-[Iris] Secret Santa time. -[Keith] Christmas, yeah!
[Iris] Mum, this is from me to you.
-[gasps] Thank you, darling. -Uh-hmm.
-[Iris] This one's to dad from Abby. -[Mary] Oh I know.
-Oh, thanks, darling. -[Abby laughs]
-[Iris] This one is from-- -[Abby] That one's for us.
-Oil one's for mum. -That one's for Keith.
-[mum] Thank you. -[Iris] Dad.
-[dad] Yeah. -[Iris] This is from Abs to you.
-Oh, thank you, Abs. -You're welcome.
[Iris] This one is from me and Abs to uncle Keith.
-Aw! -Merry Christmas.
-Oh Keith is gonna love it. -Thanks, girls.
And this one, guys, is from uncle Keith to all of us.
-Yeah. Open your one. -Oh.
I can't believe it, Keith, you really didn't have to.
-I can't believe it. -[overlapping conversations]
Yeah, I just thought something,
-something you want. -It's ginormous.
[all screaming]
Oh, my god! Jesus!
Yes! See?
[Leonard panting]
[Bobby laughing] Yes!
¶ Noel, noel ¶
[overlapping conversations]
[Bobby] ¶ Do you know ¶
-I need a drinky. -[Keith] I didn't--
-Are you alright? -Keith, did you know about that?
-It-- Yeah. -How long's he been there?
-All fucking night. -Bobby.
[Iris] Bobby, this isn't funny.
Bobby, it-- it's over, it's-- it's the end.
That means you're not allowed to come over anymore,
'cause we're not going out, and we haven't been going out for a while.
-[party popper exploding] -[all screaming]
[Keith] Yeah!
¶ Merry Christmas to you ¶
¶ Merry Christmas Bobby Johnny ¶
¶ And a merry Christmas ¶ [laughs] Come on.
Keith, what fucking time is it?
I forgot, I just thought it was gonna be--
It's good ide-- it's fun, ain't it?
[Bobby] Do a thing, have you got a thing? Do one of those. Everybody likes one of those.
But you wanna lighten the mood a little bit, right? I'll tell you a joke.
-[Keith] Yeah. -We're not together anymore, Bobby, okay? [clears throat]
Listen to this then, this one now. Um--
Two Eskimos, and you've heard this and we'll laugh, come on.
Two Eskimos are in a boat, and a kayak goes passed them in the water, very slowly
and the two Eskimos look to each other and they go, "Ha, I guess you can't
-have the--Fucking hell!" -You can't have your kayak and eat it.
-let me say it! -Family announcement, family announcement,
-everybody listen. -Yeah, come on, listen up.
-Bobby and I-- -We're very much in love
and having a great time.
-We're not together anymore. -[Bobby gasping]
We don't go out anymore, we're not, we're not,
we're not in love.
No, um--
-Oh, fucking hell. -[Mary] Oh, Bobby.
-I just-- -[Leonard] There's no need for language.
-[Mary] Not in-- not in the lounge. -[Bobby] But it--
It's over.
[Bobby] Leonard, Leonard, what do you think of this?
Well, I think it-- there's something about your way.
-[Booby] You agree? -Well, I don't-- Yeah.
Right, I think it's time to-- to-- to leave now.
-[Bobby] Yeah. -Alright?
-[Bobby] Yeah. -Yeah, okay.
[Mary] It's a lovely skirt, mum.
-[Abby] It is. -[indistinct chatter]
[Leonard] Be careful of the tree.
[indistinct]
[Skype ring tone]
-[Iris] There you are. -[Griffin] Hello.
-How are you? -I'm great.
It's amazing, we've got perfect reception.
Who would expect out there, where the hell you are
-in the middle of nowhere? -Exactly. [laughing]
Listen, I-- I'm really sorry I didn't get those gems to you, I feel like a real doorknob.
I just, every time I've gone to the studio,
it's like, like nine hours goes by, you know.
I'm just trying to get it out of me and it's not coming.
Well, I-- it's totally understandable, I mean--
I really-- I've wanted to, and I-- It's all I've been thinking about,
it's just been plaguing me.
No, you're-- you're being a good daughter,
and-- and you're where you're supposed to be.
I know you've been going through a lot, how is she?
She's okay, she's, um--
It's kind of--
It's not, not been a great week.
-Okay. -But, um-- You know,
she's really happy about this, which is fab.
I-- I-- I-- I sometimes find with my artists, that--
-You know, that, that escape, you know, you have a gift. -Yeah.
And that gift, uh, can help you get through this.
Um--
You play her anything?
Sometimes, yeah, I-- I actually was singing her this new idea.
-Do you want me to-- Do you wanna hear it? -Oh, yes, please.
-If you're not gonna send it, you might as well sing it. - Okay.
Um-- Alright.
It's called The Music.
-Um-- -Okay.
Okay, it's like,
¶ The music plays forever ¶
¶ The music plays Forever in my heart ¶
¶ Will this world Keep up with me ¶
¶ My head is spinning so fast ¶
¶ Will these things I believe in, last ¶
¶ I've got these Blood red shoes on ¶
¶ Gonna walk on over to you ¶
¶ I'd love to take Your hands and dance ¶
¶ The music plays... ¶
[both] ¶...forever ¶
-[Iris giggles] -Go!
Oh, baby, that's beautiful.
-[Iris] Yeah? -I wish-- I wish you had your blood red shoes,
and you just marched right over to me,
and I'd give you a big hug, that was adorable.
-Griff, oh. -It's really good.
And yeah, it's a little rough, it's a little rough,
-but I hear it in there. -Okay.
Well, it's just, it's just an etching, it's a scribble of a song.
-Yeah? -[Griffin] I know how difficult it is to deal with,
family and the personal and, uh, the pain of that,
and then having to create at the same time, you know.
-Yeah. -And, you know, I-- I-- I--
¶ It's all an illusion ¶
-[Iris] Sister? -[Abby] Guess what I'm doing.
[Iris] What?
-Packing. -[Iris] You coming home now?
-Coming home. -I'm so excited, I haven't seen you for so long.
What time's your flight?
[Abby I am booking [indistinct] I hope to be home in time for dinner.
[Iris] That's amazing, I've got your room ready and everything.
I put clean towels on the bed like you're in a hotel,
so you don't feel like it's weird.
[Abby] How is everything? What's going on at home?
How's mum and dad?
[Iris] Um, mum's actually not here at the moment.
-Why, why not? -Um, she's gone back into hospital to have some tests.
-Iris, how long ago did she go back to hospital? -Um--
It's just been happening this week, it's just all been like sort of-- it's just been mad.
Where's dad, why hasn't he rung me?
[Iris] I don't know, Abs, it's just, it's just what's going on, I'm just letting you know.
Pretty shitty of you. How do you think that makes me feel, by the way,
as a person, when you just leave me out of everything?
You're not the one who's in control just, because you're there.
I've got to go, otherwise I'm gonna miss my flight, but I love you, Iris,
-and I'll-- I'll see you tonight, okay? -I love you.
-Okay, bye. -Have a safe flight, Abs.
Bye, babe.
¶ It's always the normal ones That get you ¶
¶ I get you ¶
¶ I should have fallen ¶
¶ For a mechanic Who'd been to prison ¶
[drumming]
¶ 'Cause it's The simple things ¶
¶ Simple things ¶
¶ They mean so much ¶
¶ It's the simple things They mean so much ¶
¶ Fuck you, fuck you, Fuck you, fuck you, fuck you ¶
-Dad! -Ooh, that's a good hug. [chuckles]
-[panting] Alright? -How are you doing?
-Good, good. -How is she?
Uh, she's, uh, she's--
She's fine, you know, she's a bit tired.
-Hm. -So, um--
-Yeah, so how are things, how's it going? -Just tell me, dad.
-Tell you? She's okay, they just wanna-- -Just, dad--
-Dad, dad. -No, they just wanna keep an eye on her, that's all, that's--
Yeah, but why, why do they wanna keep her in there?
Um, um-- They-- They wanna s--
Just check a few things, run some tests.
-But what kind of tests? -So have you heard anything from Bobby?
-Dad. -How's Bobby? Is he still on the scene or, uh?
-No. You never liked him anyway, did you? -Why, why?
Well, I like whoever you like, Iris, if he's making you happy--
Are you gonna tell me the truth or not?
-I-- I have, I just don't-- -Can I go and see her soon?
We'll see, we'll see. They-- They're hoping she may come home for a bit.
Come here.
[Griffin] You have so much on your-- on your plate.
You must be under tremendous pressure,
-You're worried about your mother. -Hum.
-[Iris] Yeah. -I think I can come up with an interesting way
to help you around that, that I think you're gonna love.
-Really? -Yeah.
I was thinking maybe you could have a visitor,
of Eleanor Roberts.
-Show up at your door, sounds like a game show. -What?
-What are you talk-- - Eleanor Roberts would like to come.
She's heard some of your work, and, uh...
-What? -She's a fan, and she knows you're there,
working under a stressful situation,
and she's offered to come all the way to Wales,
to help you pull this all together.
[Iris] Eleanor Roberts wants to come to Wales and hang out with me?
Just hang out. And this, by the way, is not typical of her.
-Really? -It's not like she calls me up and goes,
"What other clients you got that I can just hop on a plane...
-Really? -...and, and go work with." She chose you.
Really?
[Leonard] I don't wanna put you off your stroke.
-[Iris] Oh. -Ha ha, boom!
-Beat that. -Are you joking? Right, rematch.
[chuckles]
Leonard, man, oi.
I had a note to bring these by here today.
Jackie's gone out and I was told bring these here.
Well, Jackie is at the hospital, I thought you were--
-What's she doing at the hospital? -Well, she's gone to see Mary.
-[Iris] Has she? -Oh, of course, 'cause of the, 'cause of her--
-Why did Jackie go and see mum? -Because she's-- Well, because she's her sister.
Why didn't you just come down with Jackie this morning?
[Keith] Why aren't you working anyway? Middle of the day,
-chucking balls around here. -[Leonard] Well, she has been working,
-tell him your news, tell him your news. -Dad's actually, um,
pretty proud of me at the moment, 'cause I've got some massive news.
-Hm. -I've got this full length, feature length film,
a Hollywood budget, £10 million,
it features Timothy Edwards and Charlotte Carol.
When the credits come down, and if you play your cards right,
you'll be invited to the premiere.
Who's name is gonna be on the titles? Iris.
-Nice, it's great, yeah. -[Iris] Yeah.
You seem quite up about it, kind of, "Ooh."
-[Leonard] Oh yeah. You'll have to tell Jackie. -[Iris] I'm so excited.
[Keith] It's a bit insensitive though, aint it?
Telling me all that, trying to get me all,
-"Oh, look, we're all excited." -Well, it is exciting.
-We're all excited about that, and your mother's in hospital. -What are you talking--
-Keith. -Your mum's there in hospital, lying there, like,
-beep, beep, beep, and you're like, -Keith.
-"Ooh, look at me, making it rain, my $10 million."
[Leonard] Keith, that's enough.
[doorbell ringing]
[Leonard] Door! Hey!
-Come on in. -Dad. Hey!
-How are you? -Oh, my god, how are you?
-Come on in. -Take the weight off--
Oh, sister!
Oh, a bit of sister love.
[chuckling]
-Oh, my god. -I've got mince all over me,
I don't wanna get it on you.
Yeah, careful with that carrot.
Since when have you cooked, Iris?
-Do you wanna come help? -Yeah, of course.
-I'll come help or I'll try. -Let me take this.
-Are you trying to do mum's recipe? -Yeah.
[Abby] It's so watery.
-It's liquid. -No, it's not.
-Abs, do you want a drink or anything? -It's runny.
I've actually got you some vino.
[Leonard] Shall I, do you wanna come and sit down?
-Want you-- Want you vino? -I'm coming, I'm coming.
Okay, we're catching up,
as I've got a million different things to tell you.
[Keith] Alright!
-Keith. -I'm cooked in here, aint it?
-Yes. Oh, really? -Yeah, Keith's here.
-I see that. -Good old Keith.
-Alright? -Hm.
[Abby] How's aunt Jackie, Keith?
-Alright. -Haven't seen her, I think she's--
-Why, dad? -I don't know,
-he just showed up. -I haven't seen you in ages.
He came round with boules.
Yeah, it annoys you guys.
Come here. Mm.
-You always kiss me. -Ah.
-OK. Let me say what I wanted to talk about. -Yeah.
-So good to see you. -[Leonard] I mean, mum sends her love, obviously.
[Abby] Does she, yeah, I wanna know.
Iris told me a little bit on the phone.
-Yeah. -I don't know why you didn't
-call me. -Well, I didn't want to--
I didn't want to bother you,
I mean, you're busy over there and she's been--
Yeah, but I'm not busy enough,
like I am your eldest daughter.
Yeah, nothing's changed, I mean, she's--
She's okay, she's okay.
Thanks. Always.
Glass of vino.
-Thanks, Iris. -Oh, thank you.
-For our lady. -Where did you get--
Lots of talking, not much cooking going on.
-I'm just saying like. -Thanks, Keith.
Take advantage of an experience that will never come along again.
-Wha-- What! -The most talented composer.
The inventor of the genre.
-Yeah, um-- -Romance comedy.
Duh, I know, wha-- what?
She would love to come, drop in, just--
-Wait, hang on. -Big Eleanor Roberts tool chest.
She's there for you to reach out
and pull anything out of her experience and--
and help you get to the place you-- you have to be,
that you're clearly struggling to get at.
I know this is like a weird question, but is she nice? Like--
Well, not famously nice, no, but, um--
She's-- she's pretty eccentric, she's--
-Really? -She's very creative, as you know.
This is rather untypical of her,
to be quite so giving, to tell you the truth.
So I think that's a testament to your talent.
-Uh-- -Wow.
But she's got, uh--
-she's got a huge heart. And-- -Wow!
-I-- I'm nervous. -She's got lots of experience she wants to share with you.
[Iris] Yeah, she does have a lot of experience.
-[Griffin] Yeah. -I mean, with everything.
-[Griffin chuckles] Well, she's had a life. -[Iris chuckles]
This is a-- a genre that-- that she practically invented,
the sound of romantic comedy,
and she just wants to sort of help.
Just don't sleep with her, things get really complicated after that.
-What? Griff. -[laughing] Never mind.
-[lady] You never lock the door? -Keith, give the lady some space.
-Hi. I'm Abby. Iris' big sister. Yeah. -Hi.
-Oh, my god. You're so pretty. -[Keith] I'll close the door. Shall I stay in
-or close the door? Close the door, yeah, probably. -[Abby] Thank you.
-Iris! -Dad! Dad, you'll never guess what,
Eleanor Roberts wants to work with me!
-Oh, hi. You're Iris? -[Iris] Oh, my god.
Yeah, I'm Iris. What are you doing here?
-My god, I just-- -No, no, I just got off the phone with Griff.
Did you know who I, okay,
'cause they didn't know who I was,
-and I just felt like I-- -Oh, okay, you came.
Is this the wrong day, is this the wrong day?
No, he said that maybe you'd wanna come on Thursday.
I didn't realize that you'd be here right now.
What day is today?
-It's Tuesday, but I'm so-- -Oh, fuck!
Today, no way-- Oh fuck, oh fuck!
-No, just tell me, wait, what is today? -Tuesday.
-Oh, fuck! You know, I jus-- Fucking whor-- I'm so sorry,
I'm so sorry. I'm, I'm-- You guys probably don't even swear, I'm so sorry.
-I'm sorry. -[Keith] I swear a bit, I swear a bit, like, shit, piss.
What happened was he said just go help this girl,
she's in a lot of fucking trouble,
I mean, not that you're in fucking trouble,
'cause he says you're really brilliant, you're really great,
I can't believe that you look like this
and you're really that great, but I'm sure you are.
-She is very talented. -Yeah, I'm sure, but guess what?
-I think I need a drink. -[Keith] Yes.
-I can get you a drink. -[Eleanor] You know why?
-Yeah, wine? -I'm-- I'm-- Yeah, okay.
Actually Jack Daniels, oh, did I decide Jack Daniels?
-We actually-- we actually got-- -You know what?
-Brandy, whatever you have. -Would you like some coke?
-Actually I'm freezing. -Do you have a jacket?
-Are you cold? -No, you know what,
I'm fine, I'll just put my jacket on.
-That's in the summerhouse, I've got-- -[Eleanor] Okay.
-Well, thank you. -It's alright, no problem.
Have a nice-- Ah!
-Ah, you got my nipple. -I am so thirsty.
-I'll bring one over. -Alright.
-Okay, thank you. -Alright, guys,
I'll see you in a bit.
It's freezing out here,
-I need a sweater or something. -No, no.
It's fine, I've got one in there.
Just saying, your daughter proper twatted my nipple.
-[Abby] Oh Keith. -Well, I think you deserved it.
What have I done? I'm making her feel welcome.
A kind of a licky right now. A kind of a licky.
If she doesn't mind, what's the problem with it?
I didn't put anything in her, did I?
It-- it pulls out and there's a whole--
-Oh, god, it's-- -Kind of throws on that.
-Are you kidding? This is-- -You sort of like, you know.
-[laughing] Oh! -Just like that.
Oh, my god, you have no idea how much you've inspired me,
it's like unbelievable, like,
My Body Can't Metabolize My Excitement,
like that's one of my favorite songs and I actually--
My Body Can't Metabolize the Excitement I Crave, yeah.
My Body Can't-- Sorry, it's so embarrassing.
My Body Can't Metabolize the Excitement I Crave.
It actually inspired the song
that I was thinking for the movie called, uh,
You Could Be the Person I Choose to Suffer With.
Do you wanna just like drum it out?
What, now? You know what,
-actually, I-- -Do you still,
ever feel like that?
I don't know.
No, I don't ever feel like drummin' it out, no.
-It's like-- -[both screaming]
Can I call you an icon?
No, that's like a thing on a computer.
Can I call you my hero?
Argh, Eleanor Roberts!
Oh, my god!
Like I just literally wanna smash my guitar up for you.
Okay, don't smash your guitar, okay.
[petanque boules clacking]
[Leonard grunts]
Oh, that was pretty good.
-[in Australian accent] Good day, Sheila. -Oh my.
How are you today?
-Good day, mate. -You doing well?
Yes, mate, how are you?
Keeping your Parisian theme, I see,
-even in Wales. -God, you're annoying.
You can't get it out of you, can ya?
No, I haven't done this accent for years.
Just having your tea?
Feeling a little bit you know, peppy this morning?
-Weirded out by last night? -[Iris sighs]
I'm not like totally weirded out,
but maybe a little bit weirded out, yeah,
but like, it's fine, right.
Who the hell's sleeping in our summerhouse, mate?
-This is my idol. -I'm not even gonna pretend to know
-what you're talking about. -Don't you remember like,
I had her posters on my wall,
composed for some of my favorite films,
Tomorrow, Yesterday Never Comes.
-Eleanor Roberts. -[Abby] Yeah, I've seen Tomorrow,
I maybe watched that one, yeah.
Literally like, she's a living legend.
So how long is she staying?
You know mum's back this afternoon?
I do, I do know mum's back this afternoon.
Good, and by the way, I haven't seen mum in three months.
No, I know, you haven't seen me in three months.
So I don't want another distraction.
¶ Three months long, you Have not seen our mum ¶
Iris, you need to grow up a little bit and address the situation.
[Iris] But she says she likes drinking wine,
like in the middle of the night, if she gets thirsty.
What difficulties are you having with your work?
-What? Nothing. -What difficult-- She's obviously here to help you.
Let's-- What's your boss's name again?
We didn't eat anything last night.
Oh, God, Iris, you're always just
skirting around the situation.
I think you need to work out,
maybe spend the day with her today,
get the work done and then finish it and get--
Paint me, Jack, like one of your French ladies.
[laughing] Stop it, you're so weird.
[Iris] How do you like to start the day?
-I had an idea, -Ahem, yeah?
I don't know, I'm just trying to get into the zone,
'cause I think we should start working today,
-like pretty shortly. -Yeah.
-That's what I'm doing.
Can I just be honest with you? I've been having
this horrible writer's block, I literally pick up the guitar
and I don't know what the fuck to do.
I mean, I think I've got some of the music down
for the kind of instrumental just walking around bits.
He wants-- He wants a lot of like walking music,
when they're not doing anything or talking,
-all I want is to do-- -Can I just say something?
-a good job, you know. -I'm just gonna
be really straight with you, okay?
-Yes, yes, Eleanor, yes, yes. -Look at me,
look at me, right now. Just stop.
You're obviously really talented, you're beautiful,
you've got a ridiculously fancy life.
I don't even know how you can create in a house like that.
It's just too much, I don't know, it's too much,
I mean, why don't you just hide out in there with me,
stay away from those people,
we'll let them bring us food,
and then we'll just work.
Sorry, I'm never usually this nervous,
-but I am quite a nervous person. -Are you nervous?
It's all in you, but you have to start,
and make your whole body come alive, you understand?
-So uptight. -I'm not, I'm not uptight.
You're the most uptight person I've ever met.
-I'm not, I'm not. -Weird,
like what is going on,
have you been in the country too long?
-I do dance, I do dance. -Do you ever?
I dance all the time.
Well, show me, just be you.
-Just do your thing. -This is me.
Come on, you're cooler than that, man, come on.
You don't dance, you just have to do it.
What are you doing?
Stand up, stand up.
-Yeah. -[Iris] Bit of that, bit of that, bit of that,
-[Eleanor chuckles] -you know, bit of fucking that.
[Eleanor laughs]
No? I don't know, like that's the way I have embarrassed myself again.
[Eleanor] You're so cute!
¶ You can fight it ¶
The music's so beautiful.
¶ More than anyone ¶
¶ I can't fight it ¶
¶ Has it just begun ¶
¶ I saw the lane ¶
¶ Go on for miles ¶
[Eleanor] I think is working.
¶ I saw the lane ¶
[Eleanor] That's enough.
¶ Go on for miles ¶
[Iris exhaling] Hoo!
-[Eleanor] You can use-- Can you read my writing? -[Iris] Yeah, of course.
-Chords that I put. -I can read.
¶ It's a rare impossibility ¶
¶ I could mean as much to you As you mean to me ¶
¶ From afar I've watched you On the screen ¶
¶ Maybe I should keep You in my dreams ¶
¶ You were my icon From out of my mind ¶
¶ A piece of fiction Coming alive ¶
¶ You were my icon From out of my mind ¶
¶ Now you're close enough For me to hold you tight ¶
¶ All the times you've Taught me what to do ¶
¶ Though you were so far away ¶
¶ I could feel your truth ¶
¶ All the times I felt a part of you ¶
¶ There's a wonder in your Words I'll hold on to ¶
¶ You were my icon From out of my mind ¶
¶ A piece of fiction Coming alive ¶
¶ You were my icon From out of my mind ¶
¶ Now you're close enough For me to hold you tight ¶
-[Abby] So shit. -[Iris] "Time to go home,
have a bite to eat, read Harry Potter, what a--?"
-[Abby] "Treat." -[Iris] It's the same thing.
-It's not, because you're-- -"Time to go home, have a bite
to eat, read Harry Potter, what a treat."
Down! No, you just missed one more beat.
-Oh yeah, fine, do it again? -That's so shit.
"Time to go home, have a bite to eat, read
-read Harry Potter." -Show me that bit again?
[Iris] What.
Alright, I think we're getting
dispense with taking the shoes off.
-[Abby] "What a treat!" -"What a treat." I think.
[Iris] "Read Harry Potter."
[knocking on door]
-Hi. -[Mary] Hello.
-Hi, mum. -Hi.
[Iris] Come on, dad, come on.
-[all chuckling] -[kissing]
How often do I get you all together, huh? Ey?
You're big girls now.
And mummy's got her little girls back.
I'm gonna have so much fun, okay? Yeah? Yes.
-Yeah. -Yes.
Yes, okay, I want Christmas,
birthdays, Easter,
New Year all in one bloody evening, alright?
-[Iris] Yeah! -[Leonard] ¶ Five gold rings ¶
Do you mind that we didn't get a real tree, mum?
-Oh, Christ, no. -Are you sure?
Be careful, so it's red, blue, isn't it?
[overlapping conversations]
-It's very sweet. -[Iris] Yeah?
-It's the best I've ever seen. -Thank you.
[overlapping conversations]
-[Mary] There you go. -Hoo.
-Dad used to do that when we were little. -[Eleanor] Eh!
[Iris] Dad, do you remember when we used to do headers?
-[Leonard] Yep. -Oh, yeah.
[chanting] Who wants to put on the star?
I do, I'm the oldest child.
Who wants to put on the star?
No, no, no, I'm doing the star, I'm doing the star,
I'm doing the, can I just say.
[Leonard] Let mum decide.
Can I just say it'd really mean a lot to me.
-[party popper exploding] -Argh! Shit, fuck!
-[Keith] Jesus! -Sorry.
[overlapping conversations]
-[Eleanor] Listen. -[Iris] No, mum.
Mum, please, please, please.
-Eleanor. -Excuse me, I'm the guest.
-[Iris indistinct] -I believe the guest should do it.
-That's how it is. -[Abby] We've never really--
never had a guest on Christmas.
-And that's also-- -Because now that this is--
Ah, thank you, darling, thank you, darling, thank you.
[Eleanor] Could we have some pudding now, please?
Wait, can I have another beer, please?
-[Iris] Um, yeah, sure. -Thank you.
You know what? There's loads in the fridge right there,
right in front of you.
Are you liking it, mum?
-Probably the best I've seen. -You think so?
Can I just ask you a question?
Do you know what? I was just gonna tell you
Can you just step away for a minute.
I'm gonna bring out the birthday cake.
ust tell me, did I do something, because I wanna know.
-I'm gonna bring out mums birthday cake. -Should I get my beer before?
Yeah, sure, whatever, I'm just wondering
if you have anything else to do right now.
-What do you mean? -Well, I'm just gonna bring out the birthday cake in a sec.
-You don't want me to be here, just want it to be the family? -Well, no, no.
In about five minutes I'm gonna bring out the birthday cake.
You don't want me to-- I'll go to the summerhouse.
-It's just quite a lot. -I'm starting
to get the feeling that you want me to excuse myself,
-so I'm gonna excuse myself. -No, I--
Eleanor's got a phone call to make.
¶ Today's the day We dance on Earth ¶
¶ Because it's the day Your mum gave birth ¶
¶ We love you so much We love you so much, mum ¶
¶ Mum a luma luma luma luma Luma luma luma lum, mum ¶
-Yay! -Yay!
-Shall I blow? -Yeah, go on.
[cheering]
-Sorry. -Just blow 'em all out, man.
-Come on. -Give her a hand,
-give her a hand. -Yeah.
[guitar playing]
So that's, that's the key change?
[Iris] Does this speak to you at all?
Just-- Not yet, but just keep going.
¶ Will this world Keep up with me ¶
¶ My head is spinning so fast ¶
'Cause him and his dog
always listen to the radio together in the car.
Like I wanna know you from this song.
-But Eleanor. -If I hear a song.
But do you need to know me
for the song, because we're making--
Oh, I don't need to know you, I need to know,
that's what will make your song,
is anyone who hears it, "Oh, my god, I know her."
You know when you-- Just tell me what you think about it.
You can't help but cry, because you can't believe
it just cuts into you?
I don't know, I can't work like this.
-No, no, listen to me. -Sorry.
-Listen-- -I'm just not built this way.
What you need to do is create something
-that is gonna burn into people's brains forever. -All I do is create.
No, be more than just a pretty girl with a guitar, okay,
-because honestly there's just 1001 people like you... -Do you remember this?
-...who can play the guitar like you.
¶ My body can't contain ¶
That's cheap.
¶ All the things you do ¶
No, you know, you're just like a cheap flirt,
you're just like--
¶ But I can't contain ¶
Little minx.
¶ Gonna see me through ¶
Okay, I get what you're--
¶ My body can't contain, tain ¶
¶ This feeling in my heart ¶
What's the feeling?
¶ But I can't complain ¶
¶ It's gonna see me through ¶
¶ And we get so high ¶
Hm-mm.
¶ There's fire in your eye ¶
["2 Cool 2 Care" by Anna Burch playing]
¶ Slamming all your drinks ¶
¶ You don't have To think about me ¶
¶ You've got all your friends ¶
¶ Used up all Their meds, honey ¶
¶ I'll still be okay when You walk my way publicly ¶
¶ But when I get home, I can't Be alone, can't you see ¶
¶ You scare me with ¶
¶ Your indifference ¶
¶ I like you best ¶
¶ When you're a mess ¶
¶ Spacing out again I'm your suburban retreat ¶
¶ Did I freak you out, oh What's that about, tell me ¶
¶ From what I can see Reciprocity is boring ¶
¶ But I'm tired of Unrequited love stories ¶
¶ You scare me with ¶
¶ Your indifference ¶
¶ I like you best ¶
¶ When you're a mess ¶
Mum?
-Are you awake? -Yeah,
I'm just resting my eyes.
I just found some of these pictures
in the decorations drawer.
-Let's have a look. -You want a look?
Yeah.
-Uh! -Feeling alright?
Yeah, I just-- just felt a bit tired. Okay.
-I'm okay. -You alright?
Yeah.
Okay, look, look what I found.
Let's have a look.
[chuckles]
-Do you remember? -Yes, I do.
That's before we did all the work on the house.
-Yeah. -Do you remember that boat?
Absolutely, your grandad made that.
Look at you two.
-I know. -Those little faces.
Who's that? Do you know?
-You, dad? -It's a boy.
-Dad's dad. -Grandad.
-Is it? -Yes. Yeah, can't you see?
I mean, he does look like dad, doesn't he?
-He looked exactly-- -Looks like me.
Yeah.
That was on holiday. [gasps]
-Two. -Look at Abby trying to shove that lolly in my mouth.
Yeah, she always had a habit of doing that.
So,
when, um, I went to the hospital,
um, they said that they, they can't rebalance things anymore.
they've changed my tablets around,
they've tried different combinations of everything
and essentially what's happened is that there is fluid
that's building up on, on the lungs,
it's all, all going on inside.
Don't say that, mum.
Okay.
I need you to look after Daddy
and Abigail, okay?
I think this job's going really well, you know?
I think it's gonna be the start
of a lot of really exciting things.
Iris, did you hear what I said?
-I've just got like-- -Did you hear me?
Yeah, I've got like two more songs,
that I need to get done.
-Yeah, gonna be brilliant. Yeah. -I mean, the exciting bits for you,
is gonna be when the credits roll down,
and you see my name.
Yep.
[guitar playing]
[Leonard] So how did you two guys meet again?
-Ah, it was about six-- -[Andrew] I've got this,
I've got this. We, er--
She wandered into my gallery in Paris, saw me.
[Abby] The most prestigious gallery in Paris, by the way, it is.
And I think it's fair to say
she fell pretty quickly for me.
I've got half a dozen properties in Paris alone,
couple of hundred around the world really.
[overlapping conversations]
[Andrew] So I'm non-stop.
-Okay, everyone. -[Andrew] Uh, about five years--
-Everyone. A little bit-- -Are you shushing me?
A little bit of hush please. Please, Iris, Iris.
Eleanor?
[Leonard] We're trying to do a toast.
We're just gonna-- We thought it's be lovely
to do a toast to our mum, who we love.
[Iris] Toast to mummy.
-So much. -We love you so much.
-Cheers, we love you so much, mum. -And me.
[overlapping conversations]
I'm so glad you got to meet Andrew,
and, um--
-I love you. -I love you.
-[Eleanor] Er, mine's a little too, yeah. -[tapping on glass]
Um, I'd like to make a toast,
to the most gracious,
generous, kind woman.
I would have probably been, okay, I'm saying it wrong,
if I'd had a mum like you,
I wouldn't be like I am,
in a bad way, you know what I mean?
-[Iris] Yeah. -[Eleanor] Like I'd just be--
I'd just be better, 'cause I never-- I never had that.
So, I am so glad that you guys have had that
and I know I've gone on too long, I'm sorry. [clears throat]
[sighs] I'm just a little drunk, sorry.
But I do wanna say is
that you have the most amazing,
brilliant daughter. -[all] Here, here. Yes.
She is smart, funny, sweet, kind.
But really, really fucking talented.
Really fucking, oh, I'm sorry.
-[Leonard] Language. -[Eleanor] I'm so sorry,
and really super-duper talented
[chuckles] and I think you are really--
Um--
Oh, god, sorry, I'm not-- I'm not really good with words,
um-- um-- when people are looking at me,
I get really, okay, I'm sorry.
You know what, actually I have to go to the bathroom, um--
And I love you, is that weird to say?
I just, I do, excuse me, I'm so sorry.
-Alright. -She's about to hit the carpet.
[overlapping conversations]
[Iris] How did you know we were here?
-You're welcome. -Keith, did you invite Bobby?
-Yep. -Yeah, is that a problem?
[Iris] Why'd you guys even talk?
-We always talk. -[Bobby] We talk a lot.
-Bobby. -Why did we break up?
Please leave.
Do you really wanna have this conversation
-in front of mum and dad? -Yes.
I haven't actually explained it fully
to mum and dad yet, so maybe--
I'm a changed man, I've changed everything.
A new outlook, what I do, who I am,
new hobbies. Keith knows. Keith's the man.
Come on, give it a go, Keith says you're doing music
and something's going on with somebody else,
-sounds very strange. -Nothing's going on.
Before I was not listening to the music ironically.
Okay, and now I hear it all and I love fishing now,
everything to do with aquariums, fish, fish pumps, tank pumps.
And that's been able to help me make women happy.
I'm a changed man, I have changed.
There is a lot of change going on. There's a lot.
And within that change is change, and more change.
-I used to be about cars, women, booze. -[coughs]
And I'm no longer about that anymore.
I like women, sure, and booze, of course,
but I don't like cars anymore.
-[bartender] Whisky? -[Eleanor] Just a wee, wee bit,
-A little bit of whisky. -A wee bit, a titch, just a titch.
[laughter]
-[man] I think you should stop. -Good.
[woman] I think you can, like yeah,
a good kiss is definitely a good indication if somebody's gonna be right.
-You okay? -I can be a really good kisser
-with one person. -Yeah, Bobby.
I can't kiss another person.
You don't-- You don't seem okay.
[Eleanor] You know what, can I just say
-this whole English thing. -Is-- We're Welsh.
You had to do that though, didn't you?
Yeah, I know, I'm kind of, uh, sorry,
immediately sorry about it.
You made a bit of a scene though, didn't you?
-[muttering] -You what?
I'm sorry.
-Sorry? -Yeah, I'm very sorry.
[Iris] Oh, 'cause you did sleep with Tash.
Look-- [sighs]
Yeah.
[Eleanor] Fucking mouth, bring that mouth over here.
Some funny business going on over there,
that's your friend, aint it?
[Eleanor kissing] Oh, my god, mm, mm.
Wow! I can drink that shit, man, what is that?
I feel a bit left out, you know.
Shut up, shut up.
-Should we get out of here? Yeah. -Yeah, sure.
[upbeat music]
-Yeah? -Yeah.
¶ You want to ¶
¶ I found a way that I can escape it ¶
¶ With you ¶
-Have you got a condom? -Yeah.
[both grunting]
Okay, alright, pull out then.
-Yeah. -Yeah?
Yeah.
[Iris groaning]
¶ You want to ¶
¶ I found a way that I can escape it ¶
¶ With you ¶
[seagulls cawing]
¶ If you don't pull through ¶
¶ Don't know what I'm gonna do ¶
¶ 'Cause I wanna wake up To your smiling face ¶
¶ Make you tea and coffee ¶
Hi.
[Iris] What are we like?
[sighs]
Last night was a certified disaster.
Yeah.
Sure was.
Andrew's, um-- [clears throat]
You know, so nice that he--
Kind, compassionate, husband material.
-Definitely. -Okay, I get it. I realize
you don't like him. Well, neither do I, so--
-Okay, you can say it. -He's a twat.
-He's an absolute... wanker. -Absolute.
I'm gonna have to get rid of him.
-Yes. -Today.
-Today? -Oh, god.
-Can you do it for me? -No, he's got to walk
to the train station himself.
Do you think Bobby's the one though?
Why are you even thinking, Iris? I was being sarcastic.
He did bring flowers though, so.
It's really tacky.
Five quid flowers and he left the label on.
[chuckles] I wouldn't really say that makes him a stellar gentleman, would you?
How about you rate, um, Eleanor?
-Why would I rate Eleanor? -Why wouldn't you rate Eleanor?
-Because-- -I've seen you over the last
-few days, Iris. -It's really weird, she's not ratable.
-I don't think of her in that way. -You flirt with her.
No, she's a friend.
-Okay. -She's a new friend.
Iris, I'm your sister,
and I've been watching you the last few days and you--
You do know you flirt with her, right?
-A little bit. -I mean, I absolutely
-do not flirt with her. -You do. Yes, you do,
-don't try and cede it. -Oh, don't even go there.
Why-- Like--
Obviously she's not like,
worst looking person ever, is she?
She's a bit-- She's a bit complicated.
That's what-- That's what great people are like, you know,
a lot of the time. I mean, you know, she's still like--
Just like a statue of
wisdom, and, you know, incredibleness.
[Abby] Wow.
-Abs? -Hm?
Play you a song?
-Just been trying it out. -Yeah.
Can you hold this for me for a sec?
-Hold it? -Yes, just hold that.
-Okay, Iris. -Abs, please,
just sing it along with me for one sec? Please, Abs.
I just need a bit of help with the rhythm.
-Okay. -And if you think it's catchy,
-then I know I'm onto something. -Okay, but you know
-I'm not a singer for this bit. -Doesn't matter.
¶ If you don't pull through Don't know what I'm gonna do ¶
¶ Don't know what I'm gonna do ¶
¶ 'Cause I wanna wake up To your smiling face ¶
¶ Make you tea or coffee And get out of this place ¶
¶ Go see smiling faces I'll take you to the places ¶
¶ You haven't been for a while You haven't been for a while ¶
Oh.
¶ It's the simple things They mean so much ¶
¶ You feel like You're losing touch ¶
¶ When you feel like You're losing touch ¶
[laughs]
¶ Keep hanging on With all you've got ¶
I think, and then it should go,
¶ To the simple things They mean so much ¶
Then I go back to G, I go back to G then.
¶ It's the simple things They mean so much ¶
Yeah, that will tie it up nicely, if I go back there.
So I'm gonna start on the G and end on the G.
¶ Make you tea and coffee ¶
¶ And get out of this place ¶
[Eleanor] Can I stop you for a sec?
¶ Go see smiling faces ¶
It's really pretty,
but do you mind if I ask you a question?
-Oh, we're doing so good. -I know, I know, I know.
I just wanna finish this bridge.
Can you just, can you put the guitar down for a second?
Yeah, sure.
Please.
Yeah?
I think it's obvious what happened last night
and it's obvious that I can't drink.
And I've been here before right before you,
and it is not your problem, it's totally my problem,
but I'm really embarrassed
about what happened with your parents.
I was in a blackout, I don't remember anything,
I don't even know how I got back here,
and I-- You've been nothing but great to me,
but I did come here to help you and I have not helped you,
if anything, I feel like I've made things worse,
and I've just kind of brought my madness with me,
and I'm not, you know, I can't drink.
And so, what I've done is I've written you something,
and I hope you like it.
And if you don't, that's okay.
It probably needs a lot of work,
but I haven't written anything in a long time.
-So I really-- I don't know. -My god, this is amazing.
-Thank you so much, this is so exciting. -Hm.
Yeah, but even if it's shit, will you still forgive me?
It's not gonna be shit.
Then can we just be friends?
Can we just do anything? I just think you're great.
I think you're great.
-I do. -Okay, so we just sing it.
-Listen, just don't get your hopes up. -You wrote me a song?
-Wait, okay, A major. -Yeah.
¶ Shall we walk ¶
¶ Shall we walk by the river ¶
¶ This truth is new ¶
¶ Can I have permission To know you ¶
[Iris chuckling]
¶ I took you for granted But you take advantage ¶
¶ Now I'm missing Who I never met ¶
[Iris chuckles]
[Eleanor sobbing]
It's bad, right, it's shit?
Really, really beautiful.
[mellow music]
[singing in Welsh]
Toodeloo!
-Keith, come on. -Okay, hey, Bobs.
What have you got, man, what have you got?
-Look at this, -In with it.
Oh, in there, in there.
Heads in there, look at that.
¶ He does what he wants ¶
-¶ Keith Morris ¶ -¶ Bobby John ¶
-Keith Morris. -No, it's my song.
¶ He does what he wants ¶
Keith Morris.
-Iris. Right, have that. -Alright, I've got it.
-Iris, Iris. -What?
-Come on. Gonna have a chat. -Why do you always have to come over
when I'm having family time? It's just not the time.
-Why are you building a bloody tent? -We're having family time.
It's what we used to do when we were kids, it doesn't even matter anyway.
Baby, come here, I haven't seen you in a while.
And why with Keith again, and what is that?
-What is that thing? -Fun.
Be the woman, man. Look at that.
You've always got to come at private, intimate family moments.
I didn't know it was, Keith said to come along.
Listen, baby, I've not seen you in a week,
-I've not seen you in a week. -I know.
I've been busy, trust me on that.
I've been busy too actually, so I don't really care.
-What have you been doing? -I've actually made a lot of progress with my film.
-I'm nearly finished. -Oh, wicked.
Yeah, with Eleanor actually, I don't know.
Oh, really, yeah, tell me about it, tell me about it.
-You know the American that's staying with me? -Right.
Eleanor Roberts, the film composer I was telling you about.
-Staying with you in the house? -She's staying with me in the summerhouse.
It's been amazing actually, it's been going really, really well.
I was all a bit nervous about it at first,
but it's really come together.
You know, it's like a massive movie I've got.
Interesting.
¶ It's a rare impossibility ¶
Okay, E.
¶ I could mean as much to you ¶
G, E, D.
¶ As you mean to me ¶
¶ From afar I've watched You on the screen ¶
-Hi. -Hi, Eleanor.
¶ Maybe I should keep you ¶
[Eleanor] Sorry?
¶ Keep you in my dreams ¶
-[muted] Don't mind me. -That's Bobby. -Got it.
¶ From out of my mind ¶
G and then go G.
¶ It's all fiction ¶
E, ooh, ooh, sorry, that was E.
¶ You were my icon ¶
[Eleanor] C, G.
¶ From out of my mind ¶
¶ A piece of fiction ¶
G, C.
¶ Coming alive, coming alive ¶
[Eleanor] G, so sorry.
¶ You were my icon ¶
¶ From out of my mind ¶
Nice, there's G, and then go C.
¶ That you're close enough For me to hold you tight ¶
-[Bobby] What's it like with this? -What's that?
How does this sound like?
¶ Close enough for me ¶
It's not live.
It's not on, it's not on.
[Bobby] So you're not actually recording anything?
No, no, no, we're just going through it, I need to just
put some chords down to my lyrics.
Um, you wanna just do a-- we can do a little demo, quickie, you know?
-What's your name? -Bobby John, very nice to meet you.
My catalog's not big.
Why don't you just sing Happy Birthday or something like that?
-Um-- I can't think. -'Cause you can-- Or Star Spangled Banner?
I can't think, let me just--
You don't have to think, just sing.
-Um-- -It's probably best if you don't think.
¶ We wish you a Merry Christmas ¶
¶ We wish you a merry Christmas And a happy new year ¶
¶ The tidings you brought To you and your Kings ¶
¶ We wish you a merry Christmas and a happy year ¶
¶ Noel, noel ¶
What, a joke then? Alright, look at this.
Look at that, here it goes,
Two Eskimos were in, um, a boat, okay,
and a kayak moved passed, slowly throughout the water,
and they looked to it, and they went,
[Eleanor] "You can't have your kayak and eat it too."
Hm-mm.
-I'm sorry? -Just a question.
You gonna have a cup of tea, a cup of tea?
Coffee, one milk, one sugar please.
-Be about one minute. -Thank you, thank you, Iris.
How old are you?
I'm old enough to be her mother,
that's what you wanted to hear, isn't it?
-I don't know. -Yeah.
Well, I just-- I don't know what's going on here really.
Oh yeah, what do you think's going on?
Something a little bit strange.
Hm, I bet you do, what kind of strange,
just tell me what you imagine,
I'd just love to hear it from you.
I just don't know what your motive is, what you're into.
-Hm. -Um, with my girlfriend.
Oh, really, she's your girlfriend?
Very much so, ask her, she's not gonna lie.
I, uh-- I don't believe she's your girlfriend.
What?
Hm.
-What's that? -Did she tell you?
Did she tell me what? She told me a lot of things about you.
We had sex last week, did she tell you that?
Yeah, sure, in your dreams.
[door opens]
[Iris] Bobby? Tea.
-One milk, one sugar? -[Iris] Yeah.
[Iris] Ooh!
Official, I've been thinking a lot about what you said
and this is me been thinking.
Open it now.
[Iris] Why does it say love?
You know.
Oh, okay, so basically this is just like
-basically changing the -Yeah.
-[Iris] One, two, hup! -Ha! Ha! Ha!
Ah! Ah! Ah!
[laughter]
[chattering]
¶ We can find it ¶
¶ More than anyone ¶
[playful chatter]
Slow, slow, slow, slow, slow. I want you to get down.
¶ Has it just begun ¶
-[Eleanor] Um, do you wanna just work? -[Iris] Yeah.
-I think we should, okay. -Absolutely.
So I'm going to, actually I don't know if I want tea,
I don't know if I'm cold or hot and stinky.
I feel like I've really got a little ripe out there.
-Oh yeah, I think, um, I'll just change my shirt, and, um-- -Okay.
-Yeah, I'll change too. -Or I could just, um--
-Better to be fresh. -Yeah.
Get some fresh clothes on for a new day, right.
[Eleanor muffled] Yeah, I mean, just--
I can't tell if I should shower or if I should,
um, just change my shirt or what do you think?
You know what? Actually, I'm a bit of a stinky beaver as well,
I think I'd better just change my shirt or something.
Yeah, you know what, just-- I'll just feel better, in new ones,
and then we can just get to work.
New clothes, new day, new work.
I've actually got clothes here, I could just change.
-Do a quick change. You know what? if we're gonna-- -Uh...
Close those, if we're gonna be--
Are you-- Are you gonna, um, change? Or are you gonna--
-Yeah, yeah, yeah, yeah. -Shower or--
It's nice. You got like a leopard print bra on.
-[Eleanor] I like that. -Yeah?
-Oh yeah. -It's electric blue.
-That's aqua. -And yours is like,
if your bra was a sound, it'd be like a roar.
Well, if this bra could talk, it would say,
it would say, um, take me off. Take me off, take me off.
[Eleanor whispering] Take me off, maybe I should do this thing--
[Iris moans]
[sighs]
[panting]
[Iris] Um--
Oh!
¶ All the times you've Told me what to do ¶
¶ Though you were so far away ¶
¶ I could feel your truth ¶
¶ All the times I felt a part of you ¶
¶ There's a wonder in Your eyes I hold on to ¶
[Eleanor chuckles]
¶ There's a wonder in Your eyes I hold on to ¶
[sighs]
Well, that happened.
[all cross-talking]
-This is from me to you. -Oh, my goodness, thank you.
Dad. This is from Abs to you.
-Thank you, Abs. -You're welcome.
-This is from uncle Keith. -It is, you'll like that,
it's for all of you, you'll have a lovely time. I'm not saying nothing.
I can't believe you got me, such-- Keith!
-It's a lot bigger, isn't it? -It's just something I thought--
We'll start with this one.
Why does Iris get the biggest present in the house?
-It's ginormous. -Something you've obviously--
[all screaming]
[Leonard] Oh, my god!
¶ Noel, noel ¶
Merry Christmas. So what do you think?
We're not together anymore, Bobby, okay? It's-- [clears throat]
We're not together anymore. It-- it-- it is over, it's-- it's the end.
[Bobby] Keith.
-[Leonard] Be careful of the tree. -Oh.
-[Leonard] Just be careful. -Um--
[Iris] Bobby?
We're just not right for each other, are we? It's just--
Never been quite the fit.
And, um--
Anyway, I hope we can be friends still, you know?
Merry Christmas.
Yeah.
[sighs]
Right, should we open our presents?
[all] Yeah!
-Who's going first? -Oh!
-[Keith] Nice scarf, I'm just gonna-- -[Leonard] Go first then, Keith.
-Yeah, what we've got? Oh! -[Leonard] Welsh cake!
Cracking, man, look at that, Welsh cakes.
-Socks! -Hey!
-Socks!
[Abby] I know it's been a while since I've
done anything, but, um--
-Darling, that is fenom-- -Actually they go
-with your T-shirt today. -[Leonard] They do actually.
Yes, they do, they stretch, oh, superb!
[Mary] They look, are they?
They look a bit small.
Oh, thank you.
[emotional music]
[muted]
¶ 'Cause I wanna wake up To your smiling face ¶
¶ Face ¶
¶ 'Cause I wanna wake up To your smiling face ¶
¶ Make you tea or coffee And get out of this place ¶
¶ Go see smiling faces I'll take you to the places ¶
¶ You haven't been for a while ¶
¶ It's the simple things That mean so much ¶
¶ When you feel like You're losing touch ¶
¶ Keep hanging on With all you've got ¶
¶ To the simple things That mean so much ¶
[sobbing]
["Funeral" by Phoebe Bridgers playing]
["Sprained Ankle" by Julien Baker playing]
¶ Wish I could write songs about Anything other than death ¶
¶ I can't go to bed Without drawing the rest ¶
¶ Shaving off the rest ¶
¶ Each one so heavy Each one so cumbersome ¶
¶ Each one a lead weight Hanging between my lungs ¶
¶ Spilling my guts ¶
¶ Sweat on the microphone Breaking my voice ¶
¶ Whenever I belong With you can't stop ¶
¶ Isn't this worth it I'm sure you're okay ¶
¶ Should I go somewhere else, Not my face ¶
¶ Springtime, learn a new way ¶
¶ Marathon running Might cause a sprain ¶
[Vicar] We have come together
to commend our sister, Mary Evans
into the hands of almighty God, our Heavenly Father,
and in the presence of death,
Christians have showed ground for hope and confidence,
because the Lord Jesus Christ,
who shared our human life and death,
was raised again triumphant
and lives forevermore.
In him, his people find eternal life,
and in this faith,
we put our whole trust
in his goodness and mercy.
Mum.
I'm gonna miss your smile and your laugh
and having cuddles in bed.
[sighs]
I miss all of our late night chats about
love and life and the universe, and--
My mother, Mary Evans
was the kindest,
most thoughtful,
gorgeous woman
I've ever, I've ever known.
I know she's been preparing us for this day,
me and Abs and Dad.
So I know what she would have wanted,
and what she does want, which is
for us to go out into the world and
spread our wings and
find joy and happiness and
be together for the good and the bad moments, and
all the shades in between, and we're gonna do you proud, mum,
we're gonna be there for each other, and
her memory will live on in our hearts.
I love you, mum.
[crying]
-You came back. -Hm-mm.
-You want some tea? -Yeah.
[cutlery clinking]
-God, I feel so embarrassed. -Well--
It was all weird with you in the summerhouse, eh?
-[sighs] -Do you really wanna go there?
-[chuckles] -I know, I just-- I'm not usually like that.
I don't-- I don't know what came over me, you know. It's just--
Suddenly it all came out and--
I'm so embarrassed and I don't know what to say and then--
It was a little traumatizing, I have to say. [chuckles]
But I'm working through it, I have professionals to help me.
-Good. -[laughs]
But, um, I actually, um--
I, uh--
I don't know, I just thought about a lot of the things that went down,
and I feel like the energy of us together--
We did something that I couldn't have done alone,
and I don't think you could have done alone,
and we did it together.
I actually have written some of the best songs I've ever written this week
and there's no way that I would have been able to do that
at the worst time of my life,
have the best thing also happen to me.
You know, there's something about
when somebody from the outside,
like somebody from Mars, comes in
and they just decide to believe in you.
[melancholic song playing]
And you just decided to come out of nowhere and believe in me.
And the power of that is...
massive.
Then listen to me,
you're really talented,
and your heart is beautiful,
and your energy is so crystal clear.
'Cause you're amazing...
¶ My love will overflow ¶
¶ Help to ¶
[man] Fancy?
No, pasties give me a bit of heartburn.
Yeah, well, they're renowned for it, you know.
Yeah, nice though, but I can do any kind of pastry does me really, pasties--
I had Welsh cakes the other day.
-Oh, yeah. -They bought me,
they are quite dry, quite claggy.
That's right, it's the dough.
-I was kind of eating them... -Yeah.
They need a bit of butter on them really.
Well, they just sit there, see.
[Keith] They did sit there for a while.
Yeah.
Alright, yeah, got to be careful.
-Hey. -How are you doing?
Alright.
[grunts]
[sighs]
How's it going in there?
Mental, looks like Keith's about to get on the decks.
Mum would have laughed at that.
Mum would have really laughed.
-Like a lot. -At everything.
-Yeah. -The whole scenario.
So, I've been thinking after what mum said,
that I'm gonna spend more time at home
-with you and dad. -Really?
Yeah.
What do you think?
-Really? -Yeah.
I think if that makes you happy, then,
-it'll make me really happy. -Good.
-Done. -Um.
Griff was actually saying the other day, he called me, and--
He was saying if I wanna go to L.A. with the, you know--
-L.A.? -L.A. Well, they're getting all my demos
in the orchestra room.
-But, you know. -You've got to do that.
Yeah, but I kind of need somebody to show me around,
somebody that's been there, that--
You know, that I loved and trusted.
Is that your roundabout way of...
-Would you? -...asking your big sister
to come to L.A. with you, because you're so gorgeous.
Well, I'd kind of like to spend time with you.
-Really? -Yeah.
Aw. Yes, I would love to do that with you.
-Really? -That would be amazing.
-Yes. 100%. -And look after me?
I would definitely, yes, I'm so in.
-We'll both do it together. I think mum-- -Hm.
-Bobby? Um, I-- -What do you think first
of the-- the spread, what do you think?
We, uh, we went all out with, uh, cheesy tomatoes,
thin sliced, um, premium ham,
with a ham and-- and tomato as well,
on that one, and then this is pizzeria, Welsh pastries.
Do you mind changing the music? It feels a bit sad and I know
mum really would have wanted us to dance, and just have a bit more fun.
Um, yeah, no, I'll change it in a minute, uh--
Are you okay?
Yeah.
-Are you sure? -Yeah.
I'm okay.
Fine.
I'm gonna change that-- the music.
¶ I'll get used to it Eventually ¶
[indistinct chatter]
[upbeat music]
¶ My body can't contain ¶
¶ All the things you do ¶
¶ But I can't complain ¶
¶ It's gonna see me through ¶
¶ My body can't contain ¶
¶ The feeling in my heart ¶
¶ The pleasure and the pain ¶
¶ Love is just a game ¶
¶ Ooh, we get so high ¶
¶ Fire in your eye ¶
¶ And we lose our minds ¶
¶ We can't protect the line ¶
¶ And we get so high ¶
¶ Fire in your eye ¶
¶ And we lose our minds ¶
[song continues]
["I Was Home" by Sunflower Bean playing]
¶ What did you do today ¶
¶ Didn't do much today ¶
¶ I was home and then I wasn't ¶
¶ What did you do today ¶
¶ I stayed at home today ¶
¶ I was home and then I wasn't ¶
¶ What do you do, when You're stuck between days ¶
¶ And your days can't Keep up with your days ¶
¶ What do you do, when You're stuck between days ¶
¶ And your days can't Keep up with your days ¶
¶ What did you do today ¶
¶ Didn't do much today ¶
¶ I was home and then I wasn't ¶
¶ What did you do today ¶
¶ I stayed at home today ¶
¶ I was home and then I wasn't ¶
¶ I had a dream I saw myself on TV ¶
¶ And I viewed myself In many different ways ¶
¶ I had a dream I saw myself on TV ¶
¶ And I viewed myself In many different ways ¶