S UP, THEN IT'S UP ♪ THEN IT'S UP, THEN IT'S STUCK
HUH, AYY ♪ (CHEERS AND APPLAUSE)
♪ ♪ ♪ ♪ I SAID, CERTIFIED FREAK
(CHEERS AND APPLAUSE) SEVEN DAYS A WEEK
♪ WET AND MAKE THAT PULL-OUT GAME WEAK
♪ YEAH, YEAH, YEAH, YEAH YEAH, YOU DEALING WITH
♪ SOME WET-WET-WET BRING A AND A MOP FOR THIS
♪ WET-WET-WET GIVE ME EVERYTHING YOU GOT
♪ FOR THIS WET-WET-WET BEAT IT UP
♪ BABY, CATCH A CHARGE EXTRA AND EXTRA
♪ PUT THIS KITTY RIGHT IN YOUR FACE
♪ SWIPE YOUR NOSE LIKE A CREDIT CARD
♪ HOP ON TOP I WANNA RIDE
♪ I DO A KEGEL I'M KINDA WILD
♪ LOOK AT MY MOUTH LOOK AT MY THIGHS
♪ THIS WATER IS WET COME TAKE A DIVE
♪ TIE ME UP LIKE I'M A SURPRISE
♪ LET'S ROLE PLAY I'LL WEAR A DISGUISE
♪ I WANT YOU TO PARK THAT BIG MACK TRUCK
♪ RIGHT IN THIS LITTLE GARAGE MAKE ME DREAM
♪ MAKE IT STREAM OUT IN PUBLIC
♪ MAKE A SCENE I DON'T COOK
♪ I DON'T CLEAN BUT LET ME TELL YOU
♪ HOW I GOT THIS RING GOBBLE ME, SWALLOW ME
♪ DRIP DOWN THE SIDE OF ME I'M OUT 'FORE I LET YOU
♪ GET INSIDE OF ME I TELL HIM WHERE TO PUT IT
♪ NEVER TELL HIM WHERE I'M 'BOUT TO BE
♪ I'LL RUN DOWN ON HIM 'FORE I HAVE A-- RUNNING ME
♪ TALK YOUR-- BITE YOUR LIP
♪ ASK FOR A CAR WHILE YOU RIDE THAT
♪ YOU REALLY AIN'T NEVER GOTTA-- HIM FOR A THANG
♪ HE ALREADY MADE HIS MIND UP 'FORE HE CAME
♪ NOW GET YOUR BOOTS AND YOUR COAT
♪ FOR THIS WET-WET-WET HE BOUGHT A PHONE
♪ JUST FOR PICTURES OF THIS WET-WET-WET
♪ PAY MY TUITION JUST TO KISS ME ON THIS WET-WET-WET
♪ NOW MAKE IT RAIN IF YOU WANNA SEE SOME WET-WET-WET
♪ LOOK, I NEED A HARD HITTER I NEED A DEEP--
♪ I NEED A HENNY DRINKER I NEED A-- SMOKER
♪ NOT A GARDEN SNAKE I NEED A KING COBRA
♪ WITH A HOOK IN IT HOPE IT LEAN OVER
♪ HE GOT SOME MONEY THEN THAT'S WHERE I'M HEADED
♪ COOKIE A1 JUST LIKE HIS CREDIT
♪ HE GOT A BEARD WELL, I'M TRYNA WET IT
♪ I LET HIM HMMM NOW HE DIABETIC
♪ I DON'T WANNA HMMM I WANNA-- WOO
♪ I WANNA I WANT YOU TO TOUCH THAT
♪ TOUCH THAT IT'S SWINGING IN
♪ THE BACK OF MY-- MY TOE GAME IS FIRE
♪ DASANI, DASANI IT'S GOING IN DRY
♪ AND IT'S COMING OUT SOGGY I RUN ON THAT THANG
♪ LIKE THE COPS IS BEHIND ME THE WAY THAT I SPIT
♪ NOW HE TRYNA SIGN ME NOW GET YOUR BOOTS
♪ AND YOUR COAT FOR THIS WET-WET-WET
♪ NOW GET A BUCKET AND A MOP
♪ THAT'S SOME WET-WET-WET I'M TALKING WAP, WAP WAP
♪ THAT'S SOME WET-WET-WET NOW MAKE IT RAIN IF YOU WANNA
♪ SEE SOME WET-WET-WET
♪ ♪ ♪ ♪ ♪ ♪
NOW FROM THE TOP ♪ MAKE IT DROP
THAT'S SOME WET ♪ THAT'S SOME WET
GET A BUCKET AND A MOP ♪ THAT'S SOME WET
THAT'S SOME WET ♪ I'M TALKING DROP, DROP, DROP
THAT'S SOME WET ♪ THAT'S SOME WET
MACARONI IN A POT ♪ THAT'S SOME WET
THAT'S SOME WET ♪ (CHEERS AND APPLAUSE)
WOW, WOW, DID YOU SEE THAT?
DID YOU SEE THAT!
WOW, CARDI B, FEATURING MEGAN THEE STALLION, THAT WAS AMAZING
WOW, THAT WAS AMAZING, THE GIANT SHOE, THE GIANT-- OH, AND IT IS
SO SOFT WHAT IS THE THREAD COUNT, THIS IS AMAZING, WOW,
GUYS, GUYS, WAIT, WAIT, I JUST REALIZED SOMETHING.
THIS IS A DREAM, THIS IS A DREAM THAT I HAVE HAD TO BE IN BED
WITH CARDI B AND THEN MY GRANDMOTHER COMES IN AND WHIPPED
OUR ASS FOR HAVING OUR SHOES ON IN THE BED, SHE WILL WHIP YOUR
ASS.
I DON'T KNOW ABOUT YOU, BUT WE HAVE TO COOL DOWN, WE'RE
GOING TO GO FOR A QUICK BREAK AND LET THE STAGE DRY OFF, POST
MALONE, DOJA CAT, BTS AND LIL BABY ARE ALL COMING UP.
THIS IS IT.
♪ ♪ ♪ ♪ ♪ ♪
♪ FOR COMPLETE COVERAGE OF THE GRAMMY AWARDS, EXCLUSIVE
HIGHLIGHTS, BACKSTAGE ACCESS AND LIVER INTERVIEWS WITH TONIGHT'S
-WINNERS VISIT GRAMMY. -COM.
♪ ♪ ♪ (CHEERS AND APPLAUSE)
Trevor: WELL, GOBBLE ME, SWALLOW ME, DRIP DOWN THE SIDE
OF ME.
WELCOME BACK.
TO PRESENT OUR NEXT GRAMMY AWARD, LET'S GO TO THE HEART OF
HARLEM AND PERHAPS THE MOST HISTORIC INDEPENDENT VENUE IN
AMERICA.
LET'S MEET BILLY MITCHELL AT ONE OF THE MOST ICONIC PLACES FOR
MUSICIANS TO PERFORM, AND FOR COMEDIANS TO GET BOOED OFFSTAGE:
THE WORLD FAMOUS APOLLO THEATER.
MY NAME IS BILLY MITCHELL, THEY CALL ME MR. APPALLO, I
FIRST STARTED RUNNING ERRANDS AT THE THEATER, I USED TO RUN
ERRANDS FOR JAMES BROWN AND HIS BAND.
HE WOULD ALWAYS ASK ME, MR. BILLY, HOW ARE YOU DOING IN
SCHOOL, I WOULD SAY I'M DOING GREAT, AND APPARENTLY HE DIDN'T
BELIEVE ME, BECAUSE ONE DAY MR. BROWN MADE ME LEAVE THE
APPALLO, GO ALL THE WAY BACK TO THE BRONX, GET MY REPORT CARD
AND SHOW IT TO HIM.
AND WHEN JAMES BROWN NOTICED MY REPORT CARD HE TOLD ME THAT I
WAS NOT ALLOWED TO COME BACK TO THE APPALLO AND RUNNER RANDS
UNTIL I GOT MY GRADES UP.
SO WITH THAT THREAT IN MIND, I BECAME A MEMBER OF THE HONOR
ROLL AND AS A GRADUATION GIFT JAMES BROWN GAVE ME SOME MONEY.
I USED THAT MONEY TO ENROLL INTO BUSINESS SCHOOL AND THAT STARTED
MY CAREER AT THE APPALLO THEATER.
THANK YOU JAMES BROWN.
THIS WAS THE FIRST YEAR THEATER THAT NOT ONLY SHOWED BLACK
TALENT ON THE STAGE BUT THE FIRST THAT HIRED BLACK CREW AND
ALSO LET BLACKS SIT IN THE AUDIENCE.
THE APPALLO WAS THE FIRST THEATER IN HARLEM TO DO THAT.
CULTURALLY THIS PLACE IS LIKE THE BEACON FOR
AFRICAN-AMERICANS.
THERE IS SOMETHING SPECIAL ABOUT THIS BUILDING.
IT IS SO HEARTBREAKING, WE MISS OUR AUDIENCE AND WE CAN'T WAIT
UNTIL OUR DOORS ARE OPEN BACK UP AGAIN.
WE JUST CAN'T WAIT.
AND WE DO OPEN BACK UP, IT IS GOING TO BE ABSOLUTELY AMAZING.
NOBODY DOES IT BETTER THAN US.
I WAS A POOR KID FROM MOUNT VERNON, NEW YORK, NOW BEING
ASKED TO PRESENT ON THE GRAMMYS.
MAN, IT GETS NO BETTER THAN THIS.
AND I AM SO GRATEFUL AND APPRECIATIVE, I REALLY AM.
IT IS MY HONOR TO PRESENT THE TBRAMMEE AWARD FOR BEST RAP
SONG.
AND HERE ARE THE NOMINATIONS.
♪ ♪ ♪ Announcer: "THE BIGGER
PICTURE," LIL BABY.
"THE BOX," RODDY RICCH.
"LAUGH NOW, CRY LATER," DRAKE FEATURING LIL DURK.
"ROCKSTAR," DaBABY FEATURING RODDY RICCH.
"SAVAGE," MEGAN THEE STALLION FEATURING BEYONCE.
♪ ♪ ♪ (CHEERS AND APPLAUSE)
Trevor: AND LET'S GO BACK TO MR. APOLLO.
MR. MITCHELL, TELL US WHO THE WINNER IS.
ALL RIGHT, THANK YOU, TREVOR.
AND THE GRAMMY GOES TO: "SAVAGE," MEGAN THEE STALLION
FEATURING BEYONCE.
(CHEERS AND APPLAUSE) ♪ ♪ ♪
♪ I'M A SAVAGE, YEAH CLASSY, BOUGIE, RATCHET, YEAH
♪ SASSY, MOODY, NASTY HEY, HEY YEAH
♪ ACTING STUPID WHAT'S HAPPENING?
♪ WHAT'S HAPPENING?
(CHEERS AND APPLAUSE) ♪ I'M A SAVAGE, YEAH
CLASSY, BOUGIE, RATCHET, YEAH ♪ SASSY, MOODY, NASTY
HEY, HEY YEAH ♪ ACTING STUPID
WHAT'S HAPPENING?
♪ WHAT'S HAPPENING?
(APPLAUSE) FIRST OF ALL,-- OKAY, BECAUSE
I SAID I WILL BRING MY PAPER UP HERE SO I'M NOT GOING TO FORGET
TO THANK NOBODY, AND NOW I CAME UP HERE-- FIRST OF ALL, I HAVE
TO KEEP THANKING GOD BECAUSE WITHOUT GOD NONE OF US WOULD BE
HERE TODAY.
AND I ALSO WANT TO THANK, I ALSO WANT TO SAY CONGRATULATIONS TO
EVERYBODY WHO WAS NOMINATED BECAUSE ALL OF THESE SONGS WERE
AMAZING.
WE WOULDN'T-- MUSIC REALLY HELPED A LOT OF US GET THROUGH
THE PANDEMIC.
SO LIKE I SAID, SHOUT OUT TO EVERYBODY WHO IS HERE TODAY,
BECAUSE A LOT OF THESE SONGS PUSHED US ALL THE WAY THROUGH.
I DEFINITELY WANT TO SAY THANK YOU TO BEYONCE.
IF YOU KNOW ME, YOU HAVE TO KNOW THAT EVER SINCE I WAS LITTLE I
WAS LIKE YOU KNOW WHAT, ONE DAY I'M GOING TO GROW UP AND I WILL
BE LIKE BEYONCE, THAT WAS DEFINITELY MY GOAL.
AND I REMEMBER I WENT TO THE RODEO FOR THE FIRST TIME AND I
SAW DESTINY'S CHILD PERFORM AND I WAS LIKE YOU KNOW WHAT, I LOVE
HER WORK, I LOVE THE WAY SHE IS, I LOVE THE WAY SHE CARRY HERSELF
AND MY MAMA WOULD ALWAYS BE LIKE MEGAN WHACK WOULD-BE YONS DO.
AND MI ALWAYS LIKE, YOU KNOW WHAT, WHAT WOULD-BE YONS DO.
BUT LET ME MAKE IT A LITTLE RATCHET.
BUT-- (LAUGHTER)
SO THANK YOU BEYONCE, FOR YOUR ENCOURAGING WORDS ALL THE TIME.
THANK YOU FOR-- FOR PUTTING ME ON ROCK NATION, MY LIFE HAS
CHANGED, THANK YOU, I KNOW YOU WATCHING.
AND YEAH, JUST THANK YOU, WE DID IT.
I JUST WANT TO QUICKLY GIVE MY LOVE TO MEGAN, HAVE I SO MUCH
RESPECT FOR YOU AND I'M HONORED THAT YOU CANNED ME TO BE A PART
OF THT SONG, AND I WANT TO SEAU HOUSTON, WE LOVE YOU, THANK YOU
GRAMMYS.
THANK YOU.
MEGAN AND BEYONCE,
CONGRATULATIONS.
BEFORE YOU LEAVE THE STAGE, BEFORE YOU LEAVE THE STAGE I
JUST WANTED TO SAY THIS, WE WANT EVERYBODY TO KNOW THAT RIGHT NOW
GRAMMY HISTORY HAS BEEN MADE.
BECAUSE WITH THAT AWARD, BEYONCE HAS JUST TIED THE ALL-TIME
RECORD FOR MOST GRAMMY WINS EVER BY A FEMALE ARTIST AND BY ANY
SINGER MALE OR FEMALE.
SO CONGRATULATIONS QUEEN B.
BEYONCE IS TIED AT 27 GRAMMYS, TIED AT 27 GRAMMYS.
WHAT AN ACHIEVEMENT.
WOW.
LADIES,.
ALL RIGHT, IT IS TIME FOR ANOTHER RECORD OF THE YEAR
NOMINEE FILM.
REMEMBER, AN EXTENDED VERSION OF ALL OF OUR FILMS WILL BE
REMEMBER: AN EXTENDED VERSION OF ALL OUR FILMS WILL BE AVAILABLE
AFTER THE SHOW TONIGHT ON PARAMOUNT+.
HERE'S A REVEALING LOOK AT THE CHARMING CHARACTER BEHIND ALL
THOSE MASSIVE HITS AND THREE NEW GRAMMY NOMINATIONS THIS YEAR.
THIS IS POST MALONE.
(APPLAUSE) ♪ ♪ ♪
MAKING CIRCLES, MY VOICE WAS GONE, I HAD BEEN JAMMING AND
SINGING ALL DAY, AND I WAS LIKE THIS SONG IS TERRIBLE.
AND THEN I CAME BACK TO IT A LITTLE WHILE LATER AND IT TURNED
OUT TO BE A PRETTY DECENT SONG.
I FEEL LIKE I DO EXPRESS MYSELF BEST IN MUSIC.
I'M NOT THE MOST EXTROVERTED GUY.
PEOPLE COME UP TO ME PLAYING MY SONG AND I WILL BE LIKE, I'M
SUPER SHOCKED.
PERFORMING IS ABSOLUTELY TERRIFYING.
YOU GO INTO THE ARENA AND EVERYBODY IS HYPED UP, IT MAKES
IT EASIER TO GO BUCK WILD.
I THINK IT WAS WHENEVER I STARTED PLAYING GUITAR HERE I
WAS LIKE I WANT TO BE A MUS IG.
NEVER IN MY LIFE DID I EVER THINK THAT IT WOULD ACTUALLY
HAPPEN.
GROWING UP IT WAS A VERY MUSIC APPRECIATIVE HOUSEHOLD BUT MUSIC
TALENT, NOT SO MUCH.
YOU SHOULD HEAR MY MOM SING AND MY DAD SING.
GOD BLESS AUTO TUNE, EVEN I CAN SING A COUPLE SONGS.
I'M SO BLESSED AND HONORED TO BE ABLE TO DO MUSIC, AS MY JOB.
SO THANK YOU VERY MUCH.
CHEERS.
AND NOW PERFORMING HOLLYWOOD'S BLEEDING, THIS IS
POST MALONE.
(APPLAUSE)
♪ ♪ ♪ ♪ HOLLYWOOD'S BLEEDING
VAMPIRES FEEDIN' ♪ DARKNESS TURNS TO DUST
EVERYONE'S GONE ♪ BUT NO ONE'S LEAVIN'
NOBODY LEFT BUT US ♪ TRYNA CHASE A FEELIN'
BUT WE'LL NEVER FEEL IT ♪ RIDIN' ON THE LAST TRAIN HOME
DYIN' IN OUR SLEEP ♪ WE'RE LIVIN' OUT A DREAM
WE ONLY MAKE IT OUT ALONE ♪ I JUST KEEP ON HOPIN'
THAT YOU CALL ME ♪ YOU SAY YOU WANNA SEE ME
BUT YOU CAN'T RIGHT NOW ♪ YOU NEVER TOOK THE TIME
TO GET TO KNOW ME ♪ WAS SCARED OF LOSIN' SOMETHIN'
THAT WE NEVER FOUND ♪ WE'RE RUNNING OUT OF REASONS
BUT WE CAN'T LET GO ♪ YEAH, HOLLYWOOD IS BLEEDING
BUT WE CALL IT HOME ♪ OUTSIDE, THE WINTER
SKY TURNIN' GREY ♪ CITY UP IN SMOKE
IT'S ONLY ASH WHEN IT RAINS ♪ HOWL AT THE MOON AND
GO TO SLEEP IN THE DAY ♪ LOVE FOR EVERYBODY 'TIL
THE DRUGS FADE AWAY ♪ IN THE MORNIN'
BLOCKING OUT THE SUN ♪ WITH THE SHADES
SHE GOTTA CHECK HER PULSE ♪ AND TELL HERSELF THAT SHE OKAY
IT SEEM LIKE DYING YOUNG ♪ IS AN HONOR
BUT WHO'D BE AT MY FUNERAL?
♪ I WONDER I GO OUT
♪ AND ALL THEY EYES ON ME I SHOUT OUT
♪ "DO YOU LIKE WHAT YOU SEE?" AND NOW THEY CLOSIN' IN ON ME
♪ LET 'EM SHARPEN ALL THEY TEETH THIS IS MORE THAN I CAN HANDLE
♪ BLOOD IN MY LAMBO' WISH I COULD GO
♪ OH, I'M LOSIN' HOPE I LIGHT A CANDLE
♪ SOME PALO SANTO FOR ALL THESE DEMONS
♪ WISH I COULD JUST GO ON I JUST KEEP ON HOPIN'
♪ THAT YOU CALL ME YOU SAY YOU WANNA SEE ME
♪ BUT YOU CAN'T RIGHT NOW YOU NEVER TOOK THE TIME
♪ TO GET TO KNOW ME WAS SCARED OF LOSIN' SOMETHIN'
♪ THAT WE NEVER FOUND WE'RE RUNNING OUT OF REASONS
♪ BUT WE CAN'T LET GO YEAH, HOLLYWOOD IS BLEEDING
♪ BUT WE CALL IT HOME ♪ (CHEERS AND APPLAUSE)
THAT'S RIGHT, POST MALONE, EVERYBODY.
THANK YOU SO MUCH, THAT WAS AN AMAZING PERFORMANCE.
AND EVEN MORE AMAZING FACE TATTOO, THAT IS THE MOST READING
HAVE I DONE ALL YEAR.
STAY TUNED BECAUSE WHEN WE COME BACK, LIL BABY GIVES A
PERFORMANCE YOU DO NOT WANT TO MISS.
THIS IS CBS.
(CHEERS AND APPLAUSE) JOIN THE CONVERSATION WITH
MUSIC FANS AROUND THE WORLD AND FOLLOW THE RECORDING ACADEMY FOR
EVERYTHING GRAMMY AWARDS.
THE THE 63rd GRAMMY AWARDS IS
SPONSORED BY PANTENE.
♪ ♪ ♪ Trevor: WELCOME BACK TO THE
GRAMMYS.
NOW, PLEASE WELCOME TWO INCREDIBLE ARTISTS WHO ARE BOTH
NOMINATED FOR ALBUM OF THE YEAR TONIGHT: JHENE AIKO AND JACOB
COLLIER.
♪ ♪ ♪ THANK YOU.
JACOB AND I BOTH FEEL SO HONORED TO BE NOMINATED FOR
ALBUM OF THE YEAR.
COMGRATS.
LIKEWISE.
AND VERY HAPPY TO BE HERE TO PRESENT THE GRAMMY FOR BEST POP
VOCAL ALBUM.
THIS CATEGORY WAS STARTED IN 1995, AND, IN JUST THAT TIME,
THIS AWARD HAS GONE TO THE LIKES OF LEGENDS FROM RAY CHARLES TO
BRUNO MARS.
AND FROM BONNIE RAITT TO ADELE.
THESE ARE THE OUTSTANDING NOMINATIONS FOR BEST POP VOCAL
ALBUM.
♪ ♪ ♪ Announcer: "CHANGES," JUSTIN
BIEBER.
"CHROMATICA," LADY GAGA.
"FUTURE NOSTALGIA," DUA LIPA.
"FINE LINE," HARRY STYLES.
"FOLKLORE," TAYLOR SWIFT.
(APPLAUSE) AND THE GRAMMY GOES TO:
"FUTURE NOSTALGIA," DUA LIPA.
(CHEERS AND APPLAUSE)
♪ ♪ ♪ OH MY GOODNESS.
WOW, THANK YOU SO MUCH.
THIS IS INSANE.
FUTURE NOSTALGIA MEANS THE ABSOLUTE WORLD TO ME AND IT HAS
CHANGED MY LIFE IN SO MANY WAYS.
BUT ONE THING THAT I HAVE REALLY COME TO REALIZE IS HOW MUCH
HAPPINESS IS SO IMPORTANT.
I FELT REALLY DATED AT THE END OF MY LAST ALBUM WHERE I FELT
LIKE I ONLY HAD TO MAKE SAD MUSIC TO FEEL LIKE IT MATTERED.
AND MI JUST SO GRATEFUL AND SO HONORED BECAUSE HAPPINESS IS
SOMETHING WE ALL DESERVE AND NEED IN OUR LIVES.
AND I REALLY WANT TO SAY A MASSIVE, MASSIVE THANK YOU TO
ALL THE FANS THAT HAVE, THIS IS ALL BECAUSE OF YOU.
HONESTLY, THIS IS ALL YOU AND I APPRECIATE EVERY SINGLE THING
THAT YOU HAVE DONE FOR THIS ALBUM.
I WANT TO SAY A MASSIVE THANK YOU TO MY MANAGERS, BEN, ED,
WENDY, GEORGE, WHO HAVE BEEN WITH ME SINCE I WAS 17, WHO HAVE
REALLY FOUGHT MY CORNER.
I WANT TO SAY THANK YOU TO MY LABEL, WARNER RECORDS AND YOU
SAY THANK YOU TO JOE, TO MAX, TO TOM, TO PHIL, TO MIKE, AND THE
WHOLE RADIO TEAM IT REALLY MEANS A LOT TO ME.
THANK YOU SO MUCH, TO ALL THE INCREDIBLE WRITERS, ARTISTS AND
PRODUCERS THAT I GOT TO MAKE THIS ALBUM WITH.
THIS MEANS SO MUCH.
THANKS TO MY FAMILY AND FRIENDS WATCHING AT HOME, I LOVE YOU,
THANK YOU.
MWAH.
(APPLAUSE) Trevor: CONGRATULATIONS, DUA
LIPA.
THIS WEDNESDAY NIGHT, THE RECORDING ACADEMY IS BRINGING
YOU "A GRAMMY SALUTE TO THE SOUNDS OF CHANGE," A CBS SPECIAL
HONORING THE POWER OF MUSIC TO SPEAK TO ITS TIMES.
AND RIGHT NOW, WE'RE GOING JUST DOWN THERE FOR AN UNFORGETTABLE
PERFORMANCE.
HERE PERFORMING "THE BIGGER PICTURE," PLEASE WELCOME LIL
BABY.
(CHEERS AND APPLAUSE) WHEN I WAS GROWING UP I WAS
TAUGHT IN AMERICAN HISTORY BOOKS THAT AFRICA HAD NO HISTORY AND
NEITHER DID I.
THAT I WAS A SAVAGE.
ABOUT WHOM THE LESS SAID, THE BETTER.
WHO HAD BEEN SAVED BY EUROPE AND BROUGHT TO AMERICA.
AND, OF COURSE, I BELIEVED IT.
I DIDN'T HAVE MUCH CHOICE.
♪ TRADE MY 4 X 4 FOR A G63 AIN'T NO MORE FREE LIL' STEVE
♪ I GAVE 'EM CHANCE AND CHANCE AND CHANCE AGAIN
♪ I EVEN DONE TOLD THEM PLEASE I FIND IT CRAZY THE POLICE'LL
♪ SHOOT YOU AND KNOW THAT YOU DEAD
♪ BUT STILL TELL YOU TO FREEZE -- UP, I SEEN WHAT I SEEN
♪ I GUESS THAT MEAN HOLD HIM DOWN IF HE SAY HE CAN'T BREATHE
♪ IT'S TOO MANY MOTHERS THAT'S GRIEVING
♪ THEY KILLING US FOR NO REASON BEEN GOING ON FOR TOO LONG
♪ TO GET EVEN ♪ LIKE DOGS AND HYENAS
I WENT TO COURT AND THEY ♪ SENT ME TO PRISON
MY MAMA WAS CRUSHED WHEN ♪ THEY SAID I CAN'T LEAVE
FIRST I WAS DRUNK ♪ THEN I SOBERED UP QUICK
WHEN I HEARD ALL THAT TIME ♪ THAT THEY GAVE TO TALIB
HE GOT A LIFE SENTENCE PLUS ♪ WE JUST SOME PRODUCTS
OF OUR ENVIRONMENT ♪ HOW THE-- THEY GON' BLAME US?
YOU CAN'T FIGHT FIRE WITH FIRE ♪ I KNOW, BUT AT LEAST
WE CAN TURN UP THE FLAMES SOME ♪ YOU GOTTA PAY ATTENTION
TO THE SIGNS ♪ SEEM LIKE THE BLIND
FOLLOWING THE BLIND ♪ THINKING 'BOUT EVERYTHING
THAT'S GOING ON ♪ I BOOST SECURITY UP AT MY HOME
I'M WITH MY KIND IF ♪ THEY RIGHT OR THEY WRONG
I CALL HIM NOW ♪ HE'LL PICK UP THE PHONE
AND IT'S 5:0 IN THE MORNING ♪ HE WAKING UP ON IT
TELL 'EM WHEREVER I'M AT ♪ THEN THEY COMIN'
I SEE BLUE LIGHTS, I GET SCARED ♪ AND START RUNNIN'
THAT-- BE CRAZY ♪ THEY 'POSED TO PROTECT US
THROW US IN HANDCUFFS ♪ AND ARREST US
WHILE THEY GO HOME AT NIGHT ♪ THAT-- MESSED UP
KNOWING WE NEEDED HELP ♪ THEY NEGLECT US
WONDERING WHO GON' ♪ MAKE THEM RESPECT US
I CAN SEE IN YOUR EYE ♪ THAT YOU FED UP
MESS AROUND, GOT MY SHOT ♪ I WON'T LET UP
THEY KNOW THAT WE ♪ A PROBLEM TOGETHER
THEY KNOW THAT WE CAN ♪ STORM ANY WEATHER
IT'S BIGGER THAN BLACK AND WHITE ♪ IT'S A PROBLEM WITH
THE WHOLE WAY OF LIFE ♪ IT CAN'T CHANGE OVERNIGHT
BUT WE GOTTA START SOMEWHERE ♪ MIGHT AS WELL
GON' 'HEAD START HERE ♪ WE DONE HAD A HELL OF A YEAR
I'MA MAKE IT COUNT ♪ WHILE I'M HERE
GOD IS THE ONLY MAN I FEAR IT'S A STATE OF EMERGENCY.
IT'S BEEN A HELL OF A YEAR.
HELL FOR OVER 400 YEARS.
MY PEOPLE IT'S TIME WE STAND, IT'S TIME WE DEMAND THE FREEDOM
THAT THIS LAND PROMISES.
PRESIDENT BIDEN, WE DEMAND JUSTICE.
EQUITY, POLICY, AND EVERYTHING ELSE THAT FREEDOM ENCOMPASSES.
AND TO ACCOMPLISH THIS, WE DON'T NEED ALLIES, WE NEED
ACCOMPLICES.
IT'S BIGGER THAN BLACK AND WHITE.
THIS IS NOT A TREND, THIS IS OUR PLAN: UNTIL FREEDOM!
UNTIL FREEDOM!
EVERY VIDEO I SEE ♪ ON MY CONSCIENCE
I GOT POWER NOW ♪ I GOTTA SAY SOMETHIN'
CORRUPTED POLICE BEEN THE ♪ PROBLEM WHERE I'M FROM
BUT I'D BE LYING IF I SAID ♪ IT WAS ALL OF THEM
I AIN'T DO THIS FOR THE TREND ♪ I DON'T FOLLOW THEM
ALTERCATIONS WITH THE LAW ♪ HAD A LOT OF THEM
PEOPLE SPEAKING FOR THE PEOPLE ♪ I'M PROUD OF THEM
STICK TOGETHER, WE CAN ♪ GET IT UP OUT OF THEM
I CAN'T LIE LIKE I DON'T RAP ♪ ABOUT KILLING AND DOPE
BUT I'M TELLING MY YOUNGINS ♪ TO VOTE
I DID WHAT I DID 'CAUSE I DIDN'T ♪ HAVE NO CHOICE OR NO HOPE
I WAS FORCED TO JUST ♪ JUMP IN AND GO
THIS-- IS ALL THAT WE KNOW ♪ BUT IT'S TIME FOR A CHANGE
GOT TIME TO BE SERIOUS ♪ NO TIME FOR NO GAMES
WE AIN'T TAKIN' NO MORE I WAS MAGICICALLY.
YOU CAN FACE IT AND SEE I MESSED UP.
A BEFORE HE LAY DOWN, ALL OF THEM ALL OF US NOTHING BUT
SLAVES AND NEVER FORGETTING THE STORY.
BIGGER THAN BLACK AND WHITE.
CAN'T CHANGE IT'S BIGGER THAN BLACK AND WHITE
♪ IT'S A PROBLEM WITH THE WHOLE WAY OF LIFE
♪ IT CAN'T CHANGE OVERNIGHT BUT WE GOTTA START SOMEWHERE
♪ MIGHT AS WELL GON' 'HEAD START HERE
♪ WE DONE HAD A HELL OF A YEAR I'MA MAKE IT COUNT
♪ WHILE I'M HERE GOD IS THE ONLY MAN I FEAR
IT'S BIGGER THAN BLACK AND WHITE ♪ IT'S A PROBLEM WITH THE
WHOLE WAY OF LIFE ♪ IT CAN'T CHANGE OVERNIGHT
BUT WE GOTTA START SOMEWHERE ♪ MIGHT AS WELL
GON' 'HEAD START HERE ♪ WE DONE HAD A HELL OF A YEAR
I'MA MAKE IT COUNT ♪ WHILE I'M HERE
GOD IS THE ONLY MAN I FEAR ♪ STILL TO COME, RECORD OF THE
YEAR NOMINEE DOJA CAT AND PERFORMANCES BY BTS AND RODDY
RICCH.
THIS IS CBS.
♪ ♪ ♪ (CHEERS AND APPLAUSE)
Trevor: WELCOME BACK.
NOW, PLEASE WELCOME TWO OF THE GREATEST PRODUCERS, SONGWRITERS
AND ARTISTS IN MUSIC HISTORY, BABYFACE AND JIMMY JAM!
♪ ♪ ♪ (APPLAUSE)
R&B IS THE SOURCE.
AND, AS THESE NOMINEES PROVE, R&B REMAINS A FORCE.
THESE ARE THE NOMINEES FOR BEST R&B PERFORMANCE.
"LIGHTNING & THUNDER," JHENE AIKO, JOHN LEGEND.
"BLACK PARADE," BEYONCE.
"ALL I NEED," JACOB COLLIER, MAHALIA, TY DOLLA $IGN.
"GOAT HEAD," BRITTANY HOWARD.
"SEE ME," EMILY KING.
♪ ♪ ♪ (APPLAUSE)
AND THE GRAMMY GOES TO...
OH!
OKAY, WAIT A MINUTE, HISTORY HAS JUST BEEN MADE, BREAKING THE
ALL-TIME RECORD FOR THE MOST GRAMMY WINS EVER BY ANY FEMALE
ARTIST OR ANY SINGER MALE OR FEMALE, THE GRAMMY GOES TO
BEYONCE!
♪ ♪ ♪ (CHEERS AND APPLAUSE)
♪ ♪ ♪ (APPLAUSE)
♪ ♪ ♪ (CHEERS AND APPLAUSE)
THANK YOU GUYS SOCH, OH MY GOD.
I AM SO HONORED.
I'M SO EXCITED.
THANK YOU.
AS AN ARTIST I BELIEVE IT'S MY JOB AND ALL OF OUR JOBS TO
REFLECT THE TIMES.
AND IT'S BEEN SUCH A DIFFICULT TIME.
SO I WANTED TO UPLIFT, ENCOURAGE, CELEBRATE ALL OF THE
BEAUTIFUL BLACK QUEENS AND KINGS THAT CONTINUE TO INSPIRE ME AND
INSPIRE THE WHOLE WORLD.
THIS IS SO OVERWHELMING.
I HAVE BEEN WORKING MY WHOLE LIFE SINCE NINE YEARS OLD.
AND I CAN'T BELIEVE THIS HAPPENED, IT'S SUCH A MAGICAL
NIGHT, THANK YOU SO MUCH.
I KNOW MY DAUGHTER IS WATCHING.
MY DAUGHTERS AND MY SON, BLU, CONGRATULATIONS, YOU WON A
GRAMMY TONIGHT.
I'M SO PROUD OF YOU.
AND I'M SO HONORED TO BE YOUR MOMMY, ALL OF YOUR MOMMIES.
Y'ALL ARE MY BABIES.
AND I'M SO PROUD OF Y'ALL.
I LOVE YOU SO MUCH, MY ROCK.
ENJOY YOUR NIGHT, THANK YOU.
HISTORY, PEOPLE, HISTORY.
GIVE IT UP FOR BEYONCE!
THIS IS HISTORY RIGHT NOW, ARE YOU SERIOUS?
THIS IS HISTORY.
SHE DID IT, I THIS IS HISTORY!
WOW.
OKAY.
TIME OKAY, TIME FOR ANOTHER GIBSON
HAZARD DIRECTED FILM ABOUT OUR RECORD OF THE YEAR NOMINEES.
AND REMEMBER: YOU CAN SEE EXTENDED VERSIONS OF ALL THESE
FILMS AND EXCLUSIVE INTERVIEWS ON PARAMOUNT+ TONIGHT.
THIS NEXT PERFORMER IS TRULY A STREAMING SUCCESS STORY FOR OUR
DIGITAL TIMES.
SHE'S THE ONLY PERSON WHO WENT VIRAL LAST SUMMER AND DIDN'T
HAVE TO QUARANTINE.
THIS IS DOJA CAT.
(APPLAUSE) ♪ ♪ ♪
WHEN PEOPLE SAY I'M A NEW ARTIST, I GET IT BECAUSE I
HAVEN'T REACHED THE LEVEL I'VE REACHED UNTIL NOW.
BUT FOR ME, I'VE BEEN DOING THIS FOR A VERY LONG TIME.
I R MUSIC WHEN I WAS VERY YOUNG,
LIKE 13.
I STARTED SINGING BUT I WOULD LOCK MAY DOOR AND SING REALLY
QUIET HOPING THAT MY FAMILY WOULDN'T HEAR ME.
I WOULD MAKE THESE LIFE TEN HOURS AT A TIME AND I HAD FANS
CRITIQUE MY MUSIC.
I WOULD HAVE THEM ON EVERY DAY, THE SAME 50 PEOPLE THAT TURNED
INTO A HUNDRED, TO 500 TO A THOUSAND.
TO WHAT ST TODAY.
THE WAY I FEEL ABOUT IT, I'M SO GRATEFUL AND I'M SO HAPPY.
I FEEL LIKE I CAN HAVE A MOMENT TO CELEBRATE EVERYTHING THAT
HAVE I WORKED SO HARD TO ACHIEVE.
I HAVEN'T BEEN WAITING FOR THIS MY WHOLE LIFE.
I'VE BEEN PREPARING GRAMMY'S, WELCOME TO PLANET
EARTH.
♪ DAY TO NIGHT TO MORNING KEEP WITH ME IN THE MOMENT
♪ I'D LET YOU HAD I KNOWN IT WHY DON'T YOU SAY SO?
IT'S BEEN A LONG TIME SINCE YOU.
♪ TELL ME WHAT MUST I DO.
I WON'T STOP CHEESEIN, AND WE CAN DANCE ALL DAY IF YOU WANT
♪ AROUND IT IF YOU FRONT THEN I'LL BE BOUNCING
♪ IF YOU WANT IT SCREAM AND SHOUT IT, BABE
♪ BEFORE I LEAVE YOU DRY DAY TO NIGHT TO MORNING
♪ KEEP WITH ME IN THE MOMENT I'D LET YOU HAD I KNOWN IT
♪ WHY DON'T YOU SAY SO?
DIDN'T EVEN NOTICE ♪ NO PUNCHES LEFT TO ROLL WITH
YOU GOT TO KEEP ME FOCUSED ♪ YOU WANT IT, SAY SO
♪ ♪ ♪ ♪ ♪ ♪
♪ WHY DON'T YOU SAY SO?
♪ ♪ ♪ ♪ ♪ ♪
HE AIN'T NEVER SEEN IT ♪ IN A DRESS LIKE THIS
HE AIN'T NEVER EVEN BEEN ♪ IMPRESSED LIKE THIS
PROLLY WHY I GOT HIM QUIET ♪ ON THE SET LIKE ZIP
LIKE IT, LOVE IT ♪ NEED IT BAD
TAKE IT, OWN IT, STEAL IT ♪ FAST BOY, STOP PLAYING
GRAB MY AAH ♪ WHY YOU ACTIN' LIKE YOU SHY?
SHUT IT, SAVE IT, KEEP IT ♪ PUSHIN' WHY YOU BEATING
'ROUND THE BUSH?
♪ AND KNOWING YOU WANT ALL THIS WOMAN NEVER KNOCK IT
♪ 'TIL YOU TRY, YEAH, YEAH ALL OF THEM HATING
♪ I HAVE YOU WITH ME ALL OF MY-- SAYING YOU MAD COMMITTED
♪ REALER THN ANYBODY YOU HAD AND PRETTY ALL OF THAT BODY-ODY
♪ KEEP WITH ME IN THE MOMENT I'D LET YOU HAD I KNOWN IT
♪ WHY DON'T YOU SAY SO?
DIDN'T EVEN NOTICE ♪ NO PUNCHES LEFT TO ROLL WITH
YOU GOT TO KEEP ME FOCUSED ♪ YOU WANT IT, SAY SO
DAY TO NIGHT TO MORNING ♪ KEEP WITH ME IN THE MOMENT
I'D LET YOU HAD I KNOWN IT ♪ WHY DON'T YOU SAY SO?
DIDN'T EVEN NOTICE ♪ NO PUNCHES LEFT TO ROLL WITH
YOU GOT TO KEEP ME FOCUSED ♪ YOU WANT IT, SAY SO ♪
(CHEERS AND APPLAUSE) UP NEXT, A GRAMMY PERFORMANCE
BY BTS AND WHO WILL TAKE HOME THE AWARD FOR ALBUM OF THE YEAR.
ONCE AGAIN, LET'S GO TO CASSIE BACKSTAGE. WE ARE BACK WITH OUR
FACEBOOK GROUP MEMBERS WHO HAVE COME TOGETHER WITH A SHARED
PASSION FOR MUSIC.
AND ONE OF THE GROUPS HERE TONIGHT WE LOVE MUSIC CELEBRATES
EVERY KIND OF MUSIC AND CLEARLY THAT IS WHAT ALBUM OF THE YEAR
IS ALL ABOUT.
JUST LOOKING AT HOW MANY GENRES ARE REPRESENTED, RAP, SOUL, POP,
R&B, ALL WINNERS FOR SURE BUT WHO WILL TAKE HOME THE AWARD.
STAY TUNED TO FIND OUT.
THE 634rd GRAMMY AWARDS IS SPONSORED BY FACEBOOK, TAKE
ON ANYTHING WITH FACEBOOK GROUPS.
♪ ♪ ♪ (CHEERS AND APPLAUSE)
Trevor: WELCOME BACK TO THE GRAMMYS.
LET'S GO ACROSS TOWN NOW TO A GREAT INDEPENDENT VENUE IN
HOLLYWOOD AND MEET THE BARTENDER AT THE HOTEL CAFÉ, CANDICE FOX.
HELLO, MY NAME IS CANDICE FOX AND I AM A BARTENDER AT THE
HOTEL CAFE RIGHT HERE IN LOS ANGELES, CALIFORNIA.
IF YOU WERE TO COME TO THE HOTEL CAFE FOR THE FIRST TIME ONE OF
THE FIRST THINGS THAT YOU WOULD NOTICE IS THAT IT FEELS LIKE
HOME.
THERE IS A REAL SENSE OF COMMUNITY HERE AMONGST THE
MUSICIANS AND PATRONS ALIKE.
IT HAS GOT A REALLY LOVING COMMUNAL ENERGY.
THE LAST TIME WE HAD AN AUDIENCE HERE AT THE HOTEL CAFE WAS
EXACTLY ONE YEAR AGO, MARCH 14th.
THE LAST YEAR HAS BEEN TOUGH, YOU KNOW.
I MEAN THIS IS MORE THAN JUST A JOB TO ME.
THIS IS MY FAMILY, THIS IS MY COMMUNITY.
AND FOR THIS PLACE TO NO LONGER EXIST WOULD BE DEVASTATING.
IT WOULD BE ABSOLUTELY HEARTBREAKING.
I DEFINITELY DO MISS MY REGULARS THAT I AM USED TO SEEING HERE ON
ANY GIVEN NIGHT, JOHN, HE WANTS A DIET COKE, PHIL GETS A
BOTTINGTON, PETER I KNOW HE WANTS AN OLD-FASHIONED.
IT IS MY HONOR TO PRESENT THE GRAMMY FOR ALBUM OF THE YEAR.
HERE ARE THE NOMINATIONS.
Announcer: "CHILOMBO," JHENÉ AIKO.
"BLACK PUMAS (DELUXE EDITION)," BLACK PUMAS.
"EVERYDAY LIFE," COLDPLAY.
"DJESSE VOL. 3," JACOB COLLIER.
"WOMEN IN MUSIC PT. III," HAIM.
"FUTURE NOSTALGIA," DUA LIPA.
"HOLLYWOOD'S BLEEDING," POST MALONE.
"FOLKLORE," TAYLOR SWIFT.
(APPLAUSE) Trevor: CANDICE, THANK YOU
FOR BEING HERE.
PLEASE DO THE HONORS.
ALRIGHT, AND THE GRAMMY GOES TO:
"FOLKLORE," TAYLOR SWIFT.
(CHEERS AND APPLAUSE) ♪ ♪ ♪
(APPLAUSE) ♪ ♪ ♪
(APPLAUSE) .
WOW, IT'S HARD TO BELIEVE THAT WE'RE STANDING UP HERE, I'M
STANDING UP HERE WITH ONE OF THE GREATEST LIVING SONGWRITERS WHO
SHOW TRUSTED ME TO COLLABORATE IN THIS CRAZY TIME WE ALL LIVE
THROUGH.
I JUST WANT TO SAY THANK YOU TO MY FAMILY, MY BEAUTIFUL WIFE WHO
ALWAYS LIFTS ME UP, MY CHILDREN, INGRID, ROBYN AND MIMI WHO
INSPIRE ME AND I WANT TO THANK JOHN LOW WHO IS BEHIND ME WHO
RECORDED AND MIXED EVERYTHING THAT I WORKED ON.
I WANT TO THANK LAURA, IT IS AN HONOR TO WORK WITH JACK, IS HE
AN INCREDIBLE PRODUCER AND SONGWRITER, JUSTIN WHO IS NOT
HERE TONIGHT, A HUGE PART OF THIS RECORD AND MY BROTHER BRYCE
WHO ORCHESTRATED MUCH OF THIS RECORD AND IS PART OF EVERYTHING
I DO.
THANK YOU.
OH GOD, I WANT TO THANK ALL OF MY COLLABORATORS WHO ARE ON
THE STAGE, AND JUSTIN VERNON, I'M SO EXCITED TO MEET YOU SOME
DAY, JOE, WHO IS THE FIRST PERSON THAT I PLAY EVERY SINGLE
SONG THAT I WRITE AND I HAD THE BEST TIME WRITING SONGS WITH YOU
IN QUARANTINE, I WANT TO THANK JAMES, INEZ AND BETTY AND THEIR
PARENTS WHO ARE THE SECOND AND THIRD PEOPLE THAT I PLAY EVERY
NEW SONG THAT I WRITE BUT MOSTLY WE JUST WANT TO THANK THE FANS.
YOU GUYS MET US IN THIS IMAGINARY WORLD THAT WE CREATED
AND WE CAN'T TELL YOU HOW HONORS WE ARE FOREVER, BY THIS, THANK
YOU SO MUCH.
AND THANK YOU TO THE RECORDING ACADEMY.
WE WILL NEVER FORGET THAT YOU DID THIS FOR US.
THANK YOU SO MUCH.
(APPLAUSE) ♪ ♪ ♪
Announcer: STILL TO COME: RODDY RICCH, BTS, AND THEN THE
FINAL AWARD OF THE NIGHT: RECORD OF THE YEAR.
THIS IS CBS.
♪ ♪ ♪ (APPLAUSE)
Trevor: TONIGHT, I'M NOT JUST THE HOST OF THE GRAMMY AWARDS,
I'M THE OPENING ACT FOR A GREAT SONGWRITER, MUSIC AND FILM
PRODUCER WHO ALSO IS THE RECORDING ACADEMY CHAIR AND
INTERIM PRESIDENT AND C.E.O.
HE ALSO HAND-SCULPTED EVERY GRAMMY STATUE HERE TONIGHT.
HARVEY MASON, JR. NOW, NORMALLY, THIS IS WHEN SOME
ONE WOULD WALK OUT ONSTAGE, AND YOU'D ALL TAKE A BATHROOM BREAK.
BUT LIKE EVERYTHING ELSE THIS YEAR, WE'RE DOING THINGS A
LITTLE DIFFERENTLY.
SO TAKE A LOOK.
MUSIC REQUIRES LISTENING.
YOU HEAR THE VOCALS.
THE DRUMS.
THE RHYTHM GUITAR.
YOU LISTEN MORE CLOSELY AND YOU WILL HEAR SO MUCH MORE.
LISTEN TO A SINGER-SONGWRITER TRYING TO MAKE THEIR WAY TO THE
BIG CITY, A KID, LISTEN HOPE, AND HEARTBREAK.
TO LATE NIGHTS IN THE ST AUDIO TO MONTHS ON THE ROAD, THE
SILENT UNCERTAINTY THE NEXT DAY.
LISTEN TO THE VOICES OF YOUR GENERATION, THOSE THAT CAME
BEFORE YOU, AND THOSE WHO ARE NEXT.
LISTEN TO THE SIGNATURE SOUND OF A GREAT PRODUCER, THE BACKUP
SINGERS WHO SING ALONG WHOSE NAMES YOU MAY NEVER KNOW.
LISTEN TO LOVE.
TO DEDICATION PUT INTO EVERY SONG, EVERY ALBUM.
TO THE YEARS OF HARD WORK THAT GO INTO EVERY OVERNIGHT SUCCESS.
LISTEN TO THE WORK LIFE'S WORK OF PEOPLE WHO DEDICATE THEIR
LIVES TO THIS WORK.
THE RECORDING ACADEMY'S JOB ISN'T JUST TO HAND OUT AWARDS,
IT IS TO LISTEN TO THE MUG MUSIC AND TO HEAR THE VOICES OF ALL
THOSE WHO MAKE IT.
AND WE ARE LISTENING LIKE NEVER BEFORE.
WE HEAR THE CRIES FOR DIVERSITY, THE PLEAS FOR REPRESENTATION AND
DEMANDS FOR TRANSPARENCY.
I FIRST JOINED THE ACADEMY 20 YEARS AGO SO I COULD VOTE FOR
MYSELF.
BUT WHAT I QUICKLY FOUND, WHAT LED ME TO BECOME A TRUSTY AND
NOW CHAIR.
BOARD IS THAT THE RECORDING ACADEMY IS SO MUCH MORE THAN
AWARDS, MORE THAN INDIVIDUAL ARTISTS OR EVEN WHO IS CHAIR.
TONIGHT I'M HERE TO ASK THE ENTIRE MUSIC COMMUNITY TO JOIN
IN, WORK WITH US, NOT AGAINST US, AS WE BUILD A NEW RECORDING
ACADEMY THAT WE CAN ALL BE PROUD OF.
ONE THAT WILL CONTINUE TO DO THE WORK AND SERVE EVERYONE IN THE
INDUSTRY.
AND WE MIGHT NOT GET IT RIGHT 100 PERCENT OF THE TIME AND WE
CERTAINLY WON'T BE ABLE TO MAKE EVERYBODY HAPPY BUT WE WILL
PROVIDE SUPPORT IN TIMES OF NEED.
WE WILL PRESERVE MUSIC AND EDUCATE THE NEXT GENERATION.
WE WILL ADVOCATE FOR THE RIGHTS OF ALL CREATORS TO MAKE SURE
THEY CAN CONTINUE TO EARN A FAIR LIVING MAKING MUSIC.
AND WE WILL STAND UP FOR WHAT IS RIGHT AND FIGHT FOR GREATER
DIVERSITY AND MORE EQUAL REPRESENTATION.
THIS IS NOT A VISION FOR TOMORROW, ST A JOB FOR TODAY.
OUR WORK IS IMPORTANT BECAUSE MUSIC IS IMPORTANT.
THANK YOU.
(APPLAUSE) THANK YOU SO MUCH FOR THAT,
HARVEY, I WAS LISTENING AND THAT SOUNDED GREAT.
NOW IT'S TIME YEAR NOMINEE FILM FROM THE
VISIONARY GIBSON HAZARD.
THIS TIME IT'S ABOUT A GIFTED YOUNG ARTIST WHO EARLIER TONIGHT
HELPED US KICK OFF THE SHOW.
SHE'S ALSO THE REASON PARENTS ALL OVER THE WORLD ARE LOOKING
AT THEIR TEENAGERS, ASKING, "WHAT HAVE YOU ACHIEVED?"
THIS IS BILLIE EILISH.
THERE WAS LIKE A PERIOD OF TIME WHERE I LIKE DIDN'T WANT TO
GO TO SLEEP BECAUSE I WAS FREAKED OUT BY MY DREAMS.
SLEEP PARALYSIS, NIGHTMARES, LUCID DREAMS.
IT WAS SUCH A HUGE PART OF MY LIFE.
AND SO I KIND OF WAS LIKE HOW CAN I TAKE ADVANTAGE OF THIS
HORRIBLE, HORRIBLE THING THAT HAVE I TO DEAL WITH.
WHY DON'T I LET IT INSPIRE ME.
MY BROTHER FINNEAS HAS BEEN MY BEST FRIEND FOR MY WHOLE
LIFE.
WE WROTE THIS SONG ABOUT BEING THERE FOR EACH OTHER.
SO WHEN I HEAR IT, I JUST FEEL SO LOVED AND I FEEL SO COMFORTED
AND SAFE AND WARM.
2020 GRAMMYS.
MAYBE THE BEST NIGHT OF MY LIFE.
AND THE GRAMMY.
AND THE GRAMMY GOES TO.
BILLIE EILISH.
BAD GUY, BILLIE EILISH.
BAD GUY, WHEN WE FALL ASLEEP WHERE DO WE GO.
BILLIE EILISH.
THE FACT THAT WE WROTE THAT ALBUM IN OUR CHILDHOOD HOME,
THAT'S CRAZY.
THAT WAS AMAZING.
I THINK ABOUT IT EVERY DAY.
(APPLAUSE) Trevor: BILLIE EILISH,
EVERYONE!
WHAT A TALENT.
THE GRAMMY AWARDS ARE A TRULY GLOBAL EVENT, AND WE ARE NOW
THRILLED TO BE JOINED BY A KOREAN GROUP THAT MADE HISTORY
WITH THEIR FIRST EVER GRAMMY NOMINATION THIS YEAR.
PERFORMING THEIR NOMINATED SMASH "DYNAMITE," THIS IS BTS.
(CHEERS AND APPLAUSE) ♪ 'CAUSE I, I, I'M
IN THE STARS TONIGHT ♪ SO WATCH ME BRING THE FIRE
AND SET THE NIGHT ALIGHT ♪ SHOES ON, GET UP IN THE MORN'
CUP OF MILK, LET'S ROCK AND ROLL ♪ KING KONG
KICK THE DRUM ♪ ROLLING ON
LIKE A ROLLING STONE ♪ SING SONG
WHEN I'M WALKIN' HOME ♪ JUMP UP TO THE TOP, LEBRON
DING-DONG, CALL ME ON MY PHONE ♪ ICE TEA AND A
GAME OF PING PONG ♪ THIS IS GETTIN' HEAVY
CAN YOU HEAR THE BASS BOOM?
♪ I'M READY, WOO-HOO LIFE IS SWEET AS HONEY, YEAH
♪ THIS BEAT CHA-CHING LIKE MONEY, HUH DISCO OVERLOAD
♪ I'M INTO THAT, I'M GOOD TO GO I'M DIAMOND, YOU KNOW I GLOW UP
♪ HEY, SO LET'S GO 'CAUSE I, I, I'M
♪ IN THE STARS TONIGHT SO WATCH ME BRING THE FIRE
♪ AND SET THE NIGHT ALIGHT, HEY SHININ' THROUGH THE CITY
♪ WITH A LITTLE FUNK AND SOUL SO I'MA LIGHT IT UP
♪ LIKE DYNAMITE, WOAH-OH-OH BRING A FRIEND, JOIN THE CROWD
♪ WHOEVER WANNA COME ALONG WORD UP, TALK THE TALK
♪ JUST MOVE LIKE WE OFF THE WALL DAY OR NIGHT, THE SKY'S ALIGHT
♪ SO WE DANCE TO THE BREAK OF DAWN HEY, LADIES AND GENTLEMEN
♪ I GOT THE MEDICINE, SO YOU SHOULD KEEP YA EYES ON THE BALL
♪ HUH, THIS IS GETTIN' HEAVY CAN YOU HEAR THE BASS BOOM?
♪ I'M READY, WOO-HOO LIFE IS SWEET AS HONEY, YEAH
♪ THIS BEAT CHA-CHING LIKE MONEY HUH DISCO OVERLOAD
♪ I'M INTO THAT, I'M GOOD TO GO I'M DIAMOND, YOU KNOW I GLOW UP
♪ LET'S GO 'CAUSE I, I, I'M
♪ IN THE STARS TONIGHT SO WATCH ME BRING THE FIRE
♪ AND SET THE NIGHT ALIGHT, HEY SHININ' THROUGH THE CITY
♪ WITH A LITTLE FUNK AND SOUL SO I'MA
♪ LIGHT IT UP LIKE DYNAMITE WOAH-OH-OH
♪ DYN-NA-NA-NA, NA-NA-NA-NA-NA NA-NA-NA
DYN-NA-NA-NA, NA-NA-NA-NA-NA ♪ NA-NA-NA,
LIFE IS DYNAMITE DYN-NA-NA-NA, NA-NA-NA-NA-NA
♪ NA-NA-NA, DYN-NA-NA-NA, NA-NA-NA-NA-NA
♪ NA-NA-NA, LIFE IS DYNAMITE
♪ 'CAUSE I, I, I'M IN THE STARS TONIGHT
♪ SO WATCH ME BRING THE FIRE AND SET THE NIGHT ALIGHT
♪ SHININ' THROUGH THE CITY WITH A LITTLE FUNK AND SOUL
♪ SO I'MA LIGHT IT UP LIKE DYNAMITE
♪ THIS IS AH 'CAUSE I, I, I'M
♪ IN THE STARS TONIGHT SO WATCH ME BRING THE FIRE
♪ AND SET THE NIGHT ALIGHT ALIGHT, OH
♪ SHININ' THROUGH THE CITY WITH A LITTLE FUNK AND SOUL
♪ SO I'MA LIGHT IT UP LIKE DYNAMITE
♪ WOAH-OH-OH DYN-NA-NA-NA, NA-NA-NA-NA-NA
♪ NA-NA-NA LIFE IS DYNAMITE
♪ LIFE IS DYNAMITE DYN-NA-NA-NA, NA-NA-NA-NA-NA
♪ NA-NA-NA LIFE IS DYNAMITE, OH
♪ SHININ' THROUGH THE CITY WITH A LITTLE FUNK AND SOUL
♪ SO I'MA LIGHT IT UP LIKE DYNAMITE, WOAH-OH-OH ♪
BTS!
Trevor: BTS!
DID YOU SEE THAT?
(CHEERS AND APPLAUSE) THEY WERE IN SEOUL, KOREA,
THE WHOLE TIME.
THEY LITERALLY RECREATED OUR WHOLE SET OVER THERE!
THEY COULDN'T BE HERE, BUT WANTED TO BE HERE, SO THEY
REBUILT HERE, OVER THERE.
THERE OUGHTA BE AN AWARD JUST FOR THAT.
THAT WAS AMAZING.
NOW, I DON'T NEED TO TELL YOU, BUT THIS HAS BEEN A REALLY TOUGH
YEAR FOR TEACHERS, ESPECIALLY THOSE TEACHING MUSIC.
IF YOU THINK YOUR WORK ZOOM CALLS ARE BAD, TRY TEACHING AN
EIGHT YEAR OLD WITH SPOTTY WiFi HOW TO PLAY TROMBONE.
AND THAT'S WHY I'M VERY HONORED TO PRESENT THE MUSIC EDUCATOR
AWARD.
THIS IS PRESENTED BY THE RECORDING ACADEMY AND GRAMMY
MUSEUM TO RECOGNIZE CURRENT EDUCATORS WHO HAVE MADE A
SIGNIFICANT CONTRIBUTION TO MUSIC EDUCATION.
THIS YEAR'S MUSIC EDUCATOR AWARD GOES TO DR. JEFFREY MURDOCK,
ASSOCIATE DIRECTOR OF CHORAL ACTIVITIES AT THE UNIVERSITY OF
ARKANSAS AT FAYETTEVILLE.
(APPLAUSE) I'M ALSO HONORED TO ANNOUNCE
THAT EARLIER TODAY, THE GRAMMY AWARD FOR PRODUCER OF THE YEAR,
NON-CLASSICAL WENT TO ANDREW WATT.
(APPLAUSE) ALL NIGHT TONIGHT, WE HAVE BEEN
FEATURING OUR RECORD OF YEAR NOMINEES WHO WERE PERFORMING.
BUT NOW WE WANT TO ALSO SPOTLIGHT BEYONCÉ'S IMPACTFUL
RECORD, "BLACK PARADE," A POWERFUL STATEMENT ABOUT SHARING
JOY EVEN AMID STRUGGLE.
IT WAS CREATED TO UPLIFT, AND HAS BECOME MORE THAN A SONG, BUT
A MOVEMENT TO SUPPORT SMALL BLACK-OWNED BUSINESSES.
RELEASED ON JUNE 19, 2020, TO COMMEMORATE JUNETEENTH, THIS
RECORD HONORS THE HISTORY AND BEAUTY OF BLACKNESS AND THE
STRENGTH OF COMMUNITY.
SO HERE'S A LOOK AT "BLACK PARADE."
♪ ♪ ♪ ♪ WE GOT RHYTHM.
♪ WE GOT PRIDE.
♪ WE WERE KINGS.
♪ ONLY RIVER.
♪ ONLY TOWNS SNEET SEEK THE GLORY.
♪ FEEL THE LOVE.
♪ MOTHERLAND, DRIP ON ME.
♪ MOTHERLAND, MOTHERLAND DRIP ON ME.
♪ HISTORREE, IS HER STORY.
♪ MOTHERLAND, MOTHERLAND DRIP ON ME.
♪ HERE WE COME.
♪ FOLLOW MY PARADE, BLACK PARADE.
♪.
AND NOW TIME FOR SOME MORE MUSIC.
LET'S WELCOME BACK TO THE ST LET'S WELCOME BACK TO THE STAGE
A SIX-TIME NOMINEE THIS YEAR: RODDY RICCH!
(CHEERS AND APPLAUSE)
♪ ♪ ♪ ♪ THIS LIFE LEFT ME HEARTLESS
AND I CAME FROM APARTMENTS ♪ THE MONEY TURNED ME
INTO A TARGET ♪ GOT A HELLCAT DODGE IT
I HOPE YOU LOOKING DOWN ON ME ♪ I HOPE YOU'RE PROUD OF ME
MAIN REASON A NINE-MILLIMETER ♪ GOTTA RIDE WITH ME
ESPECIALLY 'CAUSE I ♪ GOT A LITTLE ONE
ESPECIALLY 'CAUSE I GOT AN O.G.
♪ AYE, ESPECIALLY 'CAUSE I GOTTA GO HOME
♪ ESPECIALLY 'CAUSE I GOTTA GET THIS CHEESE
♪ TALK TO THE STREETS MOST THEM HITTERS WACK
♪ MOST THEM HITTERS IN THE PENITENTIARIES
♪ FROM SERVING CRACK WE DONE WITNESSED WARTIME
♪ IT WAS FACTS 'TIL MY YOUNG HITTERS
♪ TURNED TO A NEW ASSASSIN HE JUST WANNA KEEP
♪ RIGHT STRIKERS AND KEEP ON RIDING
♪ THE JUDGE GONNA PUT HIM DOWN PUT HIM DOWN
♪ PUT HIM DOWN 'TIL HE CAN'T SEE
♪ THE LIGHT AGAIN THIS LIFE LEFT ME HEARTLESS
♪ AND I CAME FROM APARTMENTS THE MONEY TURNED ME
♪ INTO A TARGET GOT A HELLCAT DODGE IT
♪ I HOPE YOU LOOKING DOWN ON ME I HOPE YOU'RE PROUD OF ME
MAIN REASON A NINE-MILLIMETER ♪ GOTTA RIDE WITH ME ♪
♪ ♪ ♪ WHERE THE STASH AT?
♪ CRUISE THE CITY IN A BULLETPROOF CADILLAC
♪ 'CAUSE I KNOW THESE HITTERS AFTER WHERE THE BAG AT
♪ I GOTTA MOVE SMARTER I GOTTA MOVE HARDER
♪ IF YOU TRY TO GET ME FOR MY WATER
♪ I'LL LAY HIS-- DOWN ON MY SON OR MY DAUGHTER
♪ I HAD THE DRACO WITH ME DWAYNE CARTER
♪ LOTTA HITTERS OUT HERE PLAYIN' AIN'T BALLIN'
♪ I DONE PUT MY WHOLE ARM IN THE RIM
♪ VINCE CARTER AND I KNOW PROBABLY GET
♪ A KEY FOR THE QUARTER SHAWTY BARELY SEEN IN DOUBLE C'S
♪ I BOUGHT 'EM GOT A SHAWTY
♪ LOOKING LIKE AALIYAH SHE A MODEL
♪ I GOT THE PINK SLIP ALL MY WHIPS IS KEY-LESS
♪ COMPTON, I'M ABOUT TO GET THE KEY TO THE CITY
♪ LIKE THE SEA FORGIVE ME
♪ HEY TOLD 'EM 12, SWAT BUSTIN' ALL THE BELLS
♪ OUT THE BOX I JUST HIT A LICK WITH THE BOX
♪ HAD TO PUT THE STICK IN A BOX WHAT YOU SAY
♪ POUR UP THE WHOLE SEAL I'MA GET LAZY
♪ I GOT THE MOJO DEALS WE BEEN TRAPPIN' LIKE THE '80S
♪ GOTTA CASH APP TOLD 'EM WIPE A-- NOSE
♪ AYE I WON'T NEVER SELL MY SOUL
♪ AYE AND I REALLY WANNA KNOW
♪ HEY ♪ ♪ ♪ ♪
(CHEERS AND APPLAUSE) STILL TO COME, WHO WILL WALK
AWAY WITH THE GRAMMY FOR RECORD OF THE YEAR?
WILL IT BE BLACK PUMAS, DABABY FEATURING RODDY RICCH, DOJA CAT,
BILLIE AISLE ASH, DUA LIPA OR MEGAN THEE STALLION, THIS IS CBS
THE RECORDING ACADEMY AND CBS CONDEMN AND DENOUNCE ALL
FORMS OF RACISM, SEXISM, VIOLENCE, ANTI-SEMITISM AND
HATE.
LET'S CONTINUE TO USE MUSIC TO BRING PEOPLE TOGETHER.
LEADING WITH LOVE, HEALING AND A SENSE OF UNITY ACROSS ALL LINES
OF DIFFERENCE.
♪ ♪ ♪ Announcer: DON'T MISS A BEAT
AFTER TONIGHT'S BROADCAST WITH THE GRAMMY POST SHOW ON
grammy.com.
JOIN YOUR FAVORITE FACEBOOK GROUP AND RELIVE THE NIGHT'S
WINNERS, PERFORMANCES, FASHION AND MORE.
THIS YEAR'S LIFETIME ACHIEVEMENT HONOREES ARE: THE PIONEERING RAP
GROUP GRANDMASTER FLASH & THE FURIOUS FIVE; LEGENDARY JAZZ
MUSICIAN AND BANDLEADER LIONEL HAMPTON; GRAMMY-WINNING MEZZO-
SOPRANO OPERA GREAT MARILYN HORNE; THE "FIRST LADIES OF RAP
& HIP HOP," SALT-N-PEPA; "QUEEN OF TEJANO MUSIC," SELENA; AND
THE ACCLAIMED AND GROUNDBREAKING ROCK BAND TALKING HEADS.
THE RECORDING ACADEMY PRESENTS ITS TRUSTEES AWARD TO GRAMMY AND
EMMY-WINNING RECORDING ENGINEER ED CHERNEY, JAZZ LEGEND AND
COMPOSER BENNY GOLSON, AND 11- TIMES GRAMMY WINNING ARTIST,
PRODUCER, SONGWRITER AND RECORD COMPANY EXECUTIVE KENNETH
"BABYFACE" EDMONDS.
AND THIS YEAR'S TECHNICAL GRAMMY AWARD RECIPIENT IS DANIEL WEISS,
A PIONEER IN DIGITAL TECHNOLOGY AND THE FOUNDER OF WEISS
ENGINEERING.
CONGRATULATIONS TO ALL OF THE RECORDING ACADEMY'S SPECIAL
MERIT HONOREES FOR 2021.
(APPLAUSE) Trevor: IT'S TIME NOW FOR OUR
FINAL AWARD OF THE NIGHT BEFORE EVERYONE GOES HOME AND GETS BACK
IN THEIR SWEATPANTS FOR ANOTHER FEW MONTHS.
HERE TO PRESENT RECORD OF THE YEAR, PLEASE WELCOME A NINE-TIME
GRAMMY AWARD WINNER, A RECORDING AND A MEMBER OF A PROMISING
LITTLE BAND CALLED THE BEATLES-- THE ONE AND ONLY RINGO STARR.
♪ ♪ ♪ (APPLAUSE)
THANK YOU, THANK YOU VERY MUCH.
PEACE AND LOVE, EVERYBODY.
NOT THAT LOUD NOW.
ANYWAY, AFTER A YEAR WHEN YOU'VE ALL BEEN ZOOMING IN AND
GOOD EVENING, GRAMMY PEOPLE.
AFTER A YEAR WHEN WE'VE ALL BEEN ZOOMING IN AND ZOOMING OUT, IT'S
GREAT TO BE HERE.
IN FACT, IT'S GREAT TO BE ANYWHERE.
'CAUSE NO MATTER WHAT HAPPENS, MUSIC GOES ON, SO I'M HONORED TO
BE HERE AT THE GRAMMYS, AS I'VE BEEN MANY TIMES SINCE WHEN I WAS
IN THAT OTHER BAND.
AND I WANT TO SAY THIS WITH PEACE AND LOVE TO ALL OF THESE
GIFTED NOMINEES: IF YOU'RE MAKING MUSIC IN OUR WORLD TODAY,
YOU'VE ALREADY WON.
AND I THANK YOU.
THESE ARE THESE ARE THE OUTSTANDING
NOMINATIONS FOR RECORD OF THE YEAR.
Announcer: "BLACK PARADE," BEYONCE.
"COLORS," BLACK PUMAS.
"ROCKSTAR," DaBABY FEATURING RODDY RICCH.
"SAY SO," DOJA CAT.
"EVERYTHING I WANTED," BILLIE EILISH.
"DON'T START NOW," DUA LIPA.
"CIRCLES," POST MALONE.
"SAVAGE," MEGAN THEE STALLION FEATURING BEYONCE.
(APPLAUSE) AND THE GRAMMY GOES TO:
TO SOMEBODY.
BILLIE EILISH.
(APPLAUSE) ♪ ♪ ♪
♪.
THIS IS REALLY EMBARRASS RASING FOR ME.
MEGAN, GIRL, I WAS GOING TO WRITE A SPEECH ABOUT HOW YOU
DESERVED THIS, BUT THEN THERE IS LIKE THERE IS NO WAY THEY WILL
CHOOSE ME, I WAS LIKE IT'S HERS.
YOU DESERVE THIS.
YOU HAD A YEAR THAT I THINK IS UNTOPPABLE.
YOU ARE A QUEEN.
I WANT IT CRY THINKING ABOUT HOW MUCH I LOVE YOU.
ARE YOU SO BEAUTIFUL, YOU ARE SO TALENTED.
YOU DESERVE EVERYTHING IN THE WORLD.
I THINK ABOUT YOU CONSTANTLY.
I ROOT FOR YOU ALWAYS.
YOU DESERVE IT, HONESTLY, GENUINELY, THIS GOES TO HER, CAN
WE JUST CHEER FOR MEGAN THEE STALLION.
BUT THANK YOU ALSO, I REALLY DO APPRECIATE THIS.
THANK YOU TO THE ACADEMY, THANK YOU TO RINGO.
I LOVE YOU, I LOVE MY TEAM, THANK YOU TO MY BROTHER FINNEAS
AND YEAH, THANKS FOR BEING HERE, I LOVE YOU, THANK YOU.
WELL Trevor: CONGRATS BILLIE
EILISH!
THANK YOU ALL FOR BEING A PART OF MUSIC'S BIGGEST NIGHT.
IT'S TIME TO HEAD TO THE CRAZY AFTER PARTY, ALONE ON MY COUCH.
FOR 63 YEARS NOW, THE MUSIC COMMUNITY HAS COME TOGETHER ON
GRAMMY NIGHT TO CELEBRATE EXCELLENCE.
THANK YOU TO ALL OF THE ARTISTS AND ALL THOSE WHO MADE THIS
UNIQUE AND BEAUTIFUL GRAMMY NIGHT POSSIBLE.
GOOD NIGHT!
(CHEERS AND APPLAUSE) Captioning sponsored by CBS
Captioned by Media Access Group at WGBH
access.wgbh.org
♪ ♪ ♪ ♪ A LOVELY DAY
LOVELY DAY ♪ LOVELY DAY
LOVELY DAY ♪ A LOVELY DAY